Die Triumereien Einiger Kunstliebender Klosterbruder
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Bremen Und Die Kunst in Der Kolonialzeit
DER BLINDE FLECK BREMEN UND DIE KUNST IN DER KOLONIALZEIT THE BLIND SPOT BREMEN, COLONIALISM AND ART EDITED BY JULIA BINTER ©2017byKunsthalle Bremen –Der Kunstverein in Bremen www.kunsthalle-bremen.de ©2017byDietrich Reimer Verlag GmbH, Berlin www.reimer-mann-verlag.de Funded by the International MuseumFellowship program of the German Federal Cultural Foundaition In cooperation with Afrika-Netzwerk Bremen e.V. Bibliographic Information of the German National Library Deutsche Nationalbibliothek holds arecordofthis publication in the Deutsche Nationalbibliografie; detailed bibliographical data can be found under: http://dnb.d-nb.de. All rightsreserved. No partofthis book maybereprintedorrepro- ducedorutilised in any form or by any electronic, mechanical or other means, nowknown or hereafter invented, including photocopying and recording, or in any information storage or retrievalsystem, without permission in writing from the publishers. ISBN 978-3-496-01592-5 With contributions by Julia Binter Anna Brus Anujah Fernando Anna Greve HewLocke YvetteMutumba Ngozi Schommers Vivan Sundaram Translations from German and English by Daniel Stevens Lenders Nolde-Stiftung Seebüll Sammlung Vivanund Navina Sundaram Sammlung Karl H. Knauf,Berlin Übersee-Museum Bremen Deutsches Schifffahrtsmuseum Bremerhaven Museum für Völkerkunde Hamburg Focke-Museum Landesmuseum für Kunst und Kulturgeschichte Schulmuseum Bremen Landesfilmarchiv Bremen Intro Ⅰ Kawanabe Kyōsai, The Lazy one in the Middle, n. d., monochrome woodcut, Outro Ⅰ Kunsthalle Bremen – Artist unknown, -
Rezension Erwin Panofsky. Korrespondenz 1962 Bis 1968
1 Rezension Erwin Panofsky. Korrespondenz 1962 bis 1968. Hrsg. von Dieter Wuttke. Band V. Wiesbaden (Harrassowitz) 2011. XLIII Seiten. 1466 Seiten. 112 Abbildungen. ISBN 978-3-447-06277-0 von Gabriele Sprigath Mit dem im Frühjahr erschienenen fünften Band ist die 2001 begonnene Publikation der Auswahlausgabe abgeschlossen. Die Pressemitteilung kündigt an: „Panofskys Korrespondenz ist der unbekannte Teil seines Oeuvres. Aus einer Sammlung von ca. 27000 Briefen hat der Hrsg. in 22jähriger, kulturwissenschaftlich fundierter Forschungsarbeit eine Auswahl getroffen, die das ganze Leben und Schaffen Panofskys widerspiegelt. Auf fast 7.000 Seiten findet der Leser über 3800 Briefe ediert und kommentiert. Sie sind durch Verzeichnisse sowie umfangreiche, `sprechende´ Register erschlossen. Beigegeben ist die vollständigste Panofsky-Bibliographie 1914 bis 1969, die je gedruckt wurde. Sie weist 94 unbekannte bibliographische Einheiten nach. Das in drei Abteilungen gegliederte Korrespondenz-Korpus dieses Bandes führt an 852 neue Texte heran. 59 davon bilden einen wichtigen Nachtrag zu den vorausgehenden Bänden, 8 betreffen „Nachklänge“ aus den Jahren 1969 bis 1971.[…]“. Dazu kommen Hinweise auf „Hunderte von weiteren Texten und Dokumenten“ in den Anmerkungen (Bd. V, S. IX). Die angesichts der auch in Band V ausgebreiteten Materialfülle staunenden Leser finden in der Einleitung drei informative Abschnitte vor: Zahlen und Grundsätzliches, Themen sowie Dank und Widmung. Am Ende werden sie mit einer in der Tasche des hinteren Buchdeckels beigegebenen CD mit Erwin Panofskys viva vox überrascht: sie hören seine Dankesworte anläßlich der Aufnahme in den Orden Pour le Mérite in München im Zentralinstitut für Kunstgeschichte in München am 26.07.1967 (Text: Nr. 3446, S. 1055-1062). Mit insgesamt 1510 Seiten und 112 Abbildungen ist Band V nicht nur der umfangreichste, sondern in jeder Hinsicht der Höhepunkt der Auswahlausgabe. -
Does Central Bank Independence Frustrate the Optimal Fiscal-Monetary Policy Mix in A
Does Central Bank Independence Frustrate the Optimal Fiscal-Monetary Policy Mix in a Liquidity Trap? By Paul McCulley, Chair, GIC Global Society of Fellows and Zoltan Pozsar, Visiting Scholar, GIC Global Society of Fellows Paper to be presented at the Inaugural Meeting of the Global Interdependence Center’s Society of Fellows on March 26, 2012 at the Banque de France, Paris March 26, 2012 Abstract “[T]he role of an independent central bank is different in inflationary and deflationary environments. In the face of inflation, which is often associated with excessive [government borrowing and] monetization of government debt, the virtue of an independence central bank is its ability to say “no” to the government. [In a liquidity trap], however, excessive [government borrowing] and money creation is unlikely to be the problem, and a more cooperative stance on the part of the central bank may be called for. Under the current circumstances [of a liquidity trap], greater cooperation for a time between the [monetary] and the fiscal authorities is in no way inconsistent with the independence of […] central bank[s], any more than cooperation between two independent nations in pursuit of a common objective [or, for that matter, cooperation between central banks and fiscal authorities to facilitate war finance] is consistent with the principle of national sovereignty.” Governor Ben S. Bernanke 1 Section I - Introduction The United States and much of the developed world are in a liquidity trap. However, policymakers still have not embraced this diagnosis which is a problem as solutions to a liquidity trap require specific sets of policies. -
40 880 46 12 [email protected] ∙
LE CLAIRE KUNST SEIT 1982 MAGDALENENSTRASSE 50 ∙ 20148 HAMBURG ∙ TELEFON +49 (0)40 881 06 46 ∙ FAX +49 (0)40 880 46 12 [email protected] ∙ WWW.LECLAIRE-KUNST.DE LE CLAIRE KUNST SEIT 1982 PAULA MODERSOHN-BECKER 1876 Dresden-Friedrichstadt - Worpswede 1907 Seated Girl with a Black Hat and a Flower in her Right Hand Tempera on canvas, c.1903 69.8 x 44.7 cm PROVENANCE: Otto Modersohn – Philine Vogeler, Worpswede – Galerie Commeter, Hamburg (no. 416) – Hermann Hertzer, Hanover (1934) – Sprengel Collection, Hanover LITERATURE: Gustav Pauli, Paula Modersohn-Becker, ed. Carl Georg Heise, I, no. 59, p. 55, listed as Bauernmädchen, Halbfigur (Das neue Bild, Bücher für die Kunst der Gegenwart, Leipzig 1919); Pauli 1934 (3rd edn.), no. 62b, duplicate entry, re-listed as Mädchen im Strohhut mit Marienblümchen in der Hand – Carl Emil Uphoff, Paula Modersohn-Becker, II, repr. (Junge Kunst, Leipzig 1919) – Günther Busch and Wolfgang Werner (eds.), Paula Modersohn-Becker 1876-1907, Werkverzeichnis der Gemälde, Munich 1998, II, no. 393, p. 275, repr. EXHIBITIONS: Kunstausstellung, Kunst- und Kunstgewerbehaus Franz Vogeler, Worpswede n.d., no. 7 – Paula Modersohn-Becker, Kunsthalle Bremen, 1913, Journal no. 30 (one venue of an exhibition staged in various configurations travelling to: Museum Folkwang, Hagen; Neuer Kunstsalon, Munich; Kunstverein Jena; Haus des Freiherrn von der Heydt, Elberfeld) – Paula Modersohn-Becker, Gemälde, Zeichnungen, Radierungen, Kestner-Gesellschaft, Hanover 1934, no. 31 – Paula Modersohn-Becker - Gabriele Münter, Kestner-Gesellschaft, Hanover 1951, no. 22 – Zeitgenössische Kunst aus Hannoverschem Privatbesitz, Kestner-Gesellschaft, Hanover 1954, no. 113 – Roland Doschka, Musen ‒ Modelle ‒ Malerlegenden ‒ von Renoir bis Warhol, exhib. -
Annual Report 2018 Performance at a Glance
Annual Report 2018 Performance at a Glance Companies held by M.M.Warburg & CO Gruppe GmbH in EUR million 2018 2017 Net income before taxes –10.3 17.4 Net interest income 45.2 49.2 Net fee and commission income 121.4 175.1 Administrative expenses (including depreciation, 173.3 229.8 amortization, and writedowns) Total assets 5,763.8 7,385.0 Business volume 5,798.9 7,425.7 Own funds 390.2 469.3 Bank in EUR million 2018 2017 Net income before taxes 7.1 27.0 Net interest income 36.6 37.7 Net fee and commission income 79.4 94.0 Administrative expenses (including depreciation, 127.0 145.5 amortization, and writedowns) Total assets 5,491.3 5,424.2 Business volume 5,525.0 5,463.7 Own funds 377.9 384.8 Table of Contents Governing Bodies of M.M.Warburg & CO (AG & Co.) KGaA 4 Report of the Partners 7 Overview of the Warburg Group 15 Economic Environment The Warburg Group The Warburg Group’s Business Areas 20 Investment Banking Corporate Banking Corporate Finance Markets and Institutional Banking Private Banking Asset Management Warburg Invest Warburg Digital Warburg Navigator W&Z FinTech GmbH Compliance, Anti-money Laundering, and Data Protection 32 Employees 34 MARCARD, STEIN & CO AG 37 M.M.Warburg & CO Hypothekenbank AG 39 Report of the Supervisory Board 40 Condensed Annual Financial Statements of 41 M.M.Warburg & CO (AG & Co.) KGaA as of December 31, 2018 Balance Sheet Income Statement Notes (Extracts) Addresses 75 3 Governing Bodies Supervisory Board Dr. -
E. H. Gombrich, the Warburg Institute: a Personal Memoire, the Art Newspaper, 2 November, 1990, Pp.9 [Trapp No.1990P.1]
E. H. Gombrich, The Warburg Institute: A Personal Memoire, The Art Newspaper, 2 November, 1990, pp.9 [Trapp no.1990P.1] In 1933 Nazism drove a band of original and profound scholars, then a great library, to settle in Britain. Out of these elements grew the world famous Institute, whose approach to the thinking of the past has incomparably enriched the understanding of art. Will the 1990s see this living intellectual force stifled by British government meanness and philistinism? LONDON. The Warburg Institute grew out of and around one man's own library, and although it is now larger by tens of thousands of volumes, it has retained the feeling of a private library , with open stacks, and the books arranged by topic in a way that invites the reader to start browsing in the subject next to his own. The Institute is world famous as a centre for cross-disciplinary cultural and intellectual history and its library is both its essence and its basis. That is why the financial crisis in scholarly libraries, which has affected European, and especially British, places of learning over the last decade, is a particularly dangerous threat to the Warburg, which depends for its funding on the University of London. One statistic will do: between 1981 and 1986 in the UK, library expenditure as a proportion of university expenditure fell by 9%, but the prices of books, periodicals and binding rose by 79%. Help is urgently required if the Warburg's library, and life, are not to shrivel. Its only hope is a generous response to the appeal which it has launched. -
Erwin Panofsky (1892–1968)
Hamburg University Press Zum Gedenken an Erwin Panofsky (1892–1968) Hamburger Universitätsreden Neue Folge 17 Zum Gedenken an Erwin Panofsky (1892–1968) Hamburger Universitätsreden Neue Folge 17 Herausgeber: Das Präsidium der Universität Hamburg ZUM GEDENKEN AN ERWIN PANOFSKY (1892–1968) Reden aus Anlass der Benennung des Hörsaals C im Hauptgebäude der Universität Hamburg in Erwin-Panofsky-Hörsaal am 20. Juni 2000 Herausgegeben von Eckart Krause und Rainer Nicolaysen Hamburg University Press Verlag der Staats- und Universitätsbibliothek Hamburg Carl von Ossietzky Das Erscheinen dieser Schrift wurde ermöglicht durch die Hans-Kauffmann-Stiftung, Hamburg. INHALT 7 Eckart Krause und Rainer Nicolaysen: Vorwort 17 Vita von Erwin Panofsky 21 DIE REDEN 23 Jürgen Lüthje: Grußwort des Universitätspräsidenten 41 Martin Warnke: Erwin Panofsky – Kunstgeschichte als Kunst 79 ANHANG 81 Erwin Panofsky: Brief an die Philosophische Fakultät der Universität Hamburg vom 26. Juli 1964 83 Eckart Krause: Keine Rückkehr ins „Paradise Lost“. Erwin Panofsky und die Universität Hamburg 1946 bis 1968 117 Bibliographische Hinweise 129 Autoren 131 Veranstaltungsprogramm 133 Gesamtverzeichnis der bisher erschienenen Hamburger Universitätsreden 140 Impressum und Bildnachweis Eckart Krause und Rainer Nicolaysen VORWORT „Viele Menschen in Deutschland werden den Namen des größten lebenden Kunsthistorikers zum ersten Male gele- sen haben, als die Zeitungen vor einigen Wochen (1965) meldeten, die Columbia-University habe in der gleichen Feierstunde neben Bundeskanzler Erhard -
Felix Warburg and the Impact of Non-Zionists on the Hebrew University
FELIX WARBURG AND THE IMPACT OF NON-ZIONISTS ON THE HEBREW UNIVERSITY: 1923-1933 By Jeffrey Lawrence Levin Submitted to the Faculty of the College of Arts and Sciences of American University in Partial Fulfillment of the Requirements for the Degree of Doctor of Philosophy In Dean of the College of Arts and Sciences Date 2018 American University Washington, D.C. 20016 © COPYRIGHT By Jeffrey Lawrence Levin 2018 ALL RIGHTS RESERVED ii FELIX WARBURG AND THE IMPACT OF NON-ZIONISTS ON THE HEBREW UNIVERSITY: 1923-1933 BY Jeffrey Lawrence Levin ABSTRACT This dissertation addresses the impact on the founding of the Hebrew University of the group of individuals known as non-Zionists. Using the personage of Felix Warburg as an entrée into the origins of this cohort, it argues that the Hebrew University, like the Yishuv itself, was based on a wide spectrum of adherence to orthodox Zionism. Rather, there were many contributors who felt less strongly inclined towards Zionism than did Chaim Weizmann, and these individuals played a substantive role in shaping the course of the Jewish settlement in Palestine Felix Warburg, a naturalized American citizen born into a wealthy Hamburg banking family, is a perfect example of how support for the Hebrew University, the Jewish Agency, and the Yishuv did not require one to advocate for the future creation of a Jewish nation-state. Prior to his significant involvement with issues in Palestine, the main focus of Warburg’s philanthropy was in alleviating the abhorrent conditions of Jews in the Soviet Union and of those Jews who had recently emigrated to the United States and badly needed assistance in acculturating to New York City society. -
Aby Warburg on Manet
The afterlife of antiquity and modern art: Aby Warburg on Manet Dimitrios Latsis Introduction The decided turn towards critical and academic favour that Aby Warburg’s thought and works have undergone in the last three decades within Anglo-American and French scholarship has eclipsed even his revival within his native Germany.1 Indeed, Warburg is now considered a tutelary figure within fields as disparate as visual and cultural anthropology, library and information science, archive and media studies, in addition to his work’s having revitalized the contextual study of art history which – at least in its English-language iteration – had long been dominated by the formalist methodology of that other great student of Jakob Burkhardt, Heinrich Wölfflin. Indeed Warburg’s fortunes as a Weimar and pre- Weimar era intellectual have come close to matching those of his younger and also prematurely lost Jewish confrère Walter Benjamin. It was, arguably, critical interest in Benjamin’s work that has been partly responsible for the revitalization of Warburg studies, in the guise of a ‘search for origins’ for a certain German intellectual tradition that the Third Reich and the long silence that followed the destruction of the 1939-45 war all but eclipsed. Yet Aby Warburg’s status as a pioneer of the anthropological study of art and culture, as a visionary archivist and collector, as a mentor and institution builder, as an innovator in the use of photography as an art historical tool and as an interdisciplinarian avant-la-lettre has still not been enough to save him from the fate described by Gertrud Bing, the colleague who perhaps knew him best, as the art historian revered by many but read by very few. -
Remembrance of Things Past. on Aby M. Warburg and Walter
GRATIA Matthew Rampley Bamberger Schrifren zur Renaissanceforschung The Remembrance In Verbindung mit Stephan Füssel, Reinhold F. Glei und Joachim Knape herausgegeben von Dieter ìØuttke of Things Past 35 On Aby M. Varburg and \Øalter Benjamin o 2000 2000 Flarrassowitz Verlag . Viesbaden Harrassowitz Verlag ' Viesbaden prt 5 5tz*' //+ u 7 ü Bibliothek varburg, Hamburg cover illustration: Front Façade of the Kulturwissenschaftliche (Photo: \Warburg Institute) For Peter Barnett Die Deutsche Bibliothek - CIP-Einhcitsaufnahmc Bibliothek Ein Ti,"l.l","nr.r, für diese Publikation is¡ bci Der Dcutschen erhältlich Die Deutsche Bibliothek - CIP Cataloguing-in-Publication-Data À."rnlogu" r."ord for this publication is available from Die Deutsche Bibliothek e-mail: [email protected] O Otto Harrassowitz, Viesbaden 2000 This work, including all of its parts, is protected by copyright' Any use beyond the limits of copyright lav¡ without the permission of th" p.tblirh.. is forbidden and subject to penalty- This applies particula.ly to reproductions, translations, microfilms and storage and processing in electronic systems' Priniing and binding by Hubert 8c Co', Göttingen Printed on permanent/durable paper' Printed in GermanY ISSN 0343-1258 ISBN 3-447-04299-0 Table of Contents List of Illustrations 9 Introduction. 11 Mimesis and Experience 15 From Serpent Ritual to Cosmic Allegory 35 The Meaning of the Renaissance 51 Aura and Memory 73 Conclusion 101 Notes. .. 103 Bibliography 131 List of Illustrations Figure I Frontespiece of the Warburg Institute copy -
Images from the Region of the Pueblo Indians of North America / Aby M
Images from tbe Region of tbe Pueblo Indians of Nortb America IMAGES frOtn the Kegion of the Pueblo Indians of North Atnerica AHY M. WARHURG Translated with an interpretive essay by MICHAEL P. STEINBEKG CORNELL UNIVERSITY PRESS Itbaca and London The translation of Bilder aus dem Gebiet der Pueblo-Indianer in Nord-Amerika is published by arrangement with the Warburg Institute, University of London. Copyright © 1995 by Cornell University All rights reserved. Except for brief quotations in a review, this book, or parts thereof, must not be reproduced in any form without permission in writing from the publisher. For information, address Cornell University Press, Sage House, 512 East State Street, Ithaca, New York 14850, or visit our website at www.cornellpress.cornell.edu. First published 1995 by Cornell University Press. Library of Congress Cataloging-in-Publication Data Warburg, Aby, 1866–1929. [Bilder aus dem Gebiet der Pueblo-Indianer in Nord-Amerika / English] Images from the region of the Pueblo Indians of North America / Aby M. Warburg ; translated with an interpretive essay by Michael P. Steinberg. p. cm. Includes bibliographical references. ISBN 978-0-8014-2973-6 (cloth : alk. paper) ISBN 978-0-8014-8435-3 (pbk. : alk. paper) 1. Pueblo Indians—Religion. 2. Serpent worship. I. Steinberg, Michael P. II. Title. E99.P9W32 1995 299′.784—dc20 95-9564 The text of this book is licensed under a Creative Commons Attribution-NonCommercial-NoDerivatives 4.0 International License: https://creativecommons.org/licenses/by-nc-nd/4.0/ Contents Prefatory Note VIl List of Illustrations Xl Aby M. Warburg, IMAGES FROM THE REGION OF THE PUEBLO INDIANS OF NORTH AMERICA I NOTES 55 Michael P. -
Aby Und Max Warburg Im Dialog Über Hamburgs Geistige Zahlungsfähigkeit Von Karen Michels Mäzene Für Wissenschaft
„Es muß besser werden!“ Aby und Max Warburg im Dialog über Hamburgs geistige Zahlungsfähigkeit von Karen Michels Mäzene für Wissenschaft hg. von Ekkehard Nümann Gefördert von der Böttcher-Stiftung Den Familien gewidmet, die durch ihre hochherzigen Stiftungen vor 108 Jahren die Gründung der Hamburgischen Wissenschaftlichen Stiftung ermöglicht und den Grundstein dafür gelegt haben, dass die Stiftung auch heute noch Forschung, Lehre und Bildung fördern kann. Inhalt Vorwort des Herausgebers . S. 3 1. Quellenlage . S. 4 2. Der Familien- und Firmengründer Georg Friedrich Vorwerk . S. 6 3. Zur Kindheit und Jugend der Vorwerk-Brüder . S. 15 4. Eine Reise von Augustus Friedrich nach Nordamerika und Kuba . S. 23 5. Die Firmen in Chile und Hamburg . S. 28 6. Friedrich, Adolph und deren Ehefrauen in den Erinnerungen dreier Enkel . S. 44 7. „Villa Josepha“ und „Haupthaus“ . S. 54 8. Gustav Adolph als Bau- und Gartengestalter . S. 60 9. Entwicklungen nach dem Tod der Brüder . S. 67 10. Anhänge . S. 70 11. Literatur . S. 72 12. Namensregister . S. 74 Inhalt Vorwort des Herausgebers . 4 Vorwort . 5 1. Einleitung . 10 2. Was willst Du mit Kunstgeschichte? . 14 3. Lehr- und Wanderjahre: „Es muß besser werden!“ . 22 4. Wie man sich in Hamburg eine Existenz aufbaut . 33 5. Die Hamburgische Wissenschaftliche Stiftung oder Kaufleute als „Ducatenmännchen“ . 56 6. 1918: „Unser Krieg“ und „die Judenfrage“ . 68 7. Neues Denken: Was hat man aus dem Krieg gelernt? . 75 8. Überzeugte Europäer . 81 9. Max Warburg verabschiedet sich selbst . 96 10. Zum Schluss . 98 11. Anhänge . 100 Stammtafel (Auszug) . 100 Aby und Max Warburgs Lebensdaten im Überblick . 102 12.