"In Which We Fight"

Total Page:16

File Type:pdf, Size:1020Kb

PRIVATE PRACTICE "In Which We Fight" written by Alan Flanagan 179 Harbord Street, Toronto ON M5S 2R5 Ph: (+1)647-780-3541 E: [email protected] TEASER FADE IN: RANDOM IMAGES. Sunrise. A paperweight. Letters. Blood. A baby’s rattle. Grainy video footage of a birthday cake. Sunrise again. Waves wash, birds chirp, everything seems... crisp. Except for... a BANGING NOISE. Like metal on metal. ADDISON (V.O.) Before and after. 1 EXT. OCEANSIDE WELLNESS - ADDISON’S OFFICE - DAY 1 ON Addison, well-dressed, together, hint of a smile even. Just staring out the window of her office. ADDISON (V.O.) Two of us. Addison flickers in and out of vision -- a second Addison, looking a mess, harried, worn out, flickers in at the other window. They both trade in and out of actually being there. ADDISON (V.O.) (CONT’D) Two Addison Adrienne Forbes Montgomery Shepherd Bouvier Kennedy Onassis..es. Before and after. INT. OCEANSIDE WELLNESS - ADDISON’S OFFICE - DAY The “Together Addison” turns, confident, smiling - walking for the door. The “Un-Together Addison”, still flickering in and out, follows suit. INT. OCEANSIDE WELLNESS - LOBBY - DAY Both Addisons are joined by NAOMI, SAM, COOP and VIOLET. Again, there are two sets of everyone, flickering in and out, and they match the Addison mood. One group look harried, the other is actually smiling and upbeat. UN-TOGETHER VIOLET How you holding up? UN-TOGETHER ADDISON I... it’s... (she shrugs, teary) "Episode Title" 2. Flickering into... TOGETHER ADDISON (smiling) Is pants-wettingly excited still a phrase? (she glances back to her office -- that metal noise is still happening) TOGETHER NAOMI Most definitely. Flicker back to... UN-TOGETHER NAOMI Do we know what... what the plan is? UN-TOGETHER ADDISON I don’t think there’s an exact way to do tragedy. Cry, scream, punch some dry wall. UN-TOGETHER SAM Lather, rinse, repeat. Flicker to... TOGETHER ADDISON Shampoo? (she looks to her office -- again, that metal noise) TOGETHER COOP Don’t know if we can swing that, but... (he coughs loudly, looking to the kitchen -- nothing happens, and he coughs again) BETSY - Dell’s daughter, and limping slightly - eventually emerges holding a birthday cake, candles and all. TOGETHER ADDISON Oh my God. Flicker to... UN-TOGETHER ADDISON (hanging up her phone) Oh my God. "Episode Title" 3. UN-TOGETHER NAOMI What is it? UN-TOGETHER ADDISON She’s outside. Flicker to... TOGETHER ADDISON (as Betsy holds the cake for her to blow out) How did you...? Thank you guys. Thank you so, so, so much. Flicker to... UN-TOGETHER COOP Can we help-- UN-TOGETHER ADDISON There’s nothing that you can do, guys. I... my mother’s dead and outside apparently, because the hospital thought I was doing an amateur dramatic staging of Weekend At Bernie’s. Flicker to... POP! Champagne and glasses all round. Betsy films them all on a digital camera. TOGETHER ADDISON (sipping as she goes) I appreciate this, guys. I really do. With everything that’s... (that metal sound -- from her office, infuriating) Would you mind if I just...? (she moves for her office) Flicker to... UN-TOGETHER ADDISON I don’t know what there is to make this situation crappier but I have no doubt that the universe will provide. (she waits -- as if the universe is actually going to--) UN-TOGETHER COOP Uh, I think-- (Addison shushes him -- and waits...) "Episode Title" 4. DING! The elevator opens. Everyone looks. Flicker to... Together Addison walks to her office and straight to the window. She leans out... TOGETHER ADDISON Hey! Flicker to... Un-Together Adison staring at the elevator. Open. And occupied by an angry, bloody, ZOMBIE POSTMAN. Flicker to outside Together Addison’s window... EXT. OCEANSIDE WELLNESS - STREET - DAY Together Addison looks way down to the street below. A ZOMBIE PENSIONER is holding a metal bar, banging it against a street sign over and over and over again. TOGETHER ADDISON I said hey! I’m trying to have a birthday here! The zombie looks up. Together Addison throws a brick and clocks her right in the head. She goes down. INT. OCEANSIDE WELLNESS - ADDISON’S OFFICE - DAY Together Addison smiles. TOGETHER ADDISON Ruin my birthday, will you? She turns and walks back out to the lobby. As she does, we flicker between champagne and celebrations and the zombie postman attack -- all of them frantically beating at him to fend him off. Back and forth, back and forth, celebration and attack, attack and celebration. We PAN OUT to that sunrise again. ADDISON (V.O.) I’m not sure which I prefer. END OF TEASER "Episode Title" 5. ACT ONE EXT. LOS ANGELES STREET - DAY Welcome to the post-apocalypse - debris, burnt-out cars, a skyline of occasionally gutted buildings. Los Angeles. A Zombie Bodybuilder (Muscle Beach-type, just in a pair of shorts) tries to balance himself on rollerblades. Up, and he falls. Up, and he falls to his knees. They’re scraped, almost to the bone actually -- clearly he’s been at this for a while. Eventually, he manages to right himself. We hear a CAR ENGINE, high speed, approach. Zombie Bodybuilder has time to look with some form of vague curiosity before -- CRACK! -- a 150 horse- power baseball bat caves his skull in. AMELIA (O.S.) Wooooooooo! INT. SUV - DAY AMELIA -- in the back seat -- pulls her head back in the window, wiping down the bloody bat with a towel. AMELIA You see that? You see that? ON CHARLOTTE, driving, calm. CHARLOTTE I saw. Very nice, Shepherd. AMELIA (looking back) Is he-- SHELDON -- in the back seat too, next to Amelia -- looks out the rear window. SHELDON Yes. Very much so. Nice shot, sweetie. AMELIA What did I tell you about calling me NOMNOMNOMNOMNOM-- (she grabs him, smiling -- a passionate kiss) "Episode Title" 6. CHARLOTTE Alright there, kids. We should go back for those blades. SHELDON (pulling out of the kiss) Aren’t they a little slow? CHARLOTTE Don’t need to be fast, Shelley. Just need to be faster than. Charlotte does a nifty turn with the SUV. AMELIA Stop. CHARLOTTE Got some canoodling to finish? Amelia doesn’t respond, just points out the window. EXT. LOS ANGELES STREET - DAY A huge sign has been painted on the end wall of a store - “ALIVE? PREGNANT? WE CAN HELP. LEAVE DETAILS.” FOCUS ON the bottom corner, where fresh paint marks a name - “ELEANOR - 815 GENESSEE.” INT. OCEANSIDE WELLNESS - KITCHEN - DAY Addison -- the Together Addison, the nicely dressed Addison -- plays with her last bite of cake. As she drifts, images. Letters again, a child’s shoe -- staring into the lobby, we flicker to that day again... INT. OCEANSIDE WELLNESS - LOBBY - DAY ADDISON (V.O.) The first guy, I mean, my first encounter, was a postman. Which seemed sort of nice. I mean, fitting, not nice. Six months ago. Flicker to... NAOMI What the hell was that? "Episode Title" 7. Naomi, Addison, Cooper and Sam - standing over the body of the postman. His bag is open, letters spilling everywhere. COOPER We killed him. NAOMI (dropping a bloody paperweight) Or... I... SAM We-- did you see him? He was-- ADDISON Sick. SAM Bitey. Is everyone... Everyone takes a moment to check their arms, legs... nothing. They look at each other, at the body, at each other again. What the hell are they supposed to-- PETE Guys, have you seen the... (coming out of his office, and spotting the body) ...news? NAOMI Pete, I-- PETE Is that one of them? COOPER One of what? SLAM! Flicker back to... Addison jumps up, leaving her last slice of cake in the kitchen as-- AMELIA Got a live one! She and Sheldon come through the stairwell doors, helping a heavily pregnant woman -- ELEANOR KOCH, early 40s -- to a bench. ELEANOR I’m fine. I’m-- "Episode Title" 8. She stops -- VARIOUS WOMEN, mostly pregnant, have poked their heads out of different rooms. Watching her. ELEANOR (CONT’D) I’m fine. AMELIA She’s got a bite on her stomach. ADDISON (a little worried, but comforting) I see. Hi there... ELEANOR Eleanor. Eleanor Koch. ADDISON Well hello there Eleanor. My name’s Addison Montgomery, I’m a neo-natal specialist here at Oceanside Wellness. (to Sheldon) Where’s Charlotte? SHELDON She-- CHARLOTTE I’m fine, Montgomery. REVEAL Charlotte coming in the stairwell - fine, holding a bottle of whiskey and... five months pregnant, bulging out of her dress. ELEANOR It doesn’t hurt, really. ADDISON I know. (pulling back Eleanor’s t- shirt to see the graze) Looks fairly superficial, and as you probably know the pregnancy insulates you from any... ELEANOR Zombification? ADDISON We prefer the term “organically challenged”. (MORE) "Episode Title" 9. ADDISON (CONT'D) Anyway, bites near the stomach or, more accurately, the baby, are something we tend to get a little concerned about, so why don’t we pop into my exam room. (she helps Eleanor up) ELEANOR (as they walk away) What is this place? Cooper comes bursting out of the stairwell. COOPER We got another one? CHARLOTTE (a quick peck on the cheek, then...) Rein in your Clydesdales, dear, Addison’s checking her out. Got you a present though. (she hands him the whiskey) COOPER (examining the label) Wow. Where’d you get this? CHARLOTTE Passed a liquor store. COOPER You need to be more careful. CHARLOTTE I need to be more inebriated. One of the other pregnant women, LACEY -- late teens, overweight -- approaches. Another, RHONA -- mid 20s, skinny but with a big nine-month belly -- hangs back, shy. LACEY Who is she? CHARLOTTE How am I supposed to know? AMELIA SHELDON (CONT’D) (from the bench, (from the bench, kissing) kissing) Eleanor! Eleanor! "Episode Title" 10.
Recommended publications
  • How Grey's Anatomy Fooled Me Into Thinking I Had Cancer
    Intersect, Vol 13, No 2 (2020) How Grey’s Anatomy Fooled Me into Thinking I Had Cancer: A Conversation on the Uses of Empathy and Misinformation in Medical Dramas Neil Wary Stanford University Abstract It’s often hard to distinguish between fact and opinion, especially in today’s age of media. This becomes a controversial topic once the media disperses information that could potentially be harmful to the public, particularly involving medicine. In this essay, a patient case is used as motivation to understand the complex relationship between medical misinformation in the media and empathy. Following is a discussion of how misinformation and empathy work with the human mind, and how medical dramas use them to their advantage. Then, Grey’s Anatomy is used as a case study to see how the show implements empathy and misinformation. Finally, an analysis of the positives and negatives of the medical drama is presented along with suggestions of how to improve medical dramas – particularly looking at possible outcomes for positive change in this medium of communication. Wary, How Grey’s Anatomy Fooled Me Acknowledgements To Dr. Rebecca Richardson, Program in Writing and Rhetoric Professor at Stanford University, for helping with the preparation and revision of this manuscript. 2 Wary, How Grey’s Anatomy Fooled Me A 19-year-old male with no past medical history presents in clinic with tachycardia. The patient was scheduled for a stress echocardiogram to assess heart structure and function. In the initial ultrasound, however, a mass was found in the patient’s heart. The patient’s stress echocardiogram was cancelled, and the patient was referred to a cardiologist.
    [Show full text]
  • 'Grey's Anatomy,' 'Station 19' Crossover Event
    ABC Plots 'Grey's Anatomy,' 'Station 19' Crossover Event 09.20.2020 Grey's Anatomy Station 19 ABC's two Seattle-set Shondaland soaps, Grey's Anatomy and Station 19, return Nov. 12 with a primetime crossover event as Grey's enters its 17th season and Station 19 its fourth. Grey's Anatomy, which follows Seattle doctors at Grey Sloan Memorial Hospital, stars Ellen Pompeo as Meredith Grey, Chandra Wilson as Miranda Bailey, James Pickens Jr. as Richard Webber, Kevin McKidd as Owen Hunt, Jesse Williams as Jackson Avery, Caterina Scorsone as Amelia Shepherd, Camilla Luddington as Jo Wilson, Kelly McCreary as Maggie Pierce, Kim Raver as Teddy Altman, Giacomo Gianniotti as Andrew DeLuca, Greg Germann as Tom Koracick, Chris Carmack as Atticus "Link" Lincoln, Jake Borelli as Levi Schmitt, Richard Flood as Cormac Hayes and Anthony Hill as Winston Ndugu. Grey's Anatomy was created and is executive produced by Shonda Rhimes. Krista Vernoff serves as showrunner and executive producer. Betsy Beers, Mark Gordon, Debbie Allen, Zoanne Clack, Andy Reaser and Meg Marinis are executive producers. Station 19, which delivered its most-watched season ever in season three, follows a group of firefighters as they work on the front lines, delivering patients to Grey Sloan Memorial and taking on other emergencies. Station 19 stars Jaina Lee Ortiz as Andy Herrera, Jason George as Ben Warren, Boris Kodjoe as Robert Sullivan, Grey Damon as Jack Gibson, Barrett Doss as Victoria Hughes, Jay Hayden as Travis Montgomery, Okieriete Onaodowan as Dean Miller, Danielle Savre as Maya Bishop and Stefania Spampinato as Carina DeLuca.
    [Show full text]
  • Grey's Anatomy
    GREY’S ANATOMY (Thursdays, 9:00-10:01 p.m. ET/PT) Season Premieres Thursday, Nov. 12, 2020 Recipient of the 2007 Golden Globe® Award for Best Drama Television Series and nominated for multiple Emmys®, including Outstanding Drama Series, “Grey’s Anatomy” is considered one of the great television shows of our time. The high-intensity medical drama, now in its 17th season, follows Meredith Grey and the team of doctors at Grey Sloan Memorial who are faced with life-or-death decisions on a daily basis. They seek comfort from one another, and, at times, more than just friendship. Together they discover that neither medicine nor relationships can be defined in black and white. “Grey’s Anatomy” stars Ellen Pompeo as Meredith Grey, Chandra Wilson as Miranda Bailey, James Pickens Jr. as Richard Webber, Kevin McKidd as Owen Hunt, Kim Raver as Teddy Altman, Jesse Williams as JacKson Avery, Camilla Luddington as Dr. Jo, Caterina Scorsone as Amelia Shepherd, Kelly McCreary as Maggie Pierce, Giacomo Gianniotti as Andrew DeLuca, Chris CarmacK as Atticus “Link” Lincoln, Jake Borelli as Levi Schmitt, Greg Germann as Tom KoracicK, Richard Flood as Cormac Hayes and Anthony Hill as Winston Ndugu. “Grey’s Anatomy” was created and is executive produced by Shonda Rhimes (“Scandal,” “How to Get Away with Murder,” “Station 19”). Betsy Beers (“Scandal,” “How to Get Away with Murder,” “Station 19”), MarK Gordon (“Saving Private Ryan”), Krista Vernoff (“Shameless”), Debbie Allen, Zoanne ClacK, Fred Einesman, Andy Reaser and Meg Marinis are executive producers. “Grey’s Anatomy” is produced by ABC Signature, which is a part of Disney Television Studios, alongside 20th Television and Touchstone Television.
    [Show full text]
  • Feb. 15, 2019 MEREDITH MUST CHOOSE SIDES BETWEEN ALEX
    Feb. 15, 2019 MEREDITH MUST CHOOSE SIDES BETWEEN ALEX AND DELUCA DURING A SITUATION AT WORK ON AN ALL-NEW EPISODE OF ABC’S ‘GREY’S ANATOMY,’ THURSDAY, MARCH 7 “Blood and Water” – Meredith finds herself having to side with either Alex or DeLuca during a difficult situation, but she doesn’t want to betray either of them. Meanwhile, Maggie reveals details about her personal life that cause a public stir, and Levi struggles with whether or not to tell his family about Nico, on “Grey’s Anatomy,” THURSDAY, MARCH 7 (8:00-9:01 p.m. EST), on The ABC Television Network, streaming and on demand. “Grey’s Anatomy” stars Ellen Pompeo as Meredith Grey, Justin Chambers as Alex Karev, Chandra Wilson as Miranda Bailey, James Pickens Jr. as Richard Webber, Kevin McKidd as Owen Hunt, Jesse Williams as Jackson Avery, Caterina Scorsone as Amelia Shepherd, Camilla Luddington as Jo Wilson, Kelly McCreary as Maggie Pierce, Kim Raver as Teddy Altman and Giacomo Gianniotti as Andrew DeLuca. Guest starring is Stefania Spampinato as Carina DeLuca, Lindsay Wagner as Helen Karev, Chris Carmack as Atticus “Link” Lincoln, Jake Borelli as Levi Schmitt, Alex Landi as Nico Kim and Jaicy Elliot as Taryn Helm. “Blood and Water” was written by Kiley Donovan and directed by Pete Chatmon. “Grey’s Anatomy” was created and is executive produced by Shonda Rhimes. Betsy Beers, Mark Gordon (“Saving Private Ryan”), Krista Vernoff (“Shameless”), Debbie Allen, Zoanne Clack, Fred Einesman, Andy Reaser and Meg Marinis are executive producers. “Grey’s Anatomy” is produced by ABC Studios.
    [Show full text]
  • Grey's Anatomy 1611 a Hard Pill to Swallow
    Jan. 13, 2020 RICHARD IS WORRIED ABOUT MAGGIE, WHILE BAILEY RETURNS TO WORK AFTER TAKING TIME OFF TO GRIEVE, ON AN ALL-NEW EPISODE OF ABC’S ‘GREY’S ANATOMY,’ THURSDAY, JAN. 30 “A Hard Pill to Swallow” – Richard finds out Maggie quit Grey Sloan and is concerned about how she’s handling the death of her patient who was her estranged cousin. Bailey returns to work after taking some personal time off, although Koracick doesn’t make her first day as easy as she’d like. Meanwhile, Meredith thinks she might miss DeLuca, and Amelia has an update for Link on her pregnancy on “Grey’s Anatomy” THURSDAY, JAN. 30 (9:00-10:01 p.m. EST), on ABC. (TV-14, L) Episodes can also be viewed the next day on ABC.com, the ABC app or Hulu. “Grey’s Anatomy” stars Ellen Pompeo as Meredith Grey, Justin Chambers as Alex Karev, Chandra Wilson as Miranda Bailey, James Pickens Jr. as Richard Webber, Kevin McKidd as Owen Hunt, Jesse Williams as Jackson Avery, Caterina Scorsone as Amelia Shepherd, Camilla Luddington as Jo Wilson, Kelly McCreary as Maggie Pierce, Kim Raver as Teddy Altman, Giacomo Gianniotti as Andrew DeLuca, Greg Germann as Tom Koracick, Chris Carmack as Atticus “Link” Lincoln and Jake Borelli as Levi Schmitt. Guest starring is Debbie Allen as Catherine Fox and Richard Flood as Cormac Hayes. “A Hard Pill to Swallow” was written by Adrian Wenner and directed by Michael Medico. “Grey’s Anatomy” was created and is executive produced by Shonda Rhimes. Betsy Beers, Mark Gordon, Krista Vernoff, Debbie Allen, Zoanne Clack, Fred Einesman, Andy Reaser and Meg Marinis are executive producers.
    [Show full text]
  • Jan. 28, 2019 MEREDITH TRIES to TALK to a DISTRACTED MAGGIE
    Jan. 28, 2019 MEREDITH TRIES TO TALK TO A DISTRACTED MAGGIE ABOUT HER DATING SITUATION, WHILE OWEN AND AMELIA RECEIVE BAD NEWS ABOUT BETTY ON AN ALL-NEW EPISODE OF ABC’S ‘GREY’S ANATOMY,’ THURSDAY, FEB. 14 Guest Starring Jennifer Grey Directed by Kevin McKidd “I Walk the Line” – A sea of patients flood Grey Sloan Memorial after gunfire goes off at a parade. A blast from the past throws Maggie off her game on the same day that Meredith tries to talk to her about her dating situation. Meanwhile, Owen and Amelia get some potentially life-altering news about Betty on “Grey’s Anatomy,” THURSDAY, FEB. 14 (8:00-9:01 p.m. EST), on The ABC Television Network, streaming and on demand. “Grey’s Anatomy” stars Ellen Pompeo as Meredith Grey, Justin Chambers as Alex Karev, Chandra Wilson as Miranda Bailey, James Pickens Jr. as Richard Webber, Kevin McKidd as Owen Hunt, Jesse Williams as Jackson Avery, Caterina Scorsone as Amelia Shepherd, Camilla Luddington as Jo Wilson, Kelly McCreary as Maggie Pierce, Kim Raver as Teddy Altman and Giacomo Gianniotti as Andrew DeLuca. Guest starring is Jennifer Grey as Carol Dickinson, Greg Germann as Tom Koracick, Alex Blue Davis as Casey Parker, Sophia Ali as Dahlia Qadri, Jake Borelli as Levi Schmitt and Jaicy Elliot as Taryn Helm. “I Walk the Line” was written by Tameson Duffy and directed by Kevin McKidd. “Grey’s Anatomy” was created and is executive produced by Shonda Rhimes. Betsy Beers, Mark Gordon (“Saving Private Ryan”), Krista Vernoff (“Shameless”), Debbie Allen, Zoanne Clack, Fred Einesman, Andy Reaser and Meg Marinis are executive producers.
    [Show full text]
  • "Bleeding Love" Original Spec Script Written by Logan Conover
    "Bleeding Love" Original Spec Script Written by Logan Conover [email protected] (610) 657-986 ii. Characters Meredith Grey Alex Karev Richard Webber Miranda Bailey Arizona Robbins April Kepner Jackson Avery Matthew DeLuca Amelia Shepherd Owen Hunt Maggie Pierce Stephanie Edwards Jo Wilson Ginger Reed Mollie Reed Franklin Reed Fiona Reed Marcus Florenstein Trevor Williams Anesthesiologist Scrub Nurses Hospital Staff ACT ONE INT. MEREDITH’S BEDROOM - EARLY MORNING A heavy rain trickles down the moonlit window outside of Meredith’s bedroom. Her moment of tranquility ends as soon as CONOVERit begins when her 5 am phone alarm blares from the bedside table. She begrudgingly reaches out her hand and silences it. She lays still for a moment. MEREDITH (V.O.) Any neurosurgeon will tell you that without sleep, your brain cells lose the ability to communicate, and your memory and perception become diluted. She slithers out of bed, as thunder and lightning clash outside. CUT TO: INT. MEREDITH’S LIVING ROOM - EARLY MORNING Meredith stomps downstairs to see Alex sprawled out on the couch in the living room, though more of his body is off the couch than on. Thunder rumbles one more time, and Meredith wakes him up by throwing a pillow at his head. MEREDITH (V.O.) Ironically, neurosurgeons probably get the least sleep out of all of us. And that’s saying something. Meredith drags her feet as she enters the kitchen. At the counter is Maggie, slumped over on the cold countertop with a cup of coffee spilled over in her hand. Rolling her eyes, Meredith flips the cup into an upright position, waking her suddenly.
    [Show full text]
  • Feb. 24, 2020 a WEALTHY INVENTOR COMES to GREY
    Feb. 24, 2020 A WEALTHY INVENTOR COMES TO GREY SLOAN FOR KORACICK’S HELP, AND THINGS GET HEATED BETWEEN JACKSON AND VIC, ON AN ALL-NEW EPISODE OF ABC’S ‘GREY’S ANATOMY,’ THURSDAY, MARCH 12 “Life on Mars?” – A wealthy inventor arrives at Grey Sloan and asks KoraciCk for help, while Meredith struggles to save a woman with diabetes who has been rationing her insulin. Jo and Link fight to save a young man who fell onto train tracks, and Jackson and ViC’s relationship hits a snag, on an all-new episode of “Grey’s Anatomy,” THURSDAY, MARCH 12 (9:00-10:01 p.m. EDT), on ABC. Episodes Can also be viewed the next day on demand and on Hulu. “Grey’s Anatomy” stars Ellen Pompeo as Meredith Grey, Chandra Wilson as Miranda Bailey, James PiCkens Jr. as RiChard Webber, Kevin MCKidd as Owen Hunt, Jesse Williams as Jackson Avery, Caterina SCorsone as Amelia Shepherd, Camilla Luddington as Jo Wilson, Kelly MCCreary as Maggie PierCe, Kim Raver as Teddy Altman, Giacomo Gianniotti as Andrew DeLuCa, Greg Germann as Tom KoraciCk, Chris Carmack as AttiCus “Link” LinColn and Jake Borelli as Levi SChmitt. Guest starring is Barrett Doss as ViCtoria Hughes, Jonathan Cake as Griffin Ford, Devin Way as Blake Simms, Vera Cherny as Noelle and Ariela Barer as Paula. “Life on Mars?” was written by Jase Miles-Perez and direCted by MiChael Watkins. “Grey’s Anatomy” was Created and is exeCutive produCed by Shonda Rhimes. Betsy Beers, Mark Gordon, Krista Vernoff, Debbie Allen, Zoanne ClaCk, Fred Einesman, Andy Reaser and Meg Marinis are exeCutive produCers.
    [Show full text]
  • The Week's Best Late-Night Laughs
    TONIGHT MON TUE WED 4THU FRI SAT Television Grey’s Anatomy (ABC/CTV) McDreamy’s little sister Private Practice’s Caterina Scorsone checks in at Grey’s Anatomy in crossover episode Physically speaking, Toronto’s Caterina Scorsone BILL really could be Patrick HARRIS Dempsey’s sister. “I had never thought of Television the resemblance, but once people mentioned it to me, I could totally see it,” Scorsone said. “Even the bubble to the surface. colouring, everything.” “My character has some Well, Scorsone has become really interesting stuff with a regular on Private Practice, Derek,” Scorsone said. the Grey’s Anatomy spinoff As a kid, Scorsone — series, playing Dr. Amelia now 28 — appeared on the Scorsone said. “A friend of Shepherd, the little sister classic Canadian TV series mine once said to me, ‘It’s of Grey’s staple Dr. Derek Mr. Dressup. She kept busy sad to be ready and not be Shepherd (Dempsey). in recent years with some called on, but it’s tragic to be And on Thursday, film and episodic TV work, called on and not be ready.’ ” Scorsone’s Amelia will but her acting profile took Scorsone was a fan of Grey’s cross over and appear in a big leap forward when Anatomy before any of this a new episode of Grey’s she was cast as the lead happened, so the crossover Anatomy. Private Practice in the high-profile mini- episode is especially cool. airs Thursdays on ABC and series Alice, which aired “One of my sisters in A, while Grey’s Anatomy in December 2009.
    [Show full text]
  • A Gifted Storyteller Actor Caterina Scorsone Settles Into Her Role
    TRINITY ALUMNI MAGAZINE SUMMER 2011 trinityTRINITY ALUMNI MAGAZINE WINTER 2011 a gifted storyteller actor Caterina Scorsone settles into her role Plus: why Canada needs a national energy strategy now & the return of the Vikings provost’smessage Back to the Future The rest is yet to come The end of the academic year brings a familiar rhythm that Ridley and others from whence our core has come through the never fails to delight and surprise. A new low-table appreciation years. I note only that there is space in those windows for other night for student leaders was a great addition to the usual round names to appear. Likewise, I find it charming that the program of recognition for incoming and outgoing Heads and Dons. for the other east windows in Strachan remains unfinished: The Divinity Convocation allowed us to salute our graduating while the Biblical Hebrew of David, the Ancient Greek of students and honour three people who themselves have hon- Sophocles, the Medieval German of Walther von der Vogel- oured the College by their superb achievements beyond these weide (spot the odd man out?), the Humanist Latin of Petrarch walls – namely, the Rev. Dr. Brent Hawkes Div ’86, the Rev. and the English of Shakespeare may once have spanned the Canon John Hill and Steve Otto ’61. At Convocation at the world, there is still more, surely, to be written on these walls. University of Toronto, our own Malcolm Gladwell ’84 and Craig There is a stain on the ceiling that (I am told) testifies to an Kielberger ’07 received honorary degrees, and each delivered ancient food fight long forgotten.
    [Show full text]
  • Thesis Proposal
    School of Business, Economics and IT International programme in Politics and Economics “Love is ours only in death” - An analysis of how lesbian and bisexual relationships are stereotyped on Western television shows through the use of tropes Author: Cajsa Löf Bachelor’s Thesis, 15 HE credits Thesis work in Political Science Spring term 2016 Supervisor: Fredrik Sjögren Examiner: Fredrik Sunnemark Abstract Television is a mirror of society and in which we hope to see our lives and existence reflected. When the images shown marginalises your reflection through the use of stereotypes and common tropes it is hard to believe this does not affect the world around you and your perception about yourself. Television is vastly researched and this case study will add to it by analysing how lesbian and bisexual relationships are stereotyped through the use of tropes on Western television shows. Semiotics is used to decipher the underlying meanings of stereotypes and tropes; as stereotypes and tropes marginalise groups of people. By using visual analysis to watch episodes, the scenes analysed through qualitative content analysis proved that same-sex relationships are stereotyped through tropes and rarely challenge previous research. Social interaction based on representation theory solidify the perceptions through television images causing further harm to lesbians and bisexuals. Keywords: Lesbian and Bisexual, LGBT, Television, Stereotypes, Tropes, Representation, Same-Sex Relationship i Acknowledgement First and foremost, I would like to thank my family and friends for still loving me. I have barely seen or spoken to you for weeks because of this thesis but you are still there and it warms my heart.
    [Show full text]
  • ESTUDOS LINGUÍSTICOS E LITERÁRIOS Mariane Cech
    UNIVERSIDADE FEDERAL DE SANTA CATARINA PROGRAMA DE PÓS GRADUAÇÃO EM INGLÊS: ESTUDOS LINGUÍSTICOS E LITERÁRIOS Mariane Cechinel Gonçalves “I DON’T SPEAK GIRL”: PORTRAYALS OF WOMEN IN GREY’S ANATOMY Dissertação submetida ao Programa de Pós Graduação em Inglês da Universidade Federal de Santa Catarina para a obtenção do Grau de Mestre em Letras. Orientadora: Prof.ª Dr.ª Susana Bornéo Funck Florianópolis 2016 Folha de assinaturas To all people out there fighting for a better live. To all women in the world who suffer. Keep fighting! ACKNOWLEDGEMENTS In the two years of the Master’s program and in the process of writing this thesis, some people were of great importance for me. So, my special thank you goes to: My advisor, Professor Susana Bornéo Funck, who was the one to introduce Feminist Theories to my academic life. Thank you for always being open to talk and giving suggestions for my research. All the literature professors I had during my academic life, especially the ones who followed my research. Thank you for opening up the literary universe for me and broadening my knowledge in the area. All Linguistic professors present in my academic life. Thank you for showing and raising awareness for the area. Although I chose literature, linguistics is always present for all English students. My boyfriend, who was always supportive and willing to discuss my research. Thank you for the company and the support. My best friends, Dayane Evellin and Maria Eduarda, who always support me both in my academic and in my personal life. Thank you for being there for me! All my friends, whose names I will not write, not to run the risk of forgetting someone.
    [Show full text]