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PDQ Bach & Peter Schickele BIRTHDAY BASH

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PDQ Bach & Peter Schickele BIRTHDAY BASH season 46 2014 - 2015 PRESENTS P.D.Q. Bach & Peter Schickele BIRTHDAY BASH AT TED MANN CONCERT HALL Every kid deserves a brush with inspiration. ©2012 Target Brands, Inc. Target and the Bullseye Design are Target Inc. Brands, Target ©2012 722966 Inc. Brands, Target registered trademarks of That’s why Target is on track to give Learn about the difference this support is making for $1 BILLION FOR EDUCATION kids nationwide. by the end of 2015. Target.com/Education F, A 10 8 2014-2015 46TH ANNIVERSARY SEASON SPECIAL THANKS FOR THE SUPPORT P.D.Q. BACH & OF THIS CONCERT PETER SCHICKELE Albrecht Family Foundation BIRTHDAY BASH Art and Martha Friday, April 10, 2015 at 8 pm Kaemmer Fund of Ted Mann Concert Hall HRK Foundation 2128 Fourth Street South Minneapolis, MN Philip and Katherine Nason Fund of The Pre-Concert Conversation with Classical Minnesota Public Radio Saint Paul Foundation Host John Birge and Peter Schickele at 7 pm. The Wallin Foundation VocalEssence Chorus & Ensemble Singers University of Minnesota Wind Ensemble Wenger Foundation Craig Kirchhoff, conductor Philip Brunelle, conductor Charles Kemper, pianist 2014-2015 SEASON SPONSORS This activity is made possible by the voters of Minnesota through a Minnesota State Arts Board Operating Support grant, thanks to a legislative appropriation from the arts and cultural heritage fund, and a grant from the Wells Fargo Foundation Minnesota. VOCALESSENCE PLEASE NOTE WELCOME TO THE P.D.Q. 1900 Nicollet Avenue • This concert will be recorded for broadcast BACH & PETER SCHICKELE Minneapolis, Minnesota 55403 — please help us keep the performance BIRTHDAY BASH 612-547-1451 space quiet. Take a moment now to check www.vocalessence.org that all cell phones, paging devices, I am delighted to VocalEssence is a 501(c)(3) non-profit organization. wristwatch alarms and the like are turned welcome a friend off before the concert begins. Thank you for of so many of us, facebook.com/vocalessence your cooperation. Peter Schickele, and twitter.com/vocalessencemn congratulate him on • Recording devices and cameras are his 80th birthday year. Board of Directors prohibited. No photography, video, or audio He is an Honorary Paul Pribbenow, Ph.D., President recording is allowed in the concert hall. Director of VocalEssence, and it is a delight Kathryn Roberts, Vice President Please abstain from texting, tweeting or to welcome him back to the stage as we Jacob Wolkowitz, Treasurer checking your email during the concert. celebrate the music of Peter Schickele Susan J. Crockett, Ph.D., Secretary and of his “colleague” P.D.Q. Bach, who Mary Ann Aufderheide • Student and group discounts are available was born in 1807 and died in 1742? and Ann Barkelew for most VocalEssence concerts. Half-price is known as the last and the least of J.S. Philip Brunelle tickets are available to students (ages 6-18 Bach’s 20-odd children. Roma Calatayud-Stocks and college) with a student ID. Groups of 10 Karen Charles or more save 15% on tickets. Children under Many of you may recall the VocalEssence Judith Drobeck age 6 are not allowed at VocalEssence commission, Oedipus Tex, which we Debbie Estes performances, except for select community performed at the newly-opened Ordway Ann Farrell and family concerts, including ¡Cantaré! and Center for the Performing Arts, as well as Jamie Flaws Star of Wonder. a concert at O’Shaughnessy Auditorium Art Kaemmer, M.D. that included an unforgettable entrance to Joseph Kalkman • Accessible seating is available at all of our the stage by Professor Schickele! Peter is a Fred Moore concert venues. Please make your needs fantastic musician, and his creative sense David Myers known when you order tickets. can take him from the most profound to Kristen H. O’Brien the most hilarious in musical styles—and • You may return VocalEssence single James M. Odland only a first-rate composer can do that! concert tickets for resale up to 48 hours Cay Shea Hellervik prior to a performance. No refunds or Don Shelby We are also delighted to be sharing the exchanges can be given; however, you will Timothy Takach stage with the University of Minnesota be sent a receipt for your tax-deductible Jenny L. Wade Wind Ensemble and their esteemed contribution. (VocalEssence subscribers Dorene Wernke conductor, Professor Craig Kirchhoff. may call 612-371-5642 to request free ticket There is no doubt that this is one of the Honorary Directors exchanges and lost ticket replacement.) finest wind ensembles on any university Dominick Argento campus anywhere! And, lastly, I am pleased William Bolcom • Latecomers will be seated at appropriate that this evening’s concert is the opening Dave Brubeck* pauses in the concert according to the one in the Northern Voice Festival—we are Aaron Copland* conductor’s wishes. proud to be launching this important event. Håkan Hagegård Administrative Staff Louise Heffelfinger Mary Ann Aufderheide, Executive Director – Philip Brunelle, Artistic Director Eskil Hemberg* Robert Graham, Education Manager and and Founder, VocalEssence Betty Hulings* Music Librarian James Earl Jones Sharon Hodge, Communications Specialist Garrison Keillor Laura Holst, Development and Marketing SPECIAL THANKS Donald Mitchell Associate John Birge, Minnesota Public Radio Helmuth Rilling Kimberly Meisten, Director of Community Michèle Eaton John Rutter Engagement Maria Iannacone Peter Schickele Patricia Starks-Faggétt, Accounting Manager Art and Martha Kaemmer Dr. André J. Thomas Joel Swearingen, Operations Manager and Scott Lipscomb, University of Minnesota Eric Whitacre Executive Assistant School of Music *In remembrance Amanda Timmer, Education Manager for ¡Cantare! in Rochester Artistic Staff Katrina Wallmeyer, Director of Development Philip Brunelle, Artistic Director and Communications Sigrid Johnson, Associate Conductor Elissa Weller, Grants and Special Events Charles Kemper, Accompanist Manager Page 2 2014-2015 Season 2014-2015 Season Page 3 THE PROGRAM PETER SCHICKELE’S MUSIC Spring and Summer (from Concerto for Piano and Chorus, “The Twelve Months”) (1987) Charles Kemper, piano soloist Spring: VocalEssence Ensemble Singers Summer: VocalEssence Chorus & Ensemble Singers Fall: Variations (from A Year in the Catskills) (2009) Woodwind quintet: Anthony Labat, Kelley Tracz, Eric Schultz, Ann Kezar, Emma Plehal Three Meditations orchestration by Andrew Pettus (1978/2015) Mary, Queen of Scots, on Her Execution Saxophone quartet: Benjamin Cold, Justin Sales, Kendra Wheeler, CJ Longabaugh The City of Our God Mari M. Scott and Carolyn M. Steele, soprano Mark Engelmann, marimba Most Glorious Lord of Life Brass quartet: Matt Carter, Derek Thorsteinsson, Ann Kezar, Dan Hinman Triptych (from Summer Music) (1989) Chia-Lin Ko, flute Truelove Anna Mooy, alto Joseph Ellickson, bass The Idle Life I Lead First Sopranos and Second Altos of the Ensemble Singers Ah, You’ve Come at Last Women and Basses of the Ensemble Singers Lauren McNee, piccolo Finale (from Dances for Three) (1980) Woodwind trio: Lisa Perry, Jennifer Runck, Alexandra Berndt On This Plain of Mist (1961) Prologue – On This Plain of Mist – Interlude – Weeping … Willows Kneel Here – Epilogue Women of the Ensemble Singers Jeremy Johnston, marimba Jennifer Runck, bass clarinet Last Tango in Bayreuth (1973) Bassoon quartet: Emma Plehal, Ian McMeeking, Brisa Sallum de Paula, Alexandra Berndt Amazing Grace (arr. 1994) VocalEssence Chorus & Ensemble Singers Steven Burger, baritone The Program continues on next page Page 2 2014-2015 Season 2014-2015 Season Page 3 THE PROGRAM (CONTINUED) — INTERMISSION — P.D.Q. BACH’S MUSIC “Safe” Sextet (S.R33-L45-R[pass it once]78) Woodwind sextet: Lauren McNee, Preston Weber, Jennifer Runck, Emma Plehal, Anne Fienup, Sarah Gallaher Two Madrigals from The Triumphs of Thusnelda (S.1601) The Queen to Me a Royal Pain Doth Give My Bonnie Lass She Smelleth 15 Ensemble Singers Three Liebeslieder Polkas (S.2/4) The Passionate Shepherd to His Love To the Virgins, to Make Much of Time Who Is Sylvia? Ensemble Singers and piano, 5 hands Charles Kemper, Philip Brunelle and Christopher Brunelle, piano Solo vocal quartet: Margaret Sabin, Marita J. Link, Chase Daniel Burkhart, Josiah Telschow Grand Serenade for an Awful Lot of Winds and Percussion (S.1000) University of Minnesota Wind Ensemble Birthday Ode to “Big Daddy” Bach (S.100) orchestration by Andrew Pettus VocalEssence Chorus & Ensemble Singers and University of Minnesota Wind Ensemble Solo vocal quartet: Jennifer Bevington, Erin Peters, William Pederson and Ryan French Peter Schickele, recitativist Page 4 2014-2015 Season 2014-2015 Season Page 5 TEXTS AND TRANSLATIONS Spring (from Concerto for Piano and Chorus, My right my ruth, my titles wrought my trap: My weal my woe, my worldly heaven my hell. “The Twelve Months”) Peter Schickele By death from prisoner to a prince enhanced, From cross to crown from thrall to throne again, Cadenza (March) My ruth my right, my trap my style advanced Interlude (April) From woe to weal, from hell to heavenly reign. Before My Lady’s Window (May) Robert Southwell (c.1561-1595) from “At Fotheringay” Before my lady’s window gay, The City of Our God The little birds they sing all day My windows open to the autumn night, The lark, the mavis and the dove; In vain I watched for sleep to visit me: But the sweet nightingale of May, How should sleep dull my ears and dim my sight, She whiles the silent hours away, Who saw the stars and listened to the sea? Chanting of sorrow, joy and love. Ah, how the City of our God is fair! If with you I sport and play, If without sea and starless though it be, My mother will be vexed today. For joy of the majestic beauty there, Tell me why, oh tell me why? Men shall not miss the stars, nor mourn the sea. Kiss me then, my merry May, Lionel Johnson, 1867-1902 By the soul of love I pray! Prithee, nay! Tell, tell me why? Most Glorious Lord of Life (brass quartet) To you I come, a lover leal and true, Most glorious Lord of life, that on this day To tell you all my hope and all my care; Didst make thy triumph over death and sin, Your love alone is what I seek; than you And having harrowed hell, didst bring away No woman ever seemed to me more fair, Captivity thence captive, us to win: No woman ever seemed so fair.
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