October 1944) James Francis Cooke
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Current Trends in the Implementation of Educational Concerts of Symphony Orchestras: a Review of Literature LEONI HADJITHOMA European University, Cyprus
Min-Ad: Israel Studies in Musicology Online, Vol. 15, 2018 (2) Materials of the First International Conference on Music Education in the Community “Traditions, Challenges and Innovations,” Tel-Aviv – Jerusalem, May 14-17, 2017 Current Trends in the Implementation of Educational Concerts of Symphony Orchestras: A Review of Literature LEONI HADJITHOMA European University, Cyprus Abstract: This presentation focused on the current trends in the implementation of educational concerts of symphony orchestras. The aim was to collect, organize and present innovative approaches on how to design enjoyable educational concerts for students and provide them with memorable experiences. Data was collected from orchestra websites, reports, books and published thesis and doctoral dissertations. Results show that educational concerts are usually designed by a conductor often in collaboration with the director of the music education department of an orchestra. Teacher and student resources, and teacher training are provided to prepare the students for the experience. The choice of repertoire depends on the learning objectives of each concert, but the musical tastes and needs of the students should always be taken into consideration. The students are actively engaged in various ways during the concert. Assessment of educational concerts is carried out and the results are used internally for improvement of future concerts. Keywords: educational concerts, symphony orchestra, trends Introduction Many symphony orchestras include in their annual programs educational concerts for students in collaboration with schools to educate the audience of the future and enrich the services they offer to the public. At the same time, educational concerts are an important part of the music curriculum in education and give students the opportunity to gain additional experiences, while interacting with the community they belong to. -
28Apr2004p2.Pdf
144 NAXOS CATALOGUE 2004 | ALPHORN – BAROQUE ○○○○ ■ COLLECTIONS INVITATION TO THE DANCE Adam: Giselle (Acts I & II) • Delibes: Lakmé (Airs de ✦ ✦ danse) • Gounod: Faust • Ponchielli: La Gioconda ALPHORN (Dance of the Hours) • Weber: Invitation to the Dance ○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○ Slovak RSO / Ondrej Lenárd . 8.550081 ■ ALPHORN CONCERTOS Daetwyler: Concerto for Alphorn and Orchestra • ■ RUSSIAN BALLET FAVOURITES Dialogue avec la nature for Alphorn, Piccolo and Glazunov: Raymonda (Grande valse–Pizzicato–Reprise Orchestra • Farkas: Concertino Rustico • L. Mozart: de la valse / Prélude et La Romanesca / Scène mimique / Sinfonia Pastorella Grand adagio / Grand pas espagnol) • Glière: The Red Jozsef Molnar, Alphorn / Capella Istropolitana / Slovak PO / Poppy (Coolies’ Dance / Phoenix–Adagio / Dance of the Urs Schneider . 8.555978 Chinese Women / Russian Sailors’ Dance) Khachaturian: Gayne (Sabre Dance) • Masquerade ✦ AMERICAN CLASSICS ✦ (Waltz) • Spartacus (Adagio of Spartacus and Phrygia) Prokofiev: Romeo and Juliet (Morning Dance / Masks / # DREAMER Dance of the Knights / Gavotte / Balcony Scene / A Portrait of Langston Hughes Romeo’s Variation / Love Dance / Act II Finale) Berger: Four Songs of Langston Hughes: Carolina Cabin Shostakovich: Age of Gold (Polka) •␣ Bonds: The Negro Speaks of Rivers • Three Dream Various artists . 8.554063 Portraits: Minstrel Man •␣ Burleigh: Lovely, Dark and Lonely One •␣ Davison: Fields of Wonder: In Time of ✦ ✦ Silver Rain •␣ Gordon: Genius Child: My People • BAROQUE Hughes: Evil • Madam and the Census Taker • My ■ BAROQUE FAVOURITES People • Negro • Sunday Morning Prophecy • Still Here J.S. Bach: ‘In dulci jubilo’, BWV 729 • ‘Nun komm, der •␣ Sylvester's Dying Bed • The Weary Blues •␣ Musto: Heiden Heiland’, BWV 659 • ‘O Haupt voll Blut und Shadow of the Blues: Island & Litany •␣ Owens: Heart on Wunden’ • Pastorale, BWV 590 • ‘Wachet auf’ (Cantata, the Wall: Heart •␣ Price: Song to the Dark Virgin BWV 140, No. -
100 Years of Extraordinary Historical Highlights from the Baltimore Symphony Orchestra Archives
100 Years of Extraordinary Historical Highlights from the Baltimore Symphony Orchestra Archives 1910s 1915 – Through a $6,000 grant from the city of Baltimore, the Baltimore Symphony Orchestra is founded as a branch of the city’s Department of Municipal Music, making it the only major American orchestra to be fully funded as a municipal agency. 1916 – On February 11, the Baltimore Symphony Orchestra performs its inaugural concerts to a standing- room-only crowd at The Lyric, under the direction of Music Director Gustav Strube. All three concerts comprising the first season at the Lyric are sold out. 1920s 1924 – On February 16, the BSO hosts its first children’s concert. The Baltimore Symphony youth concert series is the first to be established by an American orchestra. 1926 – The Baltimore Symphony makes its initial broadcast performance on WBAL Radio. 1930s 1930 - George Siemonn becomes the second music director of the orchestra. He conducts his opening concert, with the musicians now numbering 83, on November 23. 1935 - In late February, George Siemonn reluctantly resigns as music director and is replaced by Ernest Schelling. Forty-four musicians apply for the position. Schelling is well-known for his children’s concert series at Carnegie Hall. 1937 - Sara Feldman and Vivienne Cohn become the first women to join the Baltimore Symphony. The older members of the orchestra are supportive, but union members picket the hall with signs saying, “Unfair to Men,” which is reported in the New York Times. 1937 - Ernest Schelling becomes ill and is replaced by Werner Janssen. The dynamic young conductor and his wife, the celebrated film star Ann Harding, receive an enthusiastic response when they arrive in Baltimore. -
Boston Symphony Orchestra Concert Programs, Season 33,1913-1914, Trip
DETROIT ARMORY Under the Auspices of the Detroit Orchestral Association Dl RECTORS EXECUTIVE COMMITTEE H. President WILLIAM MURPHY, NEWTON J. COREY, FREDERICK M. ALGER, Vice-President LEM W. Secretary and Manager BOWEN Treasurer CHARLES L. FREER CHARLES MOORE, EDWIN S. GEORGE JOHN SCOTT, Auditor WILFRED C. LELAND J. HARRINGTON WALKER Thirty-third Season, 1913-1914 Dr. KARL MUCK, Conductor WITH HISTORICAL AND DESCRIPTIVE NOTES BY PHILIP HALE SATURDAY EVENING, JANUARY 31 AT 8.15 COPYRIGHT, 1913, BY C. A. ELLIS PUBLISHED BY C. A. ELLIS, MANAGER -^-rrrrm ra m 1 W?% No Piano of American make has been so favored by the musical pub- lic as this famous old Boston make. The world's greatest musicians have demanded it and discriminating people have purchased it. THE CHICKERING PIANO enjoys the distinction of being the recipient of 129 First Medals and Awards for Superiority Its wonderful tone and action call it to the studio to stimulate and encourage the pupil, and it is sought by teachers and musical people when the best is desired. HUDSON COMPANY DETROIT, MICHIGAN mm*4 DETROIT ARMORY Thirty-third Season, 19! 3-191 Dr. KARL MUCK, Conductor SATURDAY EVENING, JANUARY 31 AT 8.15 PROGRAMME Glazounoff . Symphony in B-flat major, No. 5, Op. 55 I. Moderate- maestoso; Allegro. II. Scherzo: Moderato; Pochissimo meno mosso. III. Andante. IV. Allegro maestoso. Brahms . " Tragic" Overture, Op. 81 Juon "Vaegtervise" (Watchman's Song), Fantasy on Danish Folk-songs, Op. 31 First Time in Detroit Dvorak . Dramatic Overture, "Husitska," Op. 67 There will be an intermission of ten minutes after the symphony 3 a prolonging of musical pleasure by home-firelight awaits the owner of a " Baldwin." The strongest impressions of the concert season are linked with Baldwintone, exquisitely exploited by pianists eminent in their art. -
RECORDED RICHTER Compiled by Ateş TANIN
RECORDED RICHTER Compiled by Ateş TANIN Previous Update: February 7, 2017 This Update: February 12, 2017 New entries (or acquisitions) for this update are marked with [N] and corrections with [C]. The following is a list of recorded recitals and concerts by the late maestro that are in my collection and all others I am aware of. It is mostly indebted to Alex Malow who has been very helpful in sharing with me his extensive knowledge of recorded material and his website for video items at http://www.therichteracolyte.org/ contain more detailed information than this list.. I also hope for this list to get more accurate and complete as I hear from other collectors of one of the greatest pianists of our era. Since a discography by Paul Geffen http://www.trovar.com/str/ is already available on the net for multiple commercial issues of the same performances, I have only listed for all such cases one format of issue of the best versions of what I happened to have or would be happy to have. Thus the main aim of the list is towards items that have not been generally available along with their dates and locations. Details of Richter CDs and DVDs issued by DOREMI are at http://www.doremi.com/richter.html . Please contact me by e-mail:[email protected] LOGO: (CD) = Compact Disc; (SACD) = Super Audio Compact Disc; (BD) = Blu-Ray Disc; (LD) = NTSC Laserdisc; (LP) = LP record; (78) = 78 rpm record; (VHS) = Video Cassette; ** = I have the original issue ; * = I have a CD-R or DVD-R of the original issue. -
Autographs – Auction November 8, 2018 at 1:30Pm 1
Autographs – Auction November 8, 2018 at 1:30pm 1 (AMERICAN REVOLUTION.) CHARLES LEE. Brief Letter Signed, as Secretary 1 to the Board of Treasury, to Commissioner of the Continental Loan Office for the State of Massachusetts Bay Nathaniel Appleton, sending "the Resolution of the Congress for the Renewal of lost or destroyed Certificates, and a form of the Bond required to be taken on every such Occasion" [not present]. ½ page, tall 4to; moderate toning at edges and horizontal folds. Philadelphia, 16 June 1780 [300/400] Charles Lee (1758-1815) held the post of Secretary to the Board of Treasury during 1780 before beginning law practice in Virginia; he served as U.S. Attorney General, 1795-1801. From the Collection of William Wheeler III. (AMERICAN REVOLUTION.) WILLIAM WILLIAMS. 2 Autograph Document Signed, "Wm Williams Treas'r," ordering Mr. David Lathrop to pay £5.16.6 to John Clark. 4x7½ inches; ink cancellation through signature, minor scattered staining, folds, docketing on verso. Lebanon, 20 May 1782 [200/300] William Williams (1731-1811) was a signer from CT who twice paid for expeditions of the Continental Army out of his own pocket; he was a selectman, and, between 1752 and 1796, both town clerk and town treasurer of Lebanon. (AMERICAN REVOLUTION--AMERICAN SOLDIERS.) Group of 8 items 3 Signed, or Signed and Inscribed. Format and condition vary. Vp, 1774-1805 [800/1,200] Henry Knox. Document Signed, "HKnox," selling his sloop Quick Lime to Edward Thillman. 2 pages, tall 4to, with integral blank. Np, 24 May 1805 * John Chester (2). ALsS, as Supervisor of the Revenue, to Collector White, sending [revenue] stamps and home distillery certificates [not present]. -
Um Compositor Brasileiro Na Broadway: a Contribuição De Heitor Villa-Lobos Ao Teatro Musical Americano
UNIVERSIDADE FEDERAL DE MINAS GERAIS ESCOLA DE MÚSICA PÓS-GRADUAÇÃO EM MÚSICA - MESTRADO UM COMPOSITOR BRASILEIRO NA BROADWAY: A CONTRIBUIÇÃO DE HEITOR VILLA-LOBOS AO TEATRO MUSICAL AMERICANO ROSANE VIANA BELO HORIZONTE 2007 ROSANE VIANA UM COMPOSITOR BRASILEIRO NA BROADWAY: A CONTRIBUIÇÃO DE HEITOR VILLA-LOBOS AO TEATRO MUSICAL AMERICANO Dissertação apresentada ao Curso de Mestrado da Escola de Música da Universidade Federal de Minas Gerais, como requisito parcial à obtenção do título de Mestre em Música. Área de Concentração: Estudo das Práticas Musicais Sub-área: Análise Musical Orientador: Lucas Bretas Belo Horizonte Escola de Música da UFMG 2007 Dedico o presente trabalho ao meu pai, Sebastião Vianna. AGRADECIMENTOS Ao meu orientador, por ter aceitado o desafio de desbravar "terras incógnitas" sem medo de se arriscar e pela sua grande capacidade. A Mônica Mansur Brandão, pela ajuda inestimável e imprescindível no pré-projeto. A Maria Eugênia Albinatti, pelo seu "ouvido paciente" nesses dois anos e sua colaboração. A David Peterson, meu "dicionário vivo" em momentos cruciais. A Rita Lopes Moreira, pela sua generosidade, sem a qual eu não poderia sequer ter iniciado o Curso de Mestrado. Ao meu pai, pelas informações preciosas e inéditas sobre Magdalena e tantas outras sobre Villa-Lobos. Agradeço também pela sua ajuda financeira durante esse período. A minha saudosa mãezinha, Rosa Nalterelli Viana, pelo seu entusiasmo e incentivo quando descobri a obra em 2000. A Sandra Loureiro, pelas palavras sábias em momentos difíceis e por compartilhar comigo a alegria de escrever sobre Magdalena. A André Cavazotti, por ter carinhosamente me acolhido na sub-área Análise Musical e por ter sempre respondido aos meus e-mails e retornado meus telefonemas. -
Volume 65, Number 08 (August 1947) James Francis Cooke
Gardner-Webb University Digital Commons @ Gardner-Webb University The tudeE Magazine: 1883-1957 John R. Dover Memorial Library 8-1-1947 Volume 65, Number 08 (August 1947) James Francis Cooke Follow this and additional works at: https://digitalcommons.gardner-webb.edu/etude Part of the Composition Commons, Music Pedagogy Commons, and the Music Performance Commons Recommended Citation Cooke, James Francis. "Volume 65, Number 08 (August 1947)." , (1947). https://digitalcommons.gardner-webb.edu/etude/181 This Book is brought to you for free and open access by the John R. Dover Memorial Library at Digital Commons @ Gardner-Webb University. It has been accepted for inclusion in The tudeE Magazine: 1883-1957 by an authorized administrator of Digital Commons @ Gardner-Webb University. For more information, please contact [email protected]. XUQfr JNftr o 10 I s vation Army Band, has retired, after an AARON COPLAND’S Third Symphony unbroken record of sixty-four years’ serv- and Ernest Bloch’s Second Quartet have ice as Bandmaster in the Salvation Army. won the Award of the Music Critics Cir- cle of New York as the outstanding music American orchestral and chamber THE SALZBURG FESTI- BEGINNERS heard for the first time in New York VAL, which opened on PIANO during the past season. YOUNG July 31, witnessed an im- FOB portant break with tra- JOHN ALDEN CARPEN- dition when on August TER, widely known con- 6 the world premiere of KEYBOARD TOWN temporary American Gottfried von Einem’s composer, has been opera, “Danton’s Tod,” By Louise Robyn awarded the 1947 Gold was produced. -
Journal of the American Theatre Organ Society
JOURNAL OF THE AMERICAN THEATRE ORGAN SOCIETY ----------------- -- ------------------- Orbir ID™e ecrronic 1yn~e1izer ~UJ ~ -~oture01pinel organ equoJ... ~e nevve1rwoy lo mo <emu1ic ~romWur i~zec Now with the Orbit III electronic synthesizer from slowly, just as the theatre organist did by opening and Wurlitzer you can create new synthesized sounds in closing the chamber louvers. stantly ... in performance . And with the built-in Orbit III synthesizer, this This new Wurlitzer instrument is also a theatre organ, instrument can play exciting combinations of synthe with a sectionalized vibrato/tremolo, toy counter, in sized, new sounds, along with traditional organ music. A dependent tibias on each keyboard and the penetrating built-in cassette player/recorder lets you play along with kinura voice that all combine to recreate the sounds of pre-recorded tapes for even more dimensions in sound. the twenty-ton Mighty Wurlitzers of silent screen days. But you 've got to play the Orbit III to believe it. And it's a cathedral/classical organ, too, with its own in Stop in at your Wurlitzer dealer and see the Wurlitzer dividually voiced diapason, reed, string and flute voices. 4037 and 4373. Play the eerie, switched-on sounds New linear accent controls permit you to increase or of synthesized music. Ask for your free Orbit III decrease the volume of selected sections suddenly, or demonstration record. Or write: Dept. T0-473 WURLilzER ® The Wurlitzer Company, DeKalb , Illinois 60115. hn.4'the "·ag cover- Photo ... The 4/18 Wurlitzer at the Oaks Park Roller Rink in Portland, will be one of the instruments heard at the National Convention July 25th. -
Guild Gmbh Guild -Historical Catalogue Bärenholzstrasse 8, 8537 Nussbaumen/TG, Switzerland Tel: +41 52 742 85 00 - E-Mail: [email protected] CD-No
Guild GmbH Guild -Historical Catalogue Bärenholzstrasse 8, 8537 Nussbaumen/TG, Switzerland Tel: +41 52 742 85 00 - e-mail: [email protected] CD-No. Title Composer/Track Artists GHCD 2201 Parsifal Act 2 Richard Wagner The Metropolitan Opera 1938 - Flagstad, Melchior, Gabor, Leinsdorf GHCD 2202 Toscanini - Concert 14.10.1939 FRANZ SCHUBERT (1797-1828) Symphony No.8 in B minor, "Unfinished", D.759 NBC Symphony, Arturo Toscanini RICHARD STRAUSS (1864-1949) Don Juan - Tone Poem after Lenau, op. 20 FRANZ JOSEPH HAYDN (1732-1809) Symphony Concertante in B flat Major, op. 84 JOHANN SEBASTIAN BACH (1685-1750) Passacaglia and Fugue in C minor (Orchestrated by O. Respighi) GHCD Le Nozze di Figaro Mozart The Metropolitan Opera - Breisach with Pinza, Sayão, Baccaloni, Steber, Novotna 2203/4/5 GHCD 2206 Boris Godounov, Selections Moussorgsky Royal Opera, Covent Garden 1928 - Chaliapin, Bada, Borgioli GHCD Siegfried Richard Wagner The Metropolitan Opera 1937 - Melchior, Schorr, Thorborg, Flagstad, Habich, 2207/8/9 Laufkoetter, Bodanzky GHCD 2210 Mahler: Symphony No.2 Gustav Mahler - Symphony No.2 in C Minor „The Resurrection“ Concertgebouw Orchestra, Otto Klemperer - Conductor, Kathleen Ferrier, Jo Vincent, Amsterdam Toonkunstchoir - 1951 GHCD Toscanini - Concert 1938 & RALPH VAUGHAN WILLIAMS (1872-1958) Fantasia on a Theme by Thomas Tallis NBC Symphony, Arturo Toscanini 2211/12 1942 JOHANNES BRAHMS (1833-1897) Symphony No. 3 in F Major, op. 90 GUISEPPE MARTUCCI (1856-1909) Notturno, Novelletta; PETER IILYICH TCHAIKOVSKY (1840- 1893) Romeo and Juliet -
Boston Symphony Orchestra Concert Programs, Summer, 1995
osfon i^j^ny wksW Tangtew@» 5 NOW AT FILENE'S... FROM TOMMY H i The tommy collection i Cologne spray, 3.4-oz.,$42 Cologne spray, 1.7-oz.,$28 After-shave balmB mm 3.4-oz., $32 m After-shave, 3.4-oz., $32 Seiji Ozawa, Music Director One Hundred and Fourteenth Season, 1994-95 Trustees of the Boston Symphony Orchestra, Inc. J. P. Barger, Chairman Nicholas T. Zervas, President Mrs. Edith L. Dabney, Vice-Chairman William J. Poorvu, Vice-Chairman and Treasurer Mrs. John H. Fitzpatrick, Vice-Chairman Harlan E. Anderson Nader F. Darehshori Edna S. Kalman Mrs. August R. Meyer Peter A. Brooke Deborah B. Davis Allen Z. Kluchman Mrs. Robert B. Newman James F. Cleary Nina L. Doggett Harvey Chet Peter C. Read John F. Cogan, Jr. Dean W. Freed Krentzman Carol Scheifele-Holmes Julian Cohen AvramJ. Goldberg George Krupp Richard A. Smith William F. Connell Thelma E. Goldberg R. Willis Leith, Jr. Ray Stata William M. Crozier, Jr. Julian T. Houston Trustees Emeriti Vernon R. Alden Archie C. Epps Mrs. George I. Mrs. George Lee Philip K. Allen Mrs. Harris Kaplan Sargent David B. Arnold, Jr. Fahnestock George H. Kidder Sidney Stoneman Leo L. Beranek Mrs. John L. Thomas D. Perry, Jr. John Hoyt Stookey Abram T. Collier Grandin Irving W. Rabb John L. Thorndike Nelson J. Darling, Jr. Other Officers of the Corporation John Ex Rodgers, Assistant Treasurer Michael G. McDonough, Assistant Treasurer Daniel R. Gustin, Clerk Board of Overseers of the Boston Symphony Orchestra, Inc. Thelma E. Goldberg, Chairman Robert P. O'Block, Vice-Chairman Jordan L. -
Rex Battle Fonds Inventory #518
page 1 Rex Battle fonds Inventory #518 File: Title: Date(s): Note: Call Number: 2007-034/001 Orchestral scores (1) Allegro con grazia, from the Sixth symphony (pathetique) 1912 : Op. 74 / Peter Tschaikowsky (2) Andantinoin modo di canzona (second movement), from 1915 Symphony in F minor, no. 4, Op. 36 / Peter Tschaikowsky (3) Capriccio Italien : Op. 45 / Peter Tschaikowsky 1909 (4) Capriccio brilliant : Op. 22 / Felix Mendelssohn Bartholdy [19--?] (5) Capriccio Italien / Peter Tschaikowsky 1909 (6) Capriccio Italienne : Op. 45 / Peter Tschaikowsky 1920 (7) Danse macabre : poeme symphonique : Op. 40 / C. 1921 Saint-Saens (8) Finale (fourth movement), from symphony in F minor, 1916 no. 4 / Peter Tschaikowsky (9) Les preludes : symphonic poem / Franz Liszt 1913 (10) Marche slave : Op. 31 / Peter Tschaikowsky 1911 (11) Scherzo : Op. 16, no. 2 / F. Mendelssohn 1920 (12) Second movement (andante), from the fifth symphony / 1912 P. Tschaikowsky (13) Scherzo (allegro), from the Fourth symphony : Op. 36 / 1927 P. Tschaikowsky (14) Symphonie : trancrite pour violin, violoncelle et piano / [1921?] Cesar Frank (15) Symphony in B minor (Pathetique) : no. 6, Op. 74 : first 1924 movement / Peter Tschaikowsky (16) Symphony no. 5 : fourth movement : P. Tschaikowsky. -- 1925-1932 File contains a letter written to Battle and a dedication from friend Nick Anderson. Call Number: 2007-034/002 (1) Aquarellen : Op. 258 : walzer / Josef Strauss [1869?]-[19--?] (2) Dream flowers : waltz-intermezzo / S. Tranlateur 1930 (3) Eternal poem : waltz intermezzo / Ernest Weiller 1903 (4) Gross Wien, tout Vienne : waltz / Johann Strauss 1891 (5) Irish whispers : waltz / Charles Ancliffe 1918 (6) L'eoile d'amour : valse lente / Paul Delmet 1902 (7) Lanette waltz / H.