Karen Collazzo (917) 302-2654 AEA, SAG-AFTRA [email protected] Voice: Mezzo Soprano

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Karen Collazzo (917) 302-2654 AEA, SAG-AFTRA Karencollazzo17@Gmail.Com Voice: Mezzo Soprano

Karen Collazzo (917) 302-2654 AEA, SAG-AFTRA [email protected] Voice: Mezzo Soprano www.KARENCOLLAZZO.com THEATRE Julius Caesar Casca/Citizen #2 NYCOTR Ensemble Players/Vee Mallik Pride & Prejudice Caroline Bingley Hudson Warehouse/Susane Lee Hamlet Player Queen Hudson Warehouse/George K. Wells 3 Musketeers: 20 Years Later Queen Anne Hudson Warehouse/Nicholas Martin-Smith Trojan Women Elise Hudson Warehouse/Nicholas Martin-Smith The Three Musketeers Milady de Winter Hudson Warehouse/Nicholas Martin-Smith His Girl Friday Hildy Johnson Hudson Warehouse/Susane Lee Lysisarah Smoulder Hudson Warehouse /Susane Lee Macbeth* Lady Macduff/Hecate Players’ Shakespeare/Brian Gillespie Circle Mirror Transformation Theresa Holmdel Theatre Co./Kathy Hendrickson Henry VI Parts I & II* Queen Margaret Players’ Shakespeare/Dominic Cuskern Punchline Narrator Barrow Group/Stefen Carver Something Cloudy… Caroline/Hazel Daylight Zone Theater/Gary Day Winner Lucy HB Studio /Janina Santillan Renovation Bonnie Theatre Guild of NJ /Nancy Lauersen The Curious Savage Lily Belle Savage Smagers Theatre/Connie Kara Taming of the Shrew Kate Exclamation Theater/Patricia R. Linder Bad Blood Luna Theatre Guild of NJ /Mary Ann Wylie Sugar Dolores Neshaminy Music Theater/Kim B Taylor Lady with the Pet Dog Natasha Gurov Exclamation Theater/Patricia R. Linder Importance of Being Earnest Gwendolen Playmasters Theater/Heather MacHenry Henry V Katherine de France Exclamation Theater/Patricia R. Linder Last of the Red Hot Lovers Bobbi Michele Playmasters Theater/Gail Rosen The Man Of Destiny Lady Theatre Studio Inc./Karen Collazzo Beau Jest Sarah Goldman Playmasters Theater/Gail Rosen Uncle Tom’s Cabin Emily Shelby Exclamation Theater/Patricia R. Linder FILM Bankers’ Hotline Lead Center City Film/Video/Steven J. Cipollone Untitled Chapters Principal Insomnia Pictures/Igor Yankilevich Bitters and Blue Ruin Principal Mysterium Films/Sean Kelley OY VEY! Supporting Oracle Film Group/Phil Brandt ’79 Parts Supporting Hit & Run Prods./Ari Taub TRAINING: Acting: Jeffrey Passero (Primary Stages ESPA), Austin Pendleton (HB Studio), Dan Daily (Pearl Conservatory), Sally Dunn (T. Schreiber Studio) Shakespeare: Jesse Berger, Daniel Sullivan, Jordan Thaler & Eric Tucker (Red Bull Master Classes), Dominic Cuskern (Pearl Conservatory), Steven Skybell (HB Studio), Christopher Martin (HB Studio) On-Camera: Bob Krakower, Mark Blum, Amelia Campbell, Anthony Arkin, Amy Gossels (Commercials) Singing/Voice: John Bowen, Eric Michael Gillet, Dan Manjovi, Ilse Pfeiffer (Fitzmaurice Voicework) Voice Over: Carrie Faverty, Andy Roth, Paul Liberti, Steve Harris Special Skills: Dialects (Southern, British RP, French), Hula Hooping, Yoga, Pilates, Improv, Driver’s License, Passport, Dance (Ballet, Jazz, Tap--Broadway Dance Center), (*Staged Reading*) .

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Summer Shakespeare, Outside and Urban
June 4, 2010 Summer Shakespeare, Outside and Urban By STEVEN McELROY Joseph Papp first presented free Shakespeare performances in Central Park more than 50 years ago. Today, like heat advisories and smelly subway stations, Shakespeare among the elements is intrinsic to summer in the city. While Papp‟s legacy — the Public Theater presentations at the Delacorte in Central Park — is the best known of the productions, there are myriad offerings from smaller companies, and some of them are already under way. For some purveyors of outdoor theater, the appeal lies partly in one of Papp‟s original goals, to bring Shakespeare to the people. Hip to Hip Theater Company, for example, performs in parks in Queens. “To these people the Delacorte might as well be in Montana,” said Jason Marr, the artistic director. “It appeals to my political sense that we are doing something in the community and for the community.” Several artistic directors said that when admission was free and audiences could wander in and out as they pleased, they were more likely to sample Shakespeare or other classical plays, even if they were unfamiliar. “It brings people in who would not go to see Shakespeare, no matter what level of education,” said Ted Minos, the artistic director of the Inwood Shakespeare Festival. Such settings can also enrich the Shakespeare experience. “Many of the plays have natural outdoor themes because they were all performed outdoors originally, and that‟s something not to forget,” said Stephen Burdman, the artistic director of New York Classical Theater. “Shakespeare‟s language is so nature-oriented, whether he‟s going on and on about fishing, which he does, or we learn about the Forest of Arden” in “As You Like It.” “You hear the frogs croaking and the crickets chirping,” Mr.
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The Whipping Man by Matthew Lopez
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