Alchemy and Aberrant Behaviour: a Jungian Approach to Working with Boys with Behaviour Disorders
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Alchemical Journey Into the Divine in Victorian Fairy Tales
Studia Religiologica 51 (1) 2018, s. 33–45 doi:10.4467/20844077SR.18.003.9492 www.ejournals.eu/Studia-Religiologica Alchemical Journey into the Divine in Victorian Fairy Tales Emilia Wieliczko-Paprota https://orcid.org/0000-0001-8662-6490 Institute of Polish Language and Literature University of Gdańsk [email protected] Abstract This article demonstrates the importance of alchemical symbolism in Victorian fairy tales. Contrary to Jungian analysts who conceived alchemy as forgotten knowledge, this study shows the vivid tra- dition of alchemical symbolism in Victorian literature. This work takes the readers through the first stage of the alchemical opus reflected in fairy tale symbols, explains the psychological and spiritual purposes of alchemy and helps them to understand the Victorian visions of mystical transforma- tion. It emphasises the importance of spirituality in Victorian times and accounts for the similarity between Victorian and alchemical paths of transformation of the self. Keywords: fairy tales, mysticism, alchemy, subconsciousness, psyche Słowa kluczowe: bajki, mistyka, alchemia, podświadomość, psyche Victorian interest in alchemical science Nineteenth-century fantasy fiction derived its form from a different type of inspira- tion than modern fantasy fiction. As Michel Foucault accurately noted, regarding Flaubert’s imagination, nineteenth-century fantasy was more erudite than imagina- tive: “This domain of phantasms is no longer the night, the sleep of reason, or the uncertain void that stands before desire, but, on the contrary, wakefulness, untir- ing attention, zealous erudition, and constant vigilance.”1 Although, as we will see, Victorian fairy tales originate in the subconsciousness, the inspiration for symbolic 1 M. Foucault, Fantasia of the Library, [in:] Language, Counter-Memory, Practice: Selected Essays and Interviews, D.F. -
The Philosophers' Stone: Alchemical Imagination and the Soul's Logical
Duquesne University Duquesne Scholarship Collection Electronic Theses and Dissertations Fall 2014 The hiP losophers' Stone: Alchemical Imagination and the Soul's Logical Life Stanton Marlan Follow this and additional works at: https://dsc.duq.edu/etd Recommended Citation Marlan, S. (2014). The hiP losophers' Stone: Alchemical Imagination and the Soul's Logical Life (Doctoral dissertation, Duquesne University). Retrieved from https://dsc.duq.edu/etd/874 This Immediate Access is brought to you for free and open access by Duquesne Scholarship Collection. It has been accepted for inclusion in Electronic Theses and Dissertations by an authorized administrator of Duquesne Scholarship Collection. For more information, please contact [email protected]. THE PHILOSOPHERS’ STONE: ALCHEMICAL IMAGINATION AND THE SOUL’S LOGICAL LIFE A Dissertation Submitted to the McAnulty College and Graduate School of Liberal Arts Duquesne University In partial fulfillment of the requirements for the degree of Doctor of Philosophy By Stanton Marlan December 2014 Copyright by Stanton Marlan 2014 THE PHILOSOPHERS’ STONE: ALCHEMICAL IMAGINATION AND THE SOUL’S LOGICAL LIFE By Stanton Marlan Approved November 20, 2014 ________________________________ ________________________________ Tom Rockmore, Ph.D. James Swindal, Ph.D. Distinguished Professor of Philosophy Professor of Philosophy Emeritus (Committee Member) (Committee Chair) ________________________________ Edward Casey, Ph.D. Distinguished Professor of Philosophy at Stony Brook University (Committee Member) ________________________________ ________________________________ James Swindal, Ph.D. Ronald Polansky, Ph.D. Dean, The McAnulty College and Chair, Department of Philosophy Graduate School of Liberal Arts Professor of Philosophy Professor of Philosophy iii ABSTRACT THE PHILOSOPHERS’ STONE: ALCHEMICAL IMAGINATION AND THE SOUL’S LOGICAL LIFE By Stanton Marlan December 2014 Dissertation supervised by Tom Rockmore, Ph.D. -
Dictionary of Alchemy Contents
Dictionary of Alchemy Contents Foreword ........................................................ 5 Air - Aristotle .............................................. 6 Calcination ................................................... 8 Dissolution ................................................... 10 Elements ........................................................12 Fermentation ................................................ 13 Gnosis ............................................................. 14 Hermaphrodite .............................................15 Iron ................................................................. 16 Jung .................................................................17 Kabbalah ........................................................ 18 Lead ................................................................. 19 Maat ................................................................ 20 Newton ........................................................... 22 The One ..........................................................23 Paracelsus ......................................................24 Queen .............................................................. 2 6 Rubedo ............................................................26 Salt .................................................................28 Thoth ..............................................................30 Venus .............................................................. 32 Water ..............................................................32 -
The Alchemy of Sexuality in Early Modern English Lyric Poetry Lisa Gay Jennings
Florida State University Libraries Electronic Theses, Treatises and Dissertations The Graduate School 2015 The Alchemy of Sexuality in Early Modern English Lyric Poetry Lisa Gay Jennings Follow this and additional works at the FSU Digital Library. For more information, please contact [email protected] FLORIDA STATE UNIVERSITY COLLEGE OF ARTS AND SCIENCES THE ALCHEMY OF SEXUALITY IN EARLY MODERN ENGLISH LYRIC POETRY By LISA GAY JENNINGS A Dissertation submitted to the Department of English in partial fulfillment of the requirements for the degree of Doctor of Philosophy Degree Awarded: Spring Semester, 2015 © 2015 Lisa Gay Jennings Lisa Gay Jennings defended this dissertation on February 4, 2015. The members of the supervisory committee were: Bruce Boehrer Professor Directing Dissertation Charles Upchurch University Representative Anne Coldiron Committee Member David Johnson Committee Member Daniel Vitkus Committee Member The Graduate School has verified and approved the above-named committee members, and certifies that the dissertation has been approved in accordance with university requirements. ii For my father, Dalrick Jennings, who never saw the end, but who always believed in my beginning. Death is just “a pageant to keep us in false gaze.” iii ACKNOWLEDGEMENTS In Matthew 17 of the Gospels Jesus performs a miracle where he casts out a demon from a little boy. His disciples inspired and a little envious of this show of power demanded why they were not able to cast out the demon. Jesus responds, “Howbeit this kind goeth not out but by prayer and fasting.” This dissertation came about much in the same manner. It did not materialize out of a moment of envy or frenzied inspiration but by an excruciating amount of sweat, tears, hard work, and some amount of dare I say, blood. -
The Tri-Wizard Cup: Alchemy and Transformation in Harry Potter
Hobbs 1 The Tri-Wizard Cup: Alchemy and Transformation in Harry Potter By Priscilla Hobbs, M.A. J.K. Rowling’s Harry Potter series has taken the world en force. The series of seven books have found fanatic popularity in all corners of the world driven by a rich story structure and archetypal symbolism. Harry’s story follows the Campbellian model of the monomyth, which can be understood as an alchemical transformation of the hero from one state of being to another, typically into a stronger figure. Nestled in the middle of the series is an event that patterns this alchemical monomyth to reinforce the symbolism of Harry’s transformation: The Tri-Wizard Tournament. An analysis of the Tri-Wizard Tournament both within its own context and the context of the entire series reveals an understanding of the alchemical symbolism communicated to the readership, providing a model for our own transformation through the one Harry Potter provides. One of the amazing things about the Harry Potter series is that the stories are broad enough to respond to everyone’s projection. I have participated in conversations with diverse discussions that include the deeper meaning of the series and specific symbols, speculation on how the series would end (prior to the release of Deathly Hallows), and analysis of the fan interactions with the content that have arisen because of the books, including short stories, music, and crafts. Every presenter, reader, scholar, and fan projects something different into the series, Hobbs 2 and, therefore, pulls from them a variety of psychic resolutions. For example, fan fiction writers write alternative versions of the events, sometimes imagining themselves as an already established character or creating an avatar in a new character. -
Alchemy's Role in Harry Potter and the Deathly
AN IMMORTAL SCIENCE: ALCHEMY’S ROLE IN HARRY POTTER AND THE DEATHLY HALLOWS by Will A. Angel Dec, 2010 Chair: Dr. Jeffrey Johnson Major Department: English Literature I chose Hallows above any other novel in the series because it holds a stronger connection with alchemy than any of those before it. Hallows provides a density of alchemical symbols and imagery that far outshines any of its predecessors. In fact, Rowling introduces many new alchemical symbols into the series with Hallows, and I believe she “saves the best for last” in this respect. Hallows is unique because it functions as the Rubedo novel of the Harry Potter series while also serving as a representation of the complete alchemical cycle (Nigredo, Albedo, Rubedo) within itself. This capacity makes the alchemy in Hallows more pronounced than in earlier novels. Furthermore, Hallows is the first novel in the series to feature scripture from the Bible. With a Christian thread in the narrative, Hallows provides a means of exploration for the connection between a simultaneously alchemical and Christian narrative. Finally, Hallows centers much attention on the dynamic between Harry, Hermione, and Ron. I focus on this dynamic and pull from what Rowling says she may “never use in the books” to show how each character carries out his or her respective alchemical duties. In short, Hallows is the most concentrated example of Rowling’s alchemical pen, and its place as the finale of her series cements it as the basis for my study. AN IMMORTAL SCIENCE: ALCHEMY’S ROLE IN HARRY POTTER AND THE DEATHLY HALLOWS A Thesis Presented to The Faculty of the Department of English East Carolina University In Partial Fulfillment of the Requirements for the Degree Masters of English Literature By Will A. -
Applying the Alchemical Transformation Model (ATM) to Study the Bhagavad Gita Rajendra Kumar Dash
================================================================== Language in India www.languageinindia.com ISSN 1930-2940 Vol. 14:12 December 2014 ================================================================== Applying the Alchemical Transformation Model (ATM) to Study the Bhagavad Gita Rajendra Kumar Dash. Ph.D. ==================================================================== Abstract The alchemical opus could happen in a laboratory and symbolically in the mind of the alchemist. This study investigates the psychological aspects of alchemy rather than its laboratory operations. A discussion facilitating a broader understanding of the major stages of the alchemical process of transformation to create the Philosopher’s Stone is presented. Stages of alchemy are identified and applied to develop a deeper understanding of the classic Bhagvad Gita. Key words: Alchemical Transformation Model, stages of alchemy, Bhagvad Gita and Transformation of mind. Introduction The Great Work of alchemy aimed at bringing perfection to both matter and the soul, and the practice seemed to change the mind and spirit of the alchemist’s. The alchemists believed that the purification of the practitioner could be achieved through the alchemical process and its successful culmination would result in the production of the Philosopher’s Stone, which could transform base metals like lead into gold and render the alchemist almost immortal. The alchemical opus could happen in a laboratory and symbolically in the mind of the alchemist. As this study proposes to investigate into the psychological aspects of alchemy rather than its laboratory operations, a detailed analysis of the practical operation need not be made here. Thus a discussion facilitating a broader understanding of the major stages of the alchemical process of transformation to create the Philosopher’s Stone will suffice. -
Alchemy, Jung, and the Dark Night of St. John of the Cross
OF GODS AND STONES: ALCHEMY, JUNG, AND THE DARK NIGHT OF ST. JOHN OF THE CROSS David M. Odorisio, Ph.D. Lee, MA ABSTRACT: John of the Cross’ mystical text The Dark Night (DN) presents a candid portrayal of the ego’s encounter with the numinous or transpersonal dimensions of the psyche. When viewed through a Jungian alchemical lens, the encounter becomes significantly amplified to reveal novel insights into this psychospiritual ordeal. The article first unpacks and explores the DN through Jung’s Collected Works and Letters, and subsequently offers an in-depth interpretation of the dark night experience through the lens of the alchemical nigredo, including depth psychological and transpersonal perspectives. Finally, the article re-visions the DN in light of the nigredo, albedo, and rubedo stages of Western alchemy, drawing parallels between these and the purgation, illumination, and union stages of the Western Christian mystical tradition. In both instances, a coniunctio or mystical union results, where new self- and god-images arise from the illuminating darkness of night and into conscious integration. KEYWORDS: John of the Cross, dark night, C.G. Jung, alchemy, nigredo, god image. John of the Cross’ (1991) 16th century text, The Dark Night (DN), offers a stark portrayal of the soul’s journey to God from purgation to illumination and union. From a Jungian perspective, this journey can be interpreted as the ego’s encounter with the numinous (Otto, 1958) reality of the transpersonal Self. As an archetype that contains both light and dark aspects, the encounter between the Self and the ego can be terrifying and filled with negative affect (Washburn, 1994), which, depending on how it is navigated, can result in a positive disintegration and subsequent renewal of self- and god-images (Welch, 1990). -
Teleological and Aesthetic Perfection in the Aurora Consurgens ’, Celestial Magic, Special Issue of Culture and Cosmos , Vol
CULTURE AND COSMOS A Journal of the History of Astrology and Cultural Astronomy Vol. 19 no 1 and 2, Spring/Summer and Autumn/Winter 2015 Published by Culture and Cosmos and the Sophia Centre Press, in partnership with the University of Wales Trinity Saint David, in association with the Sophia Centre for the Study of Cosmology in Culture, University of Wales Trinity Saint David, Faculty of Humanities and the Performing Arts Lampeter, Ceredigion, Wales, SA48 7ED, UK. www.cultureandcosmos.org Cite this paper as: Karen Parham, ‘Teleological and Aesthetic Perfection in the Aurora Consurgens ’, Celestial Magic, special issue of Culture and Cosmos , Vol. 19, nos. 1 and 2, Autumn/Winter and Spring/Summer 2015, pp. 115-27. British Library Cataloguing in Publication Data A catalogue card for this book is available from the British Library All rights reserved. No part of this book may be reproduced or utilized in any form or by any means, electronic or mechanical, including photocopying, recording or by any information storage and retrieval system, without permission in writing from the Publishers. ISSN 1368-6534 Printed in Great Britain by Lightning Source Copyright 2018 Culture and Cosmos All rights reserved Teleological and Aesthetic Perfection in the Aurora Consurgens Karen Parham Abstract: This paper examines the concept of perfection in relation to the celestial magic described within the alchemical work Aurora Consurgens . This fifteenth- century illuminated manuscript has been erroneously attributed to Thomas Aquinas and was popularised by Carl Gustav Jung. It contains an entire section on ‘astronomy’, which is one of the keys to wisdom and perfection. -
Aletheia: the Orphic Ouroboros
Edith Cowan University Research Online Theses : Honours Theses 2020 Aletheia: The Orphic Ouroboros Glen McKnight Edith Cown University Follow this and additional works at: https://ro.ecu.edu.au/theses_hons Part of the Classics Commons, Philosophy Commons, and the Poetry Commons Recommended Citation McKnight, G. (2020). Aletheia: The Orphic Ouroboros. https://ro.ecu.edu.au/theses_hons/1541 This Thesis is posted at Research Online. https://ro.ecu.edu.au/theses_hons/1541 Edith Cowan University Copyright Warning You may print or download ONE copy of this document for the purpose of your own research or study. The University does not authorize you to copy, communicate or otherwise make available electronically to any other person any copyright material contained on this site. You are reminded of the following: Copyright owners are entitled to take legal action against persons who infringe their copyright. A reproduction of material that is protected by copyright may be a copyright infringement. Where the reproduction of such material is done without attribution of authorship, with false attribution of authorship or the authorship is treated in a derogatory manner, this may be a breach of the author’s moral rights contained in Part IX of the Copyright Act 1968 (Cth). Courts have the power to impose a wide range of civil and criminal sanctions for infringement of copyright, infringement of moral rights and other offences under the Copyright Act 1968 (Cth). Higher penalties may apply, and higher damages may be awarded, for offences and infringements involving the conversion of material into digital or electronic form. Aletheia: The Orphic Ouroboros Glen McKnight Bachelor of Arts This thesis is presented in partial fulfilment of the degree of Bachelor of Arts Honours School of Arts & Humanities Edith Cowan University 2020 i Abstract This thesis shows how The Orphic Hymns function as a katábasis, a descent to the underworld, representing a process of becoming and psychological rebirth. -
The Art of Transformation in DH Lawrence's St. Mawr
Alchemical Creation: The Art of Transformation in D.H. Lawrence’s St. Mawr Francisco LaRubia-Prado Georgetown University Abstract This paper explores a creative interpretation of D. H. Lawrence’s novel St.Mawr. Throughout the centuries, and across cultures, the presence of a distinctive horse (or horses) in a literary text—and more recently in films — results in what appears to be an unvarying outcome: the restoration of equilibrium and wholeness in situations where balance and a sense of totality has been lost. Powerful illustrations of this phenomenon in Western and Eastern cultures are the medieval epic poem El Cid, Heinrich von Kleist’s Michael Kohlhaas, Leo Tolstoy’s Kholstomer, Girish Karnad’s Hayavadana, Akira Kurosawa’s Kagemusha, or the recent theater hit (originally written as a novel) War Horse, by Michael Morpurgo. D.H. Lawrence’s St. Mawr (1924) belongs to this tradition, but whereas in the previously cited texts the relevance of the horse pertains to other themes—such as power, collective identity, the role of performance in human life, or the tragedy of war—the distinctiveness of Lawrence’s text lies in the horse’s centrality in the psychological transformation of one individual: Lou Witt. I am currently working on a book-length project that will include the cited texts and others showing, from a transcultural and trans-temporal perspective, how the centrality of horses in literature and film systematically responds to the same causes. Clearly, authors throughout history have validated what V.A. Kolve says about the uses of the horse in the Middle Ages, namely, that it is a “central image” through which human nature can be explored (137). -
Alchemic Transformation of Human Creation
Vol.7(4), pp. 46-53, April, 2016 DOI: 10.5897/JLC2015.0352 Article Number: 391A35758116 ISSN 2141-6540 Journal of Languages and Culture Copyright © 2016 Author(s) retain the copyright of this article http://www.academicjournals.org/JLC Full Length Research Paper Alchemic transformation of human creation Kyunghee Kim Department of Child Studies, Mokpo National University, South Korea. Received 28 September 2015; Accepted 29 February, 2016 This study aimed to analyze the changes in human being in terms of alchemy. The process of human being goes through three stages. The first stage is the germinal period, the second stage is the embryo period, and the third one is the fetal period. Alchemy creates new things through three alchemical stages: nigredo (black), albedo (white), rubedo (red).This research attempts to figure out whether there is any relationship between the beginning of life and the stage of transformation in alchemy. The results show that the stone in alchemy is regarded as a zygote. It contains the prima material for human being. The human heart and soul are intrinsic in gene, which can be scientifically found. Scientific studies already proved that new changes take place when chemical reactions occur. The physical changes in the human body can be embryologic. The research explains how the mind, body and soul are different, and how these three are integrated to form a human being. The results of this study seem to increase the understanding of the psychological development of the human being. In addition, the understanding scope in Jung’s perspective in human creation and psychology will be extended.