Olev Aleksander Sag-Aftra

OLEV ALEKSANDER SAG-AFTRA www.OlevAleksander.com 917.892.7121 [email protected] HEIGHT: 6’0” WEIGHT: 180 LBS BROWN HAIR/GREEN EYES FILM The Fifth Horseman Lead Dir. Kari Barber Fatherland Lead Dir. Robert Warzecha The Unnatural Lead Dir. Eric Day White Lead Dir. Jessica Ruge TV/NEW MEDIA The Hunter’s Anthology Series Regular Dir. Robert Smithline Asylum Guest Star Dir. Scott Brown Can’t Get Arrested Co-Star Dir. David Odio THEATRE The Three Musketeers Rochefort Hudson Warehouse His Girl Friday Bruce Baldwin Hudson Warehouse Macbeth Banquo The Seeing Place Theater Macbeth (of the Oppressed) Malcolm Fab Marquee Productions Henry IV, Part 1 Sir Walter Blunt Hudson Warehouse Good Television Mackson MacAddy Zeitgeist Stage Company Beyond Therapy Bruce Little Fish Theatre The Lion in Winter Geoffrey Kentwood Players The Glass Menagerie Jim O’Connor Theatre Palisades King Lear Duke of Albany Shakespeare by the Sea Twelfth Night Sebastian Shakespeare by the Sea Noises Off Frederick Theatre Palisades VOICE-OVER/COMMERCIAL/MODELING The Elder Scrolls V: Skyrim, Sony-Resident Evil, ConEd, Novartis, Babies ‘R Us, Honda, Sony, Budweiser, Division E, Intel, Yogibo, Anonymous, Tankfarm, Custom Industries, A Little Hitch, Hot Guys & Baby Animals (Calendar & Coffee Table Book) TRAINING The Barrow Group: Seth Barrish, Lee Brock, Stephen Singer, Lorrel Manning Michael Chekhov Actors Studio Boston: Scott Fielding (Michael Chekhov Technique) Howard Fine Acting Studio: Howard Fine (Scene Study) Chris Game (Commercial Technique) UVA: Richard Warner (Acting), Kate Burke (Voice), Marianne Kubik (Movement) SPECIAL SKILLS Estonian, German, French (proficient), Standard British dialect, Southern dialect, soccer, basketball, football, baseball, softball, snowboarding, tennis, swimming, ballroom dance, former Jeopardy! contestant .

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Summer Shakespeare, Outside and Urban
June 4, 2010 Summer Shakespeare, Outside and Urban By STEVEN McELROY Joseph Papp first presented free Shakespeare performances in Central Park more than 50 years ago. Today, like heat advisories and smelly subway stations, Shakespeare among the elements is intrinsic to summer in the city. While Papp‟s legacy — the Public Theater presentations at the Delacorte in Central Park — is the best known of the productions, there are myriad offerings from smaller companies, and some of them are already under way. For some purveyors of outdoor theater, the appeal lies partly in one of Papp‟s original goals, to bring Shakespeare to the people. Hip to Hip Theater Company, for example, performs in parks in Queens. “To these people the Delacorte might as well be in Montana,” said Jason Marr, the artistic director. “It appeals to my political sense that we are doing something in the community and for the community.” Several artistic directors said that when admission was free and audiences could wander in and out as they pleased, they were more likely to sample Shakespeare or other classical plays, even if they were unfamiliar. “It brings people in who would not go to see Shakespeare, no matter what level of education,” said Ted Minos, the artistic director of the Inwood Shakespeare Festival. Such settings can also enrich the Shakespeare experience. “Many of the plays have natural outdoor themes because they were all performed outdoors originally, and that‟s something not to forget,” said Stephen Burdman, the artistic director of New York Classical Theater. “Shakespeare‟s language is so nature-oriented, whether he‟s going on and on about fishing, which he does, or we learn about the Forest of Arden” in “As You Like It.” “You hear the frogs croaking and the crickets chirping,” Mr.
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Youth Guide to Summer Fun!
NYC th Gui You – – de TO AUGUST 2016 The Department of Youth and Community Development will be updating this guide regularly. Please check back with us to see the latest additions. Have a safe and fun Summer! For additional information please call Youth Connect at 1.800.246.4646 EMPOWERING INDIVIDUALS • STRENGTHENING FAMILIES • INVESTING IN COMMUNITIES UPDATED 08.01.16 T H E C I T Y O F N E W Y O R K O F F I C E O F T H E M A Y O R N E W Y O R K , N Y 1000 7 July 2016 Dear Friends: Welcome to the 2016 edition of the New York City Youth Guide to Summer Fun! With sprawling green parks, refreshing beaches and pools, festive street fairs, world-class music and sports venues, and so much more, the five boroughs has something to offer everyone to enjoy summer in our city. The months of July and August also give young people a chance to continue learning and discovering outside of the classroom. This summer’s youth offerings include everything from astronomy and global fashion to learning Italian and kayaking. My administration remains committed to ensuring that residents and visitors alike have access to the cultural, recreational and educational opportunities that make New York City an international summer hotspot. The NYC Department of Youth and Community Development in collaboration with other City agencies has put together this handy guide with information about free and low-cost events in all five boroughs, and I wish you many fun-filled days as you explore our great city this summer.
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Fight Direction / Coordination
FIGHT COORDINATION ~ HISTORICAL/CLASSICAL FENCING FIGHT DIRECTION / COORDINATION: PRODUCTION COMPANY DIRECTOR Hamlet (Peter Sarsgaard) Classic Stage Company - NYC Austin Pendleton Gidion's Knot 59E59 Theatre - NYC Austin Pendleton Company Lucille Lortel Theatre - NYC David Leidholdt Macbeth Theatre Row - NYC Seth Duerr Richard II Theatre Row - NYC Seth Duerr True West York Shakespeare - NYC Seth Duerr New York Musical Theatre Searching for Romeo Laura Josepher Festival (Pearl Theatre) Fresh Fruit Festival (award La Maupin the Musical Jessica Field- winner) Henry 4.1 (Steve Guttenberg) Hudson Warehouse- NYC Nicholas Martin-Smith Titus Andronicus Hudson Warehouse- NYC Nicholas Martin-Smith Cyrano Hudson Warehouse- NYC Nicholas Martin-Smith Romeo & Juliet Hudson Warehouse- NYC Nicholas Martin-Smith Hamlet Hudson Warehouse- NYC Nicholas Martin-Smith Richard III Hudson Warehouse- NYC Nicholas Martin-Smith The Three Musketeers Hudson Warehouse- NYC Nicholas Martin-Smith The Complete Works of William Hudson Warehouse- NYC Nicholas Martin-Smith Shakespeare (abridged) She Stoops to Conquer Hudson Warehouse- NYC Ian Harkins Merry Wives of Windsor Hudson Warehouse- NYC Eric Nightengale Same River Twice Hudson Warehouse- NYC Susane Lee Comedy of Errors Hudson Warehouse- NYC Susane Lee King Lear Hudson Warehouse- NYC Jesse Michael Mothershed The Rover Hudson Warehouse- NYC Jesse Michael Mothershed The Taming of the Shrew Hudson Warehouse- NYC Jesse Michael Mothershed Midsummer Night's Dream Hudson Warehouse - NYC Richard Harden King John Hudson Warehouse
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PROJECT AMELIA Supporters Without These Believers, Project Amelia Would Not Be Possible
1 | PROJECT AMELIA Supporters Without these believers, Project Amelia would not be possible Henry John Hillman Foundation Simonds Foundation Charles C. and Anna Z. Jane M. Epstine Rita McGinley Burstein Memorial Fund of Charitable Fund of The Fund of The The Pittsburgh Foundation Pittsburgh Foundation Pittsburgh Foundation Startup Circle supporters James McCluskey and Hanni Cordes, James Kincaid and Nita Moots Kincaid, Susan and Jonathan Speicher, Roseanne Silva and Michael Tonkin, Deana Muro, Shelly Pagac, Allison Whitney and Brian Pietrandrea, Jeff and Marie Stapinski, Michael Ramsay, Lesley Carlin and Josh McElhattan, Maher S. Hoque, and Marilyn Painter. Bricolage Production Company is supported by Greater Pittsburgh Small Arts Organization Capitalization Pilot Program 2 | PROJECT AMELIA BRICOLAGE PRODUCTION COMPANY Staff Jeffrey Carpenter ..................Artistic Director & Founder Jackie Baker. Managing Director Tami Dixon .......................Principal Creative & Co-Founder Fred Frances .....................Audience & Box Office Manager Nicole Hall .......................Development Manager TJ Parker-Young ...................Facilties and Adminstrative Coordinator Emily Willson .....................Head of Marketing Michael Young ....................Production Manager Board of Directors Evie Gardner – President Ann Lapidus Allison Whitney – Vice President Shelly Pagac Charles L. Adreon – Treasurer Cori Parise Maher S. Hoque – Secretary Rod Schwartz Jen Fisher Susan Speicher Michelle Hoang Mission & Vision Bricolage envisions
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Christine Lee Grenier
Christine Grenier christinegrenier.org imdb.me/christinegrenier Talent Fusion: 317.951.2230 Height: 5’2” Weight: 115 lbs Hair: blonde Eyes: brown THEATRE (NYC)__________________________________________________________________________ Hamlet Ophelia Hudson Warehouse/ Martin Smith A Midsummer Night’s Dream Hermia GET Group/ Emily Plumb The Tempest Miranda GET Group/ N. M. Smith The Vagina Monologues Hair Looking Glass Theater/Rose Ginsberg Hustlers Linny Looking Glass Theater/ Emily Plumb The Child Dreams Child Chandelier Theater Co/ Keith Dixon An Incident at the Standish Arms Woman William Inge Binge/Christine Grenier Playback Rebecca The 52 Street Project/Gus Rogerson Replay Laura & Lilly The 52 Street ProjectGus Rogerson The Event Horizon Star Redshift Productions/Max Evjen Apocolypse Earlier Willow Phareplay Prod/Tanya Fazal Off The Hook Kelly Falconworks/Chris Hammet Off The Hook Showcase 2010 Olivia Falconworks/Reg Flowers FILM_____________________________________________________________________________________ Places Lead Edgepiece Media The Picnic Principle Supporting Max Pitchkites, producer Three Corners of Deception Supporting Masuka Clary, producer Knight’s End Supporting TPTFILMS Entertainment Terpsichore’s Thump Supporting Wandering Rock Productions STAGED READINGS____________________________________________________________________ Instant Shakespeare: First Folio staged readings performed at main branch New York Public Library Full length performances include: The Tempest, As you Like it, The Comedy of Errors, Edmund Ironside,
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Parks to Parking Lots: All the City's a Stage
June 2, 2011 Parks to Parking Lots: All the City’s a Stage By STEVEN McELROY “Don‟t I have a nice theater?” Stephen Burdman theater benefits all theater,” said Judith Jarosz, a asked as he stood in a green field in Central Park producing artistic director (with David Fuller) of near West 103rd Street on a recent Saturday Theater 2020. “If somebody on the Upper East Side afternoon. During a rehearsal break he was goes to the Armory and has a positive experience, pointing out sites used in past productions by his it‟s all the more possible they‟ll go to the park and company, New York Classical Theater. see something else.” “This was the heath in „Lear,‟ ” he said, and then, Jason Marr‟s feelings about the Royal Shakespeare “This was the forest of letters in „As You Like It.‟ ” Company‟s coming to New York from Britain are a Ten minutes later Mr. Burdman, along with cast bit more complicated. and staff members working on Molière‟s “School for Husbands,” were huddled under a tree during a “To be honest, as a theater artist, I‟m always left downpour. feeling very torn about the projects that are of this So it goes for providers of outdoor entertainment. scope and scale,” said Mr. Marr, the artistic director of Hip to Hip, a Queens company. He Clouds loomed over Riverside Park in Manhattan acknowledged wanting to see some of that the next day, but the stars were better aligned for company‟s shows himself, “but at the end of the the cast of this month‟s Hudson Warehouse day, I feel that they‟re preaching to the choir,” he production of “The Merry Wives of Windsor.” The said.
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MARTIN LUTHER on TRIAL Max Mclean, Founder & Artistic Director Presents MARTIN LUTHER on TRIAL Written by Chris Cragin-Day & Max Mclean
Max McLean, Founder & Artistic Director MARTIN LUTHER ON TRIAL Max McLean, Founder & Artistic Director presents MARTIN LUTHER ON TRIAL Written by Chris Cragin-Day & Max McLean Featuring Mark Boyett Kersti Bryan Paul DeBoy John FitzGibbon Jamil A.C. Mangan Fletcher McTaggart Set Design Costume Design Lighting Design Original Music & Sound Design Kelly James Tighe Nicole Wee Geoffrey D. Fishburn Quentin Chiappetta Marketing, Advertising & Press Relations Digital Advertising Casting Director Cheryl Anteau The Pekoe Group Carol Hanzel Production Manager Technical Director Stage Manager General Management Lew Mead Katie Martin Alayna Graziani Aruba Productions Executive Producer Ken Denison Directed by Michael Parva The performance will run two hours and 10 minutes with one 15-minute intermission. Please turn off all electronic devices before the performance begins. Thank you. 3 CAST AND LOCATIONS CAST (In Order of Appearance) Paul DeBoy ..............................................................................................................................The Devil Kersti Bryan ............................................................................................................... Katie Von Bora John FitzGibbon .....................................................................................................................St. Peter Mark Boyett ..............................Hitler, St. Paul, Josel, Freud, Hans Luther & Pope Francis Fletcher McTaggart ..................................................................................................
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Demetri Bonaros Résumé, 2019
917‐992‐7865 Baritone (G2 – G4) AEA H/W: 5’9” / 150lb www.DemetriBonaros.com Theatre (selected credits) If You Can Get to Buffalo New York Writer John Incubator Arts Project / Eric Nightengale Agamemnon (in Greek) Chorus Leader La MaMa / Zishan Ugurlu Money, Love, and Shame! Yerukhem Eydlman Target Margin Thea. / Allen Lewis Rickman The Island (after The Tempest) Ferdinand Pig Iron Theatre Co. / Dan Rothenberg Barefoot in the Park Telephone Man Two River Theatre Co. / Robert Rechnitz Secrets Dr. Ferenczi Marvell Rep / Ken Wydro The Caucasian Chalk Circle The Singer 45 Bleecker St. / Margot Newkirk “commanding performer… concert‐worthy voice.” – Blog Critics Magazine The Winter’s Tale Autolycus Access Theatre / John Castro “a marvelous and multi‐faceted performance” – TheatreScene.net Hercules (based on Euripides) Admetus, Death Abrons Arts Center / Ioanna Katsarou Can’t Pay? Won’t Pay! (in Greek) Policeman 1, 2 Eclipses Group Theater NY / Ioanna Katsarou The Merry Wives of Windsor Dr. Caius Hudson Warehouse / Eric Nightengale King Lear Duke of Albany Hudson Warehouse / Jesse Michael Mothershed The Taming of the Shrew Gremio Hudson Warehouse / Jesse Michael Mothershed A Midsummer Night’s Dream Peter Quince Hudson Warehouse / Richard Harden Measure for Measure Elbow CSV Cultural Center / John Castro Measure for Measure Lucio Compass Rose Theatre Co. / John Castro Musical Theatre, Opera (selected credits) Burt Dow, Deep Water Man Various Roles Stonington, ME Opera House / Joan Jubett Opa! the Musical Father Yanni (supporting) Queens Theatre / Sam Viverito My Fair Lady (Greek adaptation) Professor Higgins Hellenic Cultural Ctr / Martha Tompoulidou Dinner and Delusion (opera) Sheldon (lead) Center for Contemp.
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The Whipping Man by Matthew Lopez
News Release Virginia Repertory Theatre For Immediate Release Date: January 27, 2015 Contact: Susan Davenport Director of Communications Virginia Repertory Theatre [email protected] 804-513-8211 804-783-1688 Ext 1133 Virginia Rep Announces the Opening of The Whipping Man by Matthew Lopez Community Partners include the American Civil War Museum, Weinstein Jewish Community Center and Black History Museum and Cultural Center Richmond, VA – Virginia Repertory Theatre announces the opening of The Whipping Man, by Matthew Lopez at the Sara Belle and Neil November Theatre, 114 West Broad Street on Friday, February 13 with a preview on Thursday, February 12. The show runs through March 8, 2015. This production of The Whipping Man is part of the Acts of Faith Theatre Festival. Set in Richmond, Virginia, in April of 1865, The Whipping Man tells the story of a young rebel officer who returns to his home, only to find it in ruins and occupied by two suddenly freed household slaves. Untended wounds threaten their calm as they struggle to find common ground amidst the ashes of a fallen city. Artistic Director, Bruce Miller talked about the timing of this production. “Virginia Rep is proud to stage this production to commemorate the Sesquicentennial of the Civil War. When I first spoke to the playwright several years ago, I knew we had to do this play, but I wanted it to coincide with the citywide celebrations. Not only does it give us a glimpse into some of the most important days in our country’s history, but it tells a unique story through the lens of a Jewish family.” Director Debra Clinton makes her directing debut at Virginia Rep and shares her thoughts on the show, “The Whipping Man is the story of our struggle to belong to a community: as people of Richmond, the South, and as people of faith.
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The RED Playbill
TABLE OF CONTENTS Dear Friend, Mark Rothko was 4 Meet the Author / commissioned to Theatre Gym create the Sea- 5 Title Page gram Murals in 6 Cast / Setting / Show Staff / 1958, so the play Special Thanks you are about 7 – 8 Company Bios to see takes place in the few 9 Tragic and Timeless years following that date, when 10 – 11 Mark Rothko Rothko himself was in his late 14 Staff 50s and early 60s. Being at that same point in my life and career, I quickly found that a lot of what MISSION Rothko had to say resonated with me when I first read this script. In some ways, I feel very different Virginia Repertory Theatre from Mark Rothko; in many ways I creates in Central Virginia feel the same. professional productions of the great comedies, dramas and Following the events of this play, musicals—past, present and Rothko began to view his work future. We seek to be a regional as spiritual expression. One of his theatre of national standing. final works—a transcendent work, We embrace the art form in its he hoped—is the Rothko Chapel entirety, presenting plays of in Houston, Texas. He was eager 3 all genres and national origins, for the chapel to be as far away serving an audience of all ages from the center of the art world and backgrounds. as possible—an environment for spiritual contemplation. In keeping with the legacies of Barksdale and Theatre IV, All artists view their work differ- the hallmark of our nonprofit ently. I’m fascinated by playwright company is community engage- John Logan’s take on the angels ment.
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Ashley Tata // Director Curriculum Vitae
ASHLEY TATA // DIRECTOR CURRICULUM VITAE DIRECTING 2020 ++Follow me Into the Fields. John Luther Adams with Alan Pierson and Alarm Will Sound. PS21. Chatham, NY. (Planned for August)++ Pssst. aka The Boot. Tata. An interactive virtual theater cyberformance. Beth Morrison Projects: Limitless. New York, NY and the Internet. Mad Forest. Caryl Churchill. A Live Virtual Theater Cyberformance. The Fisher Center at Bard College. Annandale-on-Hudson, NY. And then Theatre for a New Audience. Brooklyn, NY. Purgatory in Ingolstadt. Marieluise Fleißer. Trans. Gitta Hoeneger. Marymount Manhattan College at the National Dance Institute. NY, NY. The Art of Change. Jean-Baptiste Barrière. Mannes Opera at the New School. NY, NY. ⨳ 2019 Crown! Poppea! (a proof of concept gesture). Ted Hearne (after Monteverdi). Prelude Festival. NY, NY. ⨳ Decameron. Nick Brooke. Coffey Studios. Brooklyn, NY.* At Black Lake. Dea Loher, Trans. Daniel Brunet. Necessary Digression and The Tank. New York, NY. Bound. Huang Ruo and Bao-Long Chu. Fresh Squeezed Opera. Baruch Performing Arts Center, NYC. Soldier Songs. David T. Little. Beth Morrison Projects. With video by Bill Morrison. Austin Opera, ATX. Mosaic: Interactive. Ensemble. Found Sound Nation. Big Ears Festival. Knoxville, TN. Also as Production Designer. ⨳ Triptych (Eyes of One on Another). Bryce Dessner, Korde Arrington Tuttle; Mass MoCA . ArKtype/Thomas O. Kriegsmann. With Daniel Fish * ⨳ 2018 s.i.n.s.o.f.u.s. Marieluise Fleißer, Bertolt Brecht, Kurt Weill; Arrang. Tata. Theatre, Dance and Media at Harvard University. Cambridge, MA ⨳ Ipsa Dixit. Kate Soper. Wet Ink Ensemble. Miller Theater. Soldier Songs. David T. Little. Beth Morrison Projects. LA Opera Off-Grand.
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The Twentieth Annual
PRINCE. WILLIAM. SOUND COMMUNITY . COLLEGE The Twentieth Annual Last Frontier Theatre Conference Valdez, Alaska June 10-16, 2012 PRINCE WILLIAM SOUND COMMUNITY COLLEGE PRESENTS THE TwENTIETH ANNUAL LasT FRONTIER THEATRE CONFERENCE JUNE 10-16, 2012 COORDINATor’s WelCOME.................................................................. 4 SCHEDULE OF EVENTS........................................................................... 5 JUNE 15 DAYTIME ENTERTAINMENT...................................................... 19 EVENING GALA ....................................................................................... 20 PLAY LAB PHILOSOPHY.................................................................................. 22 REHEARSAL SCHEDULE.............................................................. 23 CAST LISTS.................................................................................... 24 IN MEMORIAM........................................................................................... 37 FEATURED ARTIST BIOS........................................................................ 38 PRODUCING COMPANY BIOS................................................................ 46 PLAYWRIGHT BIOS.................................................................................. 48 READER BIOS........................................................................................... 54 CONFERENCE STAFF, DONATIONS, & PLAYWRITING AFA................. 65 PRESIDENT’S REMARKS........................................................................
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