Stadium Buildings Construction and Design Manual
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Luzhniki Stadium
ВСЕРОССИЙСКАЯ ОЛИМПИАДА ШКОЛЬНИКОВ ПО АНГЛИЙСКОМУ ЯЗЫКУ 2019 г МУНИЦИПАЛЬНЫЙ ЭТАП. 9 -11 классы Luzhniki Stadium Luzhniki Stadium is the national stadium of Russia, located in its capital city, Moscow. The full name of the stadium is Grand Sports Arena of the Luzhniki Olympic Complex. Its total seating capacity of 81,000 makes it the largest football stadium in Russia and one of the largest stadiums in Europe. Luzhniki was the main stadium of the 1980 Olympic Games, hosting the opening and closing ceremonies, as well as some of the competitions, including the final of the football tournament. A UEFA Category 4 stadium, Luzhniki hosted UEFA Cup Final in 1999 and UEFA Champions League Final in 2008 . The stadium also hosted such events as 1973 Summer Universiade and 2013 World Championships in Athletics. It was named the main stadium of 2018 FIFA World Cup and hosted 7 matches of the tournament, including the opening match and the final. Today it is mainly used as one of the home stadiums of the Russia national football team. The stadium is used from time to time for various other sporting events and for concerts. It is also used to host Russian domestic cup finals. Location The stadium is located in Khamovniki District of Moscow, south-west of the city center. The name Luzhniki derives from the flood meadows in the bend of the Moskva River where the stadium was built. History On 23 December 1954, the Government of the USSR adopted a resolution on the construction of a stadium in the Luzhniki area in Moscow. -
Berger ENG Einseitig Künstlerisch
„One-sidedly Artistic“ Georg Kolbe in the Nazi Era By Ursel Berger 0 One of the most discussed topics concerning Georg Kolbe involves his work and his stance during the Nazi era. These questions have also been at the core of all my research on Kolbe and I have frequently dealt with them in a variety of publications 1 and lectures. Kolbe’s early work and his artistic output from the nineteen twenties are admired and respected. Today, however, a widely held position asserts that his later works lack their innovative power. This view, which I also ascribe to, was not held by most of Kolbe’s contemporaries. In order to comprehend the position of this sculptor as well as his overall historical legacy, it is necessary, indeed crucial, to examine his œuvre from the Nazi era. It is an issue that also extends over and beyond the scope of a single artistic existence and poses the overriding question concerning the role of the artist in a dictatorship. Georg Kolbe was born in 1877 and died in 1947. He lived through 70 years of German history, a time characterized by the gravest of political developments, catastrophes and turning points. He grew up in the German Empire, celebrating his first artistic successes around 1910. While still quite young, he was active (with an artistic mission) in World War I. He enjoyed his greatest successes in the Weimar Republic, especially in the latter half of the nineteen twenties—between hyperinflation and the Great Depression. He was 56 years old when the Nazis came to power in 1933 and 68 years old when World War II ended in 1945. -
Uefa Euro 2020 Final Tournament Draw Press Kit
UEFA EURO 2020 FINAL TOURNAMENT DRAW PRESS KIT Romexpo, Bucharest, Romania Saturday 30 November 2019 | 19:00 local (18:00 CET) #EURO2020 UEFA EURO 2020 Final Tournament Draw | Press Kit 1 CONTENTS HOW THE DRAW WILL WORK ................................................ 3 - 9 HOW TO FOLLOW THE DRAW ................................................ 10 EURO 2020 AMBASSADORS .................................................. 11 - 17 EURO 2020 CITIES AND VENUES .......................................... 18 - 26 MATCH SCHEDULE ................................................................. 27 TEAM PROFILES ..................................................................... 28 - 107 POT 1 POT 2 POT 3 POT 4 BELGIUM FRANCE PORTUGAL WALES ITALY POLAND TURKEY FINLAND ENGLAND SWITZERLAND DENMARK GERMANY CROATIA AUSTRIA SPAIN NETHERLANDS SWEDEN UKRAINE RUSSIA CZECH REPUBLIC EUROPEAN QUALIFIERS 2018-20 - PLAY-OFFS ................... 108 EURO 2020 QUALIFYING RESULTS ....................................... 109 - 128 UEFA EURO 2016 RESULTS ................................................... 129 - 135 ALL UEFA EURO FINALS ........................................................ 136 - 142 2 UEFA EURO 2020 Final Tournament Draw | Press Kit HOW THE DRAW WILL WORK How will the draw work? The draw will involve the two-top finishers in the ten qualifying groups (completed in November) and the eventual four play-off winners (decided in March 2020, and identified as play-off winners 1 to 4 for the purposes of the draw). The draw will spilt the 24 qualifiers -
U2 Tour 2010/2011
U2 360° TOUR 2010/2011 EUROPE: 06-August Turin, Italy Stadio Olimpico Kasabian 10-August Frankfurt, Germany Commerzbank-Arena Kasabian 12-August Hannover, Germany AWD Arena Kasabian 15-August Horsens, Denmark Casa Arena Snow Patrol 16-August Horsens, Denmark Casa Arena Snow Patrol 20-August Helsinki, Finland Olympiastadion Razorlight 21-August Helsinki, Finland Olympiastadion Razorlight 25-August Moscow, Russia Luzhniki Stadium Snow Patrol 30-August Vienna, Austria Ernst Happel Stadion OneRepublic 03-September Athens, Greece O.A.K.A Olympic Stadium Snow Patrol 06-September Istanbul, Turkey Atatürk Olympic Stadium Snow Patrol 11-September Zurich, Switzerland Stadion Letzigrund OneRepublic 12-September Zurich, Switzerland Stadion Letzigrund OneRepublic 15-September Munich, Germany Olympiastadion OneRepublic 18-September Paris, France Stade de France Interpol 22-September Brussels, Belgium King Baudouin Stadium Interpol 23-September Brussels, Belgium King Baudouin Stadium Interpol 26-September San Sebastian, Spain Estadio de Anoeta Interpol *30-September Seville, Spain Estadio Olímpico de Sevilla Interpol *please note change of date – tickets for previously scheduled performance valid at the door 02-October Coimbra, Portugal Estadio Cidade Coimbra Interpol 03-October Coimbra Portugal Estadio Cidade Coimbra Interpol 08-October Rome, Italy Stadio Olimpico. Interpol AUSTRALIA / NEW ZEALAND: Nov. 25 Auckland, NZ Mt. Smart Stadium Jay-Z Nov. 26 Auckland, NZ Mt. Smart Stadium Jay-Z Dec. 01 Melbourne, AU Etihad Stadium Jay-Z Dec. 03 Melbourne, AU Etihad Stadium Jay-Z Dec. 08 Brisbane, AU Suncorp Stadium Jay-Z Dec. 09 Brisbane, AU Suncorp Stadium Jay-Z Dec. 13 Sydney, AU ANZ Stadium Jay-Z Dec. 14 Sydney, AU ANZ Stadium Jay-Z Dec. -
Framed Memories of Berlin
Framed Memories of Berlin Kacmaz Erk, G., & Wilson, C. (2018). Framed Memories of Berlin: Film, Remembrance and Architecture. Architecture and Culture, 6(2), 243-263. https://doi.org/10.1080/20507828.2018.1478513 Published in: Architecture and Culture Document Version: Peer reviewed version Queen's University Belfast - Research Portal: Link to publication record in Queen's University Belfast Research Portal Publisher rights Copyright 2018 Taylor and Francis. This work is made available online in accordance with the publisher’s policies. Please refer to any applicable terms of use of the publisher. General rights Copyright for the publications made accessible via the Queen's University Belfast Research Portal is retained by the author(s) and / or other copyright owners and it is a condition of accessing these publications that users recognise and abide by the legal requirements associated with these rights. Take down policy The Research Portal is Queen's institutional repository that provides access to Queen's research output. Every effort has been made to ensure that content in the Research Portal does not infringe any person's rights, or applicable UK laws. If you discover content in the Research Portal that you believe breaches copyright or violates any law, please contact [email protected]. Download date:02. Oct. 2021 Framed Memories of Berlin: Film, Architecture and Remembrance Abstract Collective memory can be defined as a shared notion of how a social group constructs its past. Architecture and cinema play a major role in the creation of collective memory, buildings by structuring lived experiences and films by framing, re-presenting and fixing those experiences so that they can be collectively revisited. -
ADFC-Routenplan (Route 3)
ADFC-Routenplan (Route 3) Wie alle drei Routen der FUSSBALL ROUTE BERLIN beginnt auch Route 3 am Brandenburger Tor in Berlin-Mitte. Die Strecke hat keine Nebenroute und ist ca. 24 km lang. Der Startpunkt ist westlich des Brandenburger Tors am Platz des 18. März, hier befindet sich Station 0:0. (Hinweis: An diesem Standort ist leider noch keine Informationstafel aufgestellt, da die Baugenehmigung noch nicht vorliegt.) Vom Platz des 18. März überquert man zunächst an der Ampel die Ebertstraße. Danach fährt man rechts den diagonal führenden Weg entlang. Nach 80 m ist die Scheidemann- Straße zu überqueren. Dort liegt auf der rechten Seite die erste Station dieser Route (3:1). (Hinweis: An diesem Standort ist leider noch keine Informationstafel aufgestellt, da die Baugenehmigung noch nicht vorliegt.) Wir fahren weiter in westliche Richtung bis zur Ampel und biegen dort nach links auf die Yitzhak-Rabin-Straße ab. Diese geht es bis zur nächsten Ampel entlang. Dort wird die Straße des 17. Juni überquert. Man fährt einfach geradeaus in den Park, umfährt die Amazone und weiter geradeaus. Man sieht bereits die Philharmonie, überquert dort die Tiergartenstraße und fährt in die Herbert-von Karajan-Straße. Nach 200 m geht es auf den Matthäikirchplatz. Man lässt die Kirche links liegen und fährt gleich dahinter links in die Sigismundstraße. Nach 140 m biegt man rechts auf die Potsdamer Straße ab. Nachdem man nach etwa 200 m den Landwehrkanal überquert hat, fährt man an der Ampel nach links über die Kreuzung und biegt südlich des Schöneberger Ufers rechts ab in die kleine Straße „Am Karlsbad“. -
Original Article Specificity of Sport Real Estate Management
Journal of Physical Education and Sport ® (JPES), Vol 20 (Supplement issue 2), Art 162 pp 1165 – 1171, 2020 online ISSN: 2247 - 806X; p-ISSN: 2247 – 8051; ISSN - L = 2247 - 8051 © JPES Original Article Specificity of sport real estate management EWA SIEMIŃSKA Nicolaus Copernicus University in Toruń, POLAND Published online: April 30, 2020 (Accepted for publication: April 15, 2020) DOI:10.7752/jpes.2020.s2162 Abstract The article deals with issues related to the management of the sports real estate market resources, with particular emphasis laid on sports stadiums. This market is not studied as often as the residential, office or commercial real estate market segments, which is why it is worth paying more attention to it. The evolution of the approach to sport, followed by the investing and use of sports real estate as a valuable resource of high value, means that increasing attention is being paid to the sports real estate market. The research objective of the article is to analyse and identify key areas of sports facility management, which the success of events organized on such facilities depends on, as well as to examine the requirements for sports facilities. The research used a lot of source information on the scope and standards of sports facility management as well as good practices and recommendations in this area. The following research methods were used in the article: a method of critical analysis of the subject literature on both the real estate market andthe sports market, as well as a descriptive and comparative methods to identify the evolution of the main directions of sports property management in the real estate market. -
Jonathan C. Got Berlin Perspectives on Architecture 1 Olympiastadion
Jonathan C. Got Berlin Perspectives on Architecture Olympiastadion – Germania and Beyond My personal interest with the Olymiastadion began the first week I arrived in Berlin. Having only heard about Adolf Hitler’s plans for a European Capital from documentaries and seen pictures of Jesse Owen’s legendary victories in the ill-timed 1936 Summer Olympics, I decided to make a visit myself. As soon as I saw the heavy stone colonnade from the car park I knew it could only have been built for one purpose – propaganda for the Third Reich beyond Germania. Remodelled for the 1936 Summer Olympics in Berlin by Hitler’s favorite architects Werner March (whose father, Otto March, designed the original 1913 stadium) and Albert Speer, the Olympiastadion was a symbol of power for the National Socialist party and an opportunity to present propaganda in the form of architecture. Being the westernmost structure on Hitler’s ‘capital city of the world’, the stadium was designed to present the then National Socialist Germany to the rest of the world as a power to be reckoned with. Any visitor to the stadium doesn’t only see the gigantic stadium, but also experiences the whole Olympic complex. Visitors would arrive at a 10-platform S-Bahn station able to serve at high frequencies for large events and then walk several hundred meters with a clear view of the huge imposing stone stadium as soon as visitors reached the car park. Though some might argue that neither the U- nor S-Bahn stations named after the stadium provided convenient access to the sports grounds, one has to consider the scale of the event. -
June 2013 Magazine
JUNE 2013 MAGAZINE Our successful ‘mob match’ against Blackheath & Bromley – March 2013 in Lloyd Park CONTENTS: Dates For Your Diary Chairman’s Corner (by Robin Jamieson) The Gannons in Romania (by John Gannon) Eco Trail de Paris (by Ian Campbell) Taylor’s Guide to the Marathon (by Taylor Huggins) The Paris Marathon (by Steve Tyler) The Brighton Marathon (by Steve Tyler) The Boston Marathon (by Steve Tyler) The Halstead Marathon (by Corinne Carr) Faith Restored (by Pauline Howes) South Downs Way 50 & North Downs Way 50 (by Debra Bourne) Surrey Road League 2013: Mid-Season Tables The Surrey Masters Championships (by Alan Dolton) Book Review – Better Training for Distance Runners 50 Years Ago – Local Athletics in 1963 10 Years Ago – Local Athletics in Summer 2003 DATES FOR YOUR DIARY Sunday 23 June – Richmond 10K (Surrey Championship & Road League) Monday 24 June – Southern Veterans League – Ewell Wed 3 July – Rosenheim League – Battersea Monday 8 July – Southern Veterans League – Croydon (Striders co-hosting) Sat 13 July – Elmore 7 (Surrey Road League) Sunday 21 July – Elmbridge 10K (Surrey Road League) Wed 24 July – Rosenheim League – Tooting Sunday 11 August – Wimbledon 5K (Surrey Championship & Road League) Sat 7 September – Surrey Steeplechase Championship – Sutton Sat 14 September – Surrey Road Relays – Wimbledon Sun 29 September – Switchback 5 mile race (Striders marshalling) Sat 19 October – Surrey Women‘s Cross-Country League - Lightwater Sat 19 October – Surrey Cross-Country League – Richmond Park Sat 9 November – Surrey Cross-Country League – Wimbledon Sat 7 December – Surrey Women‘s Cross-Country League – Coulsdon CHAIRMAN’S CORNER JUNE 2013 The Marathon season seems a long way away now. -
16. Stockholm & Brussels 1911 & 1912: a Feminist
1 16. STOCKHOLM & BRUSSELS 1911 & 1912: A FEMINIST INTERNATIONAL? You must realize that there is not only the struggle for woman Suffrage, but that there is another mighty, stormy struggle going on all over the world, I mean the struggle on and near the labour market. Marie Rutgers-Hoitsema 1911 International Woman Suffrage Alliance (IWSA) became effective because it concentrated on one question only. The Alliance (it will be the short word for the IWSA) wanted to show a combatant and forceful image. It was of importance to have many followers and members. Inside the Alliance, there was no room to discuss other aspect of women's citizenship, only the political. This made it possible for women who did not want to change the prevalent gender division of labor to become supporters. The period saw an increase of the ideology about femininity and maternity, also prevalent in the suffrage movement. But some activists did not stop placing a high value on the question of woman's economic independence, on her economic citizenship. They wanted a more comprehensive emancipation because they believed in overall equality. Some of these feminists took, in Stockholm in 1911, the initiative to a new international woman organization. As IWSA once had been planned at an ICW- congress (in London in 1899) they wanted to try a similar break-out-strategy. IWSA held its sixth international congress in June in the Swedish capital. It gathered 1 200 delegates.1 The organization, founded in opposition to the shallow enthusiasm for suffrage inside the ICW, was once started by radical women who wanted equality with men. -
In Airplane and Ferry Passenger Stories in the Northern Baltic Sea Region
VARSTVOSLOVJE, Risk, Safety and Freedom of Journal of Criminal Justice and Security, year 18 Movement: no. 2 pp. 175‒193 In Airplane and Ferry Passenger Stories in the Northern Baltic Sea Region Sophia Yakhlef, Goran Basic, Malin Åkerström Purpose: The purpose of this study is to map and analyse how travellers at an airport and on ferries experience, interpret and define the risk, safety and freedom of movement in the northern part of the Baltic Sea region with regard to the border agencies. Design/Methods/Approach: This qualitative study is based on empirically gathered material such as field interviews and fieldwork observations on Stockholm’s Arlanda airport in Sweden, and a Tallink Silja Line ferry running between Stockholm and Riga in Latvia. The study’s general starting point was an ethno-methodologically inspired perspective on verbal descriptions along with an interactionist perspective which considers interactions expressed through language and gestures. Apart from this starting point, this study focused on the construction of safety as particularly relevant components of the collected empirical material. Findings: The study findings suggest that many passengers at the airport and on the ferries hold positive views about the idea of the freedom of movement in Europe, but are scared of threats coming from outside Europe. The travellers created and re-created the phenomenon of safety which is maintained in contrast to others, in this case the threats from outside Europe. Originality/Value: The passengers in this study construct safety by distinguishing against the others outside Europe but also through interaction with them. The passengers emphasise that the freedom of movement is personally beneficial because it is easier for EU citizens to travel within Europe but, at the same time, it is regarded as facilitating the entry of potential threats into the European Union. -
Marsyas in the Garden?
http://www.diva-portal.org This is the published version of a paper published in Opuscula: Annual of the Swedish Institutes at Athens and Rome. Citation for the original published paper (version of record): Habetzeder, J. (2010) Marsyas in the garden?: Small-scale sculptures referring to the Marsyas in the forum Opuscula: Annual of the Swedish Institutes at Athens and Rome, 3: 163-178 https://doi.org/10.30549/opathrom-03-07 Access to the published version may require subscription. N.B. When citing this work, cite the original published paper. Permanent link to this version: http://urn.kb.se/resolve?urn=urn:nbn:se:uu:diva-274654 MARSYAS IN THE GARDEN? • JULIA HABETZEDER • 163 JULIA HABETZEDER Marsyas in the garden? Small-scale sculptures referring to the Marsyas in the forum Abstract antiquities bought in Rome in the eighteenth century by While studying a small-scale sculpture in the collections of the the Swedish king Gustav III. This collection belongs today Nationalmuseum in Stockholm, I noticed that it belongs to a pre- to the Nationalmuseum in Stockholm. It is currently being viously unrecognized sculpture type. The type depicts a paunchy, thoroughly published and a number of articles on the col- bearded satyr who stands with one arm raised. To my knowledge, four lection have previously appeared in Opuscula Romana and replicas exist. By means of stylistic comparison, they can be dated to 3 the late second to early third centuries AD. Due to their scale and ren- Opuscula. dering they are likely to have been freestanding decorative elements in A second reason why the sculpture type has not previ- Roman villas or gardens.