14 生活時尚 S T Y L E WEDNESDAY, SEPTEMBER 24, 2008 • TAIPEI TIMES

Natural born At 35, Juliette Lewis has already had two careers — as a celebrated actor and a barnstorming singer. She talks about Scientology, Sarah Palin and substance abuse

By Kira Cochrane The guardian, diva a kid growing up in outer , Juliette Lewis initially took up acting in her teens, and Lake Lewis had a happy life. She spent hours quickly realized that she was a natural. While As riding her pony, playing with her many siblings “some people can’t connect with their own and half-siblings, and was once spirited from school by her emotions,” she says, “that’s the thing that I dad on the premise of seeing the dentist — only to end up started with from out of the womb. When

at the cinema watching Star Wars. Her father, Geoffrey I feel something, I feel it to the ninth P14 Lewis, was an actor, and her mother, Glenis Batley, was power.” In her early TV roles, this skill a graphic designer, and although the couple divorced wasn’t exactly appreciated. She was P14 when Lewis was 2, she lived with them both, on and off. cast as a teenage daughter in the Her parents helped cultivate “that sense of belief in one’s world’s most bizarre-sounding sitcom Features artistic abilities,” and before she had even hit her teens, she — the star was the ageing film-noir had narrowed down her career choices. When she grew up, actor, Robert Mitchum — and the

Features she decided, she would either be a performance artist, a studio quickly “hired an acting teacher musician or an actor. to essentially teach me how to act bad … Now in her mid-30s, the all-singing, all-acting Lewis is Whether I was slouching, or putting my hair two ambitions down — with one still to go. Sprawled before behind my ear, they’d have an acting teacher saying, me in a London hotel, she has recently flown in from New ‘Don’t do that. Stand up straight. More energy. Smile.’” York, and her body clock is out of whack; she has been She was seriously disillusioned until Martin Scorsese up since 3am, and describes herself as “delirious.” Tired flew to the rescue, casting her opposite Robert De Niro in or not, she looks as she always has — both ordinary and Cape Fear; aged 18, she received an Oscar nomination for extraordinary. She is only wearing light makeup, and her the role. Over the next few years, she bounced from one face is softer than on screen, but her eyes and lips pop with prestigious part to another, with directors including Woody cartoon intensity. Allen, Lasse Hallstrom, Kathryn Bigelow and Oliver Stone. She’s here to host the Vodafone Live Music Awards, and In 1996, she hit a wall. Lewis says that, while she was is vague about the prospect. a happy kid, “as a teenager I was severely, cripplingly Her Valley-girl drawl makes every statement sound dramatic and in search of self.” She felt that her emotions chewed-over and spat-out, and when I ask whether she was were too big for her, and had developed a serious drug attracted by the chance to celebrate live acts, she looks problem by her early 20s. “I had too much energy, so I was 紅

at the PR women in the room, and says wide-eyed: “Is the actually trying to sedate it.” She ended up following the 紅

藍 event live?” A second later she understands the question, drug rehabilitation program, Narconon, run by the Church and talks excitedly about the Ting Tings and Primal Scream, of Scientology. 藍

黃 who are both performing. Lewis has now been clean for 13 years, and her stint Over the past six years, Lewis has been establishing in rehab seems to have soldered her relationship with 黃 黑

her band Juliette and the Licks; she says that music is “100 Scientology. She first encountered it as a child, through her 黑 percent” her biggest love. The band has released two albums parents, and I have been asked not to prepare questions on and an EP, and toured extensively, but the jury is still out on the subject, on the basis that it is “tired”; asking Lewis about their work. There’s no doubting Lewis’ commitment. When another topic entirely, though, she jumps in. she started, she wanted “to do everything that any young “Oh, I thought you were going to go into Scientology band would be doing”; her first UK gig was in a 100-capacity and Tom Cruise. Which I don’t mind. I want you to know club. She kept coming back, “until I sold out the Astoria, that he is not the representation of all things Scientology and there’s something really gratifying about that, to work — I feel so bad for him, because that’s the responsibility for it. Because the music had to stand on its own merit. I’m that’s put on him.” Lewis says that she has never read a only good for about 100 tickets off the curiosity factor, and true word in the media about Scientology and that if you suck no one’s going to come back.” She is currently “it’s just really practical, applied religious philosophy. at work on the band’s third album, on which she plays And you’ll get lost in the media with these fantastic, keyboards “like a caveman.” fantastical — is that a word? — stories of, like, Lewis is certainly more respected for her music than aliens and, you know, gay cover-ups … The actor-dilettantes such as Russell Crowe, but suspicions rumors, they’re astonishing. And they would persist. Her songs are an angry mix of guitars and expletives be funny, if they weren’t so hurtful.” (typical titles: Death of a Whore, Bullshit King), and the effect can seem like theatrical posturing. In many ways, this is unfair; if Lewis hadn’t started out as an actor, her musical continued on page 15 career would probably be taken on face value, and judged pretty good. But she’s so strong on screen that people sometimes seem to feel cheated by her alternative career. Photo: AP

[ CLASSICAL DVD REVIEWS ]

MANON FROM THE HOUSE OF THE DEAD THE FULL MONTEVERDI MATTHAUS PASSION Massenet Janacek I Fagiolini Bach Netrebko, Villazon Boulez, Chereau Directed: John La Bouchardiere King’s College, Cambridge DGM 073 4431 DGM 073 4426 NAXOS 2.110224 BRILLIANT CLASSICS 99929

the answer to revitalizing old operas generous budget, have a whale of a time imagined revolutionary. The fact that this unstoppably destabilizing music. lyrics of these ancient songs focus on greater work. The one I got hold of was is to stage updated productions with as a result. he came back an ardent monarchist In the last analysis it’s not Chereau’s the pains of love, and filmmaker John by the Choir of King’s College Chapel, charismatic, not to say sexy, soloists in There are bedroom scenes (clearly didn’t blunt his frank portrayal of prison direction (less radical than for his La Bouchardiere has concocted a series Cambridge, UK, issued in Taiwan on the main roles, then the new Manon from not envisaged when the opera was conditions, however. But what he did famous Ring) nor the performances of interlinked modern stories of broken the Brilliant Classics label. What a Deutsche Grammophon is a model of premiered in 1884, based on the Abbe most memorably was provide insights of the soloists, strong though they hearts and shattered relationships to go disappointment it has proved! exactly how it should be done. Prevost’s 18th-century story) and into the personalities and psychology of frequently are, but the music itself that with them. Firstly, there are no subtitles at all. Massenet’s five-act opera, though street scenes, with party scenes to his fellow inmates, albeit in a series of proves so unforgettable. The setting is contemporary Instead, a booklet provides the original famous in its day, has been out of fashion link them. But most important of all, rather fragmentary sketches. If Manon might convert you to opera London, and the participants are yuppie German text, without translation even among operagoers for years. But musically this is really glorious. Anna Janacek used this book as the basis if you enjoy glitz and glamour, this business types, mostly in their 30s. — as good as useless as far as I’m this stunning 2007 production starring Nebretko has fought hard to persuade of his final opera, first performed in 1930, might do so if you think opera is bound They’re first seen drinking white wine concerned. Second, the performance and Rolando Villazon, the more serious-minded critics that two years after his death. He wrote the to be overemotional and old-fashioned. in a bleakly chic restaurant, then in is tweely androgynous, to an extent with Daniel Barenboim conducting, could her glamorous style also goes with libretto himself, using almost exclusively Nothing could be less of either than this various stages of splitting up, already beyond belief. I was well aware of scarcely be bettered. It sizzles, soars and a top-ranking voice, and these days words and phrases from Dostoyevsky’s stark, brutal, primitive and curiously well-advanced when the hour-long how fey English Anglicanism can then goes on to make you laugh and cry she’s succeeded. She’s an ideal Manon, original. His music is repetitive, rhythmic unnerving work. film begins. The result is beautiful to be, but nothing prepared me for this at all the right moments. dazzling both visually and musically. Her and insistent, and brilliantly colored No one is ever totally naked in listen to but depressing to watch. Even pious letdown. Harnoncourt’s strong, It’s directed by Vincent Paterson, opposite, the Mexican tenor Rolando as played on a new DVD by the small The Full Monteverdi, though the title so, it’s an important first — making extrovert rendering couldn’t be further previously a Hollywood director more Villazon, is hardly less exciting. Mahler Chamber Orchestra. is an obvious pun on The Full Monte Renaissance madrigals accessible removed from this self-approving used to working with than These two DVDs are consequently What attracted critics was that and some of the singers and actors through dramatizing them in a sleek display from England’s academic elite with French 19th-century opera. But very highly recommended. They could the project marked the collaboration, involved do get pretty close. It’s a film contemporary setting. and their minions. the result is stupendous. He updates convert you to opera, and if you’re 30 years after their ground-breaking in which the UK six-member vocal Last month I praised Nikolaus Paradoxically, only soprano Emma the story of the tragic love of a serious already converted, they might just centenary Ring at Bayreuth, of ensemble I Fagiolini pair up with Harnoncourt’s 1985 version of Bach’s Kirby strives to save something of young man (Des Grieux) and a slightly convert you to Massenet’s music as well. conductor Pierre Boulez and director an identical number of actors and Johannes Passion [Taipei Times, Aug. Bach’s native masculine vigor, but sluttish but highly characterful girl Dostoyevsky wrote From the House Patrice Chereau. The result is intensely actresses and lip-synch through their 27, 2008, Page 14]. So I thought I’d the combined efforts of the English (Manon) to the 1950s, and the costume of the Dead about his prison experiences memorable, a piece of clownishly recording of Monteverdi’s Fourth Book look at a DVD version of the Matthaus epicenes proves too much even for her. and set designers, clearly allowed a in Siberia, where he’d been sent as an violent sung theater accompanied by of Madrigals, dating from 1604. The Passion, universally considered the  — Bradley Winterton