12/01/05 New Adult Movies

Total Page:16

File Type:pdf, Size:1020Kb

12/01/05 New Adult Movies N E W M O V I E S November 1, 2015 The Following DVDs were added to our collection during the month of October. New Entertainment DVDs circulate for 3 days, New Nonfiction & TV Series circulate for 14 days. Older Nonfiction & TV Series circulate for 28 days) NEW Entertainment Releases (Please note “NEW” titles may only be checked out by Deer Park Library cardholders.) Aloft American Horror Story: Freak Show the Complete Fourth Season Apartment Troubles The Avenger [Blu-Ray] Avengers Age of Ultron [Blu-Ray] The Avengers Backcountry Before We Go Billy Elliot the Musical Live Blackwood A Borrowed Identity Dark Places Dragon Ball Z: Resurrection ‘F’ [Animation] Continued Next page… 11/1/2015 Adult NEW Movies Continued The Falling Furious 7 Furious 7 [Blu-Ray] The Heart Machine Home Fires Insidious: Chapter 3 Me and Earl and the Dying Girl Miss Fisher’s Murder Mysteries, Series 3 Paper Towns People Places Things Pitch Perfect Pitch Perfect [Blu-Ray] Pitch Perfect 2 Pixels Pixels [Blu-Ray] Playing it Cool Queen & Country The Riot Club San Andreas Continued Next page… 11/1/2015 Adult NEW Movies Continued Southpaw Testament of Youth Tomorrowland Toxin The Turning Unexpected New Nonfiction Titles Added (Please note “NEW” titles may only be checked out by Deer Park Library cardholders. New Nonfiction Titles circulate for 14 days.) 155.44 Wol The Wolfpack 299.936 Goi Going Clear: Scientology and the Prison of Belief 523.49 Cha Chasing Pluto 641.013 I’ll I’ll Have What Phil’s Having Titles Added To General Entertainment Section (General Entertainment DVDs circulate for 7days) Amityville Dollhouse [1996] Amityville II: Possession [1982] Amityville III: The Demon [1983] Bad Company [2002] Behind the Mask the Rise of Leslie Vernon [2006] Continued Next page… 11/1/2015 Adult NEW Movies Continued Black Hawk Down [2001] Breed [2007] Buried Alive [2008] Burnt Offerings [2003] Candyman [1992] The Changeling [1981] Children of the Corn III [1995] Children of the Corn IV [1996] Coyote Ugly [2000] Dave Matthews Band Listener Supported [1999] Desperado [1995] Dickie Roberts Former Child Star [2003] Dracula 2000 [2000] Edward Scissorhands [1990] Elf [2003] Embrace of the Vampire [1994] Fly II [2000] Glass House [2006] The Grudge 2 [2007] The Grudge 3 [2009] Gun Shy [2000 The Hangover [2009] Halloween III: Season of the Witch [1982] Halloween Resurrection [2002] Halloween: The Curse of Michael Myers [1995] Hellraiser [2011] Homecoming [2010] ] House II [2011] Continued Next page… 11/1/2015 Adult NEW Movies Continued House On Haunted Hill/The Bat/The Last Man on Earth [1959/1959/1964] Howling [1981] Howling II: Your Sister is a Werewolf [1985] I Spit On Your Grave [2012] Inside [In French 2007] Intruder [1988 Jason Goes to Hell [1993] John and Mary [1996] L.I.E. [2002] Lake Placid [1999] Laverne & Shirley The Complete First Season [1976-77 ] Leatherface [1996] El Mariachi [In Spanish 1992] Omen III: The Final Conflict [1981] Omen IV: The Awakening [1991] The Open Door [2011] Pathology [2007] Pet Sematary Two [2006] Phantasm [1979] Possession [2009] Psycho III [2005] Re-Animator [1985] Roar [1981] Saint [1997] Succubus Hell-Bent [2007] Tequila Sunrise [1988] Texas Chainsaw Massacre The Next Generation [1994] 30 Days of Night: Dark Days [2010] Continued Next page… 11/1/2015 Adult NEW Movies Continued Trespass [2011] The Trials of Cate McCall [2013] Tric r’ Treat [2007] Vacancy [2007] The Ward [2011] Wonder Boys [2000] Young Guns [1988] ADDITIONAL Nonfiction Titles Added (These Nonfiction Titles circulate for 28 days.) 796.81 Sum Summer Slam [2007] 796.81 Tri Triple H. The King of Kings [2008] 796.81 UFC UFC 106. Tito Ortiz vs Forrest Griffin 2 [2010] .
Recommended publications
  • Perkins, Anthony (1932-1992) by Tina Gianoulis
    Perkins, Anthony (1932-1992) by Tina Gianoulis Encyclopedia Copyright © 2015, glbtq, Inc. Entry Copyright © 2007 glbtq, Inc. Reprinted from http://www.glbtq.com The life and career of actor Anthony Perkins seems almost like a movie script from the times in which he lived. One of the dark, vulnerable anti-heroes who gained popularity during Hollywood's "post-golden" era, Perkins began his career as a teen heartthrob and ended it unable to escape the role of villain. In his personal life, he often seemed as tortured as the troubled characters he played on film, hiding--and perhaps despising--his true nature while desperately seeking happiness and "normality." Perkins was born on April 4, 1932 in New York City, the only child of actor Osgood Perkins and Janet Esseltyn Rane. His father died when he was only five, and Perkins was reared by his strong-willed and possibly abusive mother. He followed his father into the theater, joining Actors Equity at the age of fifteen and working backstage until he got his first acting roles in summer stock productions of popular plays like Junior Miss and My Sister Eileen. He continued to hone his acting skills while attending Rollins College in Florida, performing in such classics as Harvey and The Importance of Being Earnest. Perkins was an unhappy young man, and the theater provided escape from his loneliness and depression. "There was nothing about me I wanted to be," he told Mark Goodman in a People Weekly interview. "But I felt happy being somebody else." During his late teens, Perkins went to Hollywood and landed his first film role in the 1953 George Cukor production, The Actress, in which he appeared with Spencer Tracy.
    [Show full text]
  • 08 SM 6/15 (TV Guide)
    Page 8 THE NORTON TELEGRAM Tuesday, June 15, 2004 Monday Evening June 21, 2004 7:00 7:30 8:00 8:30 9:00 9:30 10:00 10:30 11:00 11:30 KHGI/ABC Wife & Kid GLopez According Hope/Fait Weddings Gone Wild Local Local Local Local KBSH/CBS Standing Yes Dear Raymond 21/2Men CSI: Miami Local Late Show Late Late KSNK/NBC Fear Factor For Love Or Money 3 Who Wants to Marry Local Tonight Show Conan FOX North Shore The Casino Local Local Local Local Local Local Cable Channels A&E Pride Pride Pride AMC Mississippi Burning Jaws 2 Escape Fr ANIM Growing Up Cell Dogs Animal Precinct Growing Up Cell Dogs CNN Paula Zahn Now Larry King Live Newsnight Lou Dobbs Larry King Norton TV DISC Mythbusters Biker Girl Biker Build Off Monster House Biker Girl DISN Kim Possible Raven Sis Bug Juice Lizzie Boy Meets Even E! High Price of Fame Scream Play THS Howard Stern Celebrities Uncensore ESPN Monday Night Baseball Sportscenter Outside Sportscen ESPN2 NCAA College World Series Today At Wimbledon Streetball NBA Final FAM Addams Family Values Whose Lin Whose Lin The 700 Club Funniest Funniest FX Sleeping With The Enemy Nip/Tuck Nip/Tuck Sleeping With the Ene HGTV Smrt Dsgn Decor Ce Organize Dsgn Chal Dsgn Dim Dsgn Dme To Go Hunters Smrt Dsgn Decor Ce HIST Mail Call Color of W Band of Brothers Investigating History Question of Conspirac Mail Call Color of W LIFE Providence Stranger at the Door Golden Gr Golden Gr Nanny Nanny MTV Newlywed Must List Road Rule Road Rule Road Rule Faking Vid Making/G Special Video Clash Listings: NICK Fairly Odd Sabrina Full Hous Full Hous
    [Show full text]
  • Curriculum Vitae: Bruce F. Kawin
    October 30, 2020 Curriculum Vitae: Bruce F. Kawin Professor Emeritus of English University of Colorado at Boulder Boulder, CO 80309 Home: 4393 13th St. Boulder, CO 80304 Phone: (303) 449-4845 (land line) — (303) 514-6707 (cell; use this or e-mail until further notice) Fax: (303) 449-2503 E-mail: [email protected] Born: Los Angeles, CA Education: Ph.D.: Cornell University, September 1970 Major: 20th Century British and American Literature Minor: Film History and Aesthetics Thesis: Telling It Again and Again: The Aesthetics of Repetition M.F.A.: Cornell University, June 1969 Major: Creative Writing Minor: Filmmaking Thesis: Slides Summer program in Documentary Film Production, UCLA, August 1968 B.A. cum laude: Columbia College, Columbia University, June 1967 Major: English and Comparative Literature Teaching Experience: Professor of English: English Department, University of Colorado at Boulder, 1975-2015. (Professor Emeritus, 2015-present; Full Professor since 1980; tenure awarded, 1979; Associate Professor, 1977- 80; Assistant Professor, 1975-77.) Taught half-time in Film Studies Program 1975-2006 (two Film Studies courses/year), then one Film Studies course/year through 2014; other film courses after 2006 taught in English Dept. Fields: Modern Literature, Film History and Theory, Creative Writing. Visiting Fellow: Theater Arts Board, College 5, University of California at Santa Cruz, 1980-81. Fields: Film History and Theory. Specialist in Film Analysis: Center for Advanced Film Studies, American Film Institute, 1974. Lecturer in English and Film: English Department, University of California at Riverside, 1973-75. Fields: Modern Literature, Film History, Composition, Women Studies. Assistant Professor of English: English Department, Wells College, 1970-73.
    [Show full text]
  • Das Remake Als Fetischkunst Gus Van Sants »Psycho« Und Die Absonderlichen Serialitäten Des Hollywood-Kinos
    FORSCHUNGSBEITRAG DAS REMAKE ALS FETISCHKUNST Gus Van Sants »Psycho« und die absonderlichen Serialitäten des Hollywood-Kinos Frank Kelleter 154 RKEMA ING ALS SERIELLE PRAXIS Film-Remakes und Film-Fortsetzungen verkörpern den kommerziellen Prag- matismus des Hollywood-Kinos in schamloser Manier. Kein Wunder, dass sich Feuilleton und Filmwissenschaft lange Zeit nicht mit ihnen anfreunden konnten. Noch heute muss jeder Film, der eine Zahl im Titel trägt, darauf gefasst sein, als Beispiel für die Einfallslosigkeit einer ganzen, eigentlich geldgeilen Industrie herzuhalten. Problematisch ist diese Haltung nicht, weil sie falsch wäre – Remakes und Fortsetzungen operieren tatsächlich als ›pre-sold com- modities‹ –, sondern weil Einfallsreichtum in der Geschichte des populären Films eigentlich immer schon an profitorientierte Produktionskulturen gebun- den war. Wie unbehaglich dieser Gedanke in cinephilen Kreisen weiterhin sein mag, lässt sich daran ablesen, dass die Figur des sich gegen ökonomische Zwänge behauptenden ›Auteurs‹ die Rede über Filme selbst dort noch orga- nisiert, wo die proklamierten filmtheoretischen Überzeugungen schon längst das Gegenteil behaupten. Das Problem filmischer Autorschaft steht im Zentrum von Gus Van Sants »Psycho« und vermengt sich dort in irritierender Weise mit Fragen medialer Selbstreflexion und narrativer Fortsetzungslogik. Um zu verstehen, was hier geschieht, bietet es sich an, das Format ›Neuverfilmung‹ zunächst einmal seri- alitätstheoretisch zu beschreiben. Auf den ersten Blick ist das eine kontrain- tuitive Perspektive: Remakes behaupten ja in aller Regel nicht, Episoden oder Fortsetzungen eines größeren Erzählganzen zu sein. Dennoch fällt es schwerer, POP. Kultur und Kritik ◆ Heft 7 Herbst 2015 ◆ S. 154–173 ◆ © transcript zwischen einer Neuverfilmung und einer Fortsetzung formal zu unterscheiden, als diese scheinbar eindeutigen Begriffe vermuten lassen (Verevis 2006a; siehe auch einzelne Beiträge in Heinze/Krämer 2015).
    [Show full text]
  • Sunday Morning, Oct. 28
    SUNDAY MORNING, OCT. 28 FRO 6:00 6:30 7:00 7:30 8:00 8:30 9:00 9:30 10:00 10:30 11:00 11:30 COM Good Morning America (N) (cc) KATU News This Morning - Sun (N) (cc) Your Voice, Your Paid This Week With George Stepha- Paid Paid 2/KATU 2 2 Vote nopoulos (N) (cc) (TVG) Paid Paid CBS News Sunday Morning (N) (cc) Face the Nation The NFL Today (N) (Live) (cc) NFL Football Indianapolis Colts at Tennessee Titans. (N) (Live) (cc) 6/KOIN 6 6 (N) (cc) NewsChannel 8 at Sunrise (N) (cc) NewsChannel 8 at Sunrise at 7:00 AM (N) (cc) Meet the Press (N) (cc) (TVG) Paid Paid Figure Skating ISU Grand Prix of 8/KGW 8 8 Figure Skating: Skate Canada. (N) Betsy’s Kinder- Angelina Balle- Mister Rogers’ Daniel Tiger’s Thomas & Friends Bob the Builder Rick Steves’ Travels to the Nature Snowy owls on the North NOVA A 5,000-year-old mummi- 10/KOPB 10 10 garten rina: Next Neighborhood Neighborhood (TVY) (TVY) Europe (TVG) Edge Slope of Alaska. (TVPG) fied corpse. (cc) (TVPG) FOX News Sunday With Chris Wallace Good Day Oregon Sunday (N) FOX NFL Sunday (N) (Live) (cc) NFL Football Seattle Seahawks at Detroit Lions. (N) (Live) (cc) 12/KPTV 12 12 (cc) (TVPG) (TVPG) Paid Paid Turning Point: Day of Discovery In Touch With Dr. Charles Stanley Life Change Paid Paid Paid Inspiration Today Camp Meeting 22/KPXG 5 5 David Jeremiah (cc) (TVG) (cc) (TVG) Kingdom Con- Turning Point (cc) Praise W/Kenneth Winning Walk (cc) A Miracle For You Redemption (cc) Love Worth Find- In Touch (cc) PowerPoint With It Is Written (cc) Answers With From His Heart 24/KNMT 20 20 nection (TVPG) Hagin (TVG) (cc) ing (TVG) (TVPG) Jack Graham.
    [Show full text]
  • Sports Sports Colby High Runners Win League
    FREE PRE ss SSPORTPORT SS Colby Free Press Thursday, October 22, 2009 Page 7 Seconds before impact Colby High runners win league championship The Colby High boys cross Nathan Reed took 13th with The junior varsity boys team country team won the Northwest 19:31. also ran at the meet. Freshman Kansas League championship Other times included seniors Blake McNinch finished second meet for the eighth time in the past Kalen Rasmussen, 20:41, and overall in 22:09. 10 years last Saturday at Hoxie, Brock Wagoner, 20:55, and soph- Senior Dylan Stithem snared with 38 overall points. omore Jordan Rasmussen, 21:31. fifth place with 24:09 and senior Goodland came in second with Nally and Reed both received Jacob Hutfles came in sixth at 48. Other schools that competed medals and were named to the 28:33. in the meet were Oberlin and Oak- All-Northwest Kansas League Both teams will be running on ley. Team. The top 10 finishers in the Saturday in the Regional meet at “We had good balance, with race made the all league squad. Lake Afton in Wichita, sponsored each runner having a good run On the girls side, junior Katrina by Bishop Carroll Catholic High throughout the race,” said Coach Kaus took first overall in 17 min- School. Bob Mannebach. utes. The girls will start at 2 p.m. and Mannebach said the team had Junior Sara Martin snared ninth at the boys at 3 p.m. worked hard at practice for the 19:05 and sophomore Andrea Tor- To get to the meet, take Inter- last two weeks in weather that was res finished in 24.
    [Show full text]
  • © Page 1 Sur 21 Synopsis
    Titre original Psycho Réalisation Alfred Hitchcock Scénario Joseph Stefano Anthony Perkins Janet Leigh Acteurs principaux Vera Miles John Gavin Sociétés de Shamley Productions production Pays d’origine États-Unis Genre thriller Sortie 1960 Durée 109 minutes Psychose (Psycho) est un thriller horrifique américain en noir et blanc réalisé par Alfred Hitchcock, sorti en 1960. C'est le 47e long métrage, inspiré par le roman de Robert Bloch Psycho dont le scénario a été écrit par le jeune scénariste Joseph Stefano. Ce film majeur dans la filmographie d'Alfred Hitchcock est considéré comme un chef- d'œuvre1 du suspense et a élevé Anthony Perkins au rang de célébrité du cinéma. Il y interprète Norman Bates, un jeune homme perturbé, propriétaire d'une vieille demeure surplombant le motel dont il est également propriétaire, et où Marion Crane (Janet Leigh), une automobiliste de passage, connaîtra un destin tragique. Un détective privé (Martin Balsam), puis l'amant et la sœur de Marion (Vera Miles), se lanceront à sa recherche. Suspense et horreur se conjuguent pour atteindre leur paroxysme au moment où le mystérieux meurtrier est finalement démasqué. Psychose a fait l'objet de trois suites, toutes avec Anthony Perkins, réalisées en 1983, 1986 et 1990. En 1998, Gus Van Sant en a tourné un remake plan pour plan avec entre autres Vince Vaughn dans le rôle de Norman Bates et Julianne Moore dans celui de Lila Crane. ©http://fr.wikipedia.org/wiki/Psychose_(film,_1960) Page 1 sur 21 Synopsis En début d'après-midi d'un vendredi de décembre, Marion Crane et Sam Loomis se retrouvent à l'insu de leur entourage dans une chambre de l'Adam's Hotel, à Phoenix (Arizona).
    [Show full text]
  • Beloit Daily News
    Weekend Daily News Friday/Saturday/Sunday, September 6-8, 2019 | A1 Weekend SPORTS: Packers shuffl e Bears • B1 COUPON SAVINGS TODAY $202.15 Subscribers of the Beloit Daily News Daily News have enjoyed thousands in coupon www.beloitdailynews.com $2.50 savings over the last 12 months alone! Winnebago starting at $4.8M in red By AUSTIN MONTGOMERY Staff writer ROCKFORD — The full Winnebago County Board saw its first look at budget options for the 2020 budget on Thursday night, with a range of tough choices ahead for county board members. The current fiscal year ends Sept. 30 and a budget deficit looms. So far, the county is facing a $4.8 million deficit in 2020, accord- ing to Finance Committee Chairman Jaime Salgado. The county board was presented options for the upcoming fiscal year’s budget: an increase in the property tax levy combined with an increase in overall net new growth revenue; no change in the property tax levy; an increase in the property tax levy alone. A full rundown of the $4.13 million in pro- posed cuts, according to a memo circulated Austin Montgomery/Beloit Daily News ahead of Thursday’s meeting: Rockford resident Bill Lambert, 99, went scuba diving on his birthday on Thursday at Pearl Lake in South Beloit in a bid • Health insurance employer contribution to set the record of oldest person in the world to scuba dive. reduced by $1 million. • $500,000 shifted to the general fund levy. • Payments of $576,840 from the former City of Rockford 911 intergovernmental At 99, Rockford man still scuba diving agreement removed from the administrative budget.
    [Show full text]
  • The Contemporary Gothic in Bates Motel Reviving Psycho…
    We Still Need to Talk About Norman: The Contemporary Gothic in Bates Motel Renata Pires de Souza* Resumo: Estrelada por Vera Farmiga (Norma Bates) e Freddie Highmore (Norman Bates), Bates Motel estreou em 2013 como uma série de TV derivada de Psicose (Robert Bloch, 1959; Alfred Hitchcock, 1960). A proposta é construir uma prequel contemporânea para a história, que promete mostrar um retrato de Norman Bates durante sua adolescência, revelando a complexa relação entre ele e sua mãe. Alguns elementos góticos são trazidos de volta pela série, como a casa abandonada; sombras projetadas; ações que se passam à noite; a prática da taxidermia; a questão do duplo, do estranho e da paranoia. Assim, o objetivo deste trabalho é observar como Bates Motel revive e expande a história original, sobretudo em se tratando do gótico contemporâneo, no qual temos a retórica da psicanálise como um tema bastante explícito na narrativa, e não apenas como ferramenta para a análise do texto. Dentro dessa perspectiva, registra-se a impossibilidade de harmonia familiar, assunto crucial na série, visto que cada relação esconde algum tipo de problema. Ainda, tem-se a mãe monstruosa, figura ambígua, que extravasa o seu amor descomedido, ciúme e superproteção; bem como o herói patológico, figura introspectiva, que oculta sua monstruosidade. Reviver essa história, portanto, não apenas nos permite recordar uma narrativa perturbadora, mas também experimentar algo novo, visto que esse é o propósito da ficção derivativa: criar uma nova trama a partir daquela já conhecida pelo público. Palavras-chave: ficção derivativa, Bates Motel, gótico contemporâneo, mãe monstruosa, herói patológico. A glimpse into the world proves that horror is nothing other than reality.
    [Show full text]
  • Das Remake Als Fetischkunst. Gus Van Sants »Psycho« Und Die Absonderlichen Serialitäten Des Hollywood-Kinos 2015
    Repositorium für die Medienwissenschaft Frank Kelleter Das Remake als Fetischkunst. Gus Van Sants »Psycho« und die absonderlichen Serialitäten des Hollywood-Kinos 2015 https://doi.org/10.25969/mediarep/1238 Veröffentlichungsversion / published version Zeitschriftenartikel / journal article Empfohlene Zitierung / Suggested Citation: Kelleter, Frank: Das Remake als Fetischkunst. Gus Van Sants »Psycho« und die absonderlichen Serialitäten des Hollywood-Kinos. In: POP. Kultur und Kritik, Jg. 4 (2015), Nr. 2, S. 154– 173. DOI: https://doi.org/10.25969/mediarep/1238. Erstmalig hier erschienen / Initial publication here: https://nbn-resolving.org/urn:nbn:de:hbz:6:3-pop-2015-16735 Nutzungsbedingungen: Terms of use: Dieser Text wird unter einer Deposit-Lizenz (Keine This document is made available under a Deposit License (No Weiterverbreitung - keine Bearbeitung) zur Verfügung gestellt. Redistribution - no modifications). We grant a non-exclusive, Gewährt wird ein nicht exklusives, nicht übertragbares, non-transferable, individual, and limited right for using this persönliches und beschränktes Recht auf Nutzung dieses document. This document is solely intended for your personal, Dokuments. Dieses Dokument ist ausschließlich für non-commercial use. All copies of this documents must retain den persönlichen, nicht-kommerziellen Gebrauch bestimmt. all copyright information and other information regarding legal Auf sämtlichen Kopien dieses Dokuments müssen alle protection. You are not allowed to alter this document in any Urheberrechtshinweise und sonstigen Hinweise auf gesetzlichen way, to copy it for public or commercial purposes, to exhibit the Schutz beibehalten werden. Sie dürfen dieses Dokument document in public, to perform, distribute, or otherwise use the nicht in irgendeiner Weise abändern, noch dürfen Sie document in public. dieses Dokument für öffentliche oder kommerzielle Zwecke By using this particular document, you accept the conditions of vervielfältigen, öffentlich ausstellen, aufführen, vertreiben oder use stated above.
    [Show full text]
  • 9.Canet-Valero-Codina
    Fernando Canet Quantitative approaches for [email protected] Associate Professor in Film evaluating the influence of films Studies. Fine Arts College. Politechnic University of using the IMDb database Valencia. Spain. Abstract Miguel Ángel Valero Why do films certain remain influential throughout film [email protected] history? The purpose of this paper is to attempt to answer this Researcher. Politechnic University of Valencia. Spain. question. To do so, we adopt some quantitative approaches that facilitate an objective interpretation of the data. The data source we have chosen for this study is the Internet Online Movie Lluís Codina Database (IMDb), and in particular, one of its sections called [email protected] Associate Professor. Pompeu "Connections", which lists references made to a film in Fabra University. Barcelona. subsequent movies and references made in the film itself to Spain. previous ones. The extraction and analysis of these networks of citations allows us to draw some conclusions about the most Submitted influential movies in film history, identifying their February 2, 2016 distinguishing features, and considering how their popularity Approved has evolved over time. March 15, 2016 Keywords © 2016 Influential films, film history, IMDb, connections, database, Communication & Society ISSN 0214-0039 quantitative approaches E ISSN 2386-7876 doi: 10.15581/003.29.2.151-172 www.communication-society.com 2016 – Vol. 29(2), 1. Introduction pp. 151-172 What are the most influential films in film history? What features define these films? Why films do certain remain popular over time? In other How to cite this article: Canet, F., Valero, M.A. & Codina, L.
    [Show full text]
  • Psychose (Film, 1960).Pdf
    Psychose (film, 1960) 1 Psychose (film, 1960) Pour les articles homonymes, voir Psychose (homonymie). Psychose Titre original du film Données clés Titre original Psycho Réalisation Alfred Hitchcock Scénario Joseph Stefano Acteurs principaux Anthony Perkins Janet Leigh Vera Miles John Gavin Sociétés de production Shamley Productions Pays d’origine États-Unis Genre Horreur, thriller Sortie 1960 Durée 109 minutes Pour plus de détails, voir Fiche technique et Distribution Psychose (Psycho) est un thriller horrifique américain en noir et blanc réalisé par Alfred Hitchcock, sorti en 1960. C'est le 47e long métrage, inspiré par le roman de Robert Bloch Psycho dont le scénario a été écrit par le jeune scénariste Joseph Stefano. Ce film majeur dans la filmographie d'Alfred Hitchcock est considéré comme un chef-d'œuvre[1] du suspense et a élevé Anthony Perkins au rang de célébrité du cinéma. Il y interprète Norman Bates, un jeune homme perturbé, propriétaire d'une vieille demeure surplombant le motel dont il est également propriétaire, et où Marion Crane (Janet Leigh), une automobiliste de passage, connaîtra un destin tragique. Un détective privé (Martin Balsam), puis l'amant et la sœur de Marion (Vera Miles), se lanceront à sa recherche. Suspense et horreur se conjuguent pour atteindre leur paroxysme au moment où le mystérieux meurtrier est finalement démasqué. Psychose a fait l'objet de trois suites, toutes avec Anthony Perkins, réalisées en 1983, 1986 et 1990. En 1998, Gus Van Sant en a tourné un remake plan pour plan avec entre autres Vince Vaughn dans le rôle de Norman Bates et Julianne Moore dans celui de Lila Crane.
    [Show full text]