Succesverhalen Van André Rieu En Within Temptation Daargelaten, Is Nederlandse Dance Internationaal Succesvoller Dan Andere Genres

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Succesverhalen Van André Rieu En Within Temptation Daargelaten, Is Nederlandse Dance Internationaal Succesvoller Dan Andere Genres BMG TALPA MUSIC Kicks, drops en royalties Succesverhalen van André Rieu en Within Temptation daargelaten, is Nederlandse dance internationaal succesvoller dan andere genres. Hoewel Pieter van Bodegraven, vice-president BMG Talpa Music, dat uit bescheidenheid niet zal bevestigen, heeft hij daarin een belangrijke rol gespeeld. DOOR: WERNER SCHLOSSER et portfolio van BMG Talpa Music de huidige Nederlandse dominantie in de wordt volgens Van Bodegraven alleen maar is breed en diep. Veel poparties- wereldwijde dancescene in en wierp als groter. “Doordat de liedjes steeds beter Hten - onder wie Racoon, Anouk en eerste vruchten af voor dj Tiësto. Diens worden, wordt meer EDM op de radio ge- Miss Montreal - hebben er hun publishing internationale succes had een aanzuigende draaid, verkopen we meer albums en werken ondergebracht, maar het bedrijf heeft ook werking op lokale en buitenlandse dance- steeds meer pop artiesten met danceproducers al vele jaren geleden dance omarmd. Een labels, die zich ook door Van Bodegraven samen. Giorgio Tuinfort, Afrojack, Nicky van de drijfveren daarbij was het grote in- wilden laten vertegenwoordigen. Romero en Fabian Lenssen produceren ternationale potentieel. Een observatie al voor onder anderen Rihanna, Britney van Van Bodegraven bleek echter cruciaal Overname Spears, Sia, Will.I.Am, Jessie J, Pitbull, om dat potentieel te verzilveren. “Als niet- Het in de loop der jaren opgebouwde port- Enrique Inglesias en John Legend.” native speakers krijgen Nederlandse arties- folio van (grotendeels lokale) pop- en dance- ten vaak kritiek op hun teksten en accent. componisten én het feit dat Talpa Music Mr. Probz Daarom heb ik er altijd naar gestreefd dat exclusief de uit The Voice voortkomende Een ander voorbeeld van een crossover internationale artiesten de ‘toplines’, de artiesten vertegenwoordigt, maakte het be- is Mr. Probz, een van oorsprong hiphop- teksten en vocals, van Nederlandse dance- drijf begin dit jaar een gedroomde overna- artiest die door BMG Talpa Music ver- producties voor hun rekening namen. mekandidaat voor BMG. Het partnership tegenwoordigd wordt. Dankzij een Onze dj’s concentreren zich vooral op pakt volgens Van Bodegraven goed uit. “We dance-remix van Robin Schulz is zijn waar zij goed in zijn: de beats en melo- krijgen alle kansen om te investeren in onze single Waves nu een wereldwijde hit, ook dieën. Velen van hen hebben geen muzi- verdere ontwikkeling. Zelfs in het huidige in Amerika. Van Bodegraven hoopt dat kale achtergrond, maar sleutelen 12 uur werkveld, waarin we concurrerende voor- er uiteindelijk 5 miljoen downloads van aan de perfecte kick of drop. Zo creëren schotten moeten bieden. BMG vertrouwt op worden verkocht. Daarmee zouden de ze hun eigen sound.” Deze formule luidde onze inzichten, zoals John de Mol dat ook verkopen bijna het resultaat evenaren van altijd deed.” Mede door een andere BMG Talpa-wereldhit: Give de buitenlandse successen Me Everything van Afrojack featuring is electronic dance music Ne-Yo & Pitbull, waarvan meer dan 6 (EDM) inmiddels goed miljoen exemplaren werden verkocht. Van voor ‘een substantieel’ Bodegraven: “We moeten er nu alleen voor (maar niet nader gespeci- zorgen dat men niet denkt dat Mr. Probz ceerd) deel van de omzet een dance-artiest is. Voor zijn volgende van BMG Talpa Music. album is hij dan ook gewoon songs aan het maken en van sommige kan eventueel een 5 miljoen downloads dance-remix uitkomen.” Sterker nog: dance is van groot belang voor de Cultuur hedendaagse muziekscene Van Bodegraven benadrukt dat EDM vele NICKY ROMERO EN PIETER VAN BODEGRAVEN als geheel, en die invloed varianten kent. Radio draait bijvoorbeeld 28 WWW.ENTERTAINMENTBUSINESS.NL OKTOBER 2014 EB201410_BMG_Talpa.indd 28 29-9-2014 11:05:28 INTERVIEW AFROJACK YELLOW CLAW vooral house-achtige dance, van 128 beats de slag kunnen of adviseren wie een num- de drops werken. Ook bezoekt hij festivals per minute. Hardstyle is met zijn 150 mer het best zou kunnen inzingen. Ik hoor als Dance Valley, Extrema Outdoor en de bpm nauwelijks op de radio te draaien, weleens dat men mij de ‘The Connector’ Miami Winter Conference. “Daar kun je maar hardstyle-tracks zijn juist weer de noemt, omdat ik vaak mensen bij elkaar zien of producers het in zich hebben om perfecte festivalanthems. “Een goede dj is breng voor creatieve samenwerkingen. zich te ontwikkelen tot artiest. Boaz van een artiest die zijn publiek tijdens zijn set Verder helpen wij beginnende dj’s met het de Beatz heeft die potentie bijvoorbeeld.” meeneemt op een muzikale reis. Dat is het doorkijken van artiestenovereenkomsten. Lachend voegt hij daaraan toe: “Grappig verschil tussen een dj met muzikale kennis Ik wil ze ervoor behoeden dat ze in hun is wel, dat ik tijdens optredens door de kids en passie, en een plaatjesdraaier die eigen- enthousiasme verkeerde keuzes maken. Het vaak word aangezien voor een stille!” lijk meer voor zichzelf in de dj booth staat.” is heel belangrijk dat hun start goed is.” En dat is volgens Van Bodegraven wat BMG Talpa Music ook wil zijn: de stille Bemiddeling Credible kracht achter het grote succes van zijn Van Bodegraven beschouwt dance- Van Bodegraven denkt niet dat de componisten. ◾ artiesten vanuit die visie als onderdeel van Nederlandse hegemonie op dancegebied de Nederlandse cultuur. Hij vindt dat de zijn hoogtepunt bereikt heeft. In tegen- overheid dat meer zou mogen onderken- deel, hij wil die positie verder uitbouwen Succesvolste dance- nen en dj’s helpen om te kunnen toeren door het niveau van de songs te verhogen. componisten BMG Talpa in Amerika. “De grote jongens kunnen “Zo dring ik erop aan dat onze dj’s liedjes Music: wel duizenden euro’s aan advocaatkosten opnemen die tekstueel dichtbij hen staan. Afrojack betalen om een visum te regelen, maar Daardoor worden ze geloofwaardiger, meer Apster vooral beginnende artiesten krijgen daar credible en dus meer artiest. Dan kunnen Bakermat geen werkvergunning. Zij kunnen dus we ook albums gaan verkopen. Calvin Boaz van de Beatz nooit een naam opbouwen. Bemiddeling Harris doet dat bijvoorbeeld heel goed Coone door de overheid zou vele deuren kunnen en ook Giorgio Tuinfort - zoals bekend D-wayne openen.” de man achter de producties van David GLOWINTHEDARK Guetta - componeert vanuit die gedachte.” Headhunterz Meerwaarde Gevraagd naar andere trends zegt Van Brennan Heart Belangrijke issues waar BMG Talpa Music Bodegraven: “Ik vind deephouse interes- Sunnery James & Ryan Marciano zich mee bezighoudt, zijn de incasso van sant. Dat is een artistieke, credible vorm Laidback Luke gelden die organisatoren van evenementen van dance, die ook liefhebbers van Sigur Fedde Le Grand (zouden moeten) afdragen en het contro- Rós en Alt-J kan aanspreken. Ook Yellow LNY TNZ leren van royalty-afrekeningen. Daarnaast Claw en Bakermat zijn heel creatief en Quintino onderscheidt het zich op een aantal doordacht bezig met hun image en presen- Nicky Romero punten van andere uitgevers, zegt Van tatie, dat spreekt mij zeer aan.” Sandro Silva Bodegraven. “Wij hebben geen eigen label Leroy Styles en kunnen dus objectief bepalen wat het Stille Giorgio Tuinfort juiste label is voor een artiest. Ook helpen Van Bodegraven komt naar eigen zeggen Marcus van Wattum wij de dj’s om een song te completeren; we nog regelmatig in clubs, om de sfeer te Yellow Claw dragen composities aan waarmee zij aan proeven en om te kijken of de tracks en WWW.ENTERTAINMENTBUSINESS.NL OKTOBER 2014 29 EB201410_BMG_Talpa.indd 29 29-9-2014 11:05:35.
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