Alchemy and Christian Spirituality Talk Mark Powell 14 Nov 2009
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Alchemical Journey Into the Divine in Victorian Fairy Tales
Studia Religiologica 51 (1) 2018, s. 33–45 doi:10.4467/20844077SR.18.003.9492 www.ejournals.eu/Studia-Religiologica Alchemical Journey into the Divine in Victorian Fairy Tales Emilia Wieliczko-Paprota https://orcid.org/0000-0001-8662-6490 Institute of Polish Language and Literature University of Gdańsk [email protected] Abstract This article demonstrates the importance of alchemical symbolism in Victorian fairy tales. Contrary to Jungian analysts who conceived alchemy as forgotten knowledge, this study shows the vivid tra- dition of alchemical symbolism in Victorian literature. This work takes the readers through the first stage of the alchemical opus reflected in fairy tale symbols, explains the psychological and spiritual purposes of alchemy and helps them to understand the Victorian visions of mystical transforma- tion. It emphasises the importance of spirituality in Victorian times and accounts for the similarity between Victorian and alchemical paths of transformation of the self. Keywords: fairy tales, mysticism, alchemy, subconsciousness, psyche Słowa kluczowe: bajki, mistyka, alchemia, podświadomość, psyche Victorian interest in alchemical science Nineteenth-century fantasy fiction derived its form from a different type of inspira- tion than modern fantasy fiction. As Michel Foucault accurately noted, regarding Flaubert’s imagination, nineteenth-century fantasy was more erudite than imagina- tive: “This domain of phantasms is no longer the night, the sleep of reason, or the uncertain void that stands before desire, but, on the contrary, wakefulness, untir- ing attention, zealous erudition, and constant vigilance.”1 Although, as we will see, Victorian fairy tales originate in the subconsciousness, the inspiration for symbolic 1 M. Foucault, Fantasia of the Library, [in:] Language, Counter-Memory, Practice: Selected Essays and Interviews, D.F. -
Splend S Lis R
Splend r SOlis Travesera de Gracia, 17-21 Tel. UK +44 (0)20 7193 4986 Tel. Spain +34 93 240 20 91 08021 Barcelona - Spain Tel. USA +1 305 831 4986 www.moleiro.com The Splendor Solis is the most beautiful treatise on alchemy ever made. Splendor Solis The British Library • London «First, unique and unrepeatable edition strictly limited to 987 copies» This codex, dated 1582, is the most • Shelf mark: Suppl. turc 242. beautiful treatise on alchemy ever • Date: 1582. made. The imagination and lyri- • Size: 230 x 330 mm. cism of its truly marvellous illus- • 100 pages, 22 full-page illuminations. trations are awe-inspiring even to lavishly embellished with gold. those not familiar with this subject. • Bound in crimson leather decorated The secrets of kabbalah, astrology with gold. and alchemic symbolism are revea- • Full-colour commentary volume (448 p.) led on 22 folios bearing full-page by Thomas Hofmeier (Historian of illustrations with a wealth of colo- Alchemy) Jörg Völlnagel (Art historian, ur and almost Baroque profusion research associate at the Staatliche of detail. Museen zu Berlin), Peter Kidd (Former curator of medieval and Renaissance manuscripts at the Bodleian and British Libraries) and Joscelyn Godwin. Bound in crimson leather decorated with gold moleiro.com/online • moleiro.com Tel. USA +1 305 831 4986 • Tel. UK +44 (0)20 7193 4986 Introduction to the Splendor Solis Splendor Solis, bearing in mind that most about the conditions surrounding the pro- contemporary readers would have consid- duction of the illuminated manuscript: we commentary volume erable diffi culty understanding much of know of numerous sources that were drawn Jörg Völlnagel the content: upon by both the text and the illustrations, which were to have a lasting effect on the Art historian, research associate at the The Alchemy Splendor Solis. -
AN ABSTRACT of the THESIS of Cindy Blakeley for the Master of Arts
AN ABSTRACT OF THE THESIS OF Cindy Blakeley for the Master of Arts (name of student) (degree) in English presented on May 12, 1993 (major) (date) Title: John Donne's Alchemical Vision ~.~ Abstract Approved. From the earliest of times, many have pursued the goals of alchemy, a torm ot chemistry and speculative philosophy in which advocates attempted to discover an elixir ot lite and a method for converting base metals into gold. To the true alchemist, the "Great Work" was more than a science or a philosophy--it was a religion. The seventeenth-century poet, John Donne, though not a practicing alchemist, was himself interested in alchemy's religious connotations. In his poetry, he indicates his concern with man's spiritual transcendence which parallels the extraction of pure spiritual essences from any form ot base matter. In addition, the presumed sequence in which he writes his poems (precise dates of composition are, as yet, not established) reveals his growing fascination with the spiritual message suggested by alchemy. In "Loves Alchymie," likely written before Donne's marriage to Ann More, Donne is pessimistically questioning man's ability to transcend his base physical nature and, therefore, doubts the validity of spiritual alchemy. Then, during his love affair with and marriage to Ann More, he feels his new experiences with love and recently acquired understanding of love prove man is capable of obtaining spiritual purity. At this time, he writes "The Extasie," "The Good-Morrow," and "A Valediction Forbidding Mourning," employing basic alchemical imagery to support his notion that a union of body, soul, and spirit between man and woman is possible. -
Dance, Music, Art, and Religion Edited by Tore Ahlback SCRIPTA INSTITUTI DONNERIANI ABOENSIS
Dance, Music, Art, and Religion Edited by Tore Ahlback SCRIPTA INSTITUTI DONNERIANI ABOENSIS XVI DANCE, MUSIC, ART, AND RELIGION Based on Papers Read at the Symposium on Dance, Music, and Art in Religions Held at Åbo, Finland, on the 16th-18th of August 1994 Edited by Tore Ahlbäck, Distributed by ALMQUIST & WIKSELL INTERNATIONAL STOCKHOLM, SWEDEN Dance, Music, Art, and Religion Dance, Music, Art, and Religion Based on Papers Read at the Symposium on Dance, Music, and Art in Religions Held at Åbo, Finland, on the 16th-18th August 1994 Edited by Tore Ahlbäck Published by The Donner Institute for Research in Religious and Cultural History Åbo Finland Distributed by Almqvist & Wiksell International Stockholm, Sweden ISSN 0582-3226 ISBN 951-650-834-0 Printed in Finland by Åbo Akademi University Printing Press Turku 1996 Contents Editorial Note 7 DESMOND AYIM-ABOAGYE Art, Music and Religious Experience in Libation Pouring of Akan Religion 9 UMAR HABILA DADEM DANFULANI Rituals as Dance and Dance as Rituals. The Drama of Kok Nji and Other Festivals in the Religious Experience of the Ngas, Mupun and Mwaghavul in Nigeria 27 VALERIE DEMARINIS With Dance and Drum. A Psychocultural Investigation of the Ritual Meaning-Making System of an Afro-Brazilian, Macumba Community in Salvador, Brazil 59 MONICA ENGELHART The Dancing Picture — The Ritual Dance of Native Australians 75 RAGNHILD BJERRE FINNESTAD Images as Messengers of Coptic Identity. An Example from Con- temporary Egypt 91 MARIANNE GÖRMAN The Necklace as a Divine Symbol and as a Sign of Dignity -
Lapis Philosophorum")
Alchemical Symbols on Stećak Tombstones and their Meaning ("Lapis Philosophorum") Amer Dardağan, MA Go directly to the text of the paper Abstract Stećak is the official name for approximately 70,000 mysterious medieval tombstones scattered across Bosnia and Herzegovina, and the border areas of Croatia, Montenegro, and Serbia. To understand the meaning of the many symbols of alchemy and theurgy on the stećak tombstones, a researcher of medieval religions must relate to a world in which spirituality and Hermetic philosophy play a central role. In order to grasp the phenomenology of stećci (plural of stećak) in their total complexity, the symbols should be interpreted through philosophy (Neoplatonism), theology (Cataphatic and Apophatic theology), and the practices of alchemy and theurgy. For example, one recurring motif is the appearance of an unexpected third component in alchemical work. The alchemical imagination constantly reminds us that opposing forces in nature have to unite to form a special relationship, which through their unification, the “mysterious third” (Alchemical "Egg," "Philosopher's Stone," "Tree of Life") occurs that transcends ordinary existence. Without this kind of basic knowledge of the principles and philosophy of Neoplatonism and Hermeticism, it is very difficult to understand the symbols found on the tombstones. In the past, most Medieval scholars believed the stečak symbols were only decorative motifs and completely overlooked the deeper philosophical and spiritual content that was part of the Bosnian religious tradition at that time. The main goal of this paper is to provide readers with deeper insights on stećci as one of the most mysterious phenomena of Medieval Europe, and to reveal their spiritual and intellectual relationship with the practice of alchemy through interpretation of inscribed symbols on these tombstones and their connection with Neoplatonic and Hermetic philosophy. -
Alchemylab Articles\374
Alchemical Theory The One Thing (or the Subtle Ether) Space, whether interplanetary, inner matter, or inter-organic, is filled with a subtle presence emanating from the One Thing of the universe. Later alchemists called it, as did the ancients, the subtle Ether. This primordial fluid or fabric of space pervades everything and all matter. Metal, mineral, tree, plant, animal, man; each is charged with the Ether in varying degrees. All life on the planet is charged in like manner; a world is built up in this fluid and move through a sea of it. Alchemical Ether, which some Hermeticists call the Astral Light, determines the constitution of bodies. Hardness and softness, solidity and liquidity, all depend on the relative proportion of ethereal and ponderable matter of which they me composed. The arbitrary division and classification of physical science, the whole range of physical phenomena, proceeds from the primary Ether, for science has reduced matter as we know it to nothing but Ether, which, although not solid matter, is still matter, the First Matter of the alchemists. When most of us speak of matter, of course, we usually visualize solid substance, but it has been proved by that matter is not actually solid, but merely a stress, a strain in the etheric field of time and space. The atom and the electrons and protons of which it is composed, all move in a sea of Ether, so, that in accordance with this theory of alchemy, the very air we breathe, the very bodies we inhabit, all things most likewise be moving in this sea of Ether, the parent element from which all manifestation has come. -
The Zodiac and the Salts of Salvation. Part One, by Dr. George
? sI I X5ha 2o6iac atx6 tl)e Salts of Salvation PART ONE by : ; . Dr. George Washington Garey the relation of the mineral salts- op the: boi?t; to the signs of the zodiac (Fourteenth and Memorial Edition) , PART TWO AN ESOTERIC ANALYSIS AND SYNTHESIS OF THE ZODIACAL SIGNS AND THEIR PHYSIO- CHEMICAL ALLOCATIONS BY INEZ EUDORA PERRY i First Edition PUBLISHED BY The i Carey-Perry Chemistry School of the of Life j Hollywood, Los Angeles, California N I >- u IT < O (5 0 K o {Mi* UJ o Mg>. K Q o 0 I- i-i < o as z u < u K u <!a (fl ft Offl N D Q I- Z U ~ < Ui n Eu I *cj 0 Io c t- 3 B < 0 6 IE o ° E < i 3 5 ■ o < ; u Aft Copyright BY INEZ EUDORA PERRY Hollywood, California, U. S. A. ALL RIGHTS RESERVED Including Translation into Other Languages AND Publication in All Foreign Countries Printed by J. F. ROWNY PRESS SANTA BARBARA, CAL. CONTENTS Part One Introduction v Poem, "The Saint George" of Biochemistry . ix In Memoriam xii Poem, "The New Name" xix Biochemistry 21 Esoteric Chemistry 22 The Ultimate of Biochemistry 23 The Twelve Cell-Salts of the Zodiac Aries, the Lamb of God 25 Taurus, the Winged Bull of the Zodiac .... 27 The Chemistry of Gemini 28 Cancer: the Chemistry of the Crab 29 Leo : the Heart of the Zodiac 31 Virgo : the Virgin Mary 32 Libra : the Loins 34 Influence of the Sun on Vibration of Blood at Birth : Scorpio 35 The Chemistry of Sagittarius 37 Capricorn : the Goat of the Zodiac 38 The Sign of the Son of Man : Aquarius 41 Pisces: the Fish that Swim in the Pure Sea .. -
The Philosophers' Stone: Alchemical Imagination and the Soul's Logical
Duquesne University Duquesne Scholarship Collection Electronic Theses and Dissertations Fall 2014 The hiP losophers' Stone: Alchemical Imagination and the Soul's Logical Life Stanton Marlan Follow this and additional works at: https://dsc.duq.edu/etd Recommended Citation Marlan, S. (2014). The hiP losophers' Stone: Alchemical Imagination and the Soul's Logical Life (Doctoral dissertation, Duquesne University). Retrieved from https://dsc.duq.edu/etd/874 This Immediate Access is brought to you for free and open access by Duquesne Scholarship Collection. It has been accepted for inclusion in Electronic Theses and Dissertations by an authorized administrator of Duquesne Scholarship Collection. For more information, please contact [email protected]. THE PHILOSOPHERS’ STONE: ALCHEMICAL IMAGINATION AND THE SOUL’S LOGICAL LIFE A Dissertation Submitted to the McAnulty College and Graduate School of Liberal Arts Duquesne University In partial fulfillment of the requirements for the degree of Doctor of Philosophy By Stanton Marlan December 2014 Copyright by Stanton Marlan 2014 THE PHILOSOPHERS’ STONE: ALCHEMICAL IMAGINATION AND THE SOUL’S LOGICAL LIFE By Stanton Marlan Approved November 20, 2014 ________________________________ ________________________________ Tom Rockmore, Ph.D. James Swindal, Ph.D. Distinguished Professor of Philosophy Professor of Philosophy Emeritus (Committee Member) (Committee Chair) ________________________________ Edward Casey, Ph.D. Distinguished Professor of Philosophy at Stony Brook University (Committee Member) ________________________________ ________________________________ James Swindal, Ph.D. Ronald Polansky, Ph.D. Dean, The McAnulty College and Chair, Department of Philosophy Graduate School of Liberal Arts Professor of Philosophy Professor of Philosophy iii ABSTRACT THE PHILOSOPHERS’ STONE: ALCHEMICAL IMAGINATION AND THE SOUL’S LOGICAL LIFE By Stanton Marlan December 2014 Dissertation supervised by Tom Rockmore, Ph.D. -
Dictionary of Alchemy Contents
Dictionary of Alchemy Contents Foreword ........................................................ 5 Air - Aristotle .............................................. 6 Calcination ................................................... 8 Dissolution ................................................... 10 Elements ........................................................12 Fermentation ................................................ 13 Gnosis ............................................................. 14 Hermaphrodite .............................................15 Iron ................................................................. 16 Jung .................................................................17 Kabbalah ........................................................ 18 Lead ................................................................. 19 Maat ................................................................ 20 Newton ........................................................... 22 The One ..........................................................23 Paracelsus ......................................................24 Queen .............................................................. 2 6 Rubedo ............................................................26 Salt .................................................................28 Thoth ..............................................................30 Venus .............................................................. 32 Water ..............................................................32 -
Splendor Solis.Pdf
SPLENDOR SOLIS A.D. 1582. SPLENDOR SOLIS ALCHEMICAL TREATISES OF SOLOMON TRISMOSIN ADEPT AND TEACHER OF PARACELSUS Including 22 Allegorical Pictures Reproduced from the Original Paintings in the Unique Manuscript on Vellum, dated 1582, in the British Museum. With Introduction, Elucidation of the Paintings, aiding the Interpretation of their Occult meaning, Trismosin's Auto- biographical Account of his Travels in Search of the Philoso- pher's Stone, A SUMMARY OF HIS ALCHEMICAL PROCESS CALLED " THE RED LION," and EXPLANATORY NOTES BY J. K. LONDON: KEGAN PAUL, TRENCH, TRUBNER & CO., LTD., BROADWAY HOUSE, 68-74 CARTER LANE, E.O. 4. To THE ETERNAL MEMORY OF JOSEPH WALLACE MYSTIC, HEALER, AND REVEALER OF OCCULT TRUTH. MY REVERED TEACHER AND FRIEND I DEDICATE THIS BOOK IN WHICH HE WAS DEEPLY INTERESTED J.K. INTRODUCTORY. HEN in the period of the Renaissance, men's m i n d s W were waking from the long sleep of mediaeval darkness, SOLOMON TRISMOSIN, one of the less known Adepts of Alchemy, went forth in search of that secret knowledge, the possession of which leads to Alchemical Adeptship. His romantic Wanderings in Quest of the Philosopher's Stone, he has himself described, and if he declares to have reached that Eldorado of Hermetic Knowledge wherein is found the prized Philosopher's Stone, although we may feel inclined to doubt his word, we are, nevertheless not in a position to entirely dispute his statement. For since the discovery of radioactive substances chemical theory has vastly changed. The very Elementality of the chemical Elements is questioned, and the alchemical idea, that Metals can be decomposed into three ultimate principles : SALT, MERCURY, and SULPHUR, may not be so absurd after all. -
Bibliography of Occult and Fantastic Beliefs Vol.4: S - Z
Bruno Antonio Buike, editor / undercover-collective „Paul Smith“, alias University of Melbourne, Australia Bibliography of Occult and Fantastic Beliefs vol.4: S - Z © Neuss / Germany: Bruno Buike 2017 Buike Music and Science [email protected] BBWV E30 Bruno Antonio Buike, editor / undercover-collective „Paul Smith“, alias University of Melbourne, Australia Bibliography of Occult and Fantastic Beliefs - vol.4: S - Z Neuss: Bruno Buike 2017 CONTENT Vol. 1 A-D 273 p. Vol. 2 E-K 271 p. Vol. 3 L-R 263 p. Vol. 4 S-Z 239 p. Appr. 21.000 title entries - total 1046 p. ---xxx--- 1. Dies ist ein wissenschaftliches Projekt ohne kommerzielle Interessen. 2. Wer finanzielle Forderungen gegen dieses Projekt erhebt, dessen Beitrag und Name werden in der nächsten Auflage gelöscht. 3. Das Projekt wurde gefördert von der Bundesrepublik Deutschland, Sozialamt Neuss. 4. Rechtschreibfehler zu unterlassen, konnte ich meinem Computer trotz jahrelanger Versuche nicht beibringen. Im Gegenteil: Das Biest fügt immer wieder neue Fehler ein, wo vorher keine waren! 1. This is a scientific project without commercial interests, that is not in bookstores, but free in Internet. 2. Financial and legal claims against this project, will result in the contribution and the name of contributor in the next edition canceled. 3. This project has been sponsored by the Federal Republic of Germany, Department for Social Benefits, city of Neuss. 4. Correct spelling and orthography is subject of a constant fight between me and my computer – AND THE SOFTWARE in use – and normally the other side is the winning party! Editor`s note – Vorwort des Herausgebers preface 1 ENGLISH SHORT PREFACE „Paul Smith“ is a FAKE-IDENTY behind which very probably is a COLLCETIVE of writers and researchers, using a more RATIONAL and SOBER approach towards the complex of Rennes-le-Chateau and to related complex of „Priory of Sion“ (Prieure de Sion of Pierre Plantard, Geradrd de Sede, Phlippe de Cherisey, Jean-Luc Chaumeil and others). -
Alchemy in Eastern Literature
Khazar Journal of Humanities and Social Sciences Volume 23 № 1 2020, 22-47 © Khazar University Press 2020 DOI: 10.5782/2223-2621.2020.23.1.22 Alchemy in Eastern Literature Hamlet Isakhanli Khazar University, Baku, Azerbaijan [email protected] Abstract Alchemy, developing in Ancient Egypt and its environs, was formed during the Islamic age as the branch of science and technology. The transmutation of base metals into noble metals and attempts to achieve immortality or rejuvenation by elixir or philosopher`s stone have been expansively reflected in Eastern literature and folklore. This research discusses the endeavors of great rulers of the ancient East, alchemists of the pre-Islamic and, especially, Islamic periods, and prominent writers of the Islamic Golden Age and contemporary period who wrote various treatises devoted or related to alchemy and alchemists. Discussions here include the great Sumerian epic “Gilgamesh” and the legend of Alexander the Great’s attempt to gain immortality, as well as the story of alchemist Mary of Copt. The last two are related in a poem by Nizami, prominent representative of the twelfth century Azerbaijani literary school that wrote in Persian. Distinct images of alchemy were rendered in his poems, moreover, he created multi-faceted alchemical metaphors to describe transformations within humanity. Khagani Shirvani, Nizami’s contemporary, and nineteenth century Azerbaijani thinker Mirza Akhundov, also addressed the topic of alchemy, as well as religious mysticism in Islam and alchemy. Alchemical episodes in the works of great figures of Eastern Sufi literature like Al-Ghazali, Suhrawardy, Ibn Arabi and Rumi have been scrutinized. Keywords: alchemy, metal transmutation, immortality, Sufi literature, Azerbaijani literary school, religious mysticism.