Ebook Download the Diary of Lady Murasaki 1St Edition

Total Page:16

File Type:pdf, Size:1020Kb

Ebook Download the Diary of Lady Murasaki 1St Edition THE DIARY OF LADY MURASAKI 1ST EDITION PDF, EPUB, EBOOK Murasaki Shikibu | 9780140435764 | | | | | The Diary of Lady Murasaki 1st edition PDF Book He sees four discrete sections, beginning with the dated descriptions of the birth, followed by two undated sections of introspective vignettes, and a final dated section in chronological order. Fairly dry with its dogged insistence of random details, told in a cool, detached, slightly depressing voice. Jan 13, Richie rated it liked it Shelves: autobiography , heian. As long as you are free from such faults, people will surely refrain from listening to tittle-tattle and will want to show you sympathy, if only for the sake of politeness. I wanted to read a non-Western memoir and a memoir from Japan's medieval era the Heian period , a delicate, diaphanous world of gossip, court frivolity, fastidious fashion, and secret musings and longings. Instead we are left to mere speculation for a lot of parts, including as to why the tone changes from a journal style to that of a letter written to an intimate. She is unflinching in her criticism of aristocratic courtiers, seeing beyond superficial facades to their inner core, a quality Keene says is helpful for a novelist but less useful in the closed society she inhabited. The Diary is also a work of great subtlety and intense personal reflection, as Murasaki makes penetrating insights into human psychology her pragmatic observations always balanced by an exquisite and pensive melancholy. View all 5 comments. Detailing all the costume and rituals of the court, some readers may get bored of reading paragraphs dedicated to a certain woman's ceremonial dress or what exactly happens on the 5th day of a Prince's life. The text itself is well annotated, with useful and not excessively intrusive footnotes. We hid behind the dais, but his Excellency pulled back the curtains and we were both caught. Waley, Arthur. However, when she switches to writing what feels like a letter to a confidante, she reveals a melancholy disposition who is nevertheless loyal to the young Her Majesty and her few friends, whom the editor Bowring insists are JUST friends, even when they compare themselves to mandarin ducks, the symbol of lovers. Book Description Condition: New. Unlike most with limited bibliography, though, she benefits from a grand reception in the halls of text and textual analysis, well- earned by her display of literary skill so early in the echelons of history. The scroll, meant to be read from left to right, consists of calligraphy illustrated with paintings. At the peak of the Heian period , from the late 10th to early 11th century, as Japan sought to establish a unique national culture of its own it saw the genesis of early Japanese classical literature, which to a large part emerged from women's court literature. While I was hoping for some more personal thoughts, what I got was surprisingly relatable and profound. We may never know who the true audience was, but it really feels like she was writing directly across time to us, her audience. The Diary of Lady Murasaki 1st edition Writer London: Penguin. Download as PDF Printable version. It should not be compared to a modern 'writer's notebook', according to Keene. Seller Inventory AAZ As a diary, I can't in fairness give this a star rating. We acknowledge and remind and warn you that they may, in fact, be entirely unrepresentative of the actual reviews by any other measure. But what can I do about it? These passages include specific readings of sutras and other Buddhist rituals associated with childbirth. I also really loved the exchanges of poetry that she recorded, though as the translator notes, the poems are impossible to translate, as the "games" these poems play with puns, with the other person's lines, and with other texts are not communicable. On autumn evenings, which positively encourage nostalgia, when I go out to sit on the veranda and gaze, I se Thus do I criticize others from various angles — but here is one who has survived this far without having achieved anything of note. It feels rather odd reviewing someone's diary; you can hardly critique the plot or characters, and I doubt it was written in the hope of being a great literary work, so it would be strange to comment on the language and form. For instance, people are often referred to by honorary titles "Her Excellency", "Her Majesty" etc Monogatari Waka Nikki Bungaku Mono no aware. Much of the text focusses on the events surrounding the birth of a son to Empress Shoshi, in whose service Murasaki was. In the letter, Murasaki muses on a range of topics, from religion, to decorum and the way it constrains and dampens behavior, to how one should treat enemies, to her own depression and her frustrations with it. Heroic with Grace: Legendary Women of Japan. They were the most intelligently arranged. We may never know who the true audience was, bu The enduring image I'll take away is of Lady Murasaki, a giant of literature, retiring within her small, semi-private partition, annoyed as groups of men trample raucously through the palace. The problem with a text like this is, unless you come at it with a whole host of previous experience with related materials and interests, it's not going to do much. Husband or father? I have nothing in particular to look forward to in the future that might afford me the slightest consolation, but I am not the kind of person to abandon herself completely to despair. She thought herself so clever and littered her writing with Chinese characters; but if you examined them closely, they left a great deal to be desired. We may never know who the true audience was, but it really feels like she was writing directly across time to us, her audience. There was a time when she mentions holding Chinese books collected by someone close to her. It's precisely what it claims to be, a diary, but not a deeply intimate one. The Diary of Lady Murasaki 1st edition Reviews Unlike the imaginary courts of Murasaki's romantic novel The Tale of Genji , the descriptions in the diary of imperial court life are starkly realistic. Murasaki's given name is unknown. Condition: new. Wikisource has original text related to this article: The Diary of Murasaki Shikibu. Unlike most with limited bibliography, though, she benefits from a grand reception in the halls of text and textual analysis, well- earned by her display of literary skill so early in the echelons of history. Afterwards, Lady Saisho regretted it deeply. While I was hoping for some more personal thoughts, what I got was surprisingly rela As a diary, I can't in fairness give this a star rating. The first half of the diary is a detailed description of the ceremonies taking place after the birth. Published by Penguin Classics Enlarge cover. Write to me with your own thoughts — no matter if you have less to say than all my useless prattle, I would love to hear from you. Apr 21, T. Error rating book. Not as interesting as the Kagero Kikki oder the Pillow Book but those interested in 11th century Japan won't get around reading Murasaki's diary, if only for the prominence of the author. Bowring believes the work is difficult to define, that piecing it together is puzzling. Told in a series of vignettes, it offers revealing glimpses of the Japanese imperial palace - the auspicious birth of a prince, rivalries between the Emperor's consorts, with sharp criticism of Murasaki's fellow ladies-in- waiting and drunken courtiers, and telling remarks about the timid Empress and her powerful father, Michinaga. This common metaphor for lovers originally came from Chinese literature but had by this time become firmly a part of the Japanese poetic vocabulary. She is best known as the author of The Tale of Genji, written in Japanese between about and , one of the earliest and most famous novels in human history. Jan 26, Molly rated it really liked it. As I gazed out at them through the wraiths of morning mist - some fading to varying hues, others yellow and in their prime, all arranged in various ways - it seemed to me that old age might indeed be conquered. There was barely any war, it, and the preceding Nara period, we essentially dark ages for most the rest of the world. But we're never told what those titles might mean. Then at some point, the tone of the diary changes to become much more personal. Interesting from a historical perspective but not a particular engaging read. She is somber and pensive to say the least. Travelers of a Hundred Ages: The Japanese as revealed through years of diaries. The whole diary is really fascinating, but the long letter near the end is a highlight. Did she miss him badly and hence was so depressed? Download as PDF Printable version. All this means by the time you reach the diary itself, you are wondering just what it will contain, even after glimpses of it given as examples. I get it, they're not lesbians, thanks. For some years I had existed from day to day in listless fashion The two courts were competitive; both introduced educated ladies-in- waiting to their respective circles and encouraged rivalry among the women writers. She was the author of The Tale of the Genji, which has been hailed as the first novel. Lady Murasaki is often credited as having written the first ever novel, The Tale of Genji, in the 11th century, and I was interested in reading a snippet of the life of a woman who lived during this period in Japan, as it is fairly undocumented from a female perspective.
Recommended publications
  • Exhibition Schedule
    November 8 (Sun.) - December 13 (Sun.), 2020 Special Exhibits at the Masterpieces Collection Room 2 Thematic Exhibition February 20 - March 2, 2021 Reading and Re-envisioning The Tale of Genji Tea Scoop, named Namida ("Tears") 2020 - 2021 through the Ages It is said that Sen-no-Rikyū (1522-1591), in April March Exhibition Rooms at Hōsa Library his last days, carved this bamboo tea scoop and used it in his last tea gathering, after Toyotomi Hideyoshi (1537-1598) The Tale of Genji written by Murasaki Shikibu is a masterpiece of classic ordered punishment upon him. March 28, the day of Rikyū's death, literature that has been read continuously over the course of a thousand is remembered as a memorial day called "Rikyū-ki." The scoop was Exhibition Schedule years. The National Treasure The Diary of later owned by Furuta Oribe who made the outer case for the scoop, Murasaki Shikibu Illustrated Handscroll in the then by Tokugawa Ieyasu and by the 1st Owari Lord Tokugawa THE TOKUGAWA ART MUSEUM collection of Gotoh Museum, Tokyo, will be on Yoshinao. HŌSA LIBRARY CITY of NAGOYA special exhibit and this exhibition will unravel the charm of Japan’s world-famous Tale of February 6 (Sat.) - April 4 (Sun.), 2021 Genji by tracing the cultural history pertaining to the tale. Special Exhibition The Doll Festival of the Owari Tokugawa <Chapter "Kiritsubo" from the Tale of Genji> Edo period, 1655 Family Private Collection Exhibition Rooms 7-9 at The Tokugawa Art Museum Special Exhibits at the Masterpieces Collection Room 5 Focused on the Hina dolls and doll accessories passed down in the Owari November 8 - December 13, 2020 Tokugawa family, this exhibition presents the extravagant and refined world of dolls that is The Diary of Murasaki Shikibu Illustrated Handscroll (designated a distinctive of an elite daimyō family.
    [Show full text]
  • Reading and Re-Envisioning the Tale of Genji Through the Ages
    Symbols of each chapters of The Tale of Genji Thematic Exhibition Ⅳ Dissemination of the Genji Tale from the Genji-kō Incense Game Reading and Re-envisioning The Tale of Genji attracted many readers, irrespective of gender, through "Genji-kō" is a name of the kumikō incense game which is tasting different the beauty of the text and its thorough depictions fragrances and guessing the name, developed in Edo period. Participants The Tale of Genji of every aspect of classical court culture, its skillful would taste 5 different fragrances and draw a horizontal line to connect the psychological portrayals of the characters, and same fragrance. Thus drawn, figures appear in 52 different shapes, matching through the Ages its diverse world view based on Japanese the number of chapters of The Tale of Genji except the first and the last ones, and Chinese literature, various arts, and and they are called "Genji-kō" design. The "Genji-kō" design often appears in Buddhism. Not only did it have a significant impact on various traditional craft works as well as design of Japanese confectionery later literary works, but its influence can also be seen in associated with the story of The Tale of Genji. Japanese performing arts, such as Noh theater, and cultural arts, such as incense ceremony (kōdō), and tea ceremony (sadō), as well as the arts and crafts that accompany them. 46 37 28 1 9 1 0 1 “The Tale of Genji,” written Shiigamoto Yokobue Nowaki Usugumo Sakaki Kiritsubo At the same time, as a narrative that features Art Museum & The Tokugawa 2020 / By Hōsa Library, City of Nagoya Nov.
    [Show full text]
  • Introduction This Exhibition Celebrates the Spectacular Artistic Tradition
    Introduction This exhibition celebrates the spectacular artistic tradition inspired by The Tale of Genji, a monument of world literature created in the early eleventh century, and traces the evolution and reception of its imagery through the following ten centuries. The author, the noblewoman Murasaki Shikibu, centered her narrative on the “radiant Genji” (hikaru Genji), the son of an emperor who is demoted to commoner status and is therefore disqualified from ever ascending the throne. With an insatiable desire to recover his lost standing, Genji seeks out countless amorous encounters with women who might help him revive his imperial lineage. Readers have long reveled in the amusing accounts of Genji’s romantic liaisons and in the dazzling descriptions of the courtly splendor of the Heian period (794–1185). The tale has been equally appreciated, however, as social and political commentary, aesthetic theory, Buddhist philosophy, a behavioral guide, and a source of insight into human nature. Offering much more than romance, The Tale of Genji proved meaningful not only for men and women of the aristocracy but also for Buddhist adherents and institutions, military leaders and their families, and merchants and townspeople. The galleries that follow present the full spectrum of Genji-related works of art created for diverse patrons by the most accomplished Japanese artists of the past millennium. The exhibition also sheds new light on the tale’s author and her female characters, and on the women readers, artists, calligraphers, and commentators who played a crucial role in ensuring the continued relevance of this classic text. The manuscripts, paintings, calligraphy, and decorative arts on display demonstrate sophisticated and surprising interpretations of the story that promise to enrich our understanding of Murasaki’s tale today.
    [Show full text]
  • Download Artist's CV
    Annely Juda Fine Art 23 Dering Street London W1S 1AW T +44 (0) 20 7629 7578 F +44 (0) 20 7491 2139 www.annelyjudafineart.co.uk [email protected] KATSURA FUNAKOSHI Born 1951 Selected Solo Exhibitions 2019-20 Katsura Funakoshi: A Tower in the Night Forest, Work 2011-2019, Van Doren Waxter, New York, USA 2016 The Sphinx in Myself, Mie Prefectural Art Museum, Tsu, Japan Galerie Claude Bernard, Paris, France 2015-16 Museum Wiesbaden, Germany 2015 Galerie Albrecht, Berlin, Germany 2014 Claude Bernardi, Paris, France 2013 Bunkamura, Tokyo, Japan 2012 Menard Art Museum, Aichi, Japan 2011 Kami City Art Museum, Kochi, Japan Recent Sculptures and Drawings, Annely Juda Fine Art, London, UK 2010 Nishimura Gallery, Tokyo, Japan Contemporary Art Museum, Kumamoto, Japan 2009 Gallery Tamura, Hiroshima, Japan 2008 Nishimura Gallery, Tokyo, Japan Greenberg Van Doren Gallery, New York, USA Tokyo Metropolitan Teien Art Museum, Tokyo, Japan Ando Gallery, Tokyo, Japan 2007 Gallery Tamura, Hiroshima 2006 Cite Du Livre, Aix En Provence Nishimura Gallery, Tokyo 2005 Continental Gallery, Sapporo VAT No. GB 234 4061 93 Incorporated as Annely Juda Fine Art Ltd. Registered in England and Wales No. 2261663. Registered office as above. Annely Juda Fine Art 23 Dering Street London W1S 1AW T +44 (0) 20 7629 7578 F +44 (0) 20 7491 2139 www.annelyjudafineart.co.uk [email protected] Annely Juda Fine Art, London / Ernst Barlach Haus, Hamburg Tokyo Zokei University, ZOKEI Gallery 2004 Museum of Contemporary Art Tokyo Gallery Tamura, Hiroshima Galerie Frank
    [Show full text]
  • MUSEUMS and ART GALLERIES PAGE 1 / 10
    MUSEUMS and ART GALLERIES PAGE 1 / 10 PG-801 MUSEUMS and ART 10th Fl., Tokyo Kotsu Kaikan Bldg., 2-10-1, Yurakucho, Chiyoda-ku, Tokyo 100-0006 GALLERIES Tel. (03)3201-3331 In Japan, there are more than 1,500 museums and art galleries Notes: and their numbers are increasing year by year. 1) Admission fees will be higher than indicated when special exhibi- The present leaflet, however, mainly introduces those found tions are held. in and around such major tourist centers as Tokyo, Kyoto and 2) The museums are closed temporarily during changes of exhibi- Osaka, which are easily accessible to visitors. Regarding similar tions. institutions in other districts, only those comparatively well 3) The museums are generally closed from Dec. 28 to Jan. 4. favored by visitors from abroad have been listed. 4) “Open:” shows opening hour and closing hour, but ticket win- Listed are art galleries, folk history museums, treasure houses dows are usually closed 30 minutes before closing time. and folk art museums. Major science museums and those of a 5) At most museums, identification labels for objects and pam- unique nature are also introduced. phlets are written in Japanese. These institutions are arranged geographically from north to 6) Telephone numbers in parentheses are the area codes for long- south and are classified roughly by district and city according to distance calls. their location. 7) Mon. (Tue)* = Closed on Mon. however, when Mon. falls on a The information contained in this leaflet is based on current national holiday, the museum is open and it is closed on the fol- data as of July 2007.
    [Show full text]
  • The Deer Scroll by Kōetsu and Sōtatsu
    The Deer Scroll by Kōetsu and Sōtatsu Reappraised Golden Week Lecture Series— Four Masterpieces of Japanese Painting: A Symposium Miyeko Murase, Former Consultant for Japanese Art, Metropolitan Museum of Art and the Takeo and Itsuko Atsumi Professor Emerita, Columbia University Poem Scroll with Deer (part), Hon’ami Kōestu and Tawaraya Sōtatsu, early 17th century, handscroll, ink, gold and silver on paper, 13 3/8 x 372 in., Gift of Mrs. E. Frederick, 51.127 It has been quite some years since I last spoke here at this museum, so many in fact that I have lost count. It is really wonderful to be back, and I want to thank director Mimi Gates and curator Yukiko Shirahara, who invited me to speak today on the world-famous Deer Scroll by Sōtatsu and Kōetsu. This proud possession of the Seattle Art Museum is one of the most beautiful paintings ever created by Japanese artists.1 The scroll just came back from Japan after extensive restorative work. Although the handscroll itself does not bear any title, it is generally known as the Deer Scroll because the entire scroll is filled with images of deer, which are shown either singly, in couples, or in large herds. The animals are painted only in gold and/or silver ink, as is the very simple setting of sky, mist, and ground. As you may have noticed, these beautiful pictures of deer are really a background for the equally exquisite writings of waka poems in black ink. Here we have a symphony of three arts - poetry, painting, and calligraphy - as a testimonial to the ancient credo of Asia that these three arts occupy an equally important place in life and culture.
    [Show full text]
  • TEFAF Catalogue, Kigen (Genesis), Building, Japan / the Gotoh Museum, Japan / Herbert F
    TEFAF Maastricht 2017 10th March – 19th March 2017 Opening Preview on 9th March Stand 237 (new location) The Yufuku Collection 2017 Our Raison D'etre 06 Hisao Domoto 42 Naoki Takeyama In recent years, the emergence of a group of Japanese artists who have spearheaded a new way of thinking in the realm of contemporary art has helped to shift paradigms and vanquish stereotypes borne from the 19th century, their art and aesthetic understood as making vital contributions to the broader history of modern and contemporary art. This new current, linked by the phrase Keisho-ha (School of Form), Sueharu Fukami Hidenori Tsumori 10 46 encompasses a movement of artists who, through the conscious selection of material and technique, create boldly innovative works that cannot be manifested by any other means. The term craft holds no true meaning to this movement, nor do the traditional dichotomies that have traditionally separated fine art 14 Satoru Ozaki 50 Nobuyuki Tanaka from craft art. In the words of Nietzsche, "Craft is dead." A new age beckons. No country exemplifies this expanding role more so than the artists of contemporary Japan, a country that continues to place premium on elegance in execution coupled with cutting-edge innovation within 18 Niyoko Ikuta 54 Kanjiro Moriyama tradition. No gallery represents this new movement more so than Yufuku, a gallery that has nurtured and represented the Keisho School from its conceptual inception. Michelangelo once said, "every block of stone has a statue inside, and it is the task of the sculptor to 22 Ken Mihara 58 Takahiro Yede discover it." Our artists are no different, wielding material and technique to create a unique aesthetic that can inspire future generations, yet would resonate with generations before us, regardless of age, creed or culture.
    [Show full text]
  • Explore Japan Hokkaido
    Welcome to JAPAN Open a world map and look at the extensive Asia/ Pacific region. Almost at the very center, you'll discover the Japanese archipelago stretching north to south along the eastern edge of the Asian continent. Japan has lured untold numbers of adventurers since Marco Polo first introduced it to the world back in the 13th century as " Zipangu — the Land of Gold." Though the Japan of today may not be a land of gold, the "Neo Zipangu" does possess powerful and magnet-like attractions: great cultural variety, colorful and inspiring natural attractions beautifully interwoven by distinct four seasonal changes, not to mention the overflowing hospitality of its people. As such, Japan is vigorously gaining in popularity as a tourist destination that is easily accessible from any part of the world. A destination any one can enjoy on a reasonable budget and with a sense of complete security. This is where the past literally greets the future. This is where they both mingle. Japan has a long history of absorbing advanced cultures from the Asian Continent from ancient times through the Middle Ages. Later it began to assimilate elements of Western civilization from the latter half of the 19th century. By selectively assimilating these many cultural influences, the country has successfully added rich new dimensions and depth to its indigenous culture. This marvelous harmony between the refinement of things and concepts "Oriental" blended with the leading-edge technology and the often Ultramodern urban lifestyle you find in Japan today is truly proof of a long and eloquent history.
    [Show full text]
  • East Asian Art Department Records EAA Finding Aid Prepared by Bertha Adams, Leslie O'neill and Susan Anderson
    East Asian Art Department Records EAA Finding aid prepared by Bertha Adams, Leslie O'Neill and Susan Anderson. Last updated on January 31, 2017. 03/31/2011 Philadelphia Museum of Art Archives East Asian Art Department Records Table of Contents Summary Information....................................................................................................................................3 Biography/History..........................................................................................................................................3 Scope and Contents....................................................................................................................................... 4 Administrative Information........................................................................................................................... 4 Related Materials........................................................................................................................................... 5 Controlled Access Headings..........................................................................................................................5 Collection Inventory...................................................................................................................................... 7 Exhibitions............................................................................................................................................... 7 - Page 2 - East Asian Art Department Records Summary Information Repository
    [Show full text]
  • Outline of the National Institutes for Cultural Heritage, 2017 1
    JR Uguisudani Station Tokyo National Research Institute for Cultural Properties National Institutes for Cultural Heritage Secretariat International Library of West Gate Children’s Literature TOKYO NATIONAL Kuroda MUSEUM Memorial Hall Main Gate ◀To Tokyo Metro Nezu National Science Station Tokyo Metropolitan Museum Art Museum Fountain National Museum of Western Art Police Box Ueno park JR Ueno Tokyo Metropolitan Station 2017 Ueno Zoo Festival Hall Outline of the National Institutes Park Exit Tokyo Metro Ueno Station for Cultural Heritage N Keisei Ueno Station Access: (JR Line) 10 min. from Ueno or Uguisudani Station (Ginza or Hibiya Tokyo Metro Line) 15 min. from Ueno Station (Chiyoda Tokyo Metro Line) 15 min. from Nezu Station (Keisei Line) 15 min. from Keisei Ueno Station 13-9 Ueno Park, Taito-ku, Tokyo, 110-8712 Phone: +81-3-3822-1196 URL: http://www.nich.go.jp/ 三 校 04-574_英語版-表紙1-4.indd 1 2017/06/13 8:55:45 ○Membership Tokyo National Museum and Nara National Museum are supported by the Supporting Member system, while Kyoto National Museum is supported by the Seifukai Association. To encourage people to visit our museums more frequently, Tokyo National Museum, Kyoto National Museum, Nara National Museum and Kyushu National Museum have all established their own membership systems. In addition, to mark the 10th anniversary of the establishment of the National Institutes for Cultural Heritage, a new “National Museums Members Pass” CONTENTS system has been established, which applies to all four National Museums. We welcome new members at any time of the year. Tokyo National Museum Kyoto National Museum Nara National Museum Kyushu National Museum Message����������������������������1 Name National Museum Members Pass To mark the 10th anniversary of Annual its establishment, the NICH has Ⅰ OutlineoftheNationalInstitutesforCulturalHeritage���2 Regular 2,000 Yen (tax included) adoptedanewlogo.
    [Show full text]
  • KATSURA FUNAKOSHI (1951 - ) Born in Morioka City, Iwate Prefecture, Japan; Lives and Works in Tokyo
    KATSURA FUNAKOSHI (1951 - ) Born in Morioka City, Iwate Prefecture, Japan; lives and works in Tokyo EDUCATION 1975 B.A., Tokyo Zokei University, University of Art and Design, Department Sculpture 1977 M.A., Tokyo National University of Fine Arts and Music SOLO EXHIBITIONS 2011 Katsura Funakoshi: Recent Sculptures and Drawings, Annely Juda Fine Art, London, United Kingdom 2008 Summer Villa: The Sculptures, Drawings, and Prints of Katsura Funakoshi in Art Deco Space, Tokyo Metropolitan Teien Art Museum, Tokyo(catalogue) Katsura Funakoshi, Tohoku University of Art and Design, Yamagata, Japan Katsura Funakoshi: New Sculpture, Greenberg Van Doren Gallery, New York Katsura Funakoshi: New Works, Nishimura Gallery, Tokyo 2007 Katsura Funakoshi, Tohoku University of Art and Design 2006 Nishimura Gallery, Tokyo 2005 Katsura Funakoshi - Ernst Barlach. A Map of The Time, Annely Juda Fine Art, London; traveled to Ernst Barlach Haus - Stiftung Hermann F. Reemtsma, Hamburg 2004-2003 Katsura Funakoshi Works: 1980-2003, Museum of Contemporary Art, Tokyo; traveled to Tochigi Prefectural Museum of Fine Arts; Hokkaido Asahikawa Museum of Art; Takamatsu City Museum of Art; Iwate Museum of Art; Hiroshima City Museum of Contemporary Art 2002 Nishimura Gallery, Tokyo (Drawings) 2001 Nishimura Gallery, Tokyo 2000 Continental Gallery, Sapporo Gallery Tamura, Hiroshima (Drawings) 1999 Katsura Funakoshi: Sculptures and Drawings, Annely Juda Fine Art, London; traveled to Kunsthalle Recklingahusen; Städtische Museen Heilbronn 4 Cats, Nagoya (Prints) Matsuya Tokyo
    [Show full text]
  • Japan Cultural Expo 2020 Introduction of Major Exhibits
    Japan Cultural Expo 2020 Introduction of Major Exhibits As of October 2020 Office for Promotion of New Arts and Culture Creation, Arts and Culture Division, Agency for Cultural Affairs, Government of Japan Japan Cultural Expo Secretariat at the Japan Arts Council ◆ Japan Cultural Expo Special Performance: Japanese Music, Song and Dance (Recorded program) Tokyo National Museum / June 20, 2020 on BS Nippon Corporation, July 19, 2020 on NHK General TV Display of Japan’s Masterpieces and Restoration Techniques using Natural Materials ◆ The Kyoto City KYOCERA Museum of Art Inaugural Exhibition: 250 Years of Kyoto Art Masterpieces Kyoto City KYOCERA Museum of Art / June 2 – September 6 and October 10 – December 6, 2020 …1 ◆ Special Exhibition: Kōgei 2020-The Art of Crafting Beauty from Nature Tokyo National Museum / September 21 – November 15, 2020 …3 Kōgei Dining at Ishikawa Pref. and Shizuoka Pref. / October 31 and December 4, 2020 …3 ◆ The First of the National Crafts Museum’s Grand Opening Exhibitions: Japanese Crafts-Materials, Techniques and Regionalities National Crafts Museum (Ishikawa Pref.) / October 25, 2020 – January 11, 2021 …4 ◆ GO FOR KOGEI-Realize the Potential of Japanese Crafts in Hokuriku Kanazawa, Komatsu, Nomi Cities (Ishikawa Pref.); Toyama and Takaoka Cities (Toyama Pref.); Echizen and Sabae Cities (Fukui Pref.), etc. / July 2020 – February 2021 …5 ◆ The Heritage and Utilization of Japan’s Artistic Kōgei and Others, Using Restoration Techniques and Natural Raw Materials -Locally Presenting the Results of Restoration and
    [Show full text]