DOCSLIB.ORG

MARTIN LUTHER on TRIAL Max Mclean, Founder & Artistic Director Presents MARTIN LUTHER on TRIAL Written by Chris Cragin-Day & Max Mclean

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
MARTIN LUTHER on TRIAL Max Mclean, Founder & Artistic Director Presents MARTIN LUTHER on TRIAL Written by Chris Cragin-Day & Max Mclean Max McLean, Founder & Artistic Director MARTIN LUTHER ON TRIAL Max McLean, Founder & Artistic Director presents MARTIN LUTHER ON TRIAL Written by Chris Cragin-Day & Max McLean Featuring Mark Boyett Kersti Bryan Paul DeBoy John FitzGibbon Jamil A.C. Mangan Fletcher McTaggart Set Design Costume Design Lighting Design Original Music & Sound Design Kelly James Tighe Nicole Wee Geoffrey D. Fishburn Quentin Chiappetta Marketing, Advertising & Press Relations Digital Advertising Casting Director Cheryl Anteau The Pekoe Group Carol Hanzel Production Manager Technical Director Stage Manager General Management Lew Mead Katie Martin Alayna Graziani Aruba Productions Executive Producer Ken Denison Directed by Michael Parva The performance will run two hours and 10 minutes with one 15-minute intermission. Please turn off all electronic devices before the performance begins. Thank you. 3 CAST AND LOCATIONS CAST (In Order of Appearance) Paul DeBoy ..............................................................................................................................The Devil Kersti Bryan ............................................................................................................... Katie Von Bora John FitzGibbon .....................................................................................................................St. Peter Mark Boyett ..............................Hitler, St. Paul, Josel, Freud, Hans Luther & Pope Francis Fletcher McTaggart ................................................................................................... Martin Luther Jamil A.C. Mangan .......... Tetzel, Confessor, Martin Luther King, Jr, Philip Melanchthon, The Holy Roman Emperor & Michael the Archangel LOCATION The Afterlife. A crossroad between Heaven and Hell. FROM THE ARTISTIC DIRECTOR Written by In 1517, a young Augustinian monk with the heroic “Here I Stand” speech Chris Cragin-Day & Max McLean nailed 95 Theses to the church door in in 1521. Most choose not to look at the Wittenberg, Germany. This act launched aggressive behavior of his later years. Featuring the Protestant Reformation, or Revolt, We care to look at both. We have also depending on your point of view. set the play in the “Afterlife” to add a Mark Boyett Kersti Bryan Paul DeBoy Regardless of where you come supernatural dimension to our story in down, few will disagree that Martin hopes of sparking the imagination and John FitzGibbon Jamil A.C. Mangan Fletcher McTaggart Luther left an indelible imprint on inspiring dialogue. Western Civilization. That imprint— For those who are interested in from Justification by Faith alone, to further reading, the primary sources the scandal of a splintered Christianity, used in developing this play are Heiko and his role in the German-Jewish Oberman’s Luther: Man Between God question—is still with us today. and the Devil, Roland Bainton’s Here Given the recent 500th anniversary I Stand: A Life of Martin Luther, Young of this moment, it is fitting to explore Man Luther by Eric Erickson and the this Shakespearean-size personality on PBS program Luther: The Reluctant stage. Fellowship for Performing Arts’ Revolutionary. Pope Francis’ dialogue mission is to present theatre from a came directly from his book The Joy of Christian worldview that engages a the Gospel. diverse audience. To be true to our mission, we are committed to the notion that the world is not the way it ought to be, and that “we” (individually) are part of the problem. Max McLean, Artistic Director Many depictions of Luther’s story Fellowship for Performing Arts The performance will run two hours and 10 minutes with one 15-minute intermission. deal with a troubled soul and conclude Please turn off all electronic devices before the performance begins. Thank you. 3 WHO’S WHO MARK BOYETT (Actor 1): New York: (Manhattan Theatre Club.) Regional: A Play on Words, Clean Alternatives Appoggiatura (Indiana Repertory The- (59E59); Old Wicked Songs (Daryl Roth- atre), The Audience (Maltz Jupiter The- er, Producer); A Woman (2017 Sum- atre), The Christians (Syracuse Stage mer Shorts Festival). Regional includes: and The Wilma Theatre), All The Way Shrek, The Musical (Connecticut Rep); (Denver Center for The Performing Dracula (Pioneer Theater); Appomat- Arts), Edwin; The Story of Edwin Booth tox (Guthrie); The Cherry Orchard (Pitts- (Theatre at St. Clements), Eurydice burgh Public); Love Song (Cincinna- (2nd Stage), My Fair Lady (Pioneer The- ti Playhouse); Wit (Syracuse Stage); atre), The 39 Steps (Repertory Theatre Chesapeake (Kitchen Theater); A Dyb- of St Louis) as well as: Contemporary buk (Denver Center); Arms and the American Theatre Festival, Cincinna- Man, Irma Vep (Tried Stage); Sister Car- ti Playhouse in The Park; Kansas City rie (Indiana Rep). Film & TV: The Sound- Rep, The Walnut Street Theatre, The ing, Royal Pains, Law & Order SVU, Pan Olney Theatre, The Totem Pole Play- Am, One Bad Choice. Audiobooks: 150+ house, Brown County Playhouse and titles. 2017 Audie Award Winner for Studio Arena Theatre in Buffalo. TV/ In Harm’s Way: The Sinking of the USS Film: The Blacklist: Redemption, Law & Indianapolis and the Extraordinary Sto- Order: Special Victims Unit, Royal Pains, ry of its Survivors. Training: A.R.T. The Following, Law & Order: Criminal Intent, Law & Order: Trial by Jury, A Dirty KERSTI BRYAN (Katie Luther) New Shame by John Waters. www.paulde- York: Ensemble Studio Theatre, The- boy.com atreLab, August Strindberg Rep, New York Classical Theatre, Metropoli- JOHN FITZGIBBON (Saint Peter) has tan Playhouse, others. Regional: Mos- been “on the boards” for over 50 years; cow Art Theatre (TCG Award), O’Neil he has acted in 13 new plays at NJ Rep Theatre Center, Shakespeare Theatre (SuzAnne Barabas, Artistic Director); in of DC, Oregon Shakespeare Festival, about 18 plays under the direction of Commonwealth Shakespeare (Nom. Stuart Vaughan (New Globe Theatre); Elliot Norton Award for Outstanding 5 at the Caldwell Theatre in Florida; 5 Actress), Shakespeare Theatre of NJ, at the Shakespeare Theatre of New Palm Beach Dramaworks, others. TV: Jersey; 10 at the Barter Theatre, Virgin- HBO’s The Deuce, The Knick, Elementa- ia; and has been on Broadway and Off ry, Golden Boy, Drop Dead Diva, Law & Broadway and in theatres stretching Order, Small Miracles. Film: Hell’s Heart, from Hawaii to Greece. Favorite role: Actor Seeks Role, others. Thank you to “Jim Tyrone” in Moon for the Misbegot- the Martin Luther on Trial family for ten (Best of Boston Award). He is also a allowing this great woman of histo- pianist/composer and his CD REFLEC- ry a voice. And for my family, always… TIONS can be sampled at CDBaby.com especially my mother. @kerstidanger JAMIL A.C. MANGAN (Actor 2) recent- PAUL DE BOY (Devil) Broadway: Mam- ly received critical acclaim for his ma Mia! (closing cast on Broadway as portrayal of Martin Luther King Jr. in well as National Tour), Sight Unseen the one-man show The Man In Room 4 5 WHO’S WHO 306 (Luna Stage Co.). Mangan’s Off- neer Theatre), Rocket City (Alabama Broadway credits include Mother Cour- Shakespeare), A Midsummer Night’s age and her Children (Classic Stage Dream (Lake Tahoe Shakespeare). Company), Martin Luther On Trial (The Film: The Heat, dir. Paul Feig. Televi- Pearl Theater), Crooked Parts (Cher- sion: As the World Turns, Law and Order, ry Lane Theater) and Protect the Poets Six Degrees. BFA: Ithaca College. MFA: (Teatro Tea). He received the Audel- George Washington University. co Award for Best Supporting Actor in What Would Jesus Do? at the (Bil- CHRIS CRAGIN-DAY (Co-Playwright) is lie Holiday Theater) and a Connect- an alumna of The Public’s EWG (The icut Critic Circle Nomination for his River Nun, 2009 Spotlight Series) and portrayal of Martin Luther King Jr. in O’Neill NMTC (Son of a Gun, co-writer The Mountaintop (Theaterworks Hart- Don and Lori Chaffer). Her plays have ford). His regional credits include Lynn been presented in NYC and around Nottage’s Ruined (Philadelphia The- the world. Most recently, her play A ater Company), Water By The Spoonful Woman was part of 59E59th’s Sum- (Premiere Stages), Othello (Persever- mer Shorts 2017 and just received a ance Theater), and To Kill A Mocking- reading of the full-length version at bird (Orlando Shakespeare Theater). The Sheen Center. Her play Foster Mom Other collaborations include Arden won Premiere Stage’s New Play Award Theater, Connecticut Shakespeare, and received a production there Sep- Contemporary American Theater Fes- tember 2017. Her musical, The Unusual tival, Portland Stage Co., and Gulfshore Tale of Mary and Joseph’s Baby, which Playhouse. He appears on Television played in the 2016 NYC Fringe (co- in The Following (Fox), The Good Cop written with Don Chaffer), had a mid- (Netflix), GOTHAM (Fox) and Quanitco west tour by River and Rail Theater (ABC). (@JamilACMangan) in 2017 and has another tour in the works for 2018. Her play The Rare Bio- FLETCHER McTAGGART (Martin sphere was part of Luna Stage’s 2017 Luther) Fletch is overjoyed to be play- New Moon Series and Sea Dog The- ing Martin Luther once again. His past ater’s 2018 reading series at The Sheen productions include The Crucible as Center. Other NYC productions: The John Proctor with the Pioneer The- Selfish Giant (co-writer Michael Cas- atre Company, Murder Among Friends tillejos), International Arts Movement; at the New Theatre in Kansas City Son of a Gun, Joe’s Pub (Richard Rog- opposite Morgan Fairchild, Noises Off ers Award finalist); Emily, Firebone The- at The Rep at St. Louis. Broadway:
Load more

Recommended publications
  • Archived News
    Archived News 2007-2008 News articles from 2007-2008 Table of Contents Alumnae Cited for Accomplishments and Sage Salzer ’96................................................. 17 Service................................................................. 5 Porochista Khakpour ’00.................................. 18 Laura Hercher, Human Genetics Faculty............ 7 Marylou Berg ’92 ............................................. 18 Lorayne Carbon, Director of the Early Childhood Meema Spadola ’92.......................................... 18 Center.................................................................. 7 Warren Green ................................................... 18 Hunter Kaczorowski ’07..................................... 7 Debra Winger ................................................... 19 Sara Rudner, Director of the Graduate Program in Dance .............................................................. 7 Melvin Bukiet, Writing Faculty ....................... 19 Rahm Emanuel ’81 ............................................. 8 Anita Brown, Music Faculty ............................ 19 Mikal Shapiro...................................................... 8 Sara Rudner, Dance Faculty ............................. 19 Joan Gill Blank ’49 ............................................. 8 Victoria Hofmo ’81 .......................................... 20 Wayne Sanders, Voice Faculty........................... 8 Students Arrive on Campus.............................. 21 Desi Shelton-Seck MFA ’04............................... 9 Norman
    [Show full text]
  • Programming and Award-Winning Work in the Community
    Welcome UPCOMING Dear Friends, We are just concluding one of the most active summers in Old Globe history. A CATERED AFFAIR Each of the plays in our Shakespeare Festival received critical acclaim and enthusiastic audience response. The classic comedies Hay Fever and Bell,Book and Candle and our Sept 20 - Oct 28, 2007 downtown launch of the national tour of Avenue Q, were all tremendously successful Old Globe Theatre and well received. Now we begin the Globe’s 2007/2008 season with a stirring world-premiere OOO musical, A Catered Affair, with a world class creative team which includes Tony-Award winners John Doyle and Harvey Fierstein and celebrated composer John Bucchino. DR. SEUSS’ We are also very privileged to bring to The Old Globe stage Broadway luminaries HOW THE GRINCH Faith Prince and Tom Wopat in this remarkable new work. On the Cassius Carter Centre Stage, Rosemary Harris, the legendary Tony and STOLE CHRISTMAS! Emmy Award-winner, Academy-Award nominee and popular icon for her role in the Nov 25 - Dec 30, 2007 Spiderman movies is starring in the American premiere of Eric Emmanuel Schmitt’s Old Globe Theatre Oscar and the Pink Lady. What an embarrassment of riches on our stages this fall! We recently unveiled detailed construction plans for the rejuvenation of our OOO Balboa Park campus. The plans are part of the Theatre’s $75 million capital and endowment campaign, which designates $22 million to support this important facili- IN THIS CORNER ties project. The centerpieces include the new Conrad Prebys Theatre Center, which encompasses the remaining Old Globe Theatre, a new second stage theatre complex, Jan 5 - Feb 10, 2008 and a new education center, as well as a complete redesign of the Globe’s Copley Plaza Cassius Carter Centre Stage and dining area.
    [Show full text]
  • All in the Timing, by David Ives
    All in the Timing, by David Ives Sure Thing “Bill” - Aidan Loretz “Betty” - Ava Moss Words, Words, Words “Swift” – Tristen Gray “Milton” - Mattie Mount “Kafka” - Ella Naylor Universal Language “Dawn” - Nita Allen “Don” - Perrion Porter Philip Glass Buys a Loaf of Bread “Woman” - Alison Clodfelter “Man” – Perrion Porter “Baker” – Annie Cowley “Philip Glass”- Christopher Beasley The Philadelphia “Al” –Jessica Dutton “Waitress” – Rori Cummings “Mark” – Christopher Beasley Variations on the Death of Trotsky “Trotsky” – Aidan Loretz “Mrs. Trotsky” – Starr James “Ramon” – Tyshanna Hayes The show runs 90 minutes with no intermission. Director’s Notes Director/Choreographer – Jesse Graham Galas Stage Manager – AE Ray All in the Timing is, at its core, a series of plays Assistant Stage Managers – Ava Moss, Samantha Harriss asking, “What if?” What if you got the chance to Technical Director – Josh Webb start over every time you said the wrong thing? Lights/Set Designer – Josh Webb What if you put some monkeys in a room with Assistant Technical Director – Mike Merluzzi some typewriters…could they really come up with Costume Designers one of the greatest plays ever written? What if “Sure Thing”– Lawson Lee everyone spoke the same language? Would that “Words, Words, Words” – Chevez Smith end all communication breakdowns forever? What “Universal Language” – Cameron McWhorter if you could get inside the mind of composer Philip “Philip Glass Buys a Loaf of Bread” – Jolee Masson Glass…has the smallest act of buying a loaf of “The Philadelphia” – Starr
    [Show full text]
  • 2018 Annual Report
    Annual Report 2018 Dear Friends, welcome anyone, whether they have worked in performing arts and In 2018, The Actors Fund entertainment or not, who may need our world-class short-stay helped 17,352 people Thanks to your generous support, The Actors Fund is here for rehabilitation therapies (physical, occupational and speech)—all with everyone in performing arts and entertainment throughout their the goal of a safe return home after a hospital stay (p. 14). nationally. lives and careers, and especially at times of great distress. Thanks to your generous support, The Actors Fund continues, Our programs and services Last year overall we provided $1,970,360 in emergency financial stronger than ever and is here for those who need us most. Our offer social and health services, work would not be possible without an engaged Board as well as ANNUAL REPORT assistance for crucial needs such as preventing evictions and employment and training the efforts of our top notch staff and volunteers. paying for essential medications. We were devastated to see programs, emergency financial the destruction and loss of life caused by last year’s wildfires in assistance, affordable housing, 2018 California—the most deadly in history, and nearly $134,000 went In addition, Broadway Cares/Equity Fights AIDS continues to be our and more. to those in our community affected by the fires and other natural steadfast partner, assuring help is there in these uncertain times. disasters (p. 7). Your support is part of a grand tradition of caring for our entertainment and performing arts community. Thank you Mission As a national organization, we’re building awareness of how our CENTS OF for helping to assure that the show will go on, and on.
    [Show full text]
  • Summer Shakespeare, Outside and Urban
    June 4, 2010 Summer Shakespeare, Outside and Urban By STEVEN McELROY Joseph Papp first presented free Shakespeare performances in Central Park more than 50 years ago. Today, like heat advisories and smelly subway stations, Shakespeare among the elements is intrinsic to summer in the city. While Papp‟s legacy — the Public Theater presentations at the Delacorte in Central Park — is the best known of the productions, there are myriad offerings from smaller companies, and some of them are already under way. For some purveyors of outdoor theater, the appeal lies partly in one of Papp‟s original goals, to bring Shakespeare to the people. Hip to Hip Theater Company, for example, performs in parks in Queens. “To these people the Delacorte might as well be in Montana,” said Jason Marr, the artistic director. “It appeals to my political sense that we are doing something in the community and for the community.” Several artistic directors said that when admission was free and audiences could wander in and out as they pleased, they were more likely to sample Shakespeare or other classical plays, even if they were unfamiliar. “It brings people in who would not go to see Shakespeare, no matter what level of education,” said Ted Minos, the artistic director of the Inwood Shakespeare Festival. Such settings can also enrich the Shakespeare experience. “Many of the plays have natural outdoor themes because they were all performed outdoors originally, and that‟s something not to forget,” said Stephen Burdman, the artistic director of New York Classical Theater. “Shakespeare‟s language is so nature-oriented, whether he‟s going on and on about fishing, which he does, or we learn about the Forest of Arden” in “As You Like It.” “You hear the frogs croaking and the crickets chirping,” Mr.
    [Show full text]
  • The School for Lies
    —The Two Gentlemen of Verona, Act I, Scene iii THE SCHOOL FOR LIES Contents Chicago Shakespeare Theater 800 E. Grand on Navy Pier On the Boards 8 Chicago, Illinois 60611 A selection of notable CST 312.595.5600 events, plays and players www.chicagoshakes.com ©2012 Point of View Chicago Shakespeare Theater 12 All rights reserved. Director Barbara Gaines and Playwright David Ives ARTISTIC DIRECTOR: Barbara Gaines discuss The School for Lies EXECUTIVE DIRECTOR: Criss Henderson PICTURED, COVER AND ABOVE: Deborah Hay and Ben Carlson, Cast 21 photo by Bill Burlingham Playgoer’s Guide 22 Profiles 23 Scholar’s Notes 34 Ira Murfin celebrates disjunction—and our delight— in The School for Lies www.chicagoshakes.com 3 unforgettable . Hyatt is proud to sponsor Chicago Shakespeare Theater. We’ve supported the theater since its inception and believe one unforgettable performance deserves another. Experience distinctive design, extraordinary service and award-winning cuisine at every Hyatt worldwide. For reservations, call ­­ ­ or visit hyatt.com. HYATT name, design and related marks are trademarks of Hyatt Corporation. ©2012 Hyatt Corporation. All rights reserved. HCM29411.01.a_Shakespeare_Ad.indd 1 1/26/12 10:24 AM a messaGe from Barbara Gaines Criss Henderson raymond f. mcCaskey Artistic Director Executive Director Chair, Board of Directors DEAR FRIENDS Welcome to Chicago Shakespeare Theater! Over the years, our artists have delighted audiences with plays that are vibrant, accessible and bold in their exploration of contemporary themes through classical literature. Today’s production has provided our artistic collective with the opportunity to flip this model on its head by producing a modern play viewed through a classical lens.
    [Show full text]
  • Youth Guide to Summer Fun!
    NYC th Gui You – – de TO AUGUST 2016 The Department of Youth and Community Development will be updating this guide regularly. Please check back with us to see the latest additions. Have a safe and fun Summer! For additional information please call Youth Connect at 1.800.246.4646 EMPOWERING INDIVIDUALS • STRENGTHENING FAMILIES • INVESTING IN COMMUNITIES UPDATED 08.01.16 T H E C I T Y O F N E W Y O R K O F F I C E O F T H E M A Y O R N E W Y O R K , N Y 1000 7 July 2016 Dear Friends: Welcome to the 2016 edition of the New York City Youth Guide to Summer Fun! With sprawling green parks, refreshing beaches and pools, festive street fairs, world-class music and sports venues, and so much more, the five boroughs has something to offer everyone to enjoy summer in our city. The months of July and August also give young people a chance to continue learning and discovering outside of the classroom. This summer’s youth offerings include everything from astronomy and global fashion to learning Italian and kayaking. My administration remains committed to ensuring that residents and visitors alike have access to the cultural, recreational and educational opportunities that make New York City an international summer hotspot. The NYC Department of Youth and Community Development in collaboration with other City agencies has put together this handy guide with information about free and low-cost events in all five boroughs, and I wish you many fun-filled days as you explore our great city this summer.
    [Show full text]
  • March 21, 2013 MEDIA CONTACT: Susan Yannetti Public Relations
    FOR IMMEDIATE RELEASE: March 21, 2013 MEDIA CONTACT: Susan Yannetti Public Relations Manager [email protected] Phone: 941.351.9010 ext. 4800 Mobile: 941.735.1131 STEAMY NEW COMEDY VENUS IN FUR HEATS UP THE STAGE AT ASOLO REPERTORY THEATRE (SARASOTA, March 21, 2013) — It’s more than just the Florida sun that’s sizzling at Asolo Rep this spring. The must-see hit of the recent Broadway season, Venus in Fur, written by theatrical mastermind David Ives opens in the Historic Asolo Theater Friday, April 5 and runs through April 28, 2013. Two preview performances are scheduled for April 3 and 4. Tea Alagić, an exciting new talent originally from the Czech Republic, directs this wickedly entertaining comedy that explores the complex relationship between an aspiring stage actress and her playwright/director. Venus in Fur is a hot ticket in every sense. This alluring tale of love, lust, and literature illuminates the ultimate battle of the sexes. Vanda is the far-from-typical young actress who arrives to audition for the lead in playwright Thomas’ adaptation of Leopold von Sacher-Masoch’s 1870 erotic novel, “Venus in Furs.” As her audition proceeds, Vanda’s continually shifting personas, accents, moods, expressions and apparent (and not-so-apparent) intentions engage Thomas in an emotionally charged game of cat and mouse. Is art imitating life? Or is it the other way around? As the lines between reality and fantasy become blurred the audience is swept up in Thomas’ seduction. The Broadway production made an instant star of its leading actress, Nina Arianda, who won the Tony Award for Best Actress in 2012.
    [Show full text]
  • June 2018 Welcome Mike Hausberg
    JUNE 2018 WELCOME MIKE HAUSBERG Welcome to The Old Globe and this production of The Tempest. Our goal is to serve all of San Diego and beyond through the art of theatre. Below are the mission and values that drive our work. We thank you for being a crucial part of what we do. MISSION STATEMENT The mission of The Old Globe is to preserve, strengthen, and advance American theatre by: creating theatrical experiences of the highest professional standards; producing and presenting works of exceptional merit, designed to reach current and future audiences; ensuring diversity and balance in programming; providing an environment for the growth and education of theatre professionals, audiences, and the community at large. STATEMENT OF VALUES The Old Globe believes that theatre matters. Our commitment is to make it matter to more people. The values that shape this commitment are: TRANSFORMATION Theatre cultivates imagination and empathy, enriching our humanity and connecting us to each other by bringing us entertaining experiences, new ideas, and a wide range of stories told from many perspectives. INCLUSION The communities of San Diego, in their diversity and their commonality, are welcome and reflected at the Globe. Access for all to our stages and programs expands when we engage audiences in many ways and in many places. EXCELLENCE Our dedication to creating exceptional work demands a high standard of achievement in everything we do, on and off the stage. STABILITY Our priority every day is to steward a vital, nurturing, and financially secure institution that will thrive for generations. IMPACT Our prominence nationally and locally brings with it a responsibility to listen, collaborate, and act with integrity in order to serve.
    [Show full text]
  • Fight Direction / Coordination
    FIGHT COORDINATION ~ HISTORICAL/CLASSICAL FENCING FIGHT DIRECTION / COORDINATION: PRODUCTION COMPANY DIRECTOR Hamlet (Peter Sarsgaard) Classic Stage Company - NYC Austin Pendleton Gidion's Knot 59E59 Theatre - NYC Austin Pendleton Company Lucille Lortel Theatre - NYC David Leidholdt Macbeth Theatre Row - NYC Seth Duerr Richard II Theatre Row - NYC Seth Duerr True West York Shakespeare - NYC Seth Duerr New York Musical Theatre Searching for Romeo Laura Josepher Festival (Pearl Theatre) Fresh Fruit Festival (award La Maupin the Musical Jessica Field- winner) Henry 4.1 (Steve Guttenberg) Hudson Warehouse- NYC Nicholas Martin-Smith Titus Andronicus Hudson Warehouse- NYC Nicholas Martin-Smith Cyrano Hudson Warehouse- NYC Nicholas Martin-Smith Romeo & Juliet Hudson Warehouse- NYC Nicholas Martin-Smith Hamlet Hudson Warehouse- NYC Nicholas Martin-Smith Richard III Hudson Warehouse- NYC Nicholas Martin-Smith The Three Musketeers Hudson Warehouse- NYC Nicholas Martin-Smith The Complete Works of William Hudson Warehouse- NYC Nicholas Martin-Smith Shakespeare (abridged) She Stoops to Conquer Hudson Warehouse- NYC Ian Harkins Merry Wives of Windsor Hudson Warehouse- NYC Eric Nightengale Same River Twice Hudson Warehouse- NYC Susane Lee Comedy of Errors Hudson Warehouse- NYC Susane Lee King Lear Hudson Warehouse- NYC Jesse Michael Mothershed The Rover Hudson Warehouse- NYC Jesse Michael Mothershed The Taming of the Shrew Hudson Warehouse- NYC Jesse Michael Mothershed Midsummer Night's Dream Hudson Warehouse - NYC Richard Harden King John Hudson Warehouse
    [Show full text]
  • PROJECT AMELIA Supporters Without These Believers, Project Amelia Would Not Be Possible
    1 | PROJECT AMELIA Supporters Without these believers, Project Amelia would not be possible Henry John Hillman Foundation Simonds Foundation Charles C. and Anna Z. Jane M. Epstine Rita McGinley Burstein Memorial Fund of Charitable Fund of The Fund of The The Pittsburgh Foundation Pittsburgh Foundation Pittsburgh Foundation Startup Circle supporters James McCluskey and Hanni Cordes, James Kincaid and Nita Moots Kincaid, Susan and Jonathan Speicher, Roseanne Silva and Michael Tonkin, Deana Muro, Shelly Pagac, Allison Whitney and Brian Pietrandrea, Jeff and Marie Stapinski, Michael Ramsay, Lesley Carlin and Josh McElhattan, Maher S. Hoque, and Marilyn Painter. Bricolage Production Company is supported by Greater Pittsburgh Small Arts Organization Capitalization Pilot Program 2 | PROJECT AMELIA BRICOLAGE PRODUCTION COMPANY Staff Jeffrey Carpenter ..................Artistic Director & Founder Jackie Baker. Managing Director Tami Dixon .......................Principal Creative & Co-Founder Fred Frances .....................Audience & Box Office Manager Nicole Hall .......................Development Manager TJ Parker-Young ...................Facilties and Adminstrative Coordinator Emily Willson .....................Head of Marketing Michael Young ....................Production Manager Board of Directors Evie Gardner – President Ann Lapidus Allison Whitney – Vice President Shelly Pagac Charles L. Adreon – Treasurer Cori Parise Maher S. Hoque – Secretary Rod Schwartz Jen Fisher Susan Speicher Michelle Hoang Mission & Vision Bricolage envisions
    [Show full text]
  • Venus in Fur by David Ives
    VENUS IN FUR reprint file.qxd 10/7/2014 12:31 PM Page i VENUS IN FUR BY DAVID IVES # # DRAMATISTS PLAY SERVICE INC. VENUS IN FUR reprint file.qxd 10/7/2014 12:31 PM Page 2 VENUS IN FUR Copyright © 2012, David Ives All Rights Reserved CAUTION: Professionals and amateurs are hereby warned that performance of VENUS IN FUR is subject to payment of a royalty. It is fully protected under the copyright laws of the United States of America, and of all countries covered by the International Copyright Union (including the Dominion of Canada and the rest of the British Commonwealth), and of all countries covered by the Pan-American Copyright Convention, the Universal Copyright Convention, the Berne Convention, and of all countries with which the United States has reciprocal copyright relations. All rights, including without limitation professional/amateur stage rights, motion picture, recitation, lecturing, public reading, radio broadcasting, television, video or sound recording, all other forms of mechanical, electronic and digital reproduction, transmission and distribution, such as CD, DVD, the Internet, private and file-sharing networks, information storage and retrieval systems, photocopying, and the rights of translation into foreign languages are strictly reserved. Particular emphasis is placed upon the matter of readings, permission for which must be secured from the Author’s agent in writing. The English language stock and amateur stage performance rights in the United States, its territories, possessions and Canada for VENUS IN FUR are controlled exclusively by DRAMATISTS PLAY SERVICE, INC., 440 Park Avenue South, New York, NY 10016. No professional or nonprofessional performance of the Play may be given without obtaining in advance the written permission of DRAMATISTS PLAY SERVICE, INC., and paying the requisite fee.
    [Show full text]