How the Golden Girls Altered American Situation Comedy
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Cedric “The Entertainer”
CEDRIC “THE ENTERTAINER” Charismatic actor/ comedian CEDRIC "THE ENTERTAINER" is best known for his many crowd-pleasing performances in such hit films as BARBERSHOP, BE COOL with John Travolta, MADAGASCAR, INTOLERABLE CRUELTY with George Clooney, JOHNSON FAMILY VACATION (the 2004 box office hit in which Cedric was both star and producer), and THE ORIGINAL KINGS OF COMEDY (MTV’S phenomenally successful documentary feature directed by Spike Lee), to name a few. Additionally, on the big screen, Cedric has recently been seen co-starring with Marlon Wayans in the box office hit "A HAUNTED HOUSE"; He has also starred opposite Julia Roberts and Tom Hanks in the comedy feature LARRY CROWNE; as well as shared the marquee in CADILLAC RECORDS with Adrien Brody and Beyonce Knowles; STREET KINGS opposite Keanu Reeves; WELCOME HOME ROSCOE JENKINS with Martin Lawrence; TALK TO ME starring Don Cheadle; CODENAME: THE CLEANER opposite Lucy Liu; THE HONEYMOONERS (in which he starred as Jackie Gleason’s famed character “Ralph Cramden”; with thumbs up from Roger Ebert); LEMONY SNICKET with Jim Carrey; MAN OF THE HOUSE with Tommy Lee Jones; BARBERSHOP 2; BIG MOMMA’S HOUSE; KINGDOM COME with Whoopi Goldberg; SERVING SARA with Matthew Perry; as well as displaying tremendous vocal talent in the family features MADAGASCAR 2, CHARLOTTE’S WEB, DR. DOLITTLE 2 and ICE AGE. He will next lend his voice to “DISNEY’s PLANES” in theaters on August 9, 2013. Marking yet another career highlight, on March 20, 2013, Cedric was named the new host of “Who Wants To Be A Millionaire,” joining the long- running game show beginning with its 12th season in national syndication. -
Senior Women's Performances of Sexuality
“DUSTY MUFFINS”: SENIOR WOMEN’S PERFORMANCES OF SEXUALITY A Thesis by EVLEEN MICHELLE NASIR Submitted to the Office of Graduate Studies of Texas A&M University in partial fulfillment of the requirements for the degree of MASTER OF ARTS August 2012 Major Subject: Performance Studies “Dusty Muffins”: Senior Women’s Performances of Sexuality Copyright 2012 Evleen Michelle Nasir “DUSTY MUFFINS”: SENIOR WOMEN’S PERFORMANCES OF SEXUALITY A Thesis by EVLEEN MICHELLE NASIR Submitted to the Office of Graduate Studies of Texas A&M University in partial fulfillment of the requirements for the degree of MASTER OF ARTS Approved by: Chair of Committee, Kirsten Pullen Committee Members, Judith Hamera Harry Berger Alfred Bendixen Head of Department, Judith Hamera August 2012 Major Subject: Performance Studies iii ABSTRACT “Dusty Muffins”: Senior Women’s Performance of Sexuality. (August 2012) Evleen Michelle Nasir, B.A., Texas A&M University Chair of Advisory Committee: Dr. Kirsten Pullen There is a discursive formation of incapability that surrounds senior women’s sexuality. Senior women are incapable of reproduction, mastering their bodies, or arousing sexual desire in themselves or others. The senior actresses’ I explore in the case studies below insert their performances of self and their everyday lives into the large and complicated discourse of sex, producing a counter-narrative to sexually inactive senior women. Their performances actively embody their sexuality outside the frame of a character. This thesis examines how senior actresses’ performances of sexuality extend a discourse of sexuality imposed on older woman by mass media. These women are the public face of senior women’s sexual agency. -
Feminism, Postfeminism, Liz Lemonism: Comedy and Gender Politics on 30 Rock
Genders 1998-2013 Genders 1998-2013 Genders 1998-2013 Home (/gendersarchive1998-2013/) Feminism, Postfeminism, Liz Lemonism: Comedy and Gender Politics on 30 Rock Feminism, Postfeminism, Liz Lemonism: Comedy and Gender Politics on 30 Rock May 1, 2012 • By Linda Mizejewski (/gendersarchive1998-2013/linda-mizejewski) [1] The title of Tina Fey's humorous 2011 memoir, Bossypants, suggests how closely Fey is identified with her Emmy-award winning NBC sitcom 30 Rock (2006-), where she is the "boss"—the show's creator, star, head writer, and executive producer. Fey's reputation as a feminist—indeed, as Hollywood's Token Feminist, as some journalists have wryly pointed out—heavily inflects the character she plays, the "bossy" Liz Lemon, whose idealistic feminism is a mainstay of her characterization and of the show's comedy. Fey's comedy has always focused on gender, beginning with her work on Saturday Night Live (SNL) where she became that show's first female head writer in 1999. A year later she moved from behind the scenes to appear in the "Weekend Update" sketches, attracting national attention as a gifted comic with a penchant for zeroing in on women's issues. Fey's connection to feminist politics escalated when she returned to SNL for guest appearances during the presidential campaign of 2008, first in a sketch protesting the sexist media treatment of Hillary Clinton, and more forcefully, in her stunning imitations of vice-presidential candidate Sarah Palin, which launched Fey into national politics and prominence. [2] On 30 Rock, Liz Lemon is the head writer of an NBC comedy much likeSNL, and she is identified as a "third wave feminist" on the pilot episode. -
—Sex and the City“ Self-Guided Tour
“Sex and the City” Self-Guided Tour During its six seasons on television the ladies of Sex and the City made their way around Manhattan, making some previously unknown locations a must-see on every visitors list. Use this guide to visit some of the most memorable real-life filming locations of Sex and the City and visit www.TheNewYorkCityTraveler.com for more information on New York City. West Village/Meatpacking District 11 Sushi Samba 245 Park Ave South This sushi restaurant is where Samantha 1 Carrie’s Stoop 66 Perry St. confronts a cheating Richard Wright and Sex and the City used a few locations to film coins the term “Dirty martini. Dirty the exterior shots of Carrie’s apartment. bastard.” Here is the most recognizable, Carrie’s 12 Pleasure Chest 156 Seventh Ave. stoop. The girls stop by this sex shop and pick up 2 Magnolia Bakery 401 Bleecker St. the now-famous “The Rabbit” vibrator. Made famous by Sex and the City, stop by 13 Church of the Transfiguration 1 E. 29th St. for a cupcake. Also known as “The Little Church Around 3 Furniture Company 818 Greenwich St. the Corner,” this is where Samantha Furniture Company was cast as Aidan’s attempts to bed Friar Fuck. furniture shop, and where Carrie met Aidan. 14 Vera Wang Bridal House 225 W. 39th St. 4 Samantha’s Loft 300 Ganesvoort St. Where Charlotte picked up her wedding Samantha, always ahead of her time, moved dress when she was marrying Trey. to a loft in the Meatpacking District. The 15 Manolo Blahnik 31 W. -
University of Florida Thesis Or Dissertation Formatting
THE TELEVISED SOUTH: AN ANALYSIS OF THE DOMINANT READINGS OF SELECT PRIME-TIME PROGRAMS FROM THE REGION By COLIN PATRICK KEARNEY A DISSERTATION PRESENTED TO THE GRADUATE SCHOOL OF THE UNIVERSITY OF FLORIDA IN PARTIAL FULFILLMENT OF THE REQUIREMENTS FOR THE DEGREE OF DOCTOR OF PHILOSOPHY UNIVERSITY OF FLORIDA 2020 © 2020 Colin P. Kearney To my family ACKNOWLEDGMENTS A Doctor of Philosophy signals another rite of passage in a career of educational learning. With that thought in mind, I must first thank the individuals who made this rite possible. Over the past 23 years, I have been most fortunate to be a student of the following teachers: Lori Hocker, Linda Franke, Dandridge Penick, Vickie Hickman, Amy Henson, Karen Hull, Sonya Cauley, Eileen Head, Anice Machado, Teresa Torrence, Rosemary Powell, Becky Hill, Nellie Reynolds, Mike Gibson, Jane Mortenson, Nancy Badertscher, Susan Harvey, Julie Lipscomb, Linda Wood, Kim Pollock, Elizabeth Hellmuth, Vicki Black, Jeff Melton, Daniel DeVier, Rusty Ford, Bryan Tolley, Jennifer Hall, Casey Wineman, Elaine Shanks, Paulette Morant, Cat Tobin, Brian Freeland, Cindy Jones, Lee McLaughlin, Phyllis Parker, Sue Seaman, Amanda Evans, David Smith, Greer Stene, Davina Copsy, Brian Baker, Laura Shull, Elizabeth Ramsey, Joann Blouin, Linda Fort, Judah Brownstein, Beth Lollis, Dennis Moore, Nathan Unroe, Bob Csongei, Troy Bogino, Christine Haynes, Rebecca Scales, Robert Sims, Ian Ward, Emily Watson-Adams, Marek Sojka, Paula Nadler, Marlene Cohen, Sheryl Friedley, James Gardner, Peter Becker, Rebecca Ericsson, -
“Hush” on Recent Book Release President, Students
the The voice of Austin Peay State University students since 1929 alAprill 29, 2009s | Vol. 81, Issuet 28 ateFirst copy free, additional copies 50 cents each Satellite AWARDS CEREMONY campus to offer more courses By JENELLE GREWELL Staff Writer APSU and Nashville State Community College students will have more class opportunities and easier access to these classes by this fall semester. Classes will be offered at the Renaissance Center in Dickson. The registration for courses at the Renaissance Center began Monday, April 6, and will continue through Aug. 24; late registration period is Aug. 25 through Aug. 31. The programs of study offered in Dickson include business and applied arts, English and humanities, social sciences and math and sciences. Stephens said these courses will continue to be offered with the move to the Renaissance Center. Cynthia Stephens, office supervisor of Dickson County Higher Learning Center, said NSCC has MATEEN SIDIQ | SENIOR PHOTOGRAPHER offered general education courses leading to degrees Sherryl Byrd, associate vice president of student affairs, right, hands the Vice President’s Excellence in Leadership Award to winner Ashley Hargis during the Student and certificates, as well as Organization and Leader Awards ceremony Wednesday, April 22. college preparation courses to better prepare for college level work at Dickson. Julia McGee, interim dean of Extended and Distance Education, said APSU will offer See Campus, page 2 President, students address more alumni activity By NICOLE JUNE decide to revisit,” he said. heads as freshmen, we might be something aesthetic around the that no one really visits. The Assistant News Editor Hall then opened the able to persuade more people to campus, such as a small brick alumni are not in our everyday Club President Timothy Hall discussion to the students. -
The Musical Number and the Sitcom
ECHO: a music-centered journal www.echo.ucla.edu Volume 5 Issue 1 (Spring 2003) It May Look Like a Living Room…: The Musical Number and the Sitcom By Robin Stilwell Georgetown University 1. They are images firmly established in the common television consciousness of most Americans: Lucy and Ethel stuffing chocolates in their mouths and clothing as they fall hopelessly behind at a confectionary conveyor belt, a sunburned Lucy trying to model a tweed suit, Lucy getting soused on Vitameatavegemin on live television—classic slapstick moments. But what was I Love Lucy about? It was about Lucy trying to “get in the show,” meaning her husband’s nightclub act in the first instance, and, in a pinch, anything else even remotely resembling show business. In The Dick Van Dyke Show, Rob Petrie is also in show business, and though his wife, Laura, shows no real desire to “get in the show,” Mary Tyler Moore is given ample opportunity to display her not-insignificant talent for singing and dancing—as are the other cast members—usually in the Petries’ living room. The idealized family home is transformed into, or rather revealed to be, a space of display and performance. 2. These shows, two of the most enduring situation comedies (“sitcoms”) in American television history, feature musical numbers in many episodes. The musical number in television situation comedy is a perhaps surprisingly prevalent phenomenon. In her introduction to genre studies, Jane Feuer uses the example of Indians in Westerns as the sort of surface element that might belong to a genre, even though not every example of the genre might exhibit that element: not every Western has Indians, but Indians are still paradigmatic of the genre (Feuer, “Genre Study” 139). -
30 Rock: Complexity, Metareferentiality and the Contemporary Quality Sitcom
30 Rock: Complexity, Metareferentiality and the Contemporary Quality Sitcom Katrin Horn When the sitcom 30 Rock first aired in 2006 on NBC, the odds were against a renewal for a second season. Not only was it pitched against another new show with the same “behind the scenes”-idea, namely the drama series Studio 60 on the Sunset Strip. 30 Rock’s often absurd storylines, obscure references, quick- witted dialogues, and fast-paced punch lines furthermore did not make for easy consumption, and thus the show failed to attract a sizeable amount of viewers. While Studio 60 on the Sunset Strip did not become an instant success either, it still did comparatively well in the Nielson ratings and had the additional advantage of being a drama series produced by a household name, Aaron Sorkin1 of The West Wing (NBC, 1999-2006) fame, at a time when high-quality prime-time drama shows were dominating fan and critical debates about TV. Still, in a rather surprising programming decision NBC cancelled the drama series, renewed the comedy instead and later incorporated 30 Rock into its Thursday night line-up2 called “Comedy Night Done Right.”3 Here the show has been aired between other single-camera-comedy shows which, like 30 Rock, 1 | Aaron Sorkin has aEntwurf short cameo in “Plan B” (S5E18), in which he meets Liz Lemon as they both apply for the same writing job: Liz: Do I know you? Aaron: You know my work. Walk with me. I’m Aaron Sorkin. The West Wing, A Few Good Men, The Social Network. -
Summer Classic Film Series, Now in Its 43Rd Year
Austin has changed a lot over the past decade, but one tradition you can always count on is the Paramount Summer Classic Film Series, now in its 43rd year. We are presenting more than 110 films this summer, so look forward to more well-preserved film prints and dazzling digital restorations, romance and laughs and thrills and more. Escape the unbearable heat (another Austin tradition that isn’t going anywhere) and join us for a three-month-long celebration of the movies! Films screening at SUMMER CLASSIC FILM SERIES the Paramount will be marked with a , while films screening at Stateside will be marked with an . Presented by: A Weekend to Remember – Thurs, May 24 – Sun, May 27 We’re DEFINITELY Not in Kansas Anymore – Sun, June 3 We get the summer started with a weekend of characters and performers you’ll never forget These characters are stepping very far outside their comfort zones OPENING NIGHT FILM! Peter Sellers turns in not one but three incomparably Back to the Future 50TH ANNIVERSARY! hilarious performances, and director Stanley Kubrick Casablanca delivers pitch-dark comedy in this riotous satire of (1985, 116min/color, 35mm) Michael J. Fox, Planet of the Apes (1942, 102min/b&w, 35mm) Humphrey Bogart, Cold War paranoia that suggests we shouldn’t be as Christopher Lloyd, Lea Thompson, and Crispin (1968, 112min/color, 35mm) Charlton Heston, Ingrid Bergman, Paul Henreid, Claude Rains, Conrad worried about the bomb as we are about the inept Glover . Directed by Robert Zemeckis . Time travel- Roddy McDowell, and Kim Hunter. Directed by Veidt, Sydney Greenstreet, and Peter Lorre. -
Blacks Reveal TV Loyalty
Page 1 1 of 1 DOCUMENT Advertising Age November 18, 1991 Blacks reveal TV loyalty SECTION: MEDIA; Media Works; Tracking Shares; Pg. 28 LENGTH: 537 words While overall ratings for the Big 3 networks continue to decline, a BBDO Worldwide analysis of data from Nielsen Media Research shows that blacks in the U.S. are watching network TV in record numbers. "Television Viewing Among Blacks" shows that TV viewing within black households is 48% higher than all other households. In 1990, black households viewed an average 69.8 hours of TV a week. Non-black households watched an average 47.1 hours. The three highest-rated prime-time series among black audiences are "A Different World," "The Cosby Show" and "Fresh Prince of Bel Air," Nielsen said. All are on NBC and all feature blacks. "Advertisers and marketers are mainly concerned with age and income, and not race," said Doug Alligood, VP-special markets at BBDO, New York. "Advertisers and marketers target shows that have a broader appeal and can generate a large viewing audience." Mr. Alligood said this can have significant implications for general-market advertisers that also need to reach blacks. "If you are running a general ad campaign, you will underdeliver black consumers," he said. "If you can offset that delivery with those shows that they watch heavily, you will get a small composition vs. the overall audience." Hit shows -- such as ABC's "Roseanne" and CBS' "Murphy Brown" and "Designing Women" -- had lower ratings with black audiences than with the general population because "there is very little recognition that blacks exist" in those shows. -
Jaime Pressly Cast in New Tv Land Pilot “Jennifer Falls”
JAIME PRESSLY CAST IN NEW TV LAND PILOT “JENNIFER FALLS” New York, NY – August 5, 2013 – Emmy® Award-winning actress Jaime Pressly has been cast in the lead role for TV Land’s new pilot “Jennifer Falls,” it was announced today by Keith Cox, Executive Vice President of Development and Original Programming for the network. Pressly, best known for her work on the NBC series “My Name is Earl,” will play the lead character, Jennifer Doyle, in this multi-camera pilot. “Jennifer Falls" revolves around a career woman and mother (Pressly) who must move back in with her own mom after being let go from her high-powered, six-figure salary job. With her teenage daughter in tow, Jennifer has to face her new life, trying to reconnect with old friends in her hometown and making ends meet as a waitress in her brother’s bar. “It’s amazing to have someone like Jaime Pressly on board for ‘Jennifer Falls,'” said Cox. “We loved this script from the moment we read it, and Jaime just brings the role to life perfectly.” The pilot is written, created and executive produced by Matthew Carlson (“The Wonder Years,” “Malcolm in the Middle”), with Michael Hanel and Mindy Schultheis (“Reba,” “The Exes”) also serving as executive producers. TV Land's current line-up of original sitcoms airs Wednesdays at 10pm ET/PT and includes the hit series "Hot in Cleveland," "The Exes" and "The Soul Man." The series have received several awards and accolades including two 2013 Creative Arts Emmy® nominations: one for "Hot in Cleveland" and the other for "The Exes." All of these series star pop culture icons and fan favorites including Betty White, Valerie Bertinelli, Wendie Malick, Jane Leeves, Kristen Johnston, Donald Faison, Wayne Knight, David Alan Basche, Kelly Stables, Cedric "The Entertainer," Niecy Nash and Wesley Jonathan. -
CALL GLOBE BIG at 561-989-1015 Or TOLL-FREE at 1-800-749-7733 Ext
DELTAWHAT’S wrong with Delta Burke’s DISASTER! face? The 58-year-old star is unrec- ognizable as the actress who played Suzanne Sugarbaker on the hit TV sitcom Designing Women from 1986 to 1991. Her bloated appearance stunned shoppers as she and actor hubby Gerald McRaney, 67, left a Studio City, Calif., deli following lunch a few days ago. “I haven’t seen her in a while and I was shocked at her ap- pearance,” says an eyewitness. “She was barely recognizable.” Now, speculation is running ram- pant the former beauty queen is the victim of a plastic surgery disaster Delta gets hands on with the late Meshach Taylor, surrounded by (clockwise) the late Alice Ghostley, Jean Smart, Annie Potts and Dixie Carter who died in 2010 for the Miss America crown. Since then, the 5-foot-5 actress has battled the bulge, Type 2 diabetes, depression, obsessive-compulsive disorder and hoarding. She checked Delta strolls with hubby into a clinic for depression in 2008 Gerald McRaney when her compulsion to hoard pos- sessions exploded out of control. – or bloating from prescription medication. Support from hubby Dr. Steve Fallek, a Big Apple cos- And after ballooning to nearly metic surgeon, tells GLOBE, “There 200 pounds, she had eight inches is no way her face is the result of fat of fat sucked off her tummy with injections or implants. ‘Designing’ beauty is liposuction. “It’s more likely caused by steroid But despite her changed appear- medication – just like Ashley Judd’s ance, Delta gets strong support from bloated face a while ago.