In the Days of the Barley Harvest: The Iconography of Ruth Author(s): Sarit Shalev-Eyni Source: Artibus et Historiae, Vol. 26, No. 51 (2005), pp. 37-57 Published by: IRSA s.c. Stable URL: http://www.jstor.org/stable/1483774 . Accessed: 18/10/2013 07:34 Your use of the JSTOR archive indicates your acceptance of the Terms & Conditions of Use, available at . http://www.jstor.org/page/info/about/policies/terms.jsp . JSTOR is a not-for-profit service that helps scholars, researchers, and students discover, use, and build upon a wide range of content in a trusted digital archive. We use information technology and tools to increase productivity and facilitate new forms of scholarship. For more information about JSTOR, please contact
[email protected]. IRSA s.c. is collaborating with JSTOR to digitize, preserve and extend access to Artibus et Historiae. http://www.jstor.org This content downloaded from 129.174.21.5 on Fri, 18 Oct 2013 07:34:27 AM All use subject to JSTOR Terms and Conditions SARIT SHALEV-EYNI Inthe Days of the BarleyHarvest: The Iconographyof Ruth Introduction contain the first eight books of the Old Testament, a format that gained much popularityduring the post-iconoclastic peri- In the Days of the Judges, when a famine came over the od.2 However, while the first books of the illuminated land of Judah, Naomi and her family found a refuge in Moab. Octateuchs were adorned with a vast selection of miniatures, Afterthe death of her husband and two sons Naomi, bitterand Ruth, the last book, received two scenes only.3 Two more destitute, returnsto Bethlehem.