HIE Economic Impact of the Fèisean 2010
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A Culture Strategy for Scotland: Analysis of Responses to the Public
A Culture Strategy for Scotland Analysis of responses to the public consultation: Full Analysis Report January 2019 Contents Introduction .............................................................................................................. 1 Background to the consultation ................................................................................. 1 Profile of respondents ................................................................................................ 1 Analysis and reporting ............................................................................................... 2 A vision for culture in Scotland ............................................................................. 4 Views of those who supported the vision .................................................................. 5 Views of those who did not support the vision .......................................................... 9 Ambition 1: Transforming through culture ......................................................... 10 Views of those who supported the ambition ............................................................ 11 Views of those who did not support the ambition .................................................... 17 Ambition 2: Empowering through culture ........................................................... 25 Views of those who supported the ambition ............................................................ 26 Views of those who did not support the ambition .................................................... 29 -
Thundering Hooves Report [2006]
THUNDERING HOOVES MAINTAINING THE GLOBAL COMPETITIVE EDGE OF EDINBURGH’S FESTIVALS 4 MAY 2006 11-29 Fashion Street 285 West Broadway London E1 6PX New York, NY 10013 T 0 20 7377 6559 T 1 212 226 5820 F 0 20 7377 5992 F 1 212 226 5821 TABLE OF CONTENTS 1 Background, Methodology and Recommendations...........................................................................3 2 Why festivals matter.............................................................................................................................. 16 3 Global Trends ......................................................................................................................................... 22 4 Edinburgh in Context: The Experience of Benchmark Cities...................................................... 27 5 The Festivals and the City.................................................................................................................... 39 6 Recommendations.................................................................................................................................. 44 7 Appendix 1: List of Interviewees........................................................................................................ 51 8 Appendix 2: Scenario Planning Participants ..................................................................................... 52 9 Appendix 3: City Case Studies............................................................................................................ 53 10 Appendix 4: Scenarios.......................................................................................................................... -
Review 05 Opening up Our Collections 02 National Museums of Scotland
REVIEW 05 OPENING UP OUR COLLECTIONS 02 NATIONAL MUSEUMS OF SCOTLAND NMS is Scotland’s national NMS holds a wealth of treasures museum service. We care collected over more than two for museum collections of centuries. Our collections national and international encompass Scottish and importance, and present international archaeology, these to the public at our decorative and applied arts, six museums: world cultures, social history, science, technology and the ● Royal Museum and Museum natural world. We also provide of Scotland, Edinburgh advice, expertise and support ● National War Museum of to the museums community Scotland, Edinburgh Castle across Scotland and undertake ● Museum of Flight, East Lothian fieldwork, research and ● Museum of Scottish Country partnerships at local, national Life, near East Kilbride and international levels. ● Shambellie House Museum of Costume, near Dumfries NMS preserves, interprets, and makes accessible for all, the We also have a major Collections past and present of Scotland, Centre at Granton, Edinburgh, of other nations and cultures, which is a focal point for and of the natural world. collections storage and conservation. 1. 2. 3. Scenes from our six museums: 1. Royal Museum 2. Museum of Scotland 3. National War Museum of Scotland 4. Museum of Flight 5. Shambellie House Museum of Costume 6. Museum of Scottish Country Life 4. 5. 6. NMS A world class museums service that informs, educates and inspires. A SUPERSONIC YEAR Over the past few years we have Museum of Flight. Securing one made significant progress in of the seven decommissioned changing our focus to place Concorde aircraft, against visitors and other users at the international competition, was heart of everything we do. -
Funding Creativity
Culture Radar Funding Creativity An Internal Research and Discussion Paper to Inform Creative Scotland’s Funding Review Options Appraisal (Abbreviated) March 2019 1 Funding Creativity: An Internal Research and Discussion Paper to Inform Creative Scotland’s Funding Review Options Appraisal (Abbreviated) Prepared for Creative Scotland by Jeanie Scott, Culture Radar, March 2019 2 Contents Introduction & Background ....................................................................................................... 4 How to read this report ............................................................................................................. 6 Executive Summary .................................................................................................................... 7 Methodology ............................................................................................................................ 11 Section 1: Context for the Funding Review ............................................................................. 14 Section 1 Summary .............................................................................................................. 21 Section 2: Grant funding .......................................................................................................... 23 1. Arts council and creative agency funding ..................................................................... 25 2. Lottery grant funding ................................................................................................... -
Pendulum Band
Mairi Campbell and The Pendulum Band A selection of Mairi’s repertoire from solo instrumental and vocal numbers, to the music from her music theatre shows, Pulse and Auld Lang Syne. The music has been arranged for an amazing line up of 9 of Scotland’s leading musicians with choreography by Jade Adamson (Barrowland Ballet) for Mairi, Jade and Ellen that uses Scottish stepdancing as the inspiration to create movement that embraces traditional and contemporary styles, pulled together for an audience experience that musically exciting and visually stimulating. “Mairi’s music has been crying out to be played with a live band and I loved the dancing. It was a brilliant gig” Audience member The Pendulum Band Mairi Campbell: Vocals, Viola SU-a Lee: Cello Nicky Haire: Violin Innes Watson: Guitar William Jacquet: Drums The Luna Blu Trio: Backing vocals Frankie Hay, Ada Francis and Megan Savage Jade Adamson: Dancer Ellen Francis: Dancer Mairi Campbell is a pioneering Scottish musician. After studying classical viola, she is an established member of Scotland’s traditional music scene, pushing the boundaries by using free improvisation, songs and stagecraft. As an interpreter of Scots song, with David Francis, Mairi has contributed many songs to its current canon. Su-a Lee is a leading musician in Scotland. Assistant Principal Cello for the Scottish Chamber Orchestra, she is in demand across musical genres, working in art forms: including theatre, dance, jazz, folk and film projects. Nicky Haire, violin, is an experimental musician and free improvisor. She collaborates with Mairi Campbell and ensembles: The Glasgow Improvisers Orchestra, Something Smashing, The Lucy Cavendish Singers and Subzar. -
Arts and Cultural Learning
Arts and Cultural Learning Learning from the Cultural Co-ordinators in Scottish Schools programme Key findings from the Cultural Co-ordinators in Scottish Schools programme monitoring report 10 local authorities have already made a commitment to support the continuation of the work of the Cultural Co-ordinator programme beyond the end of central government funding in 2010 16 Cultural Co-ordinator manager posts were mainstreamed into local authorities by 2008/09. On average there are 2.3 full time equivalent (FTE) Cultural Co-ordinator posts per local authority throughout Scotland © 2009 Scottish Arts Council No part of this publication may be reproduced in any format without prior written permission of the Scottish Arts Council. Equal opportunities The Scottish Arts Council operates an equal opportunities policy. Our offices have disabled access. Certain publications can be made available in Gaelic, in large print, Braille or audio format. Typetalk please prefix number with 18001 Introduction As the Cultural Co-ordinators in Scottish Schools programme reaches its final year of central funding, there is much to be learnt from the experiences to date. Since 2002 the Cultural Co-ordinators in Scottish Schools programme (CCiSS) has provided a mechanism for all local authorities in Scotland to deliver rich cultural experiences to children and young people. The CCiSS programme has been funded by the Scottish Government in partnership with local authorities and is managed by the Scottish Arts Council. There are now Cultural Co-ordinators in all 32 local authorities and over 100 postholders throughout the country working to ensure that the young people in their areas have access to high quality, engaging arts and cultural experiences that will enrich their lives and learning. -
CNPA.Paper.1643.Cair
Cairngorms National Park Business Support Audit 2010 User Guide This document, available from the Cairngorms National Park Authority (CNPA) in hard copy or on its website (www.cairngorms.co.uk), updates an audit produced in April 2009. The new Audit documents the business support services and environmental planning support that are available to businesses and third sector organisations within the Park. The information is presented by Local Authority area except where support services are available across the Park as a whole. Most of the support services are also available outwith the Park, and this Guide should also be more widely useful to business advisers (e.g. the new Business Gateways), businesses and groups. The Audit is structured as follows: Section 1 : The Cairngorms National Park Area as a whole Section 2 : Highland Section 3 : Moray Section 4 : Aberdeenshire Section 5 : Angus Section 7 : Principal Web Links Web links are also provided throughout the Audit for more detail or up-to-date information on the different sources of business support that are summarised. The information in this Audit has been checked for accuracy as at June 2010, but schemes of assistance evolve or expire, and new programmes are introduced regularly by the main support agencies, while new initiatives from a range of sources will also be introduced as the year progresses, e.g. as a result of successful applications to EU Programmes. The programmes that are covered in this Audit are: Section 1 : The Park as a Whole Business Gateway – advice and information for new and existing businesses, often a business’s first point of contact (2.1-2.10). -
The Musicians______
The musicians_______________________________________________________________________ Ross Ainslie Bagpipes & Whistle Ross hails from Bridge of Earn in Perthshire. He began playing chanter at the age of 8 and like Ali Hutton studied under the watchful eye of the late great Gordon Duncan and was a member of the Vale of Atholl pipe band. Ross also plays with Salsa Celtica, Dougie Maclean's band, India Alba, Tunebook, Charlie Mckerron's trio and in a duo with Irish piper Jarlath Henderson. He released his début solo album "Wide Open" in 2013 which was voted 9th out of 50 in the Sunday Herald "The Scottish albums of 2013". He was nominated for "musician of the year" at the Radio 2 folk awards 2013 and also for "Best Instrumentalist" at the Scots Trad Music Awards in 2010 and 2012. Ali Hutton Bagpipes & Whistle Ali, from Methven in Perthshire, was inspired at the age of 7 to take up the bagpipes and came up through the ranks at the Vale of Atholl pipe band. He was taught alongside Ross Ainslie by the late, great Gordon Duncan and has gone on to become a successful multi‐instrumentalist on the Scottish music scene. He has produced and co‐produced several albums such as Treacherous Orchestra’s “Origins”, Maeve Mackinnon's “Don't sing love songs”, The Long Notes’ “In the Shadow of Stromboli” and Old Blind Dogs’ “Wherever Yet May Be”. Ali is also currently a member of Old Blind Dogs and the Ross Ainslie band but has played with Capercaillie, Deaf Shepherd, Emily Smith Band, Dougie Maclean, Back of the Moon and Brolum amongst many others. -
CNPA.Paper.966.Board
CAIRNGORMS NATIONAL PARK AUTHORITY Paper 2 12/08/05 CAIRNGORMS NATIONAL PARK AUTHORITY FOR DISCUSSION Title: Highland 2007 and The Cairngorms Festival Prepared by: John Thorne, Economic Development Officer Andrew Harper, Head of Economic and Social Development Purpose To consider options for the CNPA to support Highland’s Year of Culture 2007, including the potential to establish a Cairngorms festival. Recommendations • That the Board discuss the principle of CNPA involvement in Highland 2007 and provide a steer on the option (or options) that should be pursued. Executive Summary To help celebrate the Highland Year of Culture 2007 new funding is being made available by the Scottish Executive for a range of cultural events. With a focus on heritage, the environment, Gaelic, youth, access and inclusiveness, Highland 2007 has many aims in common with the Park. Options for CNPA involvement range from simply supporting appropriate community events via the new Integrated Grant Programme to taking a more pro- active role in facilitating regional or ‘core’ events. There is potential to work with Highland 2007, EventScotland, and private and public sector partners, to organise events across the Park under the banner of a Cairngorms Festival. More pro-active options may have additional resource implications, particularly taking into account the fact that the Highland 2007 monies would only be available within the Highland part of the Park. MAINPC C:\Documents and Settings\Mark\My Documents\Sabato\CNPA\PAPERS TO PUBLISH\Board Paper 2 Highland 2007 and The Cairngorms Festival.doc 09/08/05 1 CAIRNGORMS NATIONAL PARK AUTHORITY Paper 2 12/08/05 Highland 2007 and The Cairngorms Festival - For Discussion Background 1. -
National Fund for Acquisitions Grants Paid 2009–2010 National Fund for Acquisitions Grants Paid 2009–2010
National Fund for Acquisitions Grants Paid 2009–2010 National Fund for Acquisitions Grants Paid 2009–2010 Hazel Williamson National Fund for Acquisitions Manager National Museums Scotland Chambers Street Edinburgh EH1 1JF Tel 0131 247 4106 Fax 0131 247 4312 email [email protected] Cover: Mixed media sculpture, Seven and Seven Is or Sunshine Bathed the Golden Glow, 2008, by Jim Lambie, acquired by Culture and Sport Glasgow with a grant from the National Fund for Acquisitions. Photo © Keith Hunter Photography. National Fund for Acquisitions The National Fund for Acquisitions (NFA), provided by Scottish Government to the Trustees of National Museums Scotland, contributes towards the acquisition of objects for the collections of Scottish museums, galleries, libraries, archives and other similar institutions open to the public. The Fund can help with acquisitions in most collecting areas including objects relating to the arts, literature, history, natural sciences, technology, industry and medicine. Decisions on grant applications are made in consultation with NMS staff and with the Directors and staff of the National Galleries of Scotland and the National Library of Scotland. The allocation for 2009/10 was £200,000. During the year the Fund received 82 applications. NMS aims to give a substantive response to applications within fifteen working days. During the period of this report this was achieved for 74% of applications received. Ten of the applications received were unsuccessful; six were turned down, in one case the applicant was outbid at auction and three further applications arrived too late to be considered prior to auction. During 2009/10, 83 payments totalling £230,783 were made to 32 organisations or collections. -
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CONTENTS ARTS COU NCIL LIBRARY 14 G REAT PETER STREET LONDON SW I P 3NQ TEL 651 0171-973 7 As Lord P,141111110 atmplelCS his tics--ca r tenure as Chairman of the Arts COL11161 , he argues that it is more nccessan- tha n ever that the "arm's length" principIc h e prCSCr\ r cd . 46 The Secretary-Cwncral rcilects on a yea r of change and calls for a I-C instawnwill o f the Government ' s planned nvo per cen t cut in arts ffinding . c 'HE YEA R ,Major achievements in the arts ove r the Ycar . '.".19 Wr f= inancial findings in the year. AUdience figures have held up during th e recession . Arts Council dcpartnicnts and unit s highlight the 1c .ir's achieNclilents. I . : 30/31 THE A(,Z7 ; ~ : : . ; FVNMMG 5YWY 0 The Arts Council's role in the arts Ming "vmn, A list of the ten Regional Arts Board s in England . 35 scumsm aNn wvm A&Ts mm m REPORT S `7 CASE STUDIF S Three arts organisations discuss ho% y Gwernmum gmminvid in the Arts Council has enabled them to develop . : A O L -lo - ;~'.RSHIP OF COUNCIL ANO 5FA F 42/43 STRUCTUR E 424 SP0NS(jR 1,'Vt P 41 ANNUAL ACCOUNTS CHAIRMAN'S INTRODUCTION nlakc~ my circle just, And they define +yh„ie ar:as Csf Ax :r nationa l arts io11111t1.tI11t1 - tike artist abo%e all, T',,iakcs me end when: I bcganne" - the life ; the\- give pride of place and mak e with the adminis nr a[or,. -
Brìghde Chaimbeul YORKSTON, @Tolbooth THORNE & KHAN 18 April with Aidan O’Rourke
JANUARY – APRIL 2020 MUSIC | PERFORMANCE | CLASSES | STIRLINGEVENTS.ORG PICTISH TRAIL PEAT & DIESEL VALENTINES THEATRE Brìghde Chaimbeul YORKSTON, @Tolbooth THORNE & KHAN 18 April with Aidan O’Rourke PHOTOGRAPH Brìghde Chaimbeul page 10 photgraph: Andy Catlin Glasvegas @ Tolbooth What a wonderful Autumn & Winter it’s been here in Stirling. We’ve enjoyed performances from the likes of Glasvegas, Janey Godley and Flook at Tolbooth, and at The Albert Halls we’ve welcomed a variety of great shows from Ardal OHanlon to Scouting For Girls. We took part in celebrations for Stirling’s first Halloween Lantern Parade which was a huge success - thanks to all of you for getting involved. We loved all the wickedly wonderful Witch events that took place around it, and we can’t wait for next years event! Looking ahead to 2020 we’ve got some really special shows Scouting for Girls in store, with everything from Breabach, to Rant, at Tolbooth, @ The Albert Halls while The Albert Halls will play host to big shows such as The Sound Of Springsteen, and the unstoppable Peat & Diesel. Our creative learning team continue to deliver some fantastic workshops and classes, keep an eye on our website to see what you, or your little ones, could learn with us. We have some exciting news to share with our Tolbooth Breabach customers, we’ve taken on board your feedback, and this January our Auditorium will be closed for a short period for some planned renovations as we introduce new seating, which will make for an even more enjoyable experience when you next visit us.