DOCSLIB.ORG

Zappa Combo 10.14.12.Pdf

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
Zappa Combo 10.14.12.Pdf IN THE WINGS 8 p.m. Monday, Oct. 29 New Third Stream Quartet JAZZ SERIES Rick VanMatre, soprano saxophone PRESENTS James Bunte, alto saxophone Guest Artist Peter Sommer, tenor saxophone Guest Artist James Romain, baritone saxophone The New Third Stream Quartet balances the energy and flexibility of jazz improvisation with the rich harmonic and timbral colors of 21st- century chamber music and actively commissions composers versed in writing for this eclectic idiom. Location: Robert J. Werner Recital Hall Admission: FREE _____ “MOTHERS OF INVENTION” 7 p.m. Sunday, Nov. 11 Jazz Ensemble and Jazz Lab Band The Music of Frank Zappa Scott Belck and Dominic Marino, conductors Mary Ellen Tanner, guest vocals Brent Wallarab, guest composer and arranger “Heart and Soul – The Music of Hoagy Carmichael” Timeless classics like “The Nearness of You,” “Skylark,” and “Stardust” ZAPPA COMBO come to life in the contemporary arrangements of guest composer Brent Wallarab. This concert will also feature a special tribute to our Dominic Marino, director veterans and Glenn Miller’s Army Air Corps Band. Location: Corbett Auditorium Tickets: $12 general admission, $6 non-UC students, UC students FREE _____ 7 p.m. Sunday, Dec. 2 JAZZ LAB BAND Jazz Ensemble and Jazz Lab Band Featuring Musical Theatre Dancers Scott Belck and Dominic Marino, conductors Dominic Marino, director Diane Lala, choreographer “Duke Ellington’s Nutcracker Suite” Duke Ellington recorded The Nutcracker Suite for the Columbia label in 1960, featuring jazz interpretations of well-known melodies by Tchaikovsky. As a special Christmas treat, the Musical Theatre dancers join CCM Jazz to transform the Nutcracker Suite’s romantic orchestrations into jumpin’ jazz melodies. Location: Corbett Auditorium Sunday, October 14, 2012 Tickets: $12 general admission, $6 non-UC students, UC students FREE Patricia Corbett Theater For tickets and the latest performance information, 7:00 p.m. please call the CCM Box Office at 513-556-4183, or visit us online at ccm.uc.edu. CCM has become an All-Steinway School through the kindness of its donors. A generous gift by Patricia A. Corbett in her estate plan has played a key role in making this a reality. CCM Zappa Combo Dominic Marino, director PROGRAM Joe Duran, saxophone All compositions by Frank Zappa Sam Lauritsen, trumpet Chris Ott, trombone CCM Zappa Combo Dominic Marino, director Joe Wittman, guitar Niko Kordalis, guitar Apostrophe (’) (1974) Max Greenberg, keys Doug Sutton, percussion Don’t Eat the Yellow Snow David Albanese, drums Nanook Rubs It St. Alfonzo’s Pancake Breakfast Father O’Blivion Cosmik Debris CCM Jazz Lab Band Dominic Marino, director Excentrifugal Forz Apostrophe’ Saxophone Guitar Chris Gamerchek, lead alto Niko Kordalis Uncle Remus co-written by George Duke Jeremy Castañeda, alto all arrangements by Dominic Marino Ryan Van Scoyk, tenor Piano Royce Files, tenor Marcelo Correa Carly Hood, baritone – Intermission – Keys Trumpet Max Greenberg CCM Jazz Lab Band Michael Dudley, lead Dominic Marino, director Tim Dailey Bass Aaron Todahl Nick Amering program to be selected from the following: Mike Cruse Peaches en Regalia Percussion Trombone Doug Sutton King Kong Nolan Plunkett, lead Collin Thompson Drums Echidna’s Arf (of You) Christian Dawson Josh Riedy Michael Bauer, bass Night School Let’s Move to Cleveland Aybe Sea Don’t You Ever Wash That Thing? all arrangements by Ed Palermo.
Load more

Recommended publications
  • Frank Zappa and His Conception of Civilization Phaze Iii
    University of Kentucky UKnowledge Theses and Dissertations--Music Music 2018 FRANK ZAPPA AND HIS CONCEPTION OF CIVILIZATION PHAZE III Jeffrey Daniel Jones University of Kentucky, [email protected] Digital Object Identifier: https://doi.org/10.13023/ETD.2018.031 Right click to open a feedback form in a new tab to let us know how this document benefits ou.y Recommended Citation Jones, Jeffrey Daniel, "FRANK ZAPPA AND HIS CONCEPTION OF CIVILIZATION PHAZE III" (2018). Theses and Dissertations--Music. 108. https://uknowledge.uky.edu/music_etds/108 This Doctoral Dissertation is brought to you for free and open access by the Music at UKnowledge. It has been accepted for inclusion in Theses and Dissertations--Music by an authorized administrator of UKnowledge. For more information, please contact [email protected]. STUDENT AGREEMENT: I represent that my thesis or dissertation and abstract are my original work. Proper attribution has been given to all outside sources. I understand that I am solely responsible for obtaining any needed copyright permissions. I have obtained needed written permission statement(s) from the owner(s) of each third-party copyrighted matter to be included in my work, allowing electronic distribution (if such use is not permitted by the fair use doctrine) which will be submitted to UKnowledge as Additional File. I hereby grant to The University of Kentucky and its agents the irrevocable, non-exclusive, and royalty-free license to archive and make accessible my work in whole or in part in all forms of media, now or hereafter known. I agree that the document mentioned above may be made available immediately for worldwide access unless an embargo applies.
    [Show full text]
  • The Music of Frank Zappa MUGC 4890-001 • MUGC 5890-001 Dr
    The Music of Frank Zappa MUGC 4890-001 • MUGC 5890-001 Dr. Joseph Klein" III. Social and Cultural Context" Cultural Context — 1940s & 50s: Post-War Period " Cultural Context — 1940s & 50s: Family and Lifestyle" Cultural Context — 1940s & 50s: Cold War & “Red Menace”" Cultural Context — 1940s & 50s: Cold War & “Red Menace”" Cultural Context — 1950s: B Movies" Cultural Context — 1950s: B Movies" “Zombie Woof”! “Cheepnis”! “The Radio is Broken”! Overnite Sensation ! (1973)! ! Roxy & Elsewhere ! (1974)! The Man From Utopia ! (1983)! Cultural Context — 1960s: Civil Rights Movement" Cultural Context — 1960s: Great Society, Viet Nam War" Cultural Context — 1960s: Hippie Culture & Flower Power" Cultural Context — 1970s: Watergate, Recession" Cultural Context — 1970s: Disco Era" Cultural Context — 1990s: Collapse of the Soviet Union" Archetypes in the Project/Object" § Suzy Creamcheese" §! Hippies" §! Plastic People" §! Pachucos" §! Lonesome Cowboy Burt" §! Bobby Brown" §! Jewish American Princess" §! Catholic Girls" §! Valley Girl" §! Charlie (“kinda young, kinda wow…”)" §! Debbie" §! Thing-Fish (composite archetypes)" “Who Needs the Peace Corps?” (We’re Only In It for the Money, 1968)" I'll stay a week and get the crabs and! Take a bus back home! I'm really just a phony! But forgive me! 'Cause I'm stoned Every town must have a place! Where phony hippies meet! Psychedelic dungeons! Popping up on every street! GO TO SAN FRANCISCO . How I love ya, How I love ya! How I love ya, How I love ya Frisco!! How I love ya, How I love ya! What's there to live for?! How I love ya, How I love ya! Who needs the peace corps?! Oh, my hair is getting good in the back! Think I'll just DROP OUT! Every town must have a place! I'll go to Frisco! Where phony hippies meet! Buy a wig & sleep! Psychedelic dungeons! On Owsley's floor Popping up on every street ! Walked past the wig store! GO TO SAN FRANCISCO .
    [Show full text]
  • A Spasso Con Frank
    Giordano Montecchi A SPASSO CON FRANK Melologo underground intorno al grande Frank Zappa da Baltimora reinvenzioni zappiane di Giorgio Casadei e Emilio Galante 0 [SENZA MUSICA] A Mister Edgard Varèse, 188 Sullivan Street, New York. Agosto 1957 Gentile Signore, forse ricorderà la mia stupida telefonata dello scorso gennaio... Mi chiamo Frank Zappa e ho 16 anni. Le sembrerà strano ma è da quando ho 13 anni che mi interesso alla sua musica. All’epoca l’unica formazione musicale che avevo era qualche rudimento di tecnica del tamburo. Negli ultimi due anni però ho composto alcuni brani musicali utilizzando una rigorosa tecnica dei dodici suoni con risultati che ricordano Anton Webern. Ho scritto due brevi quartetti per fiati e una breve sinfonia per legni ottoni e percussioni. Ultimamente guadagno qualche soldo per mantenermi con la mia blues band, The Blackouts. Dopo il college conto di continuare a comporre e penso mi sarebbero veramente utili i consigli di un veterano come lei. Se mi permettesse di farle visita anche solo per poche ore gliene sarei molto grato. Le sembrerà strano ma penso proprio di avere qualche nuova idea da offrirle in materia di composizione. La prego di rispondermi il più presto possibile perché non resterò a lungo a questo indirizzo. La ringrazio per l’attenzione. Cordiali saluti Frank Zappa Jr. ................... 2 1 PEACHES EN REGALIA [VAMP] I duri del rock lo sentono come loro proprietà esclusiva, come profeta anti- establishment. Gli accademici lo tollerano in quanto compositore... un’eccezione! per il mondo del rock. Chi lo vuole un giullare simbolo della trasgressione più anarcoide.....
    [Show full text]
  • Compositions-By-Frank-Zappa.Pdf
    Compositions by Frank Zappa Heikki Poroila Honkakirja 2017 Publisher Honkakirja, Helsinki 2017 Layout Heikki Poroila Front cover painting © Eevariitta Poroila 2017 Other original drawings © Marko Nakari 2017 Text © Heikki Poroila 2017 Version number 1.0 (October 28, 2017) Non-commercial use, copying and linking of this publication for free is fine, if the author and source are mentioned. I do not own the facts, I just made the studying and organizing. Thanks to all the other Zappa enthusiasts around the globe, especially ROMÁN GARCÍA ALBERTOS and his Information Is Not Knowledge at globalia.net/donlope/fz Corrections are warmly welcomed ([email protected]). The Finnish Library Foundation has kindly supported economically the compiling of this free version. 01.4 Poroila, Heikki Compositions by Frank Zappa / Heikki Poroila ; Front cover painting Eevariitta Poroila ; Other original drawings Marko Nakari. – Helsinki : Honkakirja, 2017. – 315 p. : ill. – ISBN 978-952-68711-2-7 (PDF) ISBN 978-952-68711-2-7 Compositions by Frank Zappa 2 To Olli Virtaperko the best living interpreter of Frank Zappa’s music Compositions by Frank Zappa 3 contents Arf! Arf! Arf! 5 Frank Zappa and a composer’s work catalog 7 Instructions 13 Printed sources 14 Used audiovisual publications 17 Zappa’s manuscripts and music publishing companies 21 Fonts 23 Dates and places 23 Compositions by Frank Zappa A 25 B 37 C 54 D 68 E 83 F 89 G 100 H 107 I 116 J 129 K 134 L 137 M 151 N 167 O 174 P 182 Q 196 R 197 S 207 T 229 U 246 V 250 W 254 X 270 Y 270 Z 275 1-600 278 Covers & other involvements 282 No index! 313 One night at Alte Oper 314 Compositions by Frank Zappa 4 Arf! Arf! Arf! You are reading an enhanced (corrected, enlarged and more detailed) PDF edition in English of my printed book Frank Zappan sävellykset (Suomen musiikkikirjastoyhdistys 2015, in Finnish).
    [Show full text]
  • Frankly, It's Dweezil
    AI Z BON R. M Frankly, It’s Dweezil By mr. Bonzai he year 2006 has shaped up to be a big one for Dweezil Zappa. He’s releasing his first solo album since 2000’s Automatic (Favored Nations), he completely remodeled the control room T of the renowned Zappa studio—the Utility Muffin Research Kitchen—and he launched a full-scale tour of entirely Frank Zappa compositions, called “Zappa Plays Zappa” (aka the Zappa the “Tour de Frank”). Joining the touring band are Frank Zappa alumni Steve Vai, Terry Bozzio, and Napoleon Murphy Brock (see Fig. 1). younger on Dweezil and I met in the studio as he was finishing two months of rehearsals and putting the final touches on the album,Go with What You Know (Zappa Records, 2006; see Fig. 2), which engineering his comprises Dweezil’s compositions as well as Frank Zappa’s “Peaches en Regalia,” a tune origi- nally recorded in 1969 and altered in 2006 with the Dweezil touch. The album will be released new CD, revamp- during the final leg of the tour, which stretches throughout Europe and America. ing his dad’s I was listening to you playing a part that Frank wrote. Is that in preparation for your tour? studio, and the Yes, we are preparing for the “Zappa Plays Zappa” tour. It’s the first official event that we’ve been able to put together where we’re actually going to go out and play Frank’s “Tour de Frank.” music. We’ll have other elements as well. The 25-minute opening of the concert will include excerpts from a documentary film about Frank’s work as a composer as well as some rare FZ concert footage.
    [Show full text]
  • Frank Zappa –
    Frank Zappa – Halloween 81 (67:53 + 63:56 + 58:13 + 73:26 + 76:51 +76:52, 6 CDs,Zappa Family Trust, 2020) He’s back to thrill and chill you! Die legendären Zappashows zu Halloween in New York gehen in die nächste Runde. Nachdem bereits die Jahre 1973 und 1977 gewürdigt wurden, sind nun die drei Shows vom 31.10. bzw. 1.11.1981 an der Reihe. Die Auftritte vom 31.10. wurde damals sogar bei MTV (!) ausgestrahlt, während das Material teilweise später auf diversen Alben und Veröffentlichungen Verwendung fand. Die zweite Show kursiert durch die zeitgleiche Live- Übertragung im Radio seit einigen Jahren ebenfalls als Bootleg („Nasty Rats – Live At The Palladium New York 1981“). Die ersten beiden Shows (8 P.M./12 P.M.) entstanden übrigens an einem Abend mit komplett unterschiedlichem Songmaterial und dokumentieren jeweils über zwei Stunden lang die präzise und mitreißende Spielfreude der damaligen Bandbesetzung. Ende der 70er / Anfang der 80er warZappa zwar gewohnt produktiv wie immer, veröffentlichte stilistisch unterschiedliche Alben von modernen Orchesterwerken („London Symphony Orchestra“), Rockoper („Joe’s Garage“) bis hin zu jede Menge Rockalben. Doch trotz des gewaltigen Outputs erreichte er leider nicht mehr die Qualität seiner essentiellen Meisterwerke der 70er, während er und seine wechselnden Mitstreiter auf der Bühne immer noch grandiose Performances boten. So steht bei „Halloween 81“ in erster Linie das konzeptionell geprägte 81er Doppelalbum „You Are What You Is“ im Fokus, wobei bei jedem der drei Konzerte der musikalische Schwerpunkt neben diesem Album und weiterem 80er Jahre Material etwas anders gewählt wurde. CD1+2 greifen vor allem auf „Sheik Yerbouti“ zurück (logischerweise auch mit ‚Bobby Brown‘), CD3+4 bieten diverse Songs von „Zappa In New York“ / „Joe’s Garage“, während CD5+6 zu Beginn sehr tief mit sound- und spieltechnisch modifizierten Klassikern aus den 70ern (u.a.
    [Show full text]
  • Statesman Contacted Mccoy and Letter
    AO e- I-) r Sa- "I',) MIONDAY OCTOBER 28 1974 Stony Brook, New York Volume 18 Number 19 Distributedfree of charge throughout campus and community every Monday, Wednesday, and Friday <______________~~~~~.^ He . - r el----------'-, ---- IN 00, Mount Dedication; I Communications Major The Suffolk Museum dedicated its new Fine Arts building yesterday. I Housed in the new building is the I May Begin in September largest collection of William Sidney By MARY PAT SCHROEDER political sdence cou_, ch Mount paintings in existence. The and DAVID GILMAN 'Political PKganda and sow dedication was highlighted by the The Stony Brook Communications socoogy c such as "Ma acceptance by Mrs. Ward Melville of a Department is aiming for State icato could be d Mount portrait donated to the I certification as an interdisciplinary major with "amre" commui -ta couEs museum's collection. Mount was a for next fall, according to Professor of form a *public a Oro- k mid-19th century American-artist who, Sociology and Communications Gladys reaserh" major. lived in Setauket. Iang. The failure to secure such Aodigto Long& aseerh KStorv on Paloa 2 certification, however, would not of thisp does, Mt m a A &W- A I preclude the University from offering "at upon the ei an least a concentration in interdisciplinary major. 'I see w of Getting Sleepy* communications," according to Lang. doing this even while we go lhogh tde The audience at the first Sunday The Communications Department was pocess, of getting certicatko for an Simpatico Series concert of this initiated three years ago in response to interdisciplinay miort" said .
    [Show full text]
  • 501 Grammar & Writing Questions 3Rd Edition
    501 GRAMMAR AND WRITING QUESTIONS 501 GRAMMAR AND WRITING QUESTIONS 3rd Edition ® NEW YORK Copyright © 2006 LearningExpress, LLC. All rights reserved under International and Pan-American Copyright Conventions. Published in the United States by LearningExpress, LLC, New York. Library of Congress Cataloging-in-Publication Data 501 grammar & writing questions.—3rd ed. p. cm. ISBN 1-57685-539-2 1. English language—Grammar—Examinations, questions, etc. 2. English language— Rhetoric—Examinations, questions, etc. 3. Report writing—Examinations, questions, etc. I. Title: 501 grammar and writing questions. II. Title: Five hundred one grammar and writing questions. III. Title: Five hundred and one grammar and writing questions. PE1112.A15 2006 428.2'076—dc22 2005035266 Printed in the United States of America 9 8 7 6 5 4 3 2 1 Third Edition ISBN 1-57685-539-2 For more information or to place an order, contact LearningExpress at: 55 Broadway 8th Floor New York, NY 10006 Or visit us at: www.learnatest.com Contents INTRODUCTION vii SECTION 1 Mechanics: Capitalization and Punctuation 1 SECTION 2 Sentence Structure 11 SECTION 3 Agreement 29 SECTION 4 Modifiers 43 SECTION 5 Paragraph Development 49 SECTION 6 Essay Questions 95 ANSWERS 103 v Introduction his book—which can be used alone, along with another writing-skills text of your choice, or in com- bination with the LearningExpress publication, Writing Skills Success in 20 Minutes a Day—will give Tyou practice dealing with capitalization, punctuation, basic grammar, sentence structure, organiza- tion, paragraph development, and essay writing. It is designed to be used by individuals working on their own and for teachers or tutors helping students learn or review basic writing skills.
    [Show full text]
  • Zappa-Bootlegs
    MAJ du : 17/03/2008 Zappa-Bootlegs Lieux/Titres Concert du Qté Qualité Mount St Mary 19/05/1963 1 B == The Mothers Of Invention, Fall 1965 - Summer 1966 == FZ, Ray Collins, Elliot Ingber, Roy Estrada, Jimmy Carl Black Fillmore Auditorium, San Francisco, Ca (15 min) 24-25/06/1966 0,25 A- Fillmore Auditorium, San Francisco, CA (13,35 minutes) 24/06/1966 B+ == The Mothers Of Invention == Dec 1967 - Nov 1968 FZ, Ray Collins (quit somewhere between Apr and Aug 3 1968), Roy Estrada, Jimmy Carl Black, Arthur Dyer Tripp III, Ian Underwood, Don Preston, Bunk Gardner, Motorhead Sherwood. Olympen, Lund, Sweden 02/10/1967 1 B+ Lumpy Gravy Instrumental Acetate xx-xx-67 1 B+/A- We're Only In It For The Money Demo xx-xx-67 1 A- Fifth Dimension, Ann Arbor, Mi 03/12/1967 1 A-/B+ ==>Pigs & Repugnance Rare Meat Divers 1 American Pageant - Nullis Pretii - 67-68 / Studio 67 & 68 1 A (Mothermania) non-censored version The Grande Ballroom, Detroit, Mi (Mr. Green Genes==>Little House) 10/04/1968 1 B 03/05/68 Family Dog (!), Denver/ Concertgebouw, Amsterdam / Grugahalle, Essen 20/10/68 1 ==>Caress Me 28/09/68 Electric Aunt Jemima - Family Dog, Denver xx/01/1968 1 Family Dog, Denver, co xx/02/1968 1 A-/A The Grande Ballroom, Detroit, Mi 10/04/1968 1 B Fillmore East, NYC, NY - Early Show 20/04/1968 1 B- Fillmore East, NYC, NY - Late Show 20/04/1968 2 C+ Family Dog, Denver, co 03/05/1968 1 A- The Ark, Boston, Ma 18/07/1968 1 A- ==> Live In Boston Wollman Rink, Central Park, NYC, NY (source 1) 03/08/1968 1 B+ Wollman Rink, Central Park, NYC, NY (source 2) 03/08/1968
    [Show full text]
  • Table of Contents
    Table of Contents Frank Zappa/Mothers Of Invention Singles 23 How Could I Be Such A Fool? I Help, I'm A Rock, Third Movement: It Can't Happen Here 23 How Could I Be Such A Fool? I It Can't Happen Here 29 Trouble Comin' Every Day / Who Are The Brain Police? 31 Who Are The Brain Police? I Trouble Comin' Every Day 34 Big Leg Emma I Why Don't You Do Me Right? 36 Son Of Suzy Creamcheese I Big Leg Emma 46 Lonely Little Girl I Mother People 48 Motherly Love /1 Ain't Got No Heart 51 Ruben And The Jets: Deseri / Jelly Roll Gum Drop 52 Anyway The Wind Blows I Jelly Roll Gum Drop - USA Promo 56 My Guitar I Dog Breath 57 My Guitar Wants To Kill Your Mama / The Orange County Lumber Truck - Venezuela Promo 64 Peaches En Regalia / Peaches En Regalia - USA Picture Sleeve Only 64 WPLJ / My Guitar 65 Tell Me You Love Me / Will You Go All The Way For The U.S.A.? 68 Mi Guitarra (Quiere Matar A Tu Mama) / Desde Mi Corazon Hacia Ti 69 Tears Began To Fall [Mono] / Tears Began To Fall [Stereo] 71 Tears Began To Fall / Junier Mintz Boogie 72 Tears Began To Fall / Happy Together - France 83 Magic Fingers I Magic Fingers - USA Promo 85 Magic Fingers I Daddy, Daddy, Daddy 86 Daddy, Daddy, Daddy I Magic Fingers 88 What Will This Evening Bring Me This Morning?I Daddy, Daddy, Daddy 90 Cletus Awreetus-Awrightus [Stereo] / Cletus Awreetus-Awrightus [Mono] - USA Promo 93 Cletus Awreetus-Awrightus / Eat That Question 94 I'm The Slime / Montana 96 Cosmik Debris I Uncle Remus 101 Don't Eat The Yellow Snow [Stereo] I Don't Eat The Yellow Snow [Mono] Promo 103 Don't Eat The Yellow Snow I Cosmik Debris 104 Don't Eat The Yellow Snow / Camarillo Brillo 106 Du Bist Mein Sofa / Stinkfoot 107 Find Her Finer [Stereo] I Find Her Finer [Mono] - USA Promo 108 Find Her Finer I Zoot Allures - USA 109 Disco Boy [Stereo] I Disco Boy [Mono] - USA Promo 110 Disco Boy I Ms.
    [Show full text]
  • G&S Music New and Recent Arrivals
    G&S Music New and Recent Arrivals November 2013 A Token Of His Extreme Frank Zappa Soundtrack Frank Zappa Vinyl Road Tapes Venue #2 ZR20015 Help I'm A Rock VR2013-1 12" Numbered That's right, it's the Limited Edition Official release #96 soundtrack to the single issued on is taken from two DVD of the KCET Barking Pumpkin shows at the TV show on August Records. Finlandia Talo, 27 1974. You've got Helsinki on 23 the DVD so why do Side A: Help I'm A August 1973 and a you need this? One reason is that it's Rock/It Can't Happen Here 8:42 third show on 24 Official Release #97. Another reason (Original 1966 mix from 1987 digital August. The Vaultmeister has is that several tracks are considerably transfer) compiled the best sounding and the longer than on the DVD. Side B: Who Are The Brain Police? best performances based on the 3:24 Who Are The Brain Police? - sequence and flow of Show 3. The Tracklist: Basic Tracks 3:42 sound quality is amazing considering The Dog Breath Variations/Uncle Meat (Track 1 was originally released as a it was all recorded on two or four (4:02) . Montana (6:44) . Earl Of Duke single with Trouble Every Day in track tape. (5:49) . Florentine Pogen (11:08) . 1966. Track 2 is from the MOFO 4CD Stink-Foot (3:58) . Pygmy Twylyte set.) Pressed on red vinyl. Band: Frank Zappa(lead vocals, (7:47) . Room Service (12:12) . Inca guitar), Tom Fowler (electric bass), UK £23.25 .
    [Show full text]
  • The Rondo Hatton Report Vol Xii
    THE RONDO HATTON REPORT VOL XII SEPTEMBER 21, 2012 IN THIS ISSUE This our twelfth issue now makes up a round dozen, marking a cycle of three years since our organ first exposed itself to the world. Not bad, not bad , though we do say so ourselves. Whether lurker, shirker or smirker , we hope y'all have enjoyed the show. This edition continues to bring you poetry and polemic from the usual suspects and more, ranging from a heartfelt plea for digital insertionism to another fine opportunity to ruin your life , dispensing essential insights into the counting of tuplets along the way. And lest ye forget: this is an open trans-continental platform for the riding of hobby horses , mechanical or otherwise. Bring yours to the races, why don'chya ? CONTENTS 1. LINGUA FRANKA PART VIII / Arjun von CAEMMERER 2. THE POVERTY OF COMPLETISM / Mimi GABIN-KHAN 3. WATERMELON IN EASTER HEY / Madge IMMANEY 4. ZAPPA SURVIVOR / Scott SCHROEN 5. WHEN COMPOSERS DECOMPOSE / Larry TESHMOW 6. ZAPPA: HEGEL, OR, NOT AGAIN (AGAIN) / Ben WATSON 1 1. LINGUA FRANKA PART VIII: An Office With A Foyer Arjun von Caemmerer Elvis may have left the building but it is Frank Zappa who has infiltrated the establishment. From each sidewall of my consulting room, off-centre and central, Zappa looks in, witness to the vagaries of each doctor-patient interaction. What’s a man like him doing in a place like this? Nothing. And everything: It is far more important to know what person the disease has than what disease the person has.
    [Show full text]