Criterion Collection Presents Heaven’S Gate Michael Cimino’S Cut of His Epic Western, in a Breathtaking New Restoration Available for the First Time in Any Format!

1980

AVAILABLE ON BLU-RAY AND DVD! THE CRITERION COLLECTION PRESENTS HEAVEN’S GATE MICHAEL CIMINO’S CUT OF HIS EPIC WESTERN, IN A BREATHTAKING NEW RESTORATION AVAILABLE FOR THE FIRST TIME IN ANY FORMAT!

WINNER BEST ART DIRECTION, ACADEMY AWARDS, 1981

A visionary critique of American expansionism, Heaven’s Gate, directed by Oscar winner MICHAEL CIMINO (The Deer Hunter), is among Hollywood’s most ambitious and unorthodox epics. KRIS KRISTOFFERSON (Lone Star) brings his weathered sensuality to the role of a Harvard graduate who has relocated all the way to Wyoming as a federal marshal; there, he learns of a government-sanctioned plot by rich cattle barons to kill the area’s European settlers for their land. The resulting skirmish is based on the real-life bloody Johnson County War of 1892. Also starring ISABELLE HUPPERT (White Material) and CHRISTOPHER WALKEN (The Deer Hunter), Heaven’s Gate is a savage and ravishingly shot demystification of western movie lore. This is the full director’s cut, letting viewers today see Cimino’s potent original vision.

“Among the supreme achievements DIRECTOR-APPROVED of the Hollywood cinema.” SPECIAL EDITION FEATURES —Robin Wood • New, restored transfer of director Michael Cimino’s cut of the film, supervised by Cimino “An opium vision of American bloodshed.” • New restoration of the 5.1 surround soundtrack, —Michael Atkinson, The Village Voice supervised by Cimino, in DTS-HD Master Audio on the Blu-ray edition “A masterpiece.” • New illustrated audio interview with Cimino and producer —Nigel Andrews, Financial Times Joann Carelli • New interviews with actor Kris Kristofferson, soundtrack 2-BLU-RAY EDITION SRP $49.95 arranger and performer David Mansfield, and second PREBOOK 10/23/12 STREET 11/20/12 assistant director Michael Stevenson CAT. NO. CC2203BD • The Johnson County War, a video interview with historian ISBN 978-1-60465-655-8 Bill O’Neal about the real-life conflict that inspired the UPC 7-15515-10111-0 film, and its resonance in popular culture • Trailer and TV spots 2-DVD EDITION SRP $39.95 • PLUS: A booklet featuring an essay by critic and PREBOOK 10/23/12 STREET 11/20/12 programmer Giulia D’Agnolo Vallan CAT. NO. CC2204D ISBN 978-1-60465-656-5 1980 • 216 MINUTES • COLOR • 5.1 SURROUND • UPC 7-15515-10121-9 2.40:1 ASPECT RATIO

Summary and design © 2012 The Criterion Collection. Oscar®, Academy Award®, and Academy Awards® are the registered trademarks and service marks of the Academy of Motion Picture Arts and Sciences. www.criterion.com

THREE ICONIC CLASSICS OF LITERATURE COME RIBALDLY ALIVE!

In the early 1970s, the great Italian poet, philosopher, and filmmaker PIER PAOLO PASOLINI (Salò, or The 120 Days of Sodom) brought to the screen a trio of masterpieces of premodern world literature—Giovanni Boccaccio’s The Decameron, Geoffrey Chaucer’s The Canterbury Tales, and The Thousand and One Nights (often known as The Arabian Nights)—and in doing so created his most uninhibited and extravagant work, which he titled his Trilogy of Life. In this brazen and bawdy triptych, the director set out to challenge consumer capitalism and celebrate the uncorrupted human body while commenting on contemporary sexual and religious mores and hypocrisies. His scatological humor and rough-hewn sensuality leave all modern standards of decency behind; these are physical, provocative, and wildly entertaining films, all extraordinarily designed by DANTE FERRETTI (Hugo) and featuring evocative music by ENNIO MORRICONE (Days of Heaven).

AVAILABLE ON BLU-RAY AND DVD! THE CRITERION COLLECTION PRESENTS PIER PAOLO PASOLINI’S TRILOGY OF LIFE

THE DECAMERON THE CANTERBURY TALES ARABIAN NIGHTS

“Pasolini has created one of the most beautiful, “Pasolini’s compositions, turbulent, and uproarious Danilo Donati’s costumes, “It has a marvelous panoramas of early and the English locations picture-book splendor.” Renaissance life are uniformly gorgeous.” —Tim Robey, The Telegraph ever put on film.” —J. Hoberman, The Village Voice —Vincent Canby, The New York Times

Pasolini weaves together stories Eight of Geoffrey Chaucer’s lusty Pasolini traveled to Africa, India, from Giovanni Boccaccio’s tales come to life on-screen in and the Middle East to realize this fourteenth-century moral tales Pasolini’s gutsy and delirious ambitious cinematic treatment in this picturesque free-for-all. The Canterbury Tales, which was of a handful of the stories from The Decameron explores the shot in England and offers a the legendary The Thousand and delectations and dark corners of remarkably earthy re-creation of One Nights. This is not the fairy- an earlier and, as the filmmaker the medieval era. From the story tale world of Scheherazade or saw it, less compromised time. of a nobleman struck blind after Aladdin or Ali Baba—instead, the Among the chief delights are a marrying a much younger and director focuses on the more erotic young man’s exploits with a gang ultimately promiscuous bride to a tales, ones of desire, betrayal, and of grave robbers, some randy nuns climactic trip to a hell populated by atonement, framed by the story of who sin with a strapping gardener, friars and demons (surely one of the a young man’s quest to reconnect and Pasolini’s appearance as a most outrageously conceived and with his beloved slave girl. Full of pupil of the painter Giotto, at realized sequences ever committed lustrous sets and costumes and work on a massive fresco. One of to film), this is an unendingly stunning location photography, the director’s most popular films, imaginative work of merry Arabian Nights is a fierce and joyous The Decameron, trans posed to blasphemy, framed by Pasolini’s exploration of human sensuality. Naples from Boccaccio’s Florence, portrayal of Chaucer himself. 1974 • 130 MINUTES • COLOR • MONAURAL • is a cutting takedown of the pieties IN ITALIAN WITH ENGLISH SUBTITLES • 1972 • 111 MINUTES • COLOR • MONAURAL • 1.85:1 ASPECT RATIO surrounding religion and sex. IN ITALIAN WITH ENGLISH SUBTITLES • 1.85:1 ASPECT RATIO 1971 • 111 MINUTES • COLOR • MONAURAL • IN ITALIAN WITH ENGLISH SUBTITLES • 1.85:1 ASPECT RATIO

WINNER WINNER WINNER SILVER BEAR, GOLDEN BEAR, GRAND JURY PRIZE, BERLIN FILM FESTIVAL, BERLIN FILM FESTIVAL, CANNES FILM FESTIVAL, 1971 1972 1974 THE CRITERION COLLECTION PRESENTS PIER PAOLO PASOLINI’S TRILOGY OF LIFE 1974 1972 1971

SPECIAL EDITION COLLECTOR’S SET FEATURES

• New high-definition digital restorations of all three • Pier Paolo Pasolini and the Form of the City (1974), films, with uncompressed monaural soundtracks on a sixteen-minute documentary by Pasolini and the Blu-ray editions Paolo Burnatto about the ancient Italian cities Orte and Sabaudia • New visual essays by film scholars Patrick Rumble and Tony Rayns on The Decameron and Arabian • D eleted scenes from Arabian Nights, with Nights, respectively transcriptions of pages from the original script

• New interviews with art director Dante Ferretti and • Pasolini-approved English-dubbed track for composer Ennio Morricone about their work with The Canterbury Tales Pasolini, and with film scholar Sam Rohdie on The Trailers Canterbury Tales • New English subtitle translations • The Lost Body of Alibech (2005), a forty-five- • minute documentary by Roberto Chiesi about a • PLUS: A booklet featuring essays by critic Colin lost sequence from The Decameron MacCabe; Pasolini’s 1975 article “Trilogy of Life Rejected”; excerpts from Pasolini’s Berlin Film • The Secret Humiliation of Chaucer (2006), a forty-seven-minute documentary by Chiesi about Festival press conference for The Canterbury Tales; and a report from the set of by The Canterbury Tales Arabian Nights critic Gideon Bachmann • Via Pasolini, a documentary in which Pasolini discusses his views on language, film, and modern society

3-BLU-RAY EDITION SRP $79.95 4-DVD EDITION SRP $79.95 PREBOOK 10/16/12 STREET 11/13/12 PREBOOK 10/16/12 STREET 11/13/12 CAT. NO. CC2191BD CAT. NO. CC2195D ISBN 978-1-60465-643-5 ISBN 978-1-60465-647-3 UPC 7-15515-09991-2 UPC 7-15515-10031-1

AVAILABLE ON BLU-RAY AND DVD! THE CRITERION COLLECTION PRESENTS RASHOMON

THE GREATEST STORIES EVER TOLD— KUROSAWA’S MASTERPIECE, BEAUTIFULLY RESTORED!

WINNER WINNER WINNER BEST DIRECTOR, BEST FOREIGN-LANGUAGE FILM, GOLDEN LION, BEST FOREIGN FILM, ACADEMY AWARDS, VENICE FILM FESTIVAL, NATIONAL BOARD OF REVIEW, 1951 1951 1951

A riveting psychological thriller that investigates the nature of truth and the meaning of justice, Rashomon is widely considered one of the greatest films ever made. Four people recount different versions of the story of a man’s murder and the rape of his wife, which director AKIRA KUROSAWA (Seven Samurai) presents with striking imagery and an ingenious use of flashbacks. This eloquent masterwork and international sensation revolutionized film language and introduced Japanese cinema—and a commanding new star by the name of TOSHIRO MIFUNE (Yojimbo)—to the Western world.

SPECIAL EDITION FEATURES “The truth about Rashomon—that it’s one of the • New digital restoration, with uncompressed monaural best movies ever—is beyond dispute.” soundtrack on the Blu-ray edition —A. O. Scott, The New York Times • Audio commentary by Japanese-film historian Donald Richie • Video introduction by director Robert Altman “Unites its audience in awe and wonder.” • Excerpts from The World of Kazuo Miyagawa, a documentary on Rashomon’s cinematographer —Michael Sragow, The Baltimore Sun • A Testimony as an Image, a sixty-eight-minute documentary featuring interviews with cast and crew • Archival audio interview with actor Takashi Shimura BLU-RAY EDITION SRP $39.95 • Original and rerelease trailers PREBOOK 10/9/12 STREET 11/6/12 • New English subtitle translation CAT. NO. CC2201BD ISBN 978-1-60465-653-4 • PLUS: A booklet featuring an essay by film historian UPC 7-15515-10091-5 Stephen Prince; an excerpt from director Akira Kurosawa’s Something Like an Autobiography; and reprints of Rashomon’s two source stories by Ryunosuke Akutagawa, DVD EDITION SRP $29.95 “Rashomon” and “In a Grove” PREBOOK 10/9/12 STREET 11/6/12 CAT. NO. CC2202D 1950 • 88 MINUTES • BLACK & WHITE • MONAURAL • ISBN 978-1-60465-654-1 IN JAPANESE WITH ENGLISH SUBTITLES • UPC 7-15515-10101-1 1.37:1 ASPECT RATIO

AVAILABLE ON BLU-RAY AND DVD! THE CRITERION COLLECTION PRESENTS WEEKEND

THE APOCALYPSE ACCORDING TO GODARD!

This scathing late-sixties satire from JEAN-LUC GODARD (Breathless) is one of cinema’s great anarchic works. Determined to collect an inheritance from a dying relative, a bourgeois couple travel across the French countryside while civilization crashes and burns around them. Featuring a justly famous centerpiece sequence in which the camera tracks along a seemingly endless traffic jam, and rich with historical and literary references, Weekend is a surreally funny and disturbing call for revolution, a depiction of society retreating to savagery, and—according to the credits—the end of cinema itself.

“Changed the course of ﬁlm history . . . SPECIAL EDITION FEATURES Unrelenting, consistently inventive.” • New, restored high-definition digital transfer, with —J. Hoberman, The Village Voice uncompressed monaural soundtrack on the Blu- ray edition • New video essay by film critic Kent Jones “Superb! A fliply comic scorched- • Archival interviews with actors Mireille Darc and earth rejection of the allure and Jean Yanne and assistant director Claude Miller gloss of modern life.” • Excerpt from a French television program on —Richard Brody, The New Yorker director Jean-Luc Godard, featuring on-set footage of Weekend shot by filmmaker Philippe Garrel BLU-RAY EDITION SRP $39.95 • Trailers PREBOOK 10/16/12 STREET 11/13/12 CAT. NO. CC2205BD • PLUS: A booklet featuring an essay by critic and ISBN 978-1-60465-657-2 novelist Gary Indiana UPC 7-15515-10131-8

DVD EDITION SRP $29.95 PREBOOK 10/16/12 STREET 11/13/12 CAT. NO. CC2206D 1967 • 104 MINUTES • COLOR • MONAURAL • ISBN 978-1-60465-658-9 IN FRENCH WITH ENGLISH SUBTITLES • UPC 7-15515-10141-7 1.66:1 ASPECT RATIO

Summary and design © 2012 The Criterion Collection. www.criterion.com ECLIPSE SERIES 37 WHEN HORROR CAME TO SHOCHIKU FOUR-DVD BOX SET INCLUDES: THE X FROM OUTER SPACE GOKE, BODY SNATCHER FROM HELL THE LIVING SKELETON GENOCIDE

Following years of a certain radioactive rubber beast’s domination of the box office, many Japanese studios tried to replicate the formula with their own brands of monster movies. One of the most fascinating dives into that fiendish deep end was the short- lived one from Shochiku, a studio better known for its elegant dramas by the likes of Kenji Mizoguchi and Yasujiro Ozu. In 1967 and 1968, the company created four certifiably batty, low-budget fantasies, tales haunted by watery ghosts, plagued by angry insects, and stalked by aliens—including one in the form of a giant chicken-lizard. Shochiku’s outrageous and oozy horror period shows a studio leaping into the unknown, even if only for one brief, bloody moment.

Eclipse is a selection of lost, forgotten, or overshadowed classics in simple, affordable editions. Each series is a brief cinematheque retrospective for the adventurous home viewer.

FOUR RARE, DEMENTED JAPANESE HORROR FILMS— FEATURING SOME OF CINEMA’S WEIRDEST VILLAINS “Berserk and bizarre science-ﬁction/fantasy/horror genre masterworks.” —Chuck Stephens

SRP ECLIPSE SERIES 37

$59.95 WHEN HORROR CAME TO SHOCHIKU FOUR-DVD BOX SET INCLUDES: 5 mm

130 mm 130 mm P RE X FROM OUTER SPACEOUTER FROM X THE X FROM OUTER SPACE

SERIES 33: B When a scientist crew returns from Mars with some PUTNEY SWOPE UP ALL NIGHT WITH ROBERT DOWNEY SR. 1969 • 85 MINUTES • BLACK & WHITE/ COLOR • MONAURAL • THE X PUTNEY SWOPE OOK 1.78:1 ASPECT RATIO The most popular film by Robert Downey Sr. space spores that contaminated their ship, they is this offbeat classic about the antics that FROM ensue after Putney Swope (Arnold Johnson, his TWO TONS OF TURQUOISE TO voice dubbed by a gravelly Downey), the token TAOS TONIGHT OUTER black man on the board of a Madison Avenue 1975 • 56 MINUTES • inadvertently bring about a nightmarish Earth invasion— advertising agency, is inadvertently elected BLACK & WHITE • chairman. Putney summarily fires the whiteys, MONAURAL • 1.33:1 SPACE replaces them with Black Power apostles, ASPECT RATIO renames the company Truth and Soul, Inc., and A FILM BY proceeds to wreak politically incorrect havoc. Putney Swope under exclusive after the spores are analyzed in a lab, one escapes, license from Image Entertainment.

© Copyright MCMLXIX. All rights KAZUI NIHONMATSU reserved. Two Tons of Turquoise 10/23/12 to Taos Tonight under exclusive license from Splice of Life, Inc. TWO TONS OF © 1975 Splice of Life, Inc. All rights reserved. © 2012 The Criterion eventually growing into an enormous, rampaging Collection. All rights reserved. Cat. 184 mm TURQUOISE TO no. ECL154. ISBN 978-1-60465- 596-4. Warning: Unauthorized public performance, broadcasting, TAOS TONIGHT or copying is a violation of applicable laws. Printed in USA. “A film without a beginning or an end,” in First printing 2012. beaked beast. An intergalactic monster movie from Downey’s words, this Dadaist thingamajig—a 1967 never-before-seen, newly reedited version of the director’s 1975 release Moment to Moment (also known as Jive)—is a rush of curious sketches, ECLIPSE ECLIPSE ECLIPSE longtime Shochiku stable director Kazui Nihonmatsu, scenes, and shots that takes on a rhythmic life Eclipse is a selection of its own. It stars Downey’s multitalented wife, of lost, forgotten, or overshadowed classics FROM THE CRITERION COLLECTION CRITERION THE FROM FROM THE CRITERION COLLECTION CRITERION THE FROM Elsie, in an endless succession of off-the-wall in simple, affordable COLLECTION CRITERION THE FROM roles, from dancer to cocaine fiend. editions. Each series is a brief cinematheque The X from Outer Space was the first in the studio’s retrospective for the SERIES 37 adventurous home viewer. WHEN HORROR Visit us at criterion.com. CAME TO SHOCHIKU

short but memorable cycle of horror pictures.

S 1967 • 88 MINUTES • COLOR • MONAURAL • TREET

5 mm IN JAPANESE WITH ENGLISH SUBTITLES • 2.35:1 ASPECT RATIO BACK PANEL FRONT PANEL

GRAIN130 mm DIRECTION130 mm GOKE, BODYGOKE, SNATCHER HELL FROM

11/20/12 GOKE, BODY SNATCHER FROM HELL

SERIES 33: PUTNEY SWOPE After an airplane is forced to crash-land in a remote UP ALL NIGHT WITH ROBERT DOWNEY SR. 1969 • 85 MINUTES • BLACK & WHITE/ PUTNEY SWOPE COLOR • MONAURAL • 1.78:1 ASPECT RATIO GOKE, The most popular film by Robert Downey Sr. area, its passengers find themselves face-to-face with is this offbeat classic about the antics that ensue after Putney Swope (Arnold Johnson, his TWO TONS OF BODY SNATCHER TURQUOISE TO voice dubbed by a gravelly Downey), the token TAOS TONIGHT black man on the board of a Madison Avenue 1975 • 56 MINUTES • an alien force that wants to possess their bodies and advertising agency, is inadvertently elected BLACK & WHITE • FROM HELL chairman. Putney summarily fires the whiteys, MONAURAL • 1.33:1 replaces them with Black Power apostles, ASPECT RATIO A FILM BY renames the company Truth and Soul, Inc., and HAJIME SATO proceeds to wreak politically incorrect havoc. Putney Swope under exclusive souls—and perhaps take over the entire human race. license from Image Entertainment. © Copyright MCMLXIX. All rights reserved. Two Tons of Turquoise to Taos Tonight under exclusive license from Splice of Life, Inc. © 1975 Splice of Life, Inc. All rights TWO TONS OF reserved. © 2012 The Criterion Collection. All rights reserved. Cat. Filled with creatively repulsive effects—including a very 184 mm TURQUOISE TO no. ECL154. ISBN 978-1-60465- 596-4. Warning: Unauthorized public performance, broadcasting, TAOS TONIGHT or copying is a violation of applicable laws. Printed in USA. C “A film without a beginning or an end,” in First printing 2012. invasive bloblike life-form—Hajime Sato’s Goke, Body Downey’s words, this Dadaist thingamajig—a 1968 never-before-seen, newly reedited version of the director’s 1975 release Moment to Moment (alsoNO. AT. known as Jive)—is a rush of curious sketches, ECLIPSE ECLIPSE Eclipse is a selection ECLIPSE is a pulpy, apocalyptic gross-out. scenes, and shots that takes on a rhythmic life Snatcher from Hell of its own. It stars Downey’s multitalented wife, of lost, forgotten, or overshadowed classics FROM THE CRITERION COLLECTION CRITERION THE FROM FROM THE CRITERION COLLECTION CRITERION THE FROM Elsie, in an endless succession of off-the-wall in simple, affordable COLLECTION CRITERION THE FROM roles, from dancer to cocaine fiend. editions. Each series is a brief cinematheque SERIES 37 retrospective for the 1968 • 84 MINUTES • COLOR • MONAURAL • adventurous home viewer. WHEN HORROR Visit us at criterion.com. CAME TO SHOCHIKU IN JAPANESE WITH ENGLISH SUBTITLES • 2.35:1 ASPECT RATIO ECL

5 mm BACK PANEL FRONT PANEL

GRAIN DIRECTION 130 mm 130 mm 166 THE LIVING SKELETON LIVING THE THE LIVING SKELETON

SERIES 33: PUTNEY SWOPE UP ALL NIGHT WITH ROBERT DOWNEY SR. 1969 • 85 MINUTES • In this atmospheric tale of revenge from beyond the BLACK & WHITE/ COLOR • MONAURAL • PUTNEY SWOPE IS 1.78:1 ASPECT RATIO THE The most popular film by Robert Downey Sr. is this offbeat classic about the antics that watery grave, a pirate-ransacked freighter’s violent ensue after Putney Swope (Arnold Johnson, his TWO TONS OF LIVING TURQUOISE TO voice dubbed by a gravelly Downey), the token B TAOS TONIGHT black man on the board of a Madison Avenue 1975 • 56 MINUTES • advertising agency, is inadvertently elected BLACK & WHITE • SKELETON past comes back to haunt a young woman living in chairman. Putney summarily fires the whiteys, MONAURAL • 1.33:1 replaces them with Black Power apostles, N ASPECT RATIO A FILM BY renames the company Truth and Soul, Inc., and HIROSHI MATSUNO proceeds to wreak politically incorrect havoc. Putney Swope under exclusive license from Image Entertainment.

© Copyright MCMLXIX. All rights a seaside town. Mixing elements of kaidan (ghost reserved. Two Tons of Turquoise to Taos Tonight under exclusive 978-1-60465-665-7 license from Splice of Life, Inc. TWO TONS OF © 1975 Splice of Life, Inc. All rights reserved. © 2012 The Criterion Collection. All rights reserved. Cat. 184 mm TURQUOISE TO no. ECL154. ISBN 978-1-60465- stories), doppelganger thrillers, and mad-scientist 596-4. Warning: Unauthorized public performance, broadcasting, TAOS TONIGHT or copying is a violation of applicable laws. Printed in USA. “A film without a beginning or an end,” in First printing 2012. Downey’s words, this Dadaist thingamajig—a 1968 movies, Hiroshi Matsuno’s The Living Skeleton is never-before-seen, newly reedited version of the director’s 1975 release Moment to Moment (also known as Jive)—is a rush of curious sketches, ECLIPSE ECLIPSE ECLIPSE scenes, and shots that takes on a rhythmic life Eclipse is a selection of lost, forgotten, or a wild and eerie work, with beautiful widescreen, of its own. It stars Downey’s multitalented wife, overshadowed classics FROM THE CRITERION COLLECTION CRITERION THE FROM FROM THE CRITERION COLLECTION CRITERION THE FROM Elsie, in an endless succession of off-the-wall in simple, affordable COLLECTION CRITERION THE FROM roles, from dancer to cocaine fiend. editions. Each series is a brief cinematheque SERIES 37 retrospective for the black-and-white cinematography. adventurous home viewer. WHEN HORROR Visit us at criterion.com. CAME TO SHOCHIKU 1968 • 80 MINUTES • BLACK & WHITE • MONAURAL • IN JAPANESE WITH ENGLISH SUBTITLES • 2.35:1 ASPECT RATIO

5 mm BACK PANEL FRONT PANEL

GRAIN DIRECTION 130 mm 130 mm

GENOCIDE GENOCIDE

SERIES 33: PUTNEY SWOPE The insects are taking over in this nasty piece of UP ALL NIGHT WITH ROBERT DOWNEY SR. 1969 • 85 MINUTES • BLACK & WHITE/ PUTNEY SWOPE COLOR • MONAURAL • 1.78:1 ASPECT RATIO The most popular film by Robert Downey Sr. UPC disaster horror directed by Kazui Nihonmatsu. A is this offbeat classic about the antics that ensue after Putney Swope (Arnold Johnson, his TWO TONS OF GENOCIDE TURQUOISE TO voice dubbed by a gravelly Downey), the token TAOS TONIGHT black man on the board of a Madison Avenue 1975 • 56 MINUTES • A FILM BY group of military personnel transporting a hydrogen advertising agency, is inadvertently elected BLACK & WHITE • chairman. Putney summarily fires the whiteys, MONAURAL • 1.33:1 KAZUI NIHONMATSU replaces them with Black Power apostles, ASPECT RATIO renames the company Truth and Soul, Inc., and proceeds to wreak politically incorrect havoc. Putney Swope under exclusive bomb are left to figure out how and why swarms of license from Image Entertainment. © Copyright MCMLXIX. All rights reserved. Two Tons of Turquoise

7-15515-10051-9 to Taos Tonight under exclusive license from Splice of Life, Inc. TWO TONS OF © 1975 Splice of Life, Inc. All rights reserved. © 2012 The Criterion killer bugs took down their plane; the answer is more Collection. All rights reserved. Cat. 184 mm TURQUOISE TO no. ECL154. ISBN 978-1-60465- 596-4. Warning: Unauthorized public performance, broadcasting, TAOS TONIGHT or copying is a violation of applicable laws. Printed in USA. “A film without a beginning or an end,” in First printing 2012. deliriously nihilistic—and convoluted—than you could Downey’s words, this Dadaist thingamajig—a 1968 never-before-seen, newly reedited version of the director’s 1975 release Moment to Moment (also known as Jive)—is a rush of curious sketches, ECLIPSE ECLIPSE Eclipse is a selection ECLIPSE imagine. Also known as scenes, and shots that takes on a rhythmic life War of the Insects, Genocide of its own. It stars Downey’s multitalented wife, of lost, forgotten, or overshadowed classics FROM THE CRITERION COLLECTION CRITERION THE FROM FROM THE CRITERION COLLECTION CRITERION THE FROM Elsie, in an endless succession of off-the-wall in simple, affordable COLLECTION CRITERION THE FROM roles, from dancer to cocaine fiend. editions. Each series is a brief cinematheque enacts a cracked doomsday scenario like no other. retrospective for the SERIES 37 adventurous home viewer. WHEN HORROR Visit us at criterion.com. CAME TO SHOCHIKU 1968 • 84 MINUTES • COLOR • MONAURAL • IN JAPANESE WITH ENGLISH SUBTITLES • 2.35:1 ASPECT RATIO

BACK PANEL FRONT PANEL

GRAIN DIRECTION