Reconciling Napster with the Sony Decision and Recent Amendments to Copyright Law
Reconciling Napster with the Sony decision and recent amendments to copyright law Author: Stephanie M. Greene Persistent link: http://hdl.handle.net/2345/1451 This work is posted on eScholarship@BC, Boston College University Libraries. Published in American Business Law Journal, vol. 39, no. 1, pp. 57-98, Fall 2001 Use of this resource is governed by the terms and conditions of the Creative Commons "Attribution-Noncommercial-No Derivative Works 3.0 United States" (http:// creativecommons.org/licenses/by-nc-nd/3.0/us/) RECONCILING NAPSTER WITH THE SONY DECISION AND RECENT AMENDMENTS TO COPYRIGHT LAW Stephanie Greene* INTRODUCTION From October of 1999 to March of 2001, music fans around the world enjoyed an unprecedented, unlimited amount of music—for free. A ruling issued by the Court of Appeals for the Ninth Circuit in February of 2001 ended the free ride. In A&MRecords, Inc. v. Napster, Inc.,1 the Ninth Circuit upheld a preliminary injunction which required Napster, the wildly popular online music sharing system, to stop making unauthorized copyrighted music available on its service.2 Napster, one of the "killer applications" of recent years,3 was devised by Shawn Fanning, a nineteen-year-old college student in search of Carroll School of Management, Boston College. 1 239 F.3d 1004 (9th Cir. 2001). 2 Id. at 1027. 3 Karl Taro Greenfeld, Meet the Napster, TIME, Oct. 2, 2000, at 61. This article calls Napster one of the greatest Internet applications ever, "up there with e-mail and instant messaging." Id. at 62; see also Amy Kover, Napster: The Hot Idea of the Tear, FORTUNE, June 26, 2000, at 128; Peter H.
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