DOCSLIB.ORG

Roundabout Brochure 2015-4X9-09-14-2017

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
Roundabout Brochure 2015-4X9-09-14-2017 QUIZ Questions 1 What objects are used to form the stamens of the “flowers” in the Yakaya roundabout? ——————————————————————————————————— VisitBend.com 2 This picture gives a bird’s-eye view of which roundabout sculpture? ——————————————————————————————————— 3 How many wheels are in the Cogs roundabout? ——————————————————————————————————— 4 What number did you see as you drove by Lodestar? If you’re in (Hint; there’s more than one right answer!). BEND, ——————————————————————————————————— 5 Which art installation is actually three separately named pieces in one roundabout? chances are you love being outside, ——————————————————————————————————— and that goes for our art, too! 6 What nationally famous Central Oregon landmark sits on the roundabout with Redsides? We’ve got sculptures in the wild, and we’re not ——————————————————————————————————— the only ones who think that’s cool. Bend’s 7 What pictographs did you see on the Sunrise Spirit Column roundabout sculptures were honored by besides the ones we mentioned? Americans for the Arts as one of the most ——————————————————————————————————— innovative approaches to Public Art in the 8 How many deer are in the Big Ears roundabout? country. All this great, accessible art is thanks ——————————————————————————————————— to Art in Public Places, a visionary local 9 Name two pieces that are kinetic and can move with the wind. organization on the arts scene since 1967. ——————————————————————————————————— 10 Which roundabout art piece is your favorite and why? Art in Public Places, supported by the Bend ——————————————————————————————————— Foundation and private donations, is a non-profit organization that’s overseen installation of over 45 sculptures throughout town. Works of art are selected through a process that includes public input and the results enhance the cultural 750 NW Lava Road, Suite 160, Bend, OR 97703 environment for citizens and visitors alike! 877-245-8484 / 541-382-8048 DESCHUTES RIVER To Sisters, To Redmond Salem, and 97 and Portland Roundabout How-To Eugene 20 Go with the flow and wait for a break COOLEY RD. WELCOME TO THE in traffic before entering roundabouts. Roundabout Art Route When it’s time to exit, signal right COOLEY RD. and cruise on through! YEOMAN RD. You’ve probably noticed that O.B. RILEY RD. 18 TH ST. DESCHUTES MARKET RD. MARKET DESCHUTES roundabouts are a way of life 23 R. here in Bend…and so is art! MT. W N D ASHINGTO EMPIRE AVE. EMPIRE AVE. AR CHIE Put the two together and you’ve got the B . R T I S GG S D RD. R 3 Roundabout Art Route. Part cultural diversion, / PURCELL BLVD. PURCELL AWBREY 7 9 BUTTE S S . E part artistic scavenger hunt, you’ll discover RD N I T S E BOYD ACRES RD. K HWY. 97 / PARKWAY U R B A M 24 fantastic pieces of public art as you twist . R D R E IT L M T M U U B and turn through town. From tributes to Bend’s N S . 20 heritage to artistic whimsy, each installation has D ST. 27 TH R O I D U T been thoughtfully created by artists from S . 12TH ST. Y AWBREY RD. A around the world who believe art makes the W E G E L DIVISION ST world go round. And round and round. L O C MT. WASHINGTON DR. REVERE AVE. WALL ST. PORTLAND AVE. OLNEY AVE. NEFF RD. 9TH ST. SHEVLIN PARK RD. 21 14 15 16 NEWPORT AVE. 17 3RD ST. 97 4TH ST. 5TH ST. 8TH ST. PILOT Ready to take a WALL GREENWOOD AVE. BUTTE 13 MINNESOTAOREGON SPIN? NW CROSSING E BLVD. SID FRANKLIN ER IV B SKYLINERS RD. 12 11 GALVESTON AVE. R KANSAS FRANKLIN AVE. 18 20 LAVA BEAR CREEK RD. WALL 19 BOND COLORADO AVE. 14TH ST. ARIZONA 8 INDUSTRIAL WAY COLUMBIA ST. MT. WASHINGTON DR. BOND ALEH SC O U . S SIMPSON AVE. R E . L 22 10 9 P D R . Here’s what you do! D E C E A S 2ND ST. 9TH ST. R F 15TH ST. U R F E O U T L H 7 R R B E E WILSON AVE. Map in hand, you’re ready to hit the road*. P BUSINESS 97 / 3RD ST. W P O U COLORADO AVE.6 P C HWY. 97 / PARKWAY Start wherever you like, just make sure OL UM BIA you visit every stop along the way CHANDLER AVE.CENTURY DR. 3 2 1 REED MARKET RD. because there will be a quiz. (No, really.) 5 Coming Soon 4 REED MARKET Take pictures, make memories, and enjoy a delightful R E spin on public art. At the end of the road, as if the I V R POWERS RD 3RD ST. Highway 97 AKA “The Parkway” S 97 . E art-filled experience itself wasn’t enough, a prize R T D Greenwood, east of 3rd Street, RY U TU H 20 is also Highway 20 awaits! Simply bring your completed quiz to Visit Bend EN C C ka S a Designates exits off Hwy 97 Y. E 24 and claim your Roundabout Art Route souvenir. HW D S MURPHY ROAD KE # LA Designates Roundabout Art Location E AD *Pro tip: Designate a navigator. Driving through SC 97 CA To The High Traffic Roundabout roundabouts while consulting your guide is dangerous. Desert Museum BROOKSWOOD BLVD. B Map not drawn to scale and Sunriver Bus Station Sound Garden Lodestar Lee Kelly | 2010 Roger Berry | 2009 01 Award-winning Portland artist Lee Kelly The visual trick in this silicon bronze leveraged his 50+ years of sculpting Mobius may have you heading through experience to create Sound Garden, a the roundabout more than once. stainless steel representation of organic Created by Northern California artist musical notes rising above native plants Roger Berry, the shape-shifting Lodestar and trees. Kelly, who works out of a is a collaboration between William converted dairy barn in Oregon City, Smith Properties and Art in Public has spent years traveling the world to Places, and is often viewed as the fuel his love of art, architecture, and high gateway to the Old Mill District. And if altitude adventure. It is worth noting you look west for just a moment, you’ll that the piece is inspired by a sculpture catch a glimpse of the stunning the Art in Public Places selection Cascades in the distance. committee viewed and admired in 04 Kelly’s personal collection. Mt. Bachelor Centennial Compass 02 Logger Steve Jensen | 2002 Jerry Werner | 2004 Heading down Century Drive after a day Along with Centennial Planter, on the slopes or at the lakes, Mt. Bachelor Centennial Logger was created by Compass is the first piece to welcome you long-time Central Oregon artist Jerry back to Bend. But don’t set your compass Werner to commemorate the City of by these gleaming brushed aluminum Bend’s 100th anniversary. The bronze letters. The “S” has been shifted slightly logger looks as if he might be gazing at to keep it out of the path of wayward Farewell Bend Park and remembering a cars. True north? Not so much. time when the area was a bustling mill Truly beautiful? Absolutely! town. Or maybe he’s just looking at all the happy people and dogs running around, wishing he could join in the fun. 05 Centennial Yakaya Planter 03 06 Troy Pillow | 2010 Jerry Werner | 2004 Kayaks as art? Perfectly reasonable in Centennial Planter is installed close to a water-loving town like Bend! Troy an old log deck along the Deschutes Pillow, whose public art can be found as a tribute to the region’s deep roots in around the country, constructed the logging industry. Combined with Yakaya from nine colorful kayaks. Centennial Logger, Bend-based artist Jerry Pillow says he strives to “create a Werner created the two pieces to union of ease between modern design represent the cycle of life. Werner’s and nature, blending fluidly with their bronze pieces start out as master clay environment and elements.” Yakaya sculptures, allowing him to capture the does just that, as it is strategically smallest details. We love the seedlings located next to one of the most in the hip pouch, just waiting to popular launch spots for people be planted. Lucky little trees. who are ready to ride the Deschutes. 07 10 Big Ears Joe Halko | 2001 Depending on the time of year, this deer family can be found decked out in flower leis, holiday garb, even sunglasses. Artfully cast in bronze (and when not sporting Santa hats) the trio is incredibly lifelike, sometimes bringing Ghost Andy Wachs & Erik Gerding | 2007 traffic to a standstill. In fact, if we had a Crafted from an old crane and bucket used to dredge the river so logs could flow freely to buck for every time people thought they the saw mill, Ghost is upcycling at its finest. With the crane arm slightly tilted off its axis and were looking at the real thing, we’d be the bucket oriented for aesthetics rather than accuracy, this piece is open to interpretation. rolling in the doe. The artists say “the sculpture is either rising or subsiding. Rising, as with the Old Mill District’s transformation, or subsiding, as the past is lost to history.” How do you view Ghost? 08 11 Cogs Dave Fox | 2007 Phoenix Rising Frank Boyden | 2002 A century ago, the wheels in Cogs played a vital role in keeping the mill running. Today, While the artist named his piece Phoenix Rising, no local calls it that. Originally an thanks to the creative wheels turning in artist Dave Fox, they have been reimagined as insult, “Flaming Chicken” has become an affectionate nickname for one of Bend’s massive industrial planters.
Load more

Recommended publications
  • Compass Points News for the Public Purchasers Association of Northern Ohio Volume Two • Issue Seven • June 9, 2016
    Compass Points News for the Public Purchasers Association of Northern Ohio Volume Two • Issue Seven • June 9, 2016 “We cannot solve our problems with the same thinking we used when we created them.” ~Albert Einstein I think it has been crazy up in here for quite some time already… our Cleveland Cavaliers are in a do-or-die struggle with the defending champion Golden State Warriors in the most anticipated REMATCH in a long time and you must sense the importance of it, both from an economical and sporting level. Our own Lake Erie Monsters of the American Hockey League, the minor league affiliate of the Columbus Blue Jackets of the NHL, posted a 14-2 record in route to the Calder Cup Championship series against the Hershey Bears, and as of this printing hold a 3-0 advantage with game 4 in Cleveland on Saturday night and in one short month, from July 18-21, an estimated 50,000 delegates, media and visitors will assemble in Cleveland, at the same venue that the Cavs and Monsters riled up the Cleveland populace, Quicken Loans Arena, more affectionately called “the Q” , for the 2016 Republican National Convention. In addition to the prestige of holding such an event, it is expected to generate in excess of $400 million to the local economy and, who knows what might happen with Mr. Trump leading the charge as the presumptive nominee for the Republican Party for President of the United States. Tell me something, Northern Ohio Public Procurement professional… what have you been doing lately?? You can bet that Public Procurement folks in Northern Ohio are feeling the pressure to secure and plan and provide the necessary goods, supplies and services to stroke an eager, boisterous crowd that will be converging on Northern Ohio, in the eyes of the world, to be part of the history that is about to unfold.
    [Show full text]
  • Compass – Manual for Human Rights Education with Young People
    COMPASS Manual for human rights education with young people 2nd edition, updated in 2020 Written by Patricia Brander Laure De Witte Nazila Ghanea Rui Gomes Ellie Keen Anastasia Nikitina Justina Pinkeviciute Edited by Patricia Brander Ellie Keen Vera Juhász Annette Schneider Final editing and coordination by Rui Gomes Drawings by Pancho Specific contributions on content by Janina Arsenjeva, Éva Borbély-Nagy, Karina Chupina, Hanna Clayton, Annette Schneider, Györgyi Tóth The first edition of Compass (2002) was written by: Patricia Brander; Ellie Keen; Rui Gomes; Marie-Laure Lemineur ; Bárbara Oliveira Jana Ondrácková; Alessio Surian; Olena Suslova Compass has several companion publications for education for democratic citizenship and human rights education developed by the Education and Youth sectors of the Directorate of Democratic Participation of the Council of Europe. Please visit www.coe.int/compass for more information. The views expressed in this manual are the responsibility of the authors and do not necessarily reflect the opinions of the Council of Europe. Copyright of this publication is held by the Council of Europe. No parts of this publication may be reproduced or transmitted for commercial purposes in any form or by any means, electronic (CDRom, Internet, etc.) or mechanical including photocopying, recording or any information storage or retrieval system, without the permission in writing from the Publishing Division ([email protected]), Directorate of Communication of the Council of Europe (copy to the European Youth Centre Budapest, 1-3 Zivatar utca, H-1024 Budapest, Hungary; e-mail: [email protected]). Reproduction of material from this publication is authorised for non-commercial educational purposes only and on condition that the source is properly quoted.
    [Show full text]
  • Cuban Antifascism and the Spanish Civil War: Transnational Activism, Networks, and Solidarity in the 1930S
    Cuban Antifascism and the Spanish Civil War: Transnational Activism, Networks, and Solidarity in the 1930s Ariel Mae Lambe Submitted in partial fulfillment of the requirements for the degree of Doctor of Philosophy in the Graduate School of Arts and Sciences COLUMBIA UNIVERSITY 2014 © 2014 Ariel Mae Lambe All rights reserved ABSTRACT Cuban Antifascism and the Spanish Civil War: Transnational Activism, Networks, and Solidarity in the 1930s Ariel Mae Lambe This dissertation shows that during the Spanish Civil War (1936–1939) diverse Cubans organized to support the Spanish Second Republic, overcoming differences to coalesce around a movement they defined as antifascism. Hundreds of Cuban volunteers—more than from any other Latin American country—traveled to Spain to fight for the Republic in both the International Brigades and the regular Republican forces, to provide medical care, and to serve in other support roles; children, women, and men back home worked together to raise substantial monetary and material aid for Spanish children during the war; and longstanding groups on the island including black associations, Freemasons, anarchists, and the Communist Party leveraged organizational and publishing resources to raise awareness, garner support, fund, and otherwise assist the cause. The dissertation studies Cuban antifascist individuals, campaigns, organizations, and networks operating transnationally to help the Spanish Republic, contextualizing these efforts in Cuba’s internal struggles of the 1930s. It argues that both transnational solidarity and domestic concerns defined Cuban antifascism. First, Cubans confronting crises of democracy at home and in Spain believed fascism threatened them directly. Citing examples in Ethiopia, China, Europe, and Latin America, Cuban antifascists—like many others—feared a worldwide menace posed by fascism’s spread.
    [Show full text]
  • Robert Rauschenberg and James Rosenquist Graphics Rosenquist
    RAUSCHENBERG PAST POP: ROBERT RAUSCHENBERG AND JAMES ROSENQUIST GRAPHICS ROSENQUIST KEAN UNIVERSITY !CKNOWLEDGEMENTS We would like to recognize the many individuals and institutions who generously provided assistance in this process. Bard Graduate Center: Olga Valle Tetkowski; Graebel Movers International Inc.: Jim Wilderotter; Kean University: Dr. Dawood Farahi, Holly Logue, John Maso, and Kenneth Kimble; The Montclair Art Museum: Gail Stavitsky and Erica Boyd; The Newark Museum: Amber Woods Germano, Olivia Arnone; O’Hara Gallery: Ruth O’Hara and Lauren Yen; Prudential Insurance Company of America: Carol Skuratofsky and Joseph Sabatino; the Estate of Robert Rauschenberg: Gina C. Guy and Thomas Buehler; James Rosenquist and Beverly Coe at the Rosenquist Studio; Universal Limited Art Editions: Bill Goldston and Marie Allen; The Whitney Museum of American Art: Donna DeSalvo, Barbie Spieler and Matt Heffernan; Visual Artists and Galleries Association (VAGA): Robert Panzer and Kimberly Tishler. Rich Russo for the photographs of prints in the Kean and Prudential collections. Special thanks to Barbara Burn for her remarkable editing ability and unique kindness. Without her diligence, this catalog would not have been possible. Copyright © 2009 by Kean University, Union, New Jersey Catalog essay, Past Pop: Robert Rauschenberg and James Rosenquist Graphics of the 1970s © 2009 Lewis Kachur All rights reserved. No part of this book may be reproduced in any form including electronic or mechanical means, photocopying, information storage and retrieval systems, except in the case of brief extracts for the purpose of critical articles and reviews, without permission in writing from Kean University. Art © James Rosenquist /Licensed by VAGA, New York, NY Art © Estate of Robert Rauschenberg/Licensed by VAGA, New York, NY U.L.A.E.
    [Show full text]
  • Principal Facts of the Earth's Magnetism and Methods Of
    • * Class Book « % 9 DEPARTMENT OF COMMERCE U. S. COAST AND GEODETIC SURVEY E. LESTER JONES, Superintendent PRINCIPAL FACTS OF THE EARTH’S MAGNETISM AND METHODS OF DETERMIN¬ ING THE TRUE MERIDIAN AND THE MAGNETIC DECLINATION [Reprinted from United States Magnetic Declination Tables and Isogonic Charts for 1902] [Reprinted from edition of 1914] WASHINGTON GOVERNMENT PRINTING OFFICE 1919 ( COAST AND GEODETIC SURVEY OFFICE. DEPARTMENT OF COMMERCE U. S. COAST AND GEODETIC SURVEY »» E. LESTER JONES, Superintendent PRINCIPAL FACTS OF THE EARTH’S MAGNETISM AND METHODS OF DETERMIN¬ ING THE TRUE MERIDIAN AND THE MAGNETIC DECLINATION [Reprinted from United States Magnetic Declination Tables and Isogonic Charts for 1902 ] i [ Reprinted from edition of 1914] WASHINGTON GOVERNMENT PRINTING OFFICE 4 n; «f B. AUG 29 1913 ft • • * C c J 4 CONTENTS. Page. Preface. 7 Definitions. 9 Principal Facts Relating to the Earth’s Magnetism. Early History of the Compass. Discovery of the Lodestone. n Discovery of Polarity of Lodestone. iz Introduction of the Compass..... 15 Improvement of the Compass by Petrius Peregrinus. 16 Improvement of the Compass by Flavio Gioja. 20 Derivation of the word Compass. 21 Voyages of Discovery. 21 Compass Charts. 21 Birth of the Science of Terrestrial Magnetism. Discovery of the Magnetic Declination at Sea. 22 Discovery of the Magnetic Declination on Land. 25 Early Methods for Determining the Magnetic Declination and the Earliest Values on Land. 26 Discovery of the Magnetic Inclination. 30 The Earth, a Great Magnet. Gilbert’s “ De Magnete ”.'. 34 The Variations of the Earth’s Magnetism. Discovery of Secular Change of Magnetic Declination. 38 Characteristics of the Secular Change.
    [Show full text]
  • Outdoor Environments Benches, Bike Racks, Litter & Recycling, Lighting, Café and Railings
    Outdoor Environments Benches, Bike racks, Litter & recycLing, Lighting, café and raiLings shaping life in public spaces outdoor environments Forms+Surfaces products bring inspiration to public spaces of all kinds and are designed to meet the needs of outdoor environments worldwide. By putting people at the center of our vision, and thoughtfully considering our designs and materials against the challenges they’re intended to address, we’ve built an integrated product line shaped by sophisticated designs, green materials and finishes, superior construction, and competitive pricing. You’ll find our products around the world in airports, train stations, city centers, parks, waterfronts, corporate campuses, hotels, healthcare facilities, shopping malls, stadiums, universities, restaurants and more. Select site furnishings are available for Forms+Surfaces is an FSC® Certified Supplier shipment within 7 days through our QuickShip (FSC C004453). All of our wood slat benches are made program – just look for the QuickShip logo. with FSC Pure wood. 1 | FORMS+SURFACES FORMS+SURFACES | 2 benches Forms+Surfaces benches are recognized worldwide for their distinctive designs and high-performance green materials and finishes. Rugged enough to face the challenges of real-world use, our benches are ideal for a wide variety of indoor and outdoor public spaces. 3 | FORMS+SURFACES FORMS+SURFACES | 4 Trio Bench Hudson Bench Camber Bench + Backed and backless benches in nominal 6 foot seat lengths + Backless benches standard in 6 foot and 8 foot lengths + Backed
    [Show full text]
  • Clear Black Smoke Mohammed Qasim Ashfaq
    CLEAR 1 BLACK 1 2 2 3 SMOKE 3 4 4 5 MOHAMMED 5 6 QASIM 6 7 7 8 ASHFAQ 8 9 9 10 10 11 11 12 12 13 13 14 14 15 15 16 16 17 17 18 18 19 19 20 20 21 21 22 22 23 23 24 24 25 25 26 26 27 27 28 28 CLEAR 1 BLACK 1 2 2 3 SMOKE 3 4 4 5 MOHAMMED 5 6 QASIM 6 7 7 8 ASHFAQ 8 9 9 10 10 11 11 12 12 13 13 14 14 15 15 16 16 17 First Edition 2017 17 18 18 19 Editor Shanay Jhaveri 19 20 Concept Shanay Jhaveri and Hannah Barry 20 21 Coordination Diana Córdoba Barrios 21 22 Photography Damian Griffiths 22 23 Studio photos Mohammed Qasim Ashfaq 23 24 ©The Isamu Noguchi Foundation and Garden Museum 24 25 / ARS, New York + DACS, London 25 26 Design Victoria Bridal 26 27 Typefaces Circular and Palatino Edited by 27 28 Printed by Ex Why Zed, Cambridge, United Kingdom Shanay Jhaveri 28 1 1 2 2 3 3 4 4 5 SCALING UP, TO SHIFT 5 5 6 Shanay Jhaveri 6 7 7 8 BLACK 9 8 9 Alexis Lowry 9 10 10 11 THINKING THROUGH PERFECT 13 11 12 WITH DONATIEN GRAU 12 13 13 14 MULTIPLE PERSPECTIVES: 33 14 15 ISAMU NOGUCHI AND THE JANTAR MANTAR 15 16 Devika Singh 16 17 17 18 POTENTIAL ART 39 18 19 Ben Eastham 19 20 20 21 PERFECTION 45 21 22 Charlie Clarke 22 23 23 24 SHIFT 51 24 25 Paul Hobson 25 26 26 27 27 28 28 SCALING UP, 1 TO SHIFT 2 3 4 SHANAY JHAVERI 5 6 7 8 9 Mohammed Qasim Ashfaq’s is a nascent practice, one that 10 is still revealing itself.
    [Show full text]
  • Compass Quarterly the Design Issue
    The Design Issue Compass Quarterly The Design Issue From our house to yours. Features Culture In conceptualizing our debut issue of Compass Quarterly, 4 a single theme presented itself: design. For us, design is Creative License the tactile, visual, even emotional complement to the fiscal With backgrounds in interiors, architecture, and design, aspects of real estate. From building a house to making Compass agents are broadening it a home to shaping a neighborhood, design informs our the definition of broker. most meaningful interactions. Through the lens of our agent network, and the dynamic buyers and sellers they Architecture serve, we constantly encounter visionary talents within our 9 communities. With this, our Design issue, we celebrate those The New Boston Blueprint artisans, entrepreneurs, architects, and innovators who are Home to a rich architectural tradition, the city’s most innovative creating more functional, intelligent, and beautiful places firms are building its future. NYC 40°44'11" N 73°59'37" W for us all to call home. NYC 40°45'35" N 73°58'23" W Design BK 40°40’14” N 73°58’40” W BK 40°43’11” N 73°57’25” W 19 HMT 40°56’80” N 72°18’14” W Industrial Strength Resident Brooklyn experts/agents BOS 42°21’30” N 71°04’35” W reveal the leading makers behind the DC 40°42'46" N 73°58'23" W borough’s creative renaissance. DC 38°88'51" N 76°99'63" W Entrepreneurship DC 38°57'46" N 77°05'10" W MIA 25°47'30" N 80°08'51" W 33 Sun.
    [Show full text]
  • The Mississippi Museum of Art and Tougaloo College Art and Civil Rights Initiative | 2017–2020
    The Mississippi Museum of Art and Tougaloo College Art and Civil Rights Initiative | 2017–2020 The Mississippi Museum of Art and Tougaloo College Art and Civil Rights Initiative | 2017–2020 edited by Dr. Redell Hearn Mississippi Museum of Art Jackson in partnership with Tougaloo College Art Collections Turry M. Flucker, Director Tougaloo made possible by the Henry Luce Foundation The Art and Civil Rights Initiative is a partnership between the Mississippi Museum of Art and Tougaloo College, supported by the Henry Luce Foundation. The Mississippi Museum of Art and its programs are sponsored in part by the city of Jackson and Visit Jackson. Support is also provided in part by funding from the Mississippi Arts Commission, a state agency, and by the National Endowment for the Arts, a federal agency. Tougaloo College is a private, coeducational, historically black four-year liberal arts, church related, but not church-controlled institution. Copyright © 2020 Mississippi Museum of Art 380 South Lamar Street, Jackson, MS 39201 / www.msmuseumart.org and Tougaloo College 500 County Line Rd, Tougaloo, MS 39174 / https://www.tougaloo.edu/ All rights reserved. No part of this publication may be reproduced or transmitted in any form without written permission from the publisher. Artwork dimensions are given in inches; height precedes width precedes depth. MMA collection numbers 1966.001, 1966.018, 1972.006, and 2005.029 photographed by Gil Ford Photography; 2005.029 photographed by Roland L. Freeman. All other photography of artwork from MMA and Tougaloo collections is by Mark Geil. Creative director for the exhibitions A Tale of Two Collections and The Prize is Latrice Lawson.
    [Show full text]
  • Pennsylvania Magazine
    THE PENNSYLVANIA MAGAZINE OF HISTORY AND BIOGRAPHY. VOL. LII. 1928. No. 3 JOUKNAL FROM JERSEY TO THE MONONGAHALA, AUGUST 11, 1788. BY COLONEL ISRAEL SHREVE, Mansfield Township, Burlington County, New Jersey. According to the distance as set down in this journal from the Black Horse in Mansfield to this place is 320 miles. Please to Excuse the Incorrectness of this jour- nal as I have not time to Copy it, it is as near the Truth as I can Write, from your old Friend Israel Shreve. To friends and acquaintance in Mansfield, Burlington County, New Jersey. By Jacob Sheelor, who faithfully discharged his duty in carefully driving a waggon. Journal of travel from the Township of Mansfield, County of Burlington, in the State of New Jersey to the Township of Rottroven in the County of West- moreland, State of Pennsylvania, consisting of the fol- lowing persons—Israel Shreve and Mary his wife with there children viz., Kazia, Hester, Israel, George Greene, Eebecca and Henry, with John Fox and James Starkey, three two horse waggons and three Cows. William Shreve and Rhoda his wife with their chil- dren, viz., Anna and Richard. Joseph Beck and Cary his wife with their children Benjamin, Rebecca, Eliza- beth, Henry, Joseph and Ann, with one three horse waggon. Dannel Harvey and Sary his wife and three children, viz., Job with a Melatto boy named Thomas and Joseph and Ann Wheatly, John Shelvill and one VOL. LII.—13 193 194 Journal from Jersey to the Monongahala. three and one two horse waggon and one cow, in all 29 souls.
    [Show full text]
  • Days & Hours for Social Distance Walking Visitor Guidelines Lynden
    53 22 D 4 21 8 48 9 38 NORTH 41 3 C 33 34 E 32 46 47 24 45 26 28 14 52 37 12 25 11 19 7 36 20 10 35 2 PARKING 40 39 50 6 5 51 15 17 27 1 44 13 30 18 G 29 16 43 23 PARKING F GARDEN 31 EXIT ENTRANCE BROWN DEER ROAD Lynden Sculpture Garden Visitor Guidelines NO CLIMBING ON SCULPTURE 2145 W. Brown Deer Rd. Do not climb on the sculptures. They are works of art, just as you would find in an indoor art Milwaukee, WI 53217 museum, and are subject to the same issues of deterioration – and they endure the vagaries of our harsh climate. Many of the works have already spent nearly half a century outdoors 414-446-8794 and are quite fragile. Please be gentle with our art. LAKES & POND There is no wading, swimming or fishing allowed in the lakes or pond. Please do not throw For virtual tours of the anything into these bodies of water. VEGETATION & WILDLIFE sculpture collection and Please do not pick our flowers, fruits, or grasses, or climb the trees. We want every visitor to be able to enjoy the same views you have experienced. Protect our wildlife: do not feed, temporary installations, chase or touch fish, ducks, geese, frogs, turtles or other wildlife. visit: lynden.tours WEATHER All visitors must come inside immediately if there is any sign of lightning. PETS Pets are not allowed in the Lynden Sculpture Garden except on designated dog days.
    [Show full text]
  • Drapo Vodou: Sacred Standards of Haitian Vodou
    UC Santa Barbara UC Santa Barbara Previously Published Works Title Drapo Vodou: Sacred Standards of Haitian Vodou Permalink https://escholarship.org/uc/item/5mc5w4g2 Journal Flag Research Quarterly, 2(3-4) Author Platoff, Anne M. Publication Date 2015-08-01 Peer reviewed eScholarship.org Powered by the California Digital Library University of California FLAG RESEARCH QUARTERLY REVUE TRIMESTRIELLE DE RECHERCHE EN VEXILLOLOGIE AUGUST / AOÛT 2015 No. 7 ARTICLE A research publication of the North American Vexillological Association / Une publication de recherche de Drapo Vodou: Sacred l‘Association nord-américaine de vexillologie Standards of Haitian Vodou By ANNE M. PLATOFF* Introduction The field of vexillology is, by nature, a multidisciplinary one. It is difficult to understand the significance of an individual flag or group of flags without exam- ining the context within which those objects were created and are used. This paper will present a case study of a multidisciplinary investigation of one type of flags. Haitian Vodou flags (drapo Vodou) are little known to vexillologists, but have been studied by scholars in the fields of art, anthropology, African-American studies, and other disciplines. An investigation of prior scholarship from these areas demon- strates that this category of flags is not only significantly different than the flags usually examined by vexillologists, but they also have much to teach us about the study of flags as a multidisciplinary exercise. There are several books that are focused on Vodou flags. Patrick Arthur Polk, a prolific researcher on the topic, has produced a colorful and informative book titled Haitian Vodou Flags (1999). In his book, Polk summarizes information compiled in the preparation of his Ph.D.
    [Show full text]