AVAILABLE on BLU-RAY and DVD! the CRITERION COLLECTION PRESENTS the BIG CITY

Total Page:16

File Type:pdf, Size:1020Kb

AVAILABLE on BLU-RAY and DVD! the CRITERION COLLECTION PRESENTS the BIG CITY now AVAILABLE In A spEcIAL BLU-RAY EDItIon! AVAILABLE on BLU-RAY AnD DVD! THE CRITERION COLLECTION PRESENTS tHE BIG cItY SATYAJIT RAY’S irresistiblE FIlM ABOUT A WORKING WOMAN IN MODERN INDIA WINNER SILVER BEAR (BEST DIRECTOR), BERLIN INTERNATIONAL FILM FESTIVAL, 1964 The Big City (Mahanagar), set in mid-1950s Calcutta and directed by the great SATYAJIT RAY (The Music Room), follows the personal triumphs and frustrations of Arati (Madhabi Mukherjee), who decides, despite the initial protests of her bank-clerk husband, to take a job to help support their family. With remarkable sensitivity and attention to the details of everyday working-class life, Ray gradually builds a powerful human drama that is at once a hopeful morality tale and a commentary on the identity of the contemporary Indian woman. “Extraordinary . One of the most rewarding SPECIAl EDITION FEATURES screen experiences of our time.” • New 2K digital film restoration, with uncompressed —Roger Ebert monaural soundtrack on the Blu-ray edition “Beautifully photographed, perfectly acted, • New interview with actor Madhabi Mukherjee shining with compassion, humor, and wisdom.” • Satyajit Ray and the Modern Woman, a new interview —Michael Wilmington, Chicago Tribune program featuring Ray historian Suranjan Ganguly • The Coward (1965), a feature film directed by Ray that also addresses modern female identity and BlU-RAY EDITION SRP $39.95 stars Mukherjee and Soumitra Chatterjee PREBOOK 7/23/13 STREET 8/20/13 CAT. NO. CC2301BD • New English subtitle translation ISBN 978-1-60465-764-7 UPC 7-15515-10931-4 • PLUS: A booklet featuring an essay by scholar Chandak Sengoopta and an interview with Ray from the 1980s by his biographer Andrew Robinson 2-DvD EDITION SRP $29.95 PREBOOK 7/23/13 STREET 8/20/13 CAT. NO. CC2302D ISBN 978-1-60465-765-4 1963 • 135 mInUtEs • BLAck & wHItE • monaural • UPC 7-15515-10941-3 In BEnGALI wItH EnGLIsH sUBtItLEs • 1.33:1 AspEct RAtIo Summary and design © 2013 The Criterion Collection. www.criterion.com now AVAILABLE In A spEcIAL BLU-RAY EDItIon! AVAILABLE on BLU-RAY AnD DVD! THE CRITERION COLLECTION PRESENTS cHARULAtA the epitome of SAtYAJit RAY’S ARtiStry FINALLY ON BLU-RAY AND DVD! WiNNeR SILVER BEAR (BEST DIRECTOR), BERLIN INTERNATIONAL FILM FESTIVAL, 1965 This film about a woman’s artistic and romantic yearning by SAtYAJit RAY (The Music Room) is set in late nineteenth-century, pre-independence India. It takes place in the gracious home of a liberal-minded, workaholic newspaper editor and his lonely, stifled wife, Charulata (The Big City’s mADhABi mUKheRJee), whose exquisitely composed features mask a burning creativity. When her husband’s poet cousin comes to stay with them, Charulata finds herself both inspired by him to pursue her own writing and dangerously drawn to him physically. Based on a novella by the great Rabindranath Tagore, Charulata is a work of subtle textures, a delicate tale of a marriage in jeopardy and a woman taking the first steps toward establishing her own voice. SpeCiAL eDitioN feAtUReS “Gorgeous cinematography and expressive camera movements . You shouldn’t miss this.” • New 2K digital film restoration, with uncompressed —Dave Kehr, Chicago Reader monaural soundtrack on the Blu-ray edition • New interview program with actors Madhabi Mukherjee and Soumitra Chatterjee “An artistic masterpiece, impeccably performed.” • Adapting Tagore, a new interview program — New York Times featuring Indian film scholar Moinak Biswas and Bengali literature historian Supriya Chaudhuri Archival audio interview with director Satyajit Ray BLU-RAY eDitioN SRP $39.95 • PREBOOK 7/23/13 STREET 8/20/13 by film historian Gideon Bachmann CAT. NO. CC2299BD • New English subtitle translation ISBN 978-1-60465-762-3 UPC 7-15515-10911-6 • PLUS: A booklet featuring an essay by critic Philip Kemp and a 1980s interview with Ray by his biographer Andrew Robinson DVD eDitioN SRP $29.95 PREBOOK 7/23/13 STREET 8/20/13 CAT. NO. CC2300D ISBN 978-1-60465-763-0 1964 • 118 mInUtEs • BLAck & wHItE • monaural • UPC 7-15515-10921-5 In BEngALI wItH EngLIsH sUBtItLEs • 1.33:1 AspEct RAtIo Summary and design © 2013 The Criterion Collection. www.criterion.com 1953 a film by MAX OPHULS now AVAILABLE In A spEcIAL BLU-RAY EdItIon! now AVAILABLE In A BLU-RAY EdItIon! THE CRITERION COLLECTION PRESENTS tHE EARRInGs oF MAdAME dE . MAX OPHULS’S DAZZLING ROMANTIC TRAGEDY FOR THE FIRST TIME ON BLu-RAy! The most cherished work from French master MAX OPHULS (La ronde), The Earrings of Madame de . is a profoundly emotional, cinematographically adventurous tale of deceptive opulence and tragic romance. When an aristocratic woman known only as Madame de (Le plaisir’s extraordinary DANIELLE DARRIEUX) sells a pair of earrings given to her by her husband (Gaslight’s CHARLES BOYER) in order to pay a debt, she sets off a chain reaction of financial and carnal consequences that can end only in despair. Ophuls’s adaptation of Louise de Vilmorin’s incisive fin de siècle novel employs the elegant and precise camera work for which the director is so justly renowned, to ravishing effect. BLU-RAY SPECIAL EDITION FEATURES NOMINEE Best COSTuME DESIGN, • Restored high-definition digital film transfer, with black AND WHITE, ACADEMy Awards, 1954 uncompressed monaural soundtrack • Audio commentary featuring film scholars Susan White and Gaylyn Studlar • Introduction by filmmaker Paul Thomas Anderson “The greatest film of all time.” —Andrew Sarris, New York Observer • Interviews with director Max Ophuls’s collaborators Alan Jessua, Marc Frédérix, and Annette Wademant • Visual essay by film scholar Tag Gallagher “A romantic masterpiece.” • Archival interview with novelist Louise de Vilmorin —New York Times on Ophuls’s adaptation of her story • PLuS: A booklet featuring an essay by critic Molly Haskell, an excerpt from costume designer Georges Annenkov’s 1962 book Max Ophuls, and BLU-RAY EDITION SRP $39.95 the 1951 source novel by Vilmorin, Madame de PREBOOK 7/9/13 STREET 8/6/13 CAT. NO. CC2296BD 1953 100 MInUtEs BLAck & wHItE ISBN 978-1-60465-759-3 • • • Monaural In FREncH wItH EnGLIsH sUBtItLEs uPC 7-15515-10881-2 • • 1.33:1 AspEct RAtIo Summary and design © 2013 The Criterion Collection. Oscar®, Academy Award®, and Academy Awards® are the registered trademarks and service marks of the Academy of Motion Picture Arts and Sciences. www.criterion.com now AVAILABLE In A spEcIAL BLU-RAY EDItIon! AVAILABLE on BLU-RAY AnD DVD! THE CRITERION COLLECTION PRESENTS sECONDs THE CLASSIC JOHN FRANKENHEIMER THRILLER, STARRING ROCK HUDSON NOMINEE Best black-AND-wHITE CINEMATOGRAPHY, ACADEMY Awards, 1966 ROCK HUDSON (All That Heaven Allows) is a revelation in this sinister, science-fiction-inflected dispatch from the fractured 1960s. Seconds, directed by JOHN FRANKENHEIMER (The Manchurian Candidate), concerns a middle-aged businessman dissatisfied with his suburban existence, who elects to undergo a strange and elaborate procedure that will grant him a new life. Starting over in America, however, is not as easy as it sounds. This paranoiac symphony of canted camera angles (courtesy of famed cinematographer JAMES WONG HOWE), fragmented editing, and layered sound design is a remarkably risk-taking Hollywood film that ranks high on the list of its legendary director’s major achievements. “Everything about Seconds is enthralling . SPECIAL EDITION FEATURES Its sense of cinema is overpowering.” • New 4K digital film restoration, with uncompressed —Gerald Pratley monaural soundtrack on the Blu-ray edition “One of the most chilling endings • Audio commentary featuring director John Frankenheimer in all American cinema.” —Trevor Johnston, Time Out • Actor Alec Baldwin on Frankenheimer and Seconds • New program on the making of Seconds, featuring BLU-RAY EDITION SRP $39.95 interviews with Evans Frankenheimer, the director’s PREBOOK 7/16/13 STREET 8/13/13 widow, and actor Salome Jens CAT. NO. CC2294BD ISBN 978-1-60465-757-9 • Interview with Frankenheimer from 1971 UPC 7-15515-10861-4 • New visual essay by film scholars R. Barton Palmer and Murray Pomerance DVD EDITION SRP $29.95 PLUS: An essay by critic David Sterritt PREBOOK 7/16/13 STREET 8/13/13 • CAT. NO. CC2295D ISBN 978-1-60465-758-6 1966 107 mInUtEs BLAck & whItE monaural UPC 7-15515-10871-3 • • • • 1.75:1 AspEct RAtIo Summary and design © 2013 The Criterion Collection. Oscar®, Academy Award®, and Academy Awards® are the registered trademarks and service marks of the Academy of Motion Picture Arts and Sciences. www.criterion.com now AVAILABLE In A spEcIAL BLU-RAY EDItIon! AVAILABLE on BLU-RAY AnD DVD! THE CRITERION COLLECTION PRESENTS TO BE oR NOT TO BE LUBITSCH’S STILL SHOCKING COMIC TrIUMpH COMES TO CrITErION! SELECTION NOMINEE national FILM registry, Best MUSIC SCORE, 1996 ACADEMY Awards, 1942 As nervy as it is hilarious, this screwball masterpiece from ErNST LUBITSCH (Trouble in Paradise) stars JACK BENNY (The Jack Benny Program) and, in her final screen appearance, CArOLE LOMBArD (My Man Godfrey) as husband-and-wife thespians in Nazi-occupied Warsaw who become caught up in a dangerous spy plot. To Be or Not to Be is a Hollywood film of the boldest black humor, which went into production soon after the U.S. entered World War II. Lubitsch manages to brilliantly balance political satire, romance, slapstick, and urgent wartime suspense in a comic high-wire act that has never been equaled. SpECIAL EDITION FEATUrES “One of the most profound, emotionally • New, restored 2K digital film transfer, with complex comedies ever made.” uncompressed monaural soundtrack on the —Dave Kehr, Chicago Reader Blu-ray edition • New audio commentary featuring film historian David Kalat “Survives in a way that many more serious and high-toned works about war do not.” • Lubitsch le patron, a 2010 French documentary on —Peter Bogdanovich director Ernst Lubitsch’s career • Two episodes of The Screen Guild Theater, a radio anthology series: Variety (1940), starring Jack Benny, Claudette Colbert, and Lubitsch, and To BLU-rAY EDITION SRP $39.95 Be or Not to Be (1942), an adaptation of the film, PREBOOK 7/30/13 STREET 8/27/13 starring William Powell, Diana Lewis, and CAT.
Recommended publications
  • Grey Morality of the Colonized Subject in Postwar Japanese Cinema and Contemporary Manga
    EITHER 'SHINING WHITE OR BLACKEST BLACK': GREY MORALITY OF THE COLONIZED SUBJECT IN POSTWAR JAPANESE CINEMA AND CONTEMPORARY MANGA Elena M. Aponte A Thesis Submitted to the Graduate College of Bowling Green State University in partial fulfillment of the requirements for the degree of MASTER OF ARTS May 2017 Committee: Khani Begum, Advisor Kristen Rudisill © 2017 Elena M. Aponte All Rights Reserved iii ABSTRACT Khani Begum, Advisor The cultural and political relationship between Japan and the United States is often praised for its equity, collaboration, and mutual respect. To many, the alliance between Japan and the United States serves as a testament for overcoming a violent and antagonistic past. However, the impact of the United States occupation and the bombing of Hiroshima and Nagasaki is rarely discussed in light of this alliance. The economic revival, while important to Japan’s reentry into the global market, inevitably obscured continuing paternalistic interactions between Japan and the United States. Using postcolonial theory from Homi K. Bhahba, Frantz Fanon, and Hiroshi Yoshioka as a foundation, this study examines the ways Japan was colonized during and after the seven-year occupation by the United States. The following is a close assessment of two texts and their political significance at two specific points in history. Akira Kurosawa's1948 noir film Drunken Angel (Yoidore Tenshi) shaped the identity of postwar Japan; Yasuhiro Nightow’s Trigun manga series navigates cultural amnesia and American exceptionalism during the 1990s after the Bubble Economy fell into recession in 1995. These texts are worthy of simultaneous assessment because of the ways they incorporate American archetypes, iconography, and themes into their work while still adhering to Japanese cultural concerns.
    [Show full text]
  • Ward, Kenneth (2017) Taking the New Wave out of Isolation: Humour and Tragedy of the Czechoslovak New Wave and Post-Communist Czech Cinema
    Ward, Kenneth (2017) Taking the new wave out of isolation: humour and tragedy of the Czechoslovak new wave and post-communist Czech cinema. MPhil(R) thesis. http://theses.gla.ac.uk/8441/ Copyright and moral rights for this work are retained by the author A copy can be downloaded for personal non-commercial research or study, without prior permission or charge This work cannot be reproduced or quoted extensively from without first obtaining permission in writing from the author The content must not be changed in any way or sold commercially in any format or medium without the formal permission of the author When referring to this work, full bibliographic details including the author, title, awarding institution and date of the thesis must be given Enlighten:Theses http://theses.gla.ac.uk/ [email protected] TAKING THE NEW WAVE OUT OF ISOLATION: HUMOUR AND TRAGEDY OF THE CZECHOSLOVAK NEW WAVE AND POST-COMMUNIST CZECH CINEMA KENNETH WARD CONTENTS Introduction 2-40 Theoretical Approach 2 Crossing Over: Art Films That Could Reach the Whole World 7 Subversive Strand 10 Tromp L’oeil and the Darkly Comic 13 Attacking Aesthetics: Disruption Over Destruction 24 Normalization and Czech Cunning 28 History Repeats Itself: An Interminable Terminus 32 Doubling as Oppressor 36 Chapter One: Undercurrents and the Czechoslovak New Wave 41-64 Compliance and Defiance 41 A Passion for Diversion 45 People Make the System 52 Rebels Without a Cause 56 Summary 64 Chapter Two: A Very Willing Puppet 65-91 On the Cusp of a Wave 65 A Madman’s Logic 67 Mask of Objectivity
    [Show full text]
  • Akira KUROSAWA Something Like an Autobiography
    Akira KUROSAWA Something Like an Autobiography Translated by Audie E. Bock Translator's Preface I AWAITED my first meeting with Kurosawa Akira with a great deal of curiosity and a fair amount of dread. I had heard stories about his "imperial" manner, his severe demands and difficult temper. I had heard about drinking problems, a suicide attempt, rumors of emotional disturbance in the late sixties, isolation from all but a few trusted associates and a contempt for the ways of the world. I was afraid a face-to-face encounter could do nothing but spoil the marvelous impression I had gained of him through his films. Nevertheless I had a job to do: I was writing a book on those I considered to be Japan's best film directors, past and present. I had promised my publisher interviews with all the living artists; I could hardly omit the best-known Japanese director in the world. I requested an interview through his then producer, Matsue Yoichi. I waited. Six months went by, and my Fulbright year in Tokyo was drawing to a close. I was packing my bags and distributing my household goods among my friends in preparation for departure the next morning when the telephone rang. Matsue was calling to say Kurosawa and he would have coffee with me that very afternoon. In the interim I had of course interviewed all the other subjects for the book, and all had spoken very highly of Kurosawa. In fact, the whole chapter on Kurosawa was already roughed out with the help of previous publications and these directors' contributions, so it seemed possible that my meeting with the man himself would be nothing more than a formality.
    [Show full text]
  • Drama Movies
    Libraries DRAMA MOVIES The Media and Reserve Library, located in the lower level of the west wing, has over 9,000 videotapes, DVDs and audiobooks covering a multitude of subjects. For more information on these titles, consult the Libraries' online catalog. 0.5mm DVD-8746 42 DVD-5254 12 DVD-1200 70's DVD-0418 12 Angry Men DVD-0850 8 1/2 DVD-3832 12 Years a Slave DVD-7691 8 1/2 c.2 DVD-3832 c.2 127 Hours DVD-8008 8 Mile DVD-1639 1776 DVD-0397 9th Company DVD-1383 1900 DVD-4443 About Schmidt DVD-9630 2 Autumns, 3 Summers DVD-7930 Abraham (Bible Collection) DVD-0602 2 or 3 Things I Know About Her DVD-6091 Absence of Malice DVD-8243 24 Hour Party People DVD-8359 Accused DVD-6182 24 Season 1 (Discs 1-3) DVD-2780 Discs 1 Ace in the Hole DVD-9473 24 Season 1 (Discs 1-3) c.2 DVD-2780 Discs 1 Across the Universe DVD-5997 24 Season 1 (Discs 4-6) DVD-2780 Discs 4 Adam Bede DVD-7149 24 Season 1 (Discs 4-6) c.2 DVD-2780 Discs 4 Adjustment Bureau DVD-9591 24 Season 2 (Discs 1-4) DVD-2282 Discs 1 Admiral DVD-7558 24 Season 2 (Discs 5-7) DVD-2282 Discs 5 Adventures of Don Juan DVD-2916 25th Hour DVD-2291 Adventures of Priscilla Queen of the Desert DVD-4365 25th Hour c.2 DVD-2291 c.2 Advise and Consent DVD-1514 25th Hour c.3 DVD-2291 c.3 Affair to Remember DVD-1201 3 Women DVD-4850 After Hours DVD-3053 35 Shots of Rum c.2 DVD-4729 c.2 Against All Odds DVD-8241 400 Blows DVD-0336 Age of Consent (Michael Powell) DVD-4779 DVD-8362 Age of Innocence DVD-6179 8/30/2019 Age of Innocence c.2 DVD-6179 c.2 All the King's Men DVD-3291 Agony and the Ecstasy DVD-3308 DVD-9634 Aguirre: The Wrath of God DVD-4816 All the Mornings of the World DVD-1274 Aladin (Bollywood) DVD-6178 All the President's Men DVD-8371 Alexander Nevsky DVD-4983 Amadeus DVD-0099 Alfie DVD-9492 Amar Akbar Anthony DVD-5078 Ali: Fear Eats the Soul DVD-4725 Amarcord DVD-4426 Ali: Fear Eats the Soul c.2 DVD-4725 c.2 Amazing Dr.
    [Show full text]
  • The Films of Kenji Mizoguchi: Authorship and Vernacular Style
    The Films of Kenji Mizoguchi: Authorship and Vernacular Style Paul Spicer This thesis is submitted in partial fulfilment of the requirements of the award of the degree of Doctor of Philosophy of the University of Portsmouth October 2011 Contents Declaration i List of Figures ii Notes on Translation v Acknowledgements vii Dedication ix Introduction 1 Chapter One – Ideas of Language 34 Chapter Two – Ideas of Authorship 76 Chapter Three – Mizoguchi and Mise en Scène 119 Chapter Four – Ideas of Spectatorship 162 Chapter Five – Mizoguchi and Melodrama 195 Chapter Six – Mizoguchi and Theatre 247 Conclusion 288 Bibliography 308 Select Filmography 319 Mizoguchi Filmography 321 Appendix One: Interview with Oshima Kinue 328 Appendix Two: Interview with Sawato Midori 336 Appendix Three: Interview with Saso Tsutomu 349 Appendix Four: Omoukotonado: Edo Jocho no Eigaka Sonohoka: (My Thoughts: Creating Edo Culture in Film) by Director Kenji Mizoguchi. Nikkatsu Magazine June 1926 374 Appendix Five: Kanji Readings of Key Figures 378 Declaration Whilst registered as a candidate for the above degree, I have not been registered for any other research award. The results and conclusions embodied in this thesis are the work of the named candidate and have not been submitted for any other academic award. i List of Figures Chapter One Figure 1, p.56. Naniwa Ereji (1936). Mizoguchi's Fallen Women: Eclipse Series 13 (2008) [DVD]. New York: Criterion. Figure 2, p.57. Naniwa Ereji (1936). Mizoguchi's Fallen Women: Eclipse Series 13 (2008) [DVD]. New York: Criterion Figure 3, p.58. Naniwa Ereji (1936). Mizoguchi's Fallen Women: Eclipse Series 13 (2008) [DVD].
    [Show full text]
  • Notes to Editors PRESS
    EMBARGOED UNTIL 00:01, MONDAY 4 MAY 2020. Page 2 – Full Programme Information, including: BFI Player collections Akira Kurosawa Classics Yasujirō Ozu Cult Anime Independence 21st Century Early Films of Japan (1894-1914) J-Horror BFI Blu-ray and DVD The Japanese Cinema Book UK wide activity Seasons at BFI Southbank: The Golden Age Radicals and Rebels Anime 21st Century Japanese cinema Mediatheque collection – Lost in Japan International partnerships Page 10 – Stills and moving image assets Page 11 – Notes to Editors PRESS CONTACTS: General enquiries about BFI JAPAN: Liz Parkinson – PR Manager, BFI Cultural Programme - [email protected] | 020 7957 8918 / 07810 378203 Judy Wells – Director, Press and PR, BFI - [email protected] | 020 7957 8919 / 07984 180501 Interviews with BFI spokespeople and selected talent available on request via Liz Parkinson FULL PROGRAMME HIGHLIGHTS EMBARGOED UNTIL 00:01, MONDAY 4 MAY 2020. BFI PLAYER COLLECTIONS The BFI’s VOD service BFI Player will be the premier destination for Japanese film this year with thematic collections launching over a six month period (May – October): Akira Kurosawa (11 May), Classics (11 May), Yasujirō Ozu (5 June), Cult (3 July), Anime (31 July), Independence (21 August), 21st Century (18 September) and J-Horror (30 October). All the collections will be available to BFI Player subscribers (£4.99 a month), with a 14 day free trial available to new customers. There will also be a major new free collection Early Films of Japan (1894-1914), released on BFI Player on 12 October, featuring material from the BFI National Archive’s significant collection of early films of Japan dating back to 1894.
    [Show full text]
  • Jeanne Dielman 23, Quai Du Commerce 1080 Bruxelles Film Info a Film by Chantal Akerman 1975 • Directed by Chantal Akerman (News from Home, a Couch In
    “a lanDmaRk!” —Dennis Lim, The New York Times SRP $39.95 P R ebook 7/28/09 St R eet 8/25/09 8/25/09 “a landmark!” —Dennis Lim, no. Cat. The New York Times “a great movie!” —J. Hoberman, CC1825D The Village Voice Jeanne Dielman 23, quai du Commerce IS 1080 Bruxelles BN A film by Chantal Akerman 978-1-60465-177-5 1975 UPC UPC 7-15515-04801-9 a maSteRPIeCe of fRenCh CInema— neveR befoRe on home vIDeo! “extraordinary!” —richard Brody, The New Yorker SRP Jeanne DIelman, 23, qUaI du $39.95 CommeRCe, 1080 bRUxelleS A singular work in film history, Chantal Akerman’sJeanne Dielman, 23, quai du Commerce, 1080 Bruxelles brilliantly P R evokes, with meticulous detail and a sense of impending doom, ebook the daily domestic routine of a middle-aged widow—whose chores include making the beds, cooking dinner for her grown son, and turning the occasional trick—just as it begins to 7/28/09 break down. in its enormous spareness, Akerman’s film seems simple, but it encompasses an entire world. Whether seen as an exacting character portrait or one of cinema’s most hypnotic and complete depictions of space and time, Jeanne Dielman is St an astonishing, compelling movie experiment, one that has been R eet analyzed and argued over for decades, and is finally making its long-awaited DVD debut. 8/25/09 8/25/09 DIReCTOR-aPPROVED SPeCIal eDItIon DoUble-DISC Set FEATUReS Cat. no. no. Cat. • restored digital transfer, approved by director Chantal Akerman • Autour de “Jeanne Dielman,” a 70-minute documentary, shot by actor Sami frey and edited by Agnes ravez, made
    [Show full text]
  • Japanese Transnational Cinema • Marcos P
    Japanese Transnational Cinema Transnational Japanese • Marcos P. Centeno-Martín and P. • Marcos Morita Norimasa Japanese Transnational Cinema Edited by Marcos P. Centeno-Martín and Norimasa Morita Printed Edition of the Special Issue Published in Arts www.mdpi.com/journal/arts Japanese Transnational Cinema Japanese Transnational Cinema Special Issue Editors Marcos P. Centeno-Mart´ın Norimasa Morita MDPI • Basel • Beijing • Wuhan • Barcelona • Belgrade • Manchester • Tokyo • Cluj • Tianjin Special Issue Editors Marcos P. Centeno-Mart´ın Norimasa Morita University of London Waseda University UK Japan Editorial Office MDPI St. Alban-Anlage 66 4052 Basel, Switzerland This is a reprint of articles from the Special Issue published online in the open access journal Arts (ISSN 2076-0752) (available at: https://www.mdpi.com/journal/arts/special issues/Japanese Transnational Cinema). For citation purposes, cite each article independently as indicated on the article page online and as indicated below: LastName, A.A.; LastName, B.B.; LastName, C.C. Article Title. Journal Name Year, Article Number, Page Range. ISBN 978-3-03936-156-4 (Hbk) ISBN 978-3-03936-157-1 (PDF) Cover image courtesy of Nikkatsu and Almudena Garc´ıa Navarro. c 2020 by the authors. Articles in this book are Open Access and distributed under the Creative Commons Attribution (CC BY) license, which allows users to download, copy and build upon published articles, as long as the author and publisher are properly credited, which ensures maximum dissemination and a wider impact of our publications. The book as a whole is distributed by MDPI under the terms and conditions of the Creative Commons license CC BY-NC-ND.
    [Show full text]
  • Hayasaka Fumio, Ronin Composer
    HAYASAKA FUMIO, RONIN COMPOSER: ANALYSIS AND COMMENTARY OF FIVE FILM SCORES by MICHAEL WILLIAM HARRIS B.M., Truman State University, 2004 M.A., University of Missouri–Kansas City, 2006 A thesis submitted to the Faculty of the Graduate School of the University of Colorado in partial fulfillment of the requirement for the degree of Doctor of Philosophy College of Music 2013 This thesis entitled: Hayasaka Fumio, Ronin Composer: Analysis and Commentary of Five Film Scores written by Michael William Harris has been approved for the College of Music Dr. Thomas L. Riis Dr. Jennifer L. Peterson Date The final copy of this thesis has been examined by the signatories, and we Find that both the content and the form meet acceptable presentation standards Of scholarly work in the above mentioned discipline. iii Harris, Michael William (Ph.D., Musicology, College of Music) Hayasaka Fumio, Ronin Composer: Analysis and Commentary of Five Film Scores Thesis directed by Professor Thomas L. Riis Hayasaka Fumio (1914–55) worked with some of Japan’s most famous film directors during his sixteen year career while winning numerous accolades for both his film and concert music, though his name and work are little known outside of his native country. Self-taught, he brought new ideas to Japanese music and was a key figure in the developments made in the post- war era and a major influence on subsequent composers. Hayasaka’s style blended traditional Asian musical elements—primarily Japanese, though he also studied Indonesian and Chinese music—with the Western orchestra, creating what he called a Pan-Asian style.
    [Show full text]
  • Gender and Turkish-German Cinema
    From Margins to the Center Through the Film Lens: Gender and Turkish-German Cinema Filiz Cicek Submitted to the Faculty of the University Graduate School in partial fulfillment of the requirements for the degree Doctor of Philosophy in the Department The Department of Central Eurasian Studies, Indiana University December, 2012 Accepted by the Faculty, Indiana University, in partial fulfillment of the requirements for the degree of Doctor of Philosophy. Doctoral Committee: Chair: Professor Cigdem Balim Harding, Ph.D Emeritus Professor Gustave Bayerle, Ph.D Professor Paul Edward Losensky, Ph.D Professor Jennifer Elizabeth Maher, Ph.D Professor Colin J. Williams, Ph.D Date of Dissertation Defense: November 2, 2012 ii Copyright © 2012 Filiz Cicek iii To My Little Sparrow who left this earth all too untimely. To My family and Friends. To My Committee Members. To all the Others. iv Preface The knowledge that isn’t transformed into compassionate wisdom is useless thinking. Hindu proverb. I come from the East, the Middle East, from the oral tradition of story telling and record keeping in memory. And I have been living in the West, where most everything is written down, intended for posterity. East might have been East and West West for Kipling, but they have been meeting in continued fluidity in my life and in my work for the past twenty years by necessity of a life as an immigrant. It was in the silent hiking with my grandmother, up and down the Caucasus Mountains. It was in the voice of my 110-year old great-grandmother, chiming her stories from the potato ditch where she was hiding from the Russians.
    [Show full text]
  • Criterion Collection Presents Heaven’S Gate Michael Cimino’S Cut of His Epic Western, in a Breathtaking New Restoration Available for the First Time in Any Format!
    1980 AVAILABLE ON BLU-RAY AND DVD! THE CRITERION COLLECTION PRESENTS HEAVEN’S GATE MICHAEL CIMINO’S CUT OF HIS EPIC WESTERN, IN A BREATHTAKING NEW RESTORATION AVAILABLE FOR THE FIRST TIME IN ANY FORMAT! WINNER BEST ART DIRECTION, ACADEMY AWARDS, 1981 A visionary critique of American expansionism, Heaven’s Gate, directed by Oscar winner MICHAEL CIMINO (The Deer Hunter), is among Hollywood’s most ambitious and unorthodox epics. KRIS KRISTOFFERSON (Lone Star) brings his weathered sensuality to the role of a Harvard graduate who has relocated all the way to Wyoming as a federal marshal; there, he learns of a government-sanctioned plot by rich cattle barons to kill the area’s European settlers for their land. The resulting skirmish is based on the real-life bloody Johnson County War of 1892. Also starring ISABELLE HUPPERT (White Material) and CHRISTOPHER WALKEN (The Deer Hunter), Heaven’s Gate is a savage and ravishingly shot demystification of western movie lore. This is the full director’s cut, letting viewers today see Cimino’s potent original vision. “Among the supreme achievements DIRECTOR-APPROVED of the Hollywood cinema.” SPECIAL EDITION FEATURES —Robin Wood • New, restored transfer of director Michael Cimino’s cut of the film, supervised by Cimino “An opium vision of American bloodshed.” • New restoration of the 5.1 surround soundtrack, —Michael Atkinson, The Village Voice supervised by Cimino, in DTS-HD Master Audio on the Blu-ray edition “A masterpiece.” • New illustrated audio interview with Cimino and producer —Nigel Andrews, Financial Times Joann Carelli • New interviews with actor Kris Kristofferson, soundtrack 2-BLU-RAY EDITION SRP $49.95 arranger and performer David Mansfield, and second PREBOOK 10/23/12 STREET 11/20/12 assistant director Michael Stevenson CAT.
    [Show full text]
  • Shakespeare on Film and Television in the Motion Picture, Broadcasting and Recorded Sound Division of the Library of Congress
    SHAKESPEARE ON FILM AND TELEVISION IN THE MOTION PICTURE, BROADCASTING AND RECORDED SOUND DIVISION OF THE LIBRARY OF CONGRESS Compiled by Zoran Sinobad January 2012 Introduction This is an annotated guide to moving image materials related to the life and works of William Shakespeare in the collections of the Motion Picture, Broadcasting and Recorded Sound Division of the Library of Congress. While the guide encompasses a wide variety of items spanning the history of film, TV and video, it does not attempt to list every reference to Shakespeare or every quote from his plays and sonnets which have over the years appeared in hundreds (if not thousands) of motion pictures and TV shows. For titles with only a marginal connection to the Bard or one of his works, the decision what to include and what to leave out was often difficult, even when based on their inclusion or omission from other reference works on the subject (see below). For example, listing every film about ill-fated lovers separated by feuding families or other outside forces, a narrative which can arguably always be traced back to Romeo and Juliet, would be a massive undertaking on its own and as such is outside of the present guide's scope and purpose. Consequently, if looking for a cinematic spin-off, derivative, plot borrowing or a simple citation, and not finding it in the guide, users are advised to contact the Moving Image Reference staff for additional information. How to Use this Guide Entries are grouped by titles of plays and listed chronologically within the group by release/broadcast date.
    [Show full text]