Jérôme Bel (F): the Show Must Go On
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Helloween Destruction Morbid Angel Audrey Horne
CD-BACKCOVER ZUMSELBERBASTELN!EINFACHANDENMARKIERUNGENAUSSCHNEIDENUNDINEINECD-BLANKO-HÜLLELEGEN.FERTIG! GEMA 1. HELLOWEEN - Pumpkins United 6:21 12.2017 (Kai Hansen, Andi Deris, Michael Weikath) BMG Rights Management* Nuclear Blast/Warner 2. DESTRUCTION - United By Hatred 4:36 (Michael Sifringer, Marcel Schirmer) Wintrup Musikverlage* Nuclear Blast/Warner LAUSCHANGRIFF 3. MORBID ANGEL - Piles Of Little Arms 3:44 (Azagthoth/Tucker) Azagthoth and Tucker* Silver Lining/Warner VOL.059 4. AUDREY HORNE - This Is War 6:17 (Torkjell Rød, Arve Isdal, Thomas Tofthagen, Espen Lien, Kjetil Greve) Iron Avantgarde Publishing* Napalm/Universal 5. HARD ACTION - Nothing Ever Changed 3:15 (Ville Valavuo, Gunther Kivioja) Copyright Control* Svart/Cargo 6. CAVALERA CONSPIRACY - Insane 3:50 (Max Cavalera, Iggor Cavalera, Marc Rizzo/Max Cavalera) Kobalt Music Publishing Ltd.* Napalm/Universal 7. STÄLKER - Shadow Of The Sword 3:28 (David John Rynhart King, Christopher Calavrias, Nicholas George Oakes/David John Rynhart King, Christopher Calavrias) Iron Avantgarde Publishing* Napalm/Universal 8. JESS AND THE ANCIENT ONES - Return To Hallucinate 2:28 VOL.059 (Thomas Corpse) Copyright Control* Svart/Cargo LAUSCHANGRIFF 9. DEGIAL - Annihilation Banner 4:17 (Degial) Sepulchral Voice/Soulfood 10. HAMFERD - Hon Syndrast 6:06 (Theodor Kapnas, Jón Aldará, Remi Kofoed Johannesen, John Egholm, Esmar Joensen, Ísak Petersen) Metal Blade/Sony 12.2017 11. ALMANAC - Hail To The King (Edit) 4:58 (Victor Smolski/Andy Franck) Copyright Control* Nuclear Blast/Warner 12. THE WEIGHT - Hard Way 2:47 (Tobias Jussel, Patrick Moosbrugger, Michael Boebel, Andreas Vetter) Copyright Control* Heavy Rhythm & Roll/Rough Trade. -
IN THEATERS FRIDAY, MARCH 11 Register to Win A
Become a CAMPUS CIRCLE Fan on Facebook http://bit.ly/dhFhEE INSIDE campus CIRCLE campus circle UC Riverside March 2 - March 8, 2011 Vol. 21 Issue 9 Summer Spain 6 Editor-in-Chief England Jessica Koslow Study [email protected] 18 Managing Editor Abroad 8 Yuri Shimoda [email protected] 04 BLOGS D-DAY Program Film Editor Jessica Koslow 05 BLOGS BARFLY [email protected] All UC and Visiting Students are Welcome to Apply! 14 BLOGS TREND BLENDER Cover Designer Deadline to apply: May 9, 2011 Sean Michael Challenge your senses and open your imagination while you explore and 06 FILM TV TIME Editorial Interns discover the far-reaching influences ofSpain ’s Past and Present, Dana Jeong, Cindy KyungAh Lee or spend five weeks walking in Shakespeare’s World inEngland . 06 FILM MOVIE REVIEWS Madrid, Spain: June 20 – July 23, 2011 Contributing Writers 07 FILM DVD DISH London, England: July 25 – August 27, 2011 Tamea Agle, Priscilla Andrade, Mary Broadbent, Erica Carter, Richard Castañeda, Deepthi (Check with your campus Financial Aid Office for program Cauligi, Amanda D’Egidio, Natasha Desianto, assistance and Scholarship opportunities. A non-refundable 08 FILM TAKE ME HOME TONIGHT $300 application fee is required with submission.) Sean Fitz-Gerald, Stephanie Forshee, Jacob Teresa Palmer and Topher Grace Gaitan, Denise Guerra, Elisa Hernandez, Zach Students earn 8 units of UC credit by taking two classes Hines, Da Ron Jackson, Alexandre Johnson, during the five week program. Check out the website for more information and to download your application today! flashback to the ’80s. Mike Matusiewicz, Stephanie Nolasco, Samantha Ofole, Brien Overly, Ariel Paredes, www.summerstudyabroad.ucr.edu 08 FILM RANGO Sasha Perl-Raver, Eva Recinos, Mike Sebastian, Doug Simpson, John Stapleton IV, David Tobin, Drew Vaeth, James Violette, Kevin Wierzbicki, Johnny Depp and Gore Verbinski reunite The Wing Girls, Candice Winters and get animated. -
Contag 100 011
UB-INNSBRUCK FAKULTATSBIBLIOTHEK THEOLOGIE Z3 CONTAG 100 011 VOLUME 11 SPRING 2004 EDITOR ANDREW MCKENNA I LOYOLA UNIVERSITY OF CHICAGO ADVISORY EDITORS REN£ GIRARD, STANFORD UNIVERSITY JAMES WILLIAMS, SYRACUSE UNIVERSITY EDITORIAL BOARD REBECCA ADAMS CHERYL K3RK-DUGGAN UNIVERSITY OF NOTRE DAME MEREDITH COLLEGE MARK ANSPACH PAISLEY LIVINGSTON £COLE POLYTECHNIQUE, PARIS MCGILL UNIVERSITY CESAREO BANDERA CHARLES MABEE UNIVERSITY OF NORTH CAROLINA ECUMENICAL THEOLOGICAL SEMINARY, DETROIT DIANA CULBERTSON KENT STATE UNIVERSITY JOZEF NIEWIADOMSKI THEOLOGISCHE HOCHSCHULE, LINZ JEAN-PIERRE DUPUY STANFORD UNIVERSITY, £COLE POLYTECHNIQUE SUSAN NOWAK SYRACUSE UNIVERSITY PAUL DUMOUCHEL UNIVERSITE DU QUEBEC A MONTREAL WOLFGANG PALAVER UNIVERSITAT INNSBRUCK ERIC GANS UNIVERSITY OF CALIFORNIA, LOS ANGELES MARTHA REINEKE UNIVERSITY OF NORTHERN IOWA SANDOR GOODHART WHITMAN COLLEGE TOBIN SIEBERS UNIVERSITY OF MICHIGAN ROBERT HAMERTON-KELLY STANFORD UNIVERSITY THEE SMITH EMORY UNIVERSITY HANS JENSEN AARHUS UNIVERSITY, DENMARK MARK WALLACE SWARTHMORE COLLEGE MARK JUERGENSMEYER UNIVERSITY OF CALIFORNIA, EUGENE WEBB SANTA BARBARA UNIVERSITY OF WASHINGTON Rates for the annual issue of Contagion are: individuals $10.00; institutions $32. The editors invite submission of manuscripts dealing with the theory or practical application of the mimetic model in anthropology, economics, literature, philosophy, psychology, religion, sociology, and cultural studies. Essays should conform to the conventions of The Chicago Manual of Style and should not exceed a length of 7,500 words including notes and bibliography. Accepted manuscripts will require final sub- mission on disk written with an IBM compatible program. Please address correspondence to Andrew McKenna, Department of Modern Languages and Literatures, Loyola University, Chicago, IL 60626. Tel: 773-508-2850; Fax: 773-508-2893; Email: [email protected]. Member of the Council of Editors of Learned Journals CELJ © 1996 Colloquium on Violence and Religion at Stanford ISSN 1075-7201 Cover illustration: Pieter Bruegel the Elder, Envy, 1557. -
Punk Preludes
University of Tennessee, Knoxville TRACE: Tennessee Research and Creative Exchange Supervised Undergraduate Student Research Chancellor’s Honors Program Projects and Creative Work Summer 8-1996 Punk Preludes Travis Gerarde Buck University of Tennessee - Knoxville Follow this and additional works at: https://trace.tennessee.edu/utk_chanhonoproj Recommended Citation Buck, Travis Gerarde, "Punk Preludes" (1996). Chancellor’s Honors Program Projects. https://trace.tennessee.edu/utk_chanhonoproj/160 This is brought to you for free and open access by the Supervised Undergraduate Student Research and Creative Work at TRACE: Tennessee Research and Creative Exchange. It has been accepted for inclusion in Chancellor’s Honors Program Projects by an authorized administrator of TRACE: Tennessee Research and Creative Exchange. For more information, please contact [email protected]. Punk Preludes Travis Buck Senior Honors Project University of Tennessee, Knoxville Abstract This paper is an analysis of some of the lyrics of two early punk rock bands, The Sex Pistols and The Dead Kennedys. Focus is made on the background of the lyrics and the sub-text as well as text of the lyrics. There is also some analysis of punk's impact on mondern music During the mid to late 1970's a new genre of music crept into the popular culture on both sides of the Atlantic; this genre became known as punk rock. Divorcing themselves from the mainstream of music and estranging nlany on their way, punk musicians challenged both nlusical and cultural conventions. The music, for the most part, was written by the performers and performed without worrying about what other people thought of it. -
Samuel Taylor Coleridge
TESIS DOCTORAL 2015 LA INFLUENCIA DE LA LITERATURA FANTÁSTICA DECIMONÓNICA EN LENGUA INGLESA EN EL ROCK’N’ROLL: Estudio y análisis de algunas “literary covers” sobre siete autores del siglo XIX POR JESÚS MARÍA MARTÍNEZ NAVAJAS LICENCIADO EN FILOLOGÍA INGLESA UNIVERSIDAD NACIONAL DE EDUCACIÓN A DISTANCIA FACULTAD DE FILOLOGÍA – MADRID Departamento de Filologías Extranjeras y sus Lingüísticas Director de la Tesis: Dr. D. Antonio BALLESTEROS GONZÁLEZ 1 - DEPARTAMENTO DE FILOLOGÍAS EXTRANJERAS Y SUS LINGÜISTICAS, FACULTAD DE FILOLOGÍA. - TÍTULO DE LA TESIS: LA INFLUENCIA DE LA LITERATURA FANTÁSTICA DECIMONÓNICA EN LENGUA INGLESA EN EL ROCK’N’ROLL: ESTUDIO Y ANÁLISIS DE ALGUNAS “LITERARY COVERS” SOBRE SIETE AUTORES DEL SIGLO XIX. - AUTOR: JESÚS MARÍA MARTÍNEZ NAVAJAS (LICENCIADO EN FILOLOGÍA INGLESA). - DIRECTOR DE TESIS: DR. D. ANTONIO BALLESTEROS GONZÁLEZ. 2 AGRADECIMIENTOS Este trabajo está dedicado muy especialmente a mis padres Teresa y Jesús, sin cuyo apoyo y respaldo no habría sido posible esta investigación, por darme todo el amor y una educación de libre pensamiento y ser el faro que guía mi desarrollo intelectual y mi existencia. AsImismo, a mis hermanos Pablo, Andrés y Paloma, y a mi compañera Giuliana por su inagotable paciencia y cariño. Gracias, familia. Vaya un agradecimiento muy especial para la Dra. Dª María del Carmen González Landa por la gran ayuda y todo lo que me ha transmitido. También quiero agradecer a Iñaki Osés y la Eguzki Irratia de Pamplona por haberme brindado la oportunidad de difundir mis conocimientos literarios y musicales a través de las ondas radiofónicas. Como no podía ser de otra manera deseo expresar mi agradecimiento al Dr. -
Revocation High on Fire Horrendous Monster
ONCE HUMAN FIT FOR A KING PYREXIA HORRENDOUS REVOCATION STAGE OF EVOLUTION DARK SKIES UNHOLY REQUIEM IDOL THE OUTER ONES EARMUSIC SOLID STATE RECORDS UNIQUE LEADER RECORDS SEASON OF MIST METAL BLADE Evolution was not just the title of Once Human’s No matter the pristine picture of self-worth we Long standing New York death metal legends Pyrexia Horrendous explode out of the underground with Pushing both the death metal and progressive elements sophomore release last year — it was an armor-plated project, in the unquenchable pursuit of recognition return with its newest and, arguably, most devastating its incredible new album Idol. Drawing inspiration of its signature sound harder than ever, The Outer Ones declaration. And it evolved into something big. Stage and affirmation, the gnawing anxiousness of guilt and album, Unholy Requiem. Recorded, mixed, and from both personal and national crises, Idol’s music represents Revocation at its boldest, most aggressive Of Evolution is the consequential mutation of the brokenness chews away at our spirits, uncovering mastered by guitarist Chris Basile, Unholy Requiem is a methodical and unapologetic take on dynamic, and complex. Moving away from the societal and Evolution album from studio to stage. “I know it’s new pain and vulnerability. Dark Skies is Fit For A finds Pyrexia revisiting its filthy, pulverizing, classic progressive death metal. Thematically, the ambitious historical themes that informed 2016’s Great is Our Sin, uncommon for a band who is not headlining to record King’s evocative declaration of a hard won victory. sound. Basile said of the album, “This album is definitely new album is an exploration of defeat, of the gods we vocalist/guitarist Dave Davidson has immersed himself a live album,” says Logan Mader, who metalheads “This album is far from happy. -
The Ripple Effect Five Stories of How Givingday.Redlands.Edu Mentoring Matters Where R U? OCH TAMALE MAGAZINE VOL
SPRING 2019 | VOLUME 95 | ISSUE 1 News for Alumni & Friends of the University of Redlands Do you see yourself “All In”? The ripple effect Five stories of how givingday.redlands.edu mentoring matters Where R U? OCH TAMALE MAGAZINE VOL. 95, ISSUE 1 On April 4, join us for our first-ever Giving Day! SPRING 2019 You can direct your gift to a U of R area that speaks to you, including: President Ralph W. Kuncl Cover Story CRESPO BEA Chief Communications Officer Wendy Shattuck Editor Mika Elizabeth Ono Managing Editor Lilledeshan Bose Vice President, Advancement Tamara Michel Josserand Senior Associate Vice President, Advancement for for Ray Watts Scholarship Academics Director, Alumni and Community Relations Shelli Stockton Director of Advancement Communications and Donor Relations 20 Laura Gallardo ’03 Class Notes Editor The ripple effect: Five stories Mary Littlejohn ’03 Director, Creative Services of how mentoring matters Jennifer Alvarado Bulldogs show how far caring, commitment, and community Graphic Designers can go in changing lives for the better. Michelle Dang ’14 for Athletics for Greeks Juan Garcia Contributors Bea Crespo Jennifer M. Dobbs ’17 John Gilhooley Greta Jursch ’21 Taylor Matousek ’18 10 Coco McKown ’04, ’10 Laurie McLaughlin Kurt Miller U of R and San Francisco Michele Nielsen ’99 Katie Olson Theological Seminary Kristyn Paez ’19 PHOTO COURTESY OF SFTS Stefanie Pirker Carlos Puma initiate process toward ? William Vasta transformative partnership for for Och Tamale is published by the Study Abroad UR Passion University of Redlands. An agreement in principle creates a new U of R graduate school and establishes a campus in the Bay Area that will Your support will unlock challenges and matching host programming from both institutions. -
External Copyright Permission (If Applicable)
Music Our totally awesome music subbies and contributors have been working hard over the semester break to bring you the latest and greatest in music. We’ve got the goss on Splendour, reviews and interviews. So read on tune- loving friends, read on... Sparkadia You have probably heard of Sparkadia. A couple of months ago their debut album Postcards was featured on Triple J. They also recently completed a run of national dates stopping off in Adelaide to play a show with Perth’s the Dirty Secrets at Jive. At the moment they are probably still overseas having just played Glastonbury and T in the Park not to mention several other high profile festivals. I asked Alex, vocalist/guitarist, and Dave, drummer, how they felt about their recent run of good fortune. “It’s pretty sweet”, Dave confides. Of course it wasn’t always like this. “It’s been a real long hard slog and the combination of ‘a lot of luck and a lot of hard work’,” Alex tells me. The guys then explain how they spent nineteen hours in a tour van with The Cops to get to a show in Sydney, having just played in Adelaide. Inevitably, I got onto the subject of Sparkadia’s early days. Alex and Dave were school mates who only bonded over a love of Metallica and ‘Maiden. I gasped in the realisation that I had finally discovered One of the groups defining moments occurred at Splendour in the some like minded heavy metal fans. We spent a little time discussing Grass in 2003. -
In Focus 5. Verano 2003. the Boogie Punkers. (PDF
Editorial Sumario LA CRÍTICA, EL CRÍTICO, EL CRITERIO REPORTAJES (004) Curiosos palabros estos tres. Al crítico no le (002) The Boogie Punkers gusta formar parte de la crítica pero se sabe (006) Los Del Tonos poseedor de criterio. El criticado cuando recibe (009) Doctor Deseo una buena crítica piensa que está hecha con cri- (015) Fito y Fitipaldis (016) Edu "Bighands" terio, así que si tiene ocasión se lo hace saber al (018) Gorka Gassman crítico, y el crítico, claro está, opina entonces que (020) Los Padrinos el criticado tiene criterio al criticar su crítica. (023) Sanchís y Jocano Suena críptico pero suele ser así. (027) Séan Keane (029) Tres Hombres Bien, ¿qué facultades debe tener un crítico? En (031) E- Bow el caso que nos ocupa, se supone que cultura (034) Bad- F Line musical. No problemo, si hay que escuchar dis- (036) The Cumshots cos, se escuchan, mola. Pero el problema está en (038) Dover las condiciones. Si eres de una discográfica y (040) El Drogas y el Kutxi quieres venderme a tu grupo, hazme el favor (043) Koniec (045) Mike Sobieski (ironía) de mandarme un disco, y no un Cd-R sin (046) Motorhead títulos, sin créditos, sin contactos y sin nada ("tie- (049) Obligaciones nes fotos en la güéf"). Si tu grupo está presen- (051) Los Reyes del KO tando su última grabación, no me entregues la (054) Peer Wyboris víspera de la rueda de prensa el disco ("por men- (058) Sharon Sahnnon (060) Shisha Pangma sajero, que corre prisa") y me sueltes encima la BREVES (062) puntilla: "les preguntas cuatro bobadas". -
July 9-15, 2015
JULY 9-15, 2015 IPFW Dept. of Theatre: Best Theatrical Production IPFW’s Just-the-Right-Size Program When it comes to university theater programs, as long, was recently accredited by the National As- size matters. If it’s too big, students get swallowed sociation of Schools of Theater. Department Chair and whole. If it’s too small, there’s no room to get com- Professor Beverly Redman, M.F.A., Ph.D., said the fortable. But when it’s just right, recognition is helping an already good things happen. It’s the the- strong program become even bet- ater department variant of the ter. Goldilocks Principle. The department offers bach- Goldilocks would feel right elor degrees in musical theater, at home in the IPFW theater pro- directing, acting, and design and gram. But it was another set of technology, with many students fairy tales that boosted IPFW to doubling up, Redman said. With the land of Whammy winners. a current enrollment of about 50 The IPFW production of Into the theater majors and nearly a dozen Woods earned the program its first minors, the IPFW theater program Whammy in the Best Theatrical is, in Humphrey’s estimation the, Production category, topping a perfect size. strong list of nominees. “Students get to do pretty Directed by Craig Humphrey, much anything that they set out associate professor of costume to do,” said Humphrey, who is in design, Stephen Sondheim’s Into the Woods stitches his 24th year at IPFW. “We have students acting as together four Brothers Grimm fairy tales into a musi- incoming freshmen on stage. -
Song Title Artist Genre
Song Title Artist Genre - General The A Team Ed Sheeran Pop A-Punk Vampire Weekend Rock A-Team TV Theme Songs Oldies A-YO Lady Gaga Pop A.D.I./Horror of it All Anthrax Hard Rock & Metal A** Back Home (feat. Neon Hitch) (Clean)Gym Class Heroes Rock Abba Megamix Abba Pop ABC Jackson 5 Oldies ABC (Extended Club Mix) Jackson 5 Pop Abigail King Diamond Hard Rock & Metal Abilene Bobby Bare Slow Country Abilene George Hamilton Iv Oldies About A Girl The Academy Is... Punk Rock About A Girl Nirvana Classic Rock About the Romance Inner Circle Reggae About Us Brooke Hogan & Paul Wall Hip Hop/Rap About You Zoe Girl Christian Above All Michael W. Smith Christian Above the Clouds Amber Techno Above the Clouds Lifescapes Classical Abracadabra Steve Miller Band Classic Rock Abracadabra Sugar Ray Rock Abraham, Martin, And John Dion Oldies Abrazame Luis Miguel Latin Abriendo Puertas Gloria Estefan Latin Absolutely ( Story Of A Girl ) Nine Days Rock AC-DC Hokey Pokey Jim Bruer Clip Academy Flight Song The Transplants Rock Acapulco Nights G.B. Leighton Rock Accident's Will Happen Elvis Costello Classic Rock Accidentally In Love Counting Crows Rock Accidents Will Happen Elvis Costello Classic Rock Accordian Man Waltz Frankie Yankovic Polka Accordian Polka Lawrence Welk Polka According To You Orianthi Rock Ace of spades Motorhead Classic Rock Aces High Iron Maiden Classic Rock Achy Breaky Heart Billy Ray Cyrus Country Acid Bill Hicks Clip Acid trip Rob Zombie Hard Rock & Metal Across The Nation Union Underground Hard Rock & Metal Across The Universe Beatles -
Deep Space LIVE: Sergeant Steel Goes America 19.12.2019 / 19:30 – 21:00
Unplugged concert at the Ars Electronica Center Deep Space LIVE: Sergeant Steel goes America 19.12.2019 / 19:30 – 21:00 (Linz, 17.12.2019) Hard Rock fans watch out! On Thursday evening, visitors of Deep Space LIVE are in for an unplugged concert by the Upper Austrian hard rock band Sergeant Steel. Since the band will be traveling to the south of the USA at the end of the year to finalize their fourth studio album, this evening will also be dominated by Southern Rock 'n' Roll. Sergeant Steel's portfolio already includes numerous international open-air performances, and the band has already opened for such acts as Deep Purple, the Scorpions, Hollywood Vampires and the Darkness. Start is at 19:30. Sergeant Steel Founded in Upper Austria in 2007, the band can look back on three albums so far: Lovers & Maniacs (2010), Men On A Mission (2013) and Riders Of The Worm (2015). Stylistically, Sergeant Steel have dedicated themselves to traditional Hard Rock and reminds bands like Bon Jovi, Aerosmith, Judas Priest, Rainbow, Guns n' Roses or Deep Purple. Deep Space LIVE Every Thursday, 7 p.m. (except on public holidays), the Ars Electronica Center invites you to a Deep Space LIVE. High-resolution imagery in 16 by 9 meter format meets expert commentary, entertaining double-conferences or musical improvisation. Whether it's an art historical search for clues, a space flight, a voyage of discovery into the nanoworld or a LIVE concert - Deep Space LIVE stands for enlightening entertainment amidst impressive visual worlds. The entrance fee is 3 €.