Alchemical Symbols Range: 1F700–1F77F
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AN ABSTRACT of the THESIS of Cindy Blakeley for the Master of Arts
AN ABSTRACT OF THE THESIS OF Cindy Blakeley for the Master of Arts (name of student) (degree) in English presented on May 12, 1993 (major) (date) Title: John Donne's Alchemical Vision ~.~ Abstract Approved. From the earliest of times, many have pursued the goals of alchemy, a torm ot chemistry and speculative philosophy in which advocates attempted to discover an elixir ot lite and a method for converting base metals into gold. To the true alchemist, the "Great Work" was more than a science or a philosophy--it was a religion. The seventeenth-century poet, John Donne, though not a practicing alchemist, was himself interested in alchemy's religious connotations. In his poetry, he indicates his concern with man's spiritual transcendence which parallels the extraction of pure spiritual essences from any form ot base matter. In addition, the presumed sequence in which he writes his poems (precise dates of composition are, as yet, not established) reveals his growing fascination with the spiritual message suggested by alchemy. In "Loves Alchymie," likely written before Donne's marriage to Ann More, Donne is pessimistically questioning man's ability to transcend his base physical nature and, therefore, doubts the validity of spiritual alchemy. Then, during his love affair with and marriage to Ann More, he feels his new experiences with love and recently acquired understanding of love prove man is capable of obtaining spiritual purity. At this time, he writes "The Extasie," "The Good-Morrow," and "A Valediction Forbidding Mourning," employing basic alchemical imagery to support his notion that a union of body, soul, and spirit between man and woman is possible. -
Lapis Philosophorum")
Alchemical Symbols on Stećak Tombstones and their Meaning ("Lapis Philosophorum") Amer Dardağan, MA Go directly to the text of the paper Abstract Stećak is the official name for approximately 70,000 mysterious medieval tombstones scattered across Bosnia and Herzegovina, and the border areas of Croatia, Montenegro, and Serbia. To understand the meaning of the many symbols of alchemy and theurgy on the stećak tombstones, a researcher of medieval religions must relate to a world in which spirituality and Hermetic philosophy play a central role. In order to grasp the phenomenology of stećci (plural of stećak) in their total complexity, the symbols should be interpreted through philosophy (Neoplatonism), theology (Cataphatic and Apophatic theology), and the practices of alchemy and theurgy. For example, one recurring motif is the appearance of an unexpected third component in alchemical work. The alchemical imagination constantly reminds us that opposing forces in nature have to unite to form a special relationship, which through their unification, the “mysterious third” (Alchemical "Egg," "Philosopher's Stone," "Tree of Life") occurs that transcends ordinary existence. Without this kind of basic knowledge of the principles and philosophy of Neoplatonism and Hermeticism, it is very difficult to understand the symbols found on the tombstones. In the past, most Medieval scholars believed the stečak symbols were only decorative motifs and completely overlooked the deeper philosophical and spiritual content that was part of the Bosnian religious tradition at that time. The main goal of this paper is to provide readers with deeper insights on stećci as one of the most mysterious phenomena of Medieval Europe, and to reveal their spiritual and intellectual relationship with the practice of alchemy through interpretation of inscribed symbols on these tombstones and their connection with Neoplatonic and Hermetic philosophy. -
Alchemy Rediscovered and Restored
ALCHEMY REDISCOVERED AND RESTORED BY ARCHIBALD COCKREN WITH AN ACCOUNT OF THE EXTRACTION OF THE SEED OF METALS AND THE PREPARATION OF THE MEDICINAL ELIXIR ACCORDING TO THE PRACTICE OF THE HERMETIC ART AND OF THE ALKAHEST OF THE PHILOSOPHER TO MRS. MEYER SASSOON PHILADELPHIA, DAVID MCKAY ORIGINALLY PUBLISHED IN 1941 Alchemy Rediscovered And Restored By Archibald Cockren. This web edition created and published by Global Grey 2013. GLOBAL GREY NOTHING BUT E-BOOKS TABLE OF CONTENTS THE SMARAGDINE TABLES OF HERMES TRISMEGISTUS FOREWORD PART I. HISTORICAL CHAPTER I. BEGINNINGS OF ALCHEMY CHAPTER II. EARLY EUROPEAN ALCHEMISTS CHAPTER III. THE STORY OF NICHOLAS FLAMEL CHAPTER IV. BASIL VALENTINE CHAPTER V. PARACELSUS CHAPTER VI. ALCHEMY IN THE SIXTEENTH AND SEVENTEENTH CENTURIES CHAPTER VII. ENGLISH ALCHEMISTS CHAPTER VIII. THE COMTE DE ST. GERMAIN PART II. THEORETICAL CHAPTER I. THE SEED OF METALS CHAPTER II. THE SPIRIT OF MERCURY CHAPTER III. THE QUINTESSENCE (I) THE QUINTESSENCE. (II) CHAPTER IV. THE QUINTESSENCE IN DAILY LIFE PART III CHAPTER I. THE MEDICINE FROM METALS CHAPTER II. PRACTICAL CONCLUSION 'AUREUS,' OR THE GOLDEN TRACTATE SECTION I SECTION II SECTION III SECTION IV SECTION V SECTION VI SECTION VII THE BOOK OF THE REVELATION OF HERMES 1 Alchemy Rediscovered And Restored By Archibald Cockren THE SMARAGDINE TABLES OF HERMES TRISMEGISTUS said to be found in the Valley of Ebron, after the Flood. 1. I speak not fiction, but what is certain and most true. 2. What is below is like that which is above, and what is above is like that which is below for performing the miracle of one thing. -
Alpha Chi Sigma Fraternity Sourcebook, 2013-2014 This Sourcebook Is the Property Of
Alpha Chi Sigma Sourcebook A Repository of Fraternity Knowledge for Reference and Education Academic Year 2013-2014 Edition 1 l Alpha Chi Sigma Fraternity Sourcebook, 2013-2014 This Sourcebook is the property of: ___________________________________________________ ___________________________________________________ Full Name Chapter Name ___________________________________________________ Pledge Class ___________________________________________________ ___________________________________________________ Date of Pledge Ceremony Date of Initiation ___________________________________________________ ___________________________________________________ Master Alchemist Vice Master Alchemist ___________________________________________________ ___________________________________________________ Master of Ceremonies Reporter ___________________________________________________ ___________________________________________________ Recorder Treasurer ___________________________________________________ ___________________________________________________ Alumni Secretary Other Officer Members of My Pledge Class ©2013 Alpha Chi Sigma Fraternity 6296 Rucker Road, Suite B | Indianapolis, IN 46220 | (800) ALCHEMY | [email protected] | www.alphachisigma.org Click on the blue underlined terms to link to supplemental content. A printed version of the Sourcebook is available from the National Office. This document may be copied and distributed freely for not-for-profit purposes, in print or electronically, provided it is not edited or altered in any -
Alchemylab Articles\374
Alchemical Theory The One Thing (or the Subtle Ether) Space, whether interplanetary, inner matter, or inter-organic, is filled with a subtle presence emanating from the One Thing of the universe. Later alchemists called it, as did the ancients, the subtle Ether. This primordial fluid or fabric of space pervades everything and all matter. Metal, mineral, tree, plant, animal, man; each is charged with the Ether in varying degrees. All life on the planet is charged in like manner; a world is built up in this fluid and move through a sea of it. Alchemical Ether, which some Hermeticists call the Astral Light, determines the constitution of bodies. Hardness and softness, solidity and liquidity, all depend on the relative proportion of ethereal and ponderable matter of which they me composed. The arbitrary division and classification of physical science, the whole range of physical phenomena, proceeds from the primary Ether, for science has reduced matter as we know it to nothing but Ether, which, although not solid matter, is still matter, the First Matter of the alchemists. When most of us speak of matter, of course, we usually visualize solid substance, but it has been proved by that matter is not actually solid, but merely a stress, a strain in the etheric field of time and space. The atom and the electrons and protons of which it is composed, all move in a sea of Ether, so, that in accordance with this theory of alchemy, the very air we breathe, the very bodies we inhabit, all things most likewise be moving in this sea of Ether, the parent element from which all manifestation has come. -
The Zodiac and the Salts of Salvation. Part One, by Dr. George
? sI I X5ha 2o6iac atx6 tl)e Salts of Salvation PART ONE by : ; . Dr. George Washington Garey the relation of the mineral salts- op the: boi?t; to the signs of the zodiac (Fourteenth and Memorial Edition) , PART TWO AN ESOTERIC ANALYSIS AND SYNTHESIS OF THE ZODIACAL SIGNS AND THEIR PHYSIO- CHEMICAL ALLOCATIONS BY INEZ EUDORA PERRY i First Edition PUBLISHED BY The i Carey-Perry Chemistry School of the of Life j Hollywood, Los Angeles, California N I >- u IT < O (5 0 K o {Mi* UJ o Mg>. K Q o 0 I- i-i < o as z u < u K u <!a (fl ft Offl N D Q I- Z U ~ < Ui n Eu I *cj 0 Io c t- 3 B < 0 6 IE o ° E < i 3 5 ■ o < ; u Aft Copyright BY INEZ EUDORA PERRY Hollywood, California, U. S. A. ALL RIGHTS RESERVED Including Translation into Other Languages AND Publication in All Foreign Countries Printed by J. F. ROWNY PRESS SANTA BARBARA, CAL. CONTENTS Part One Introduction v Poem, "The Saint George" of Biochemistry . ix In Memoriam xii Poem, "The New Name" xix Biochemistry 21 Esoteric Chemistry 22 The Ultimate of Biochemistry 23 The Twelve Cell-Salts of the Zodiac Aries, the Lamb of God 25 Taurus, the Winged Bull of the Zodiac .... 27 The Chemistry of Gemini 28 Cancer: the Chemistry of the Crab 29 Leo : the Heart of the Zodiac 31 Virgo : the Virgin Mary 32 Libra : the Loins 34 Influence of the Sun on Vibration of Blood at Birth : Scorpio 35 The Chemistry of Sagittarius 37 Capricorn : the Goat of the Zodiac 38 The Sign of the Son of Man : Aquarius 41 Pisces: the Fish that Swim in the Pure Sea .. -
Secret Book (Liber Secretus), by Artephius
INDEX Alchemical Manuscript Series Volume One: Triumphal Chariot of Antimony, by Basil Valentine Triumphal Chariot of Antimony by Basil Valentine is considered to be a masterpiece of chemical literature. The treatise provides important advances in the manufacture and medical action of chemical preparations, such as, metallic antimony, solutions of caustic alkali, the acetates of lead and copper, gold fulminate and other salts. Accounts of practical laboratory operations are clearly presented. Instructions in this book are noteworthy, as they provide weights and proportions, a rarity in alchemical literature. Volume Two: Golden Chain of Homer, by Anton Kirchweger, Part 1 Frater Albertus was once asked if he could only have one book on alchemy, which would it be? He answered that it would be the Golden Chain of Homer. This collection of books written by several authors and printed in various editions, was first printed in 1723. Concepts of Platonic, Mosaic, and Pythagorean philosophy provide extensive instruction in Cosmic, Cabbalistic, and laboratory Alchemical Philosophy. Volume Three: Golden Chain of Homer, by Anton Kirchweger, Part 2 Frater Albertus was once asked if he could only have one book on alchemy, which would it be? He answered that it would be the Golden Chain of Homer. This collection of books written by several authors and printed in various editions, was first printed in 1723. Concepts of Platonic, Mosaic, and Pythagorean philosophy provide extensive instruction in Cosmic, Cabbalistic, and laboratory Alchemical Philosophy. Volume Four: Complete Alchemical Writings, by Isaac Hollandus, Part 1 Complete Alchemical Writings was written by father and son Dutch adepts, both named Isaac Hollandus. -
Alchemy in Eastern Literature
Khazar Journal of Humanities and Social Sciences Volume 23 № 1 2020, 22-47 © Khazar University Press 2020 DOI: 10.5782/2223-2621.2020.23.1.22 Alchemy in Eastern Literature Hamlet Isakhanli Khazar University, Baku, Azerbaijan [email protected] Abstract Alchemy, developing in Ancient Egypt and its environs, was formed during the Islamic age as the branch of science and technology. The transmutation of base metals into noble metals and attempts to achieve immortality or rejuvenation by elixir or philosopher`s stone have been expansively reflected in Eastern literature and folklore. This research discusses the endeavors of great rulers of the ancient East, alchemists of the pre-Islamic and, especially, Islamic periods, and prominent writers of the Islamic Golden Age and contemporary period who wrote various treatises devoted or related to alchemy and alchemists. Discussions here include the great Sumerian epic “Gilgamesh” and the legend of Alexander the Great’s attempt to gain immortality, as well as the story of alchemist Mary of Copt. The last two are related in a poem by Nizami, prominent representative of the twelfth century Azerbaijani literary school that wrote in Persian. Distinct images of alchemy were rendered in his poems, moreover, he created multi-faceted alchemical metaphors to describe transformations within humanity. Khagani Shirvani, Nizami’s contemporary, and nineteenth century Azerbaijani thinker Mirza Akhundov, also addressed the topic of alchemy, as well as religious mysticism in Islam and alchemy. Alchemical episodes in the works of great figures of Eastern Sufi literature like Al-Ghazali, Suhrawardy, Ibn Arabi and Rumi have been scrutinized. Keywords: alchemy, metal transmutation, immortality, Sufi literature, Azerbaijani literary school, religious mysticism. -
Alchemy's Role in Harry Potter and the Deathly
AN IMMORTAL SCIENCE: ALCHEMY’S ROLE IN HARRY POTTER AND THE DEATHLY HALLOWS by Will A. Angel Dec, 2010 Chair: Dr. Jeffrey Johnson Major Department: English Literature I chose Hallows above any other novel in the series because it holds a stronger connection with alchemy than any of those before it. Hallows provides a density of alchemical symbols and imagery that far outshines any of its predecessors. In fact, Rowling introduces many new alchemical symbols into the series with Hallows, and I believe she “saves the best for last” in this respect. Hallows is unique because it functions as the Rubedo novel of the Harry Potter series while also serving as a representation of the complete alchemical cycle (Nigredo, Albedo, Rubedo) within itself. This capacity makes the alchemy in Hallows more pronounced than in earlier novels. Furthermore, Hallows is the first novel in the series to feature scripture from the Bible. With a Christian thread in the narrative, Hallows provides a means of exploration for the connection between a simultaneously alchemical and Christian narrative. Finally, Hallows centers much attention on the dynamic between Harry, Hermione, and Ron. I focus on this dynamic and pull from what Rowling says she may “never use in the books” to show how each character carries out his or her respective alchemical duties. In short, Hallows is the most concentrated example of Rowling’s alchemical pen, and its place as the finale of her series cements it as the basis for my study. AN IMMORTAL SCIENCE: ALCHEMY’S ROLE IN HARRY POTTER AND THE DEATHLY HALLOWS A Thesis Presented to The Faculty of the Department of English East Carolina University In Partial Fulfillment of the Requirements for the Degree Masters of English Literature By Will A. -
Final Copy 2020 05 12 Leen
This electronic thesis or dissertation has been downloaded from Explore Bristol Research, http://research-information.bristol.ac.uk Author: Leendertz-Ford, Anna S T Title: Anatomy of Seventeenth-Century Alchemy and Chemistry General rights Access to the thesis is subject to the Creative Commons Attribution - NonCommercial-No Derivatives 4.0 International Public License. A copy of this may be found at https://creativecommons.org/licenses/by-nc-nd/4.0/legalcode This license sets out your rights and the restrictions that apply to your access to the thesis so it is important you read this before proceeding. Take down policy Some pages of this thesis may have been removed for copyright restrictions prior to having it been deposited in Explore Bristol Research. However, if you have discovered material within the thesis that you consider to be unlawful e.g. breaches of copyright (either yours or that of a third party) or any other law, including but not limited to those relating to patent, trademark, confidentiality, data protection, obscenity, defamation, libel, then please contact [email protected] and include the following information in your message: •Your contact details •Bibliographic details for the item, including a URL •An outline nature of the complaint Your claim will be investigated and, where appropriate, the item in question will be removed from public view as soon as possible. ANATOMY OF SEVENTEENTH-CENTURY ALCHEMY AND CHEMISTRY ANNA STELLA THEODORA LEENDERTZ-FORD A dissertation submitted to the University of Bristol in accordance with the requirements for the degree of Doctor of Philosophy in the Faculty of Arts, School of Philosophy. -
Visualization in Medieval Alchemy
Visualization in Medieval Alchemy by Barbara Obrist 1. Introduction Visualization in medieval alchemy is a relatively late phenomenon. Documents dating from the introduction of alchemy into the Latin West around 1140 up to the mid-thirteenth century are almost devoid of pictorial elements.[1] During the next century and a half, the primary mode of representation remained linguistic and propositional; pictorial forms developed neither rapidly nor in any continuous way. This state of affairs changed in the early fifteenth century when illustrations no longer merely punctuated alchemical texts but were organized into whole series and into synthetic pictorial representations of the principles governing the discipline. The rapidly growing number of illustrations made texts recede to 1 the point where they were reduced to picture labels, as is the case with the Scrowle by the very successful alchemist George Ripley (d. about 1490). The Silent Book (Mutus Liber, La Rochelle, 1677) is entirely composed of pictures. However, medieval alchemical literature was not monolithic. Differing literary genres and types of illustrations coexisted, and texts dealing with the transformation of metals and other substances were indebted to diverging philosophical traditions. Therefore, rather than attempting to establish an exhaustive inventory of visual forms in medieval alchemy or a premature synthesis, the purpose of this article is to sketch major trends in visualization and to exemplify them by their earliest appearance so far known. The notion of visualization includes a large spectrum of possible pictorial forms, both verbal and non-verbal. On the level of verbal expression, all derivations from discursive language may be considered to fall into the category of pictorial representation insofar as the setting apart of groups of linguistic signs corresponds to a specific intention at formalization. -
Alchemical Symbols Digital Library Brown Bag Presentation
Isaac Newton's Alchemical Symbols Digital Library Brown Bag Presentation Wally Hooper & Tim Bowman March 24, 2009 Project Overview • The Chymistry of Isaac Newton Project is producing a scholarly online edition of the alchemical manuscripts of Isaac Newton. • William R. Newman, General Editor John A. Walsh, Technical Lead • The Chymistry of Isaac Newton is affiliated with The Newton Project, based at University of Sussex in the U.K., which is focused on Newton's theological writings. Progress Report • At this point, over 85% of the alchemical manuscripts, about 2000 of 2300 pages, have been transcribed and encoded, including the large number of works in the Keynes collection, Kings College Library, Cambridge University, and Newton's most important laboratory notebook, Additional Ms. 3975, Cambridge University Library. • Over 500 pages, or about a quarter of Newton's alchemical writings, have been released to the public with introductions in spring 2007. • Now, a further 117 unreleased documents are undergoing editorial review. • In fall 2007, work began on developing digital tools to accompany the manuscript collection. Web Interface • Web interface provides browsing and searching, and reference materials, including images and video clips. • Manuscripts are represented in diplomatic and normalized transcriptions, derived from a single source XML/TEI document. • New scholarly introductions, commentary, translations, and supplementary pedagogical and reference materials are provided for the collection. Architecture & Standards • Software for the project is developed in Java, using Java Servlet technology, Java Server Pages, and the Apache Struts Java Web application framework. • eXtensible Text Framework (XTF) developed by the California Digital Library (http://xtf.sourceforge.net/) includes crossQuery, dynaXML, Text Engine, and Indexer components.