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In the past years, artists and sculptors have been interacting in the symposium's different rounds; with every new round, the symposium is renewed as well as the working site, Open-Air Museum where there is a brilliant dialogue taking place between the stones and creations. So, we have to wrap up first briefly the activities of the 17th round of the symposium before tackling the current round and the creations of its artists.

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Photo by Mohamed Sabry Photo by Mohamed Sabry Photo by Mohamed Sabry Gd ƒ L ¬ G’BN ô d∏ù°« ª Ñ ƒ R j ƒ Ω The Other Side of the Story

Mohamed Sabry (Egypt)

Once again the Pharaonic Civilization is the source of this artist’s inspiration.

symposium as he took part before in a number of sculpture gatherings whether in Egypt or abroad but used other art media. On arriving to the site in Aswan, he was warmly welcomed by everyone and found great support by the artists as well as the assistants. Like most of the promising Egyptian sculptors, his piece is considered a continuation of a long personal experience with the Ancient Egyptian Civilization particularly the period of Tal Al Ammarna. Since the early stages of his artistic career, he was vehemently inspired by the Pharaonic art which he studied thoroughly and through which he discovered things that he has never seen in any other civilization then he was influenced by the simplicity of the Coptic art until he reached the current stage of carving abstract forms overwhelmed by the Egyptian touch with its various cultures. Entitled, "The New Akhenaton" his sculpture is an attempt to revive the glamorous The Return of history of Akhenaton the prophet and the king who during his reign art and life were flourishing and it measures 1.40m x 70cm x 70cm. “I hope Akhenaton that another Akhenaton will be resurrected to build a new Egypt”, he pointed. His work creates a harmonious music with the block in all hen Mohamed Sabry won the first prize in directions as well as balance and light. During the the Bibliotheca Alexandrina competition on W daytime, the piece of sculpture takes other forms carving a memorial dedicated to the martyrs of the creating new shades that add new effects to it, 25 January Revolution, he had the chance to meet “The work depicts Akhenaton whose look to the veteran sculptor Adam Henein. The statue was sun is the source of happiness, it is a simple work 2metres high and made of Aswan black granite. that wraps up the importance of the sun and light Since then Henein started to support Sabry and to the sculpted works.” He believes that the Open- follow up his artistic progress through watching Air Museum is a progressive step towards Egypt’s his old sculptures giving him good pieces of cultural future and is considered a rediscovery of advice. He was happy to be selected among the the Ancient Egyptian Civilization but via a young artists to participate in this edition of the contemporary vision, "This space full of sculptural symposium. For Sabry the AISS is one of the most masterpieces created by artists from different important international sculpture symposiums in cultural backgrounds is the biggest proof that the world and what adds to his satisfaction is that Egypt is the cradle of civilizations," he disclosed. it was his first participation in a sculpture

The Workshop Walid Fathi (Egypt)

He is filled with pride to participate in the Aswan Symposium workshop for the second time.

Aswan eye

is participation in this big annual cultural number of international sculpture events such as Hevent in 2010 had a great influence on his art the one in Austria where he created an installation. career. Although, he is a 2006 graduate, sculpture It was composed of a group of European style department at the Faculty of Fine Arts, he houses took the organic form after the rain falling; discovered that carving granite in Aswan has a the work was created from limestone and granite totally different taste because the surrounding and was a novel experience for him. In China, the nature and the history of Aswan urge any sculptor theme of the symposium was the car and he used to inevitably create masterpieces. clay and bronze, however, he admits that after This is his second participation in the workshop using variant types of materials and stones, granite organised on the sidelines of the symposium and and basalt remain his favourite because it’s the pointed that sharing in this unique round that origin of sculpture. This year’s work is a gathers a number of tycoon sculptors whether development of what he carved in the past Egyptians or foreigners is an extremely important workshop, it is a dreamy abstract form depicting experience for him. He also considers the AISS an the “Eye of Aswan” that guards the Open-Air intensified course in sculpturing. After the Aswan Museum. It is 1m x 1.20m x 1.50m. He used grey symposium 2010 round, he participated in a granite to highlight confidence and power.

The Workshop Amina Atif (Egypt)

She believes that her participation in the Aswan symposium will pave the way for her to share in other sculpture gatherings.

An aspiring artist

raduated at the Faculty of Fine Arts, Helwan with the help of the available tools and interacting GUniversity, class 2011, this budding sculptor with professional and world-renowned sculptors has started sculpturing in marble, clay but this is she managed to overcome all her fears. Her piece her first face to face encounter with the tough of sculpture is totally abstract and is based on one material of granite. She believes that her point created from rose granite and measures participation in the 18th edition of the Aswan 1.30m x 1.30m x 50cm. In 2009, she participated International Sculpture Symposium will pave the in the Youth Salon and won a prize for a unique way for her in the future to take part in other work that was based on two points and she used sculpture gatherings that will enrich her marble. In general, this promising sculptor experience in the field and allow her to be well prefers to use granite in carving abstract forms acquainted with other artist's styles and while clay is much easier for her to use while techniques in sculpturing granite. She expressed creating portraits as she has done before portraits that her other fear was dealing with the assistant for Egyptian icons such as legendary singer Umm and showing him what she exactly wants, Koulthoum, actress Soaad Hosni and Mohamed however, he showed good cooperation and also Ali Pasha.

The Workshop Islam Ibada (Egypt)

His exposure to the Italian art scene helped him to appreciate more our Ancient Egyptian art.

In search of knowledge

raduated at the Faculty of Fine Arts, Helwan geometrical solutions to reflect the more general GUniversity, class 2000, he participated in concept which is organic. It is a red granite Madinty, Sodic and Sekem Symposiums using measures 1.50m x 40cm x 40cm. His piece of marble as well as in the sand sculpture symposium sculpture is a miniature because the time is in Alanus University, Germany. This is his first limited and he can’t accomplish a bigger statue. encounter with granite because at the faculty the He seized this opportunity to learn the techniques only available materials to carve were limestone of carving granite and how to use the old tools and clay. For him this experience is very precious that were used thousand years ago by the and his participation in this round is very Pharaohs who are the masters of carving statues. important. In 1997, he has been to Italy in a scholarship at "In mixed media works I am more interested the Egyptian Academy in Rome then toured in the concept rather than the material, however, Florence and Venice for 20 days, he was young in in sculpturing granite I focus on the style," he his first year at the faculty. This trip left him explained. His piece of sculpture is deduced from impressed by the Italian art but more important nature so he tried to find solutions that are more appreciative of the Pharaonic Civilization geometrical but it depicts a portrait in a which presented to the entire world masters in geometrical style or in other words using the art of sculpture.

The Workshop Ahmed Magdy (Egypt)

His work for this year's edition is inspired by the Ancient Egyptian civilization.

his is his first participation in the symposium Tbut not his first encounter with the material of granite; he is familiar with granite since starting the faculty project as he used black, rose and grey granite. He pointed that joining this year's round is a great honour for him, because it gathered a number of veteran sculptors whether foreigners or Egyptians. His sculpture is a statue of a sitting woman inspired by the Ancient Egyptian artist works. Although he has designed a maquette before coming to the symposium, he made some changes while carving the piece inspired by the ravishingly beautiful environment of Aswan as well as the works of other professional sculptors. He carved before a 2 metres piece of granite and this year his work measures 1.70m x 1.30m x 90 cm. In previous experiences, he carved light and dark rose granite as well as basalt and carrara marble but most of the time he is using granite. This work is rose granite including the statue and the base. Although most of Magdy's works are figurative in general, the piece he carved is symbolic figurative not abstract. This round is very unique so I am lucky. "As far as I know, the work will be displayed in the Open-Air Museum what makes me very proud because this magnificent place gathers sculptures of internationally acclaimed sculptors who represent different art trends and schools," he said. The theme of the work he presents this year is not entirely new; Magdy has carved lately a statue of a sitting woman in a state of anticipation and this A budding talent state of anticipation reflects his own state as well as the state of the whole country these days.

The Workshop Ahmed Moussa (Egypt)

Impressed by the sculptures on show at the Open-Air Museum, he benefited a lot from participating in this year’s edition.

graduate at the Faculty of Fine Arts, class A 2003, his masters was about the relation between the personal statue and the style of the modern sculptor whether the sculptor refers to the classic or adds his own style to the character without deforming the original character. “I myself find safety in sculpturing characters in the classical style in order not to deform the figure”, he said. He participated in four symposiums of sculpture: International Marble Symposium - Cairo SEKEM company in 2009, International Marble Symposium - Madinaty Company New Cairo in 2010, Sand Symposium - Alanus University in Germany in 2011 & Sodic Company Symposium - 6th of October city in 2012. Back to Sekem Company Symposium, he expressed that it was a thrilling experience that gathered 10 German sculptors and four Egyptian sculptors who Emerging sculptor all worked as a team in carving only four pieces. We used clay and light limestone in small sizes but in Madinty and Sodic symposiums he used marble. This is not only his first participation in the close to the living creature; the form is somehow AISS but also his first encounter with granite as an a semi-circle but still there is a movement inside art medium. He used to visit the symposium in the it and the semi-circle is not regular but there are previous rounds to watch professional sculptors vacuums and waves. “I am lucky to participate in whether foreigners or Egyptians while carving this year’s round and visit the Open Air Museum granite in order to gain experience and enrich his and I was impressed to watch all these unique skills. He brought a maquette for his piece of works of sculpture and the amount of works sculpture before coming to Aswan but on site he created by world-renowned gifted artists using realized that carving granite is much more difficult the same material but each one represents a than marble. His work is 1.50m x 1m x 50cm different school, style and technique. The Open- He used the famous red granite of Aswan. The Air Museum is considered an academy or an open theme of his work is a mix between the school for teaching emerging sculptors how to geometrical form and the organic one that is very carve granite,” Moussa concluded

The Workshop The Workshop

Viviane El-Batanoni (Egypt)

Her sculptures are vivid as usual and she is able to present strong ideas in a very smooth style.

A rising star

he is still in a state of artistic maturity which changeable symbol as the star is coming out of Swas obviously reflected on her creations earth moving strongly towards the space produced in the period followed her last penetrating the horizon and the work measures participation in Aswan symposium in 2008 when 5.50m x 1m x 1.10m. She used the theme of the she carved four small pieces currently on display at star several times in past experiences; sometimes the gallery of the Open air museum. In that stage, the star symbolizes time as in the sculpture she she moved from a state of solidity using geometric carved in 2005 while another granite work was lines, symbols and architectural forms, through about the throne with a star hanged on top of it which she gained her reputation, into a new stage symbolizing the power of authority. In 2009, in characterized by the flexible lines and the symbols Austria, she took part in a symposium where she of nature which she uses to express the human carved another star in marble that signified feelings and passions. She is currently working on dreams and hopes. She clarified that this round in the theme of plants that give a brilliant example of Aswan symposium is very unique and asserted flexibility and delicacy through penetrating the that this symposium is the most important in bottom of earth and growing through the solid Egypt and the Arab World because it takes place rocks showing the real meaning of life. in Aswan, the cradle of civilization and sculpture. In this round, she is back to her most favourite "The symposium is also distinguished as an theme which is the star, it was the theme of her experimental work that encourages freedom of sculpture in 2005 then she relinquished the idea expression allowing each artist to present his own for a period of time to explore new themes and idea and concept without any restrictions. It in order to tackle the same theme again but in produces art for the sake of art and that is why it different ways. will remain a phenomenal and infrequent artistic This year, she sees a new function for this event," she concluded.

Rath Geber Attila (Hungary)

The Hungarian sculptor Attila wishes for the Open-Air Museum to preserve its natural beauty. Natural beauty

This is the third participation of the artist in Athe AISS as he came before in 2006 and 2009. Like other foreign sculptors participating in the 2013 edition of the Aswan International Sculpture Symposium (AISS), Attila was invited to create a piece to be displayed at the entrance of the Open- Air Museum. He contemplated the place there and felt that he just needs to pave the hill and leaves the natural colour of the stone untouchable. He believes in the idea of ‘environmental sculpture’ where the piece of sculpture doesn’t overwhelm the beauty of the surrounding landscape. “We have to preserve the beauty of the rocks in the mountain,” he pointed. The piece of sculpture he carved in 2006 is within the context of the sculpture park was my currently on show at the Open-Air Museum. This aim in the previous sessions with the intention to year, through his work, he tries to attract the modify and reinforce the view of the visitor on the attention of the museum visitors to the natural original natural scenery. This gesture seemed beauty of the original rocks in the mountain. evident in this constant and perpetual appearing “Similarly, to the previous work realised in Aswan environment. In this recent residence, I had to my project is dealing with the relation of the recognise that this landscape is on a way of sculpture and its ultimate in-situ environment. disappearing due the human permanent demands. These site-specific works are formed by the This recent project focuses on this weakening facet landscape’s direct influence on the creation, and of this natural environment. It concentrates the sculpture is an organic inseparable part of its principally on the recuperation of some thingy part surroundings, they form one unit, the environment of the site and adjusts a sculptural act for this aim. is the artwork itself. Aswan has an amazing unique The ensemble of my work aims to reorient the landscape. Granite boulders exploded and moulded perception of the viewer on nature. It aspires to by the simple force of the hot of the sun. involve the observer (rather than seek for Landscape, which one’s formal devices are admiration); it is to invite thinking together on extremely reduced although infinitely diversified, environment and issues on different questions where the dimensions of time and space became concerning the relation of nature and human” he extraordinarily wide. Leave a mark in this setting explained. Sherif Abdel Badea (Egypt)

The repercussions of the 25 January Revolution and the Egyptian youth who lost their souls for the sake of realizing its goals inspired Abdel-Badea The martyr

is previous participations in the AISS in 2000, H2003, 2006, 2009 has created a sort of intimacy between him and the place. He is famous for his figurative sculptures that are always overwhelmed by a humane touch. In 2009, his piece of sculpture was entitled “The Queen”. He has three pieces of sculpture already on display at the Open-Air Museum and one statue in Mansoura governorate. He believes that the recurrent participation of many sculptors in the symposium helps in tracing how the artist is honouring him in his very own the artistic development of the sculptor. He sees way. Abdel-Badea pointed that the hole will that the AISS is the best artistic event happened in definitely whistle in the air when displayed at the Egypt during the past 20 years. Open-Air Museum. The work measures 2m x 7m According to Abdel-Badea, the symposium x 85cm. The base is 2 metres and is buried under curator veteran sculptor Adam Henein invited a the ground but the surface appears above the group of sculptors taking part in this year’s round ground holding the entire work; he used dark red, to create a number of vertical sculptures in order red and rose granite and mixed between the rough to decorate the entrance leading to the Open-Air and smooth surfaces. "My work will represent all Museum. For Abdel-Badea, he didn’t find any other works carved by other sculptors to be on problem with carving a vertical piece because he show at the Open-Air Museum using all styles and is famous for his vertical works. textures whether smooth, rough, glittering or He expressed his love and big admiration for decorated with gold paper". Back to the details of the Egyptian youth who started the 25 January his sculpture, he explained that it will contain a Revolution in 2011 those who sacrificed their pillar carrying a woman in silhouette and a throne souls and those who lost their eyes and sight above with the crown of the martyr on top then completely for the sake of liberating their country. he added "some textures on the surface could be As a result, his work is entitled "The Martyr" interpreted in many ways as bubbles, grapes or dedicated to those who were murdered in the boiling water". He believes that the museum revolution; it is composed of five parts and one of located in the heart of the mountain so sculptures the pieces is crowned by the body of the martyr on display have to be in large sizes to receive with a hole in his chest as if it is a bullet with gold visitors who will be welcomed by these works touches decorating the top of the body and this is from the beginning of the entrance. Khaled Zaki (Egypt)

After many years of absence, Zaki is them. “I can’t claim that I am a professional thrilled to be back in Aswan in this critical sculptor, so far, I consider myself an amateur. I have a problem; I am a dual personality, a time to participate in the 18th round of the business student, my mind is full of numbers and calculations and an artist who wants to set himself symposium. free from restrictions and break all rules,” explained Zaki. Since his participation in the first round, he felt in love with Aswan and decided to come back to Egypt. In 2010, he focused on carving sculpture only before the outbreak of the 25 January Revolution, “I returned to the figurative not abstract and most of my statues depicted the Egyptian citizen then I started mixing between the figurative and the abstract during this period I felt myself for the first time.” After the revolution, he held an exhibition during the violent incidents of Mohamed Mahmoud Street which was completely absurd and it was a great success then he took part in another successful exhibition in Dubai. “Lately I suddenly became only a sculptor who is entirely devoted to sculpturing. I am planning for my A strong coming solo exhibition next March" Since 1996 until today, he believes that Aswan comeback Symposium is the most successful artistic event accomplished in Egypt; it left its marks on many sculptors from different generations and it will leave its print on the contemporary art movement e was living in Petra Santa in Italy where he in Egypt as it was distinguished from the beginning Hfirst met Adam Henein and brought up the as an experimental work. It needs a long run idea of a symposium that was his contribution to strategy and an agenda for developing it in the the event. Graduated at the Faculty of Commerce, future in order to avoid monotony and repetition. he traveled immediately to Italy after graduation This project should be supervised by the state: the to study sculpture and his talent was discovered by Ministry of Culture, the Ministry of Education and late veteran glass artist Zakariya El Khanani and the Ministry of Tourism should unit together to his wife present sculptor Aida Abdel Karim , so draw a vision for this great experimental work. they advised him to travel to Italy to study art and Concerning his work for the symposium, he enrich his talent, he travelled to Italy in October creates an abstract figure but because it is difficult 1988. “I studied sculpture in Petra Santa. One day, to select one huge piece it was divided into three I was drinking coffee at a café and I met Adam parts; a base and the statue itself is created from Henein for the first time". two pieces and he used Aswan red granite. It is Zaki was an assistant to several veteran Italian around 4metres and the sculpture is scheduled to sculptors. Marble, granite and limestone are the be displayed at the entrance of the Open-Air main three types of stones and he carved all of Museum so it has to be visible for visitors. Patrice Belin (France)

In his work at the entrance of the Open-Air Museum, The French sculptor Patrice Belin plays on the idea of the contrast between the hidden and the visible.

The Philosopher

his is his fifth participation in the AISS and found the block in this shape and he just added few Tthis year curator of the symposium Adam touches and added on top a gold piece using gold Henein discussed with him the possibility of paper which will glitter when the sun rays falls on creating a piece of sculpture specifically for the it so it will attract visitors to come to see what is entrance of the Open-Air Museum. At the first this then they will find a piece of art and can try to sight, he thought of leaving the symposium back to touch it. He plays on the idea of the contrast his country. between the hidden and the visible; he explained He felt that the place has been totally changed that one day this hole may be buried in sand by the since 2004 and that sculptors are competing each effect of the wind so it will remain part of the other to show as much sculptures as possible nature of the place. Some viewers can interpret the ignoring the importance of preserving the natural work as a piece of stone appeared from a volcano beauty of the place. Concerning his piece of or as a result of some archaeological excavations in sculpture, he made a deep hole below the hill of the mountain while others can see it as an the open air museum and placed a black piece of unfinished piece of sculpture which is part of the granite in the middle of the hole giving the museum. The work is 3.50 metres and the impression that it is emerging out of it. The artist diameter of the hole is 10 metres. Hani Faysal (Egypt)

He will always remain searching for stones in all areas on earth believing that only the stone is the reason behind man eternity.

The Museum Guardian Photo by Mohamed Sabry aisal was thrilled to hear the news of his theme in most of his exhibitions years ago. The Fparticipation in this year’s edition because it theme was very suitable for that symposium will pave the way for the much-awaited opening of because in Norway the sunset lasts for only three the Open-Air Museum to the public in the years to hours in Summer so Faisal carved a marble piece come. He carved a 6 metres high piece of sculpture depicts the clock with holes allowing light to enter that carries a sense of power through depicting in which moves with the sun movement creating an abstract style a statue of the museum guardian. different forms inside the work itself. For him, He used Aswan red granite and the work measures participating in Kenya Symposium was once in a 1m x 1.20m x 6m. He specified the location of the lifetime experience. “I benefited a lot from this rich statue at the entrance of the museum, it is a wide experience whether on the artistic or the humane space that is only suitable for a huge vertical work. level because the landscape in Kenya is ravishingly As a result, the idea of the guardian who is standing beautiful and very inspiring. I advice every artist to at the gate of the museum to protect it and receive visit this country to watch the real Africa where I the visitors is very appropriate. Faisal didn’t polish lived a very primitive way of life and used very the entire piece but left parts of it rough to reflect ancient tools in sculpturing,” Faisal expatiated a power and strength that create harmony with the little further. In Kenya, he carved a piece of granite place at the heart of the mountain. in the form of a circle shaped by nature itself He have been to several international sculpture depicting a portrait of a man. His experience with symposiums and never stopped watching and Morocco Sculpture Symposium was also unique learning; after his participation in AISS in 2009, he where he was back once again to his most favourite took part in Norway symposium and created a subject the solar clock that moves through light sculpture on the solar clocks which is a recurrent and shade. Haruko Yamashita (Japan)

The infatuation of this diligent Japanese sculptor by the elements of nature in Aswan is obvious in her work.

or the fourth time, diligent and extremely Fgifted Japanese sculptor Haruko Yamashita is taking part in the AISS ignoring all warnings of her neighbours and friends in Japan against coming to Egypt during the political unrest the country witnesses these days. Despite all demonstrations still ongoing in Tahrir Square as well as some of Egypt’s governorates, she insisted on coming believing that Aswan is a very safe place. She has undergone the experience of Aswan Symposium three times before in 2001, 2002 and 2008; the work she carved in 2001 was a tree in the desert trying to show the idea of contrast while her sculpture in 2002 was about the heartbeat of the earth. In 2008, she carved four small sculptures currently on show Back to Aswan at the gallery of The Open-Air Museum. On the occasion of celebrating the 20th anniversary of the Cairo Opera House, she created a big sculpture similar to a small piece shown at the gallery but in a bigger size. together with the same shape but crowned on the For Yamashita, details are very important in top with different forms that are sometimes cubic any sculpture because it adds character to the work and others round. She tries to express the and that is why she likes to take her time in carving movement of twisting creating some waves; some these details. This year, she came up with a unique of the pieces mix both the wave and the movement idea as usual which is the forest with some trees of twisting creating harmony between the 5 blocks. symbolizing life. She cut five pieces and drew a The red granite is used in the entire work and it relationship between each piece, “Infatuated by measures 3.50m x 50cm x 60cm. Aswan as a landscape and historical city, I It is worth mentioning that this veteran sculptor endeavoured to study the harmony between the has accomplished a very significant work entitled landscape in the open-air museum and my “Link” that she not only considers very important sculpture. It will be placed over a hill that is already but also the biggest work of sculpture she has there in the museum” she explained. She also carved in her entire artistic career. The idea started clarified that the five blocks will be placed together to crystalize from 2003 to 2004 and it took her 8 as an installation or the so-called ‘landscape months to finish the work which creates a sculpture’ which means sculpture that is related to connection or a link between a circle and a square. the environment which is a new experience for her. She accomplished the work with the help of 8 The work will be placed at the entrance of the assistants and is currently on show at Al Gouna open-air museum. She carves 5 pieces standing resort in Hurghada. Akram El-Magdoub (Egypt)

The final touches have been added to the Open-Air Museum in preparation for its official inauguration.

The Open-Air Museum

gallery, an open-air theatre, stairs that link Development Fund will be on show for sale. Athe theatre to the gallery, tickets room, Building the multi-purpose hall is completed, bathrooms, management room, gifts shop and a however El-Magdoub still stressed on the fact that cafeteria are the facilities that architect Akram El- the museum will never be seen as a project to be Magdoub has been working on to establish in the finished at once but it will be done through the heart of the mountain. co-existence inside it. "The remaining elements Since 2010, all these services were gradually were specified from the very beginning. The added to the Open-Air Museum in preparation open-air theatre is now ready for visitors; it is a for the much-awaited opening. The gallery is multi-purpose place that can be used as a gallery now finished provided with thick glasses through for showcasing sculpture, it can also serve in the which visitors will be able to watch the miniature future as a cultural centre where big cultural sculptures. events can take place. As long as the symposium At the gift shop, post cards and the symposium is continuing the plan of designing the Open-Air catalogues issued every year by the Cultural Museum will bring up new ideas,” he continued. Francois Weil (France)

Once again this gifted French sculptor mixes between installation and sculpture.

A primitive nature

his is his fourth participation in the AISS as he and he used the stones he found in the place and he Ttook part before in 1997, 2006 and 2011. didn’t overdo them. The work will start from the During his past experiences, he noticed that the beginning of the road leading to the museum and organization of the symposium is getting better will end at the entrance. He will also use metal but and the assistants are gaining more and more it will be invisible and only used to create experience. Since 2011 and until today, he still movement in the sculptures that will move by the follows the same style as he participated in two air power. Weil didn’t specify the number of pieces symposiums in Mali and Russia and he is due to composing the work because it going to be an work on a new project in September in Le Château ongoing work until the end of the symposium. de Chambord, France. Concerning his opinion on In 2006, the work was in between sculpture the Open-Air Museum, he said that the museum is and land art and it was composed of a group of full of sculptures and it needs a huge budget to stones he rearranged as if he is a child playing allow the presentation of these works in a good with these stones. In general, Weil doesn’t like to way. He believes that it is a unique museum that make a maquette for his work but he relies on the must be protected in order to preserve its primitive spontaneity of the moment. His 2006 work was an nature. It needs a plan to rearrange all these works installation that was placed at the entrance of the and provide it with all services and utilities that Open-Air Museum and served as a space for allow visitors to enjoy visiting it and appreciate the people to hang up or make a tour. sculpted pieces on display. This year he chooses to Weil likes to mix between installation and arrange the space at the entrance of the museum to sculpture. Some of his old works move or rotate in receive visitors and artists so to be open for all an unintentional way. He attaches some blocks people. He will create an installation with sculpture with a metal to make them move. For Weil, the and also using metal as usual and will place them in use of metal in the artwork facilitates the dialogue a way that will serve the same idea of planning for between its elements that is why even this year the museum. He uses red, black and grey granite metal still plays a crucial role in his work. The Participants

Akram El-Magdoub Egypt Francois Weil France Hani Faysal Egypt Haruko Yamashita Japan Khaled Zaki Egypt Patrice Belin France Rath Geber Attila Hungary Sherif Abdel Badea Egypt Viviane El-Batanoni Egypt

The workshop

Ahmed Magdy Egypt Ahmed Moussa Egypt Amina Atif Egypt Islam Ibada Egypt Mohamed Sabry Egypt Walid Fathi Egypt

Holding Aswan International Sculpture Symposium in its time regardless of all political upheavals Egypt witnesses these days is considered a very big challenge.We could have never been able to do this unless we continue working because work is our sole weapon. Adam Henein

May Selim - Editor in chief

Reham El-Adawi - English section

Doaa Adel - Arabic section

Bassam Al-Zoghby - Photography

Mai Abdel Qader - Graphic Design

The 18th Aswan International Sculpture Symposium The symposium Supreme Committee

Artist Adam Henein General Commissar

Arch. Mohamed Abu Seada Head of the Culture Development Fund

Mr. Onsy Abu Seif Set Designer

Mr. Akram el- Magdoub Consaltant Architect

Mr. Nagui Fared Sculptor, General Commissar Assistant

Dr. Essam Darwish Assistant professor, Sculpture Department, Faculty of Art Education, Helwan University

Dr. Mohamed Radwan Professor, Sculpture Department, Faculty of Fine Arts, Helwan University

Dr. Salah El-Meligui Head of Fine Arts Sector

Dr. Ahmed Nawar Head of the Fine Arts Committee at The Supreme Council of Culture

Mr. Kamal El-Goweily Head of the Egyptian Association of Fine Arts Critics

Mrs. Eman Akeel General Manager, Public Relations, CDF

The Ancient Egyptian artist still impresses the entire world with his genius creations and glorious history that confused scientists and specialists throughout the different ages. Sculpture….is extracting emotions from solidity and movement from stagnation. Aswan International Sculpture Symposium is a continuation of the great history of the art of sculpture. The continuity of this gathering and its development in the past years gives life to Aswan's rare stones and promotes internationally the Egyptian art which attracts lovers from across the world. Also the Open-Air Museum is a linking point between the past and the present reflecting Egypt's steady artistic future that is always able to offer the world pleasure and imagination. So, all thanks go to the general commissar of the symposium Adam Henein, members of the supreme committee and the Cultural Development Fund, the entity in charge of organizing this important cultural event.

Dr. Mohamed Saber Arab Minister of Culture o 18o