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												  CRCEES Winter Festival 2008-09 CRCEES Winter Festival 2008-09CRCEES Winter Festival 2008-09 CRCEES Winter Festival 2008-09 CONTENTS 01 Introduction 04 Visual Arts 09 Winter Festival of Central European Film 27 Music 32 Literary Events 36 Theatre 37 Academic Events 41 Language Learning 01 www.gla.ac.uk/crcees CRCEES Winter Festival 2008-09 The Centre for Russian, Central and East European The season will end with two major Conferences: Studies have great pleasure in hosting a major in February we will examine good practice in the Festival of Arts and Cultures in the Winter season teaching of the languages and cultures we offer of 2008/2009. and the season will conclude with the annual CRCEES Research Forum, to be held in Glasgow The Winter Festival will showcase the enormous in April 2009. breadth of CRCEES’ academic provision in terms of languages and cultures, and will open out an We look forward to welcoming you to this rich extraordinary wealth of resources to the Scottish programme of events. If you would like to know and the UK public more widely. more about the countries covered by this festival and be involved in future activities, please check The season includes major academic conferences our website or contact us for more information. on Hungary and Latvia and a special symposium entitled ‘Inter-cultural Crossings’ where speakers The organisers would like to express their from many European countries will bear witness appreciation to colleagues in the Department of to the powerful ‘crossings’ of other cultures into Central and East European Studies and those their own. in the Slavonic Studies section of the School of Modern Languages and Cultures at the University Throughout the Festival there will be films, of Glasgow as well as to the many colleagues in exhibitions of visual arts, literary readings, musical the partner institutions of CRCEES.
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												  Hungarian Newsreels and the Invasion of Czechoslovakia in 1968Published as _Perspective in On_Culture: The Open Journal for the Study of Culture (ISSN 2366-4142) ANOTHER TWELVE YEARS: HUNGARIAN NEWSREELS AND THE INVASION OF CZECHOSLOVAKIA IN 1968 JANKA BARKÓCZI [email protected] Janka Barkóczi is a Hungarian film critic and film historian. She works as an associate of the Institute of Media and Motion Picture Arts at Budapest Metropolitan University and she is a doctoral student at the Doctoral School of Social Communication at Corvinus University of Budapest. She researches and publishes about the history of the Hungarian newsreel industry and the historical context of visual propaganda techniques used in Eastern Europe. KEYWORDS 1968, Hungarian newsreels, invasion of Czechoslovakia, propaganda, visual argumentation PUBLICATION DATE Issue 4, November 30, 2017 HOW TO CITE Janka Barkóczi. “Another Twelve Years: Hungarian Newsreels and the Invasion of Czechoslovakia in 1968.” On_Culture: The Open Journal for the Study of Culture 4 (2017). <http://geb.uni-giessen.de/geb/volltexte/2017/13395/>. Permalink URL: <http://geb.uni-giessen.de/geb/volltexte/2017/13395/> URN: <urn:nbn:de:hebis:26-opus-133954> On_Culture: The Open Journal for the Study of Culture Issue 4 (2017): Screened Alterities www.on-culture.org http://geb.uni-giessen.de/geb/volltexte/2017/13395/ Another Twelve Years: Hungarian Newsreels and the Invasion of Czechoslovakia in 1968 _Abstract During almost twelve years after the Soviet regime crushed the Hungarian Revolution, the Warsaw Pact allies invaded Czechoslovakia to put an end to the 1968 Prague Spring and the country’s recent reformist trends. The Soviet troops were accompanied by military forces from Hungary, Poland, East Germany, and Bulgaria.
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												  ETEP in the Media P2018 WWW.ETEP.NL 1 COVER PHOTO SZIGET FESTIVAL TABLE OF CONTENTS By Allan McGowan Introduction P. 3 ETEP About ETEP P. 6 ETEP in the media P. 12 ETEP 2018 festival map P. 36 SIXTEEN ETEP Partners & co-organisers P. 38 ETEP Results 2017 P. 50 ETEP Results 2016 P. 56 Welcome to the thirty second year of Eurosonic Noorderslag ETEP Results 2015 P. 62 and to the sixteenth edition of the European Talent Exchange ETEP Results 2014 P. 68 Programme – better, and now widely, we might even say ETEP Results 2013 P. 72 universally, known as ETEP. ETEP Results 2012 P. 76 ETEP Results 2011 P. 80 ETEP Results 2010 P. 82 For those few who don’t know, this initiative of Eurosonic Noorderslag, originated ETEP Results 2009 P. 84 by Peter Smidt and Ruud Berends, was introduced to make the “exchange” of ETEP Results 2008 P. 86 European artists across Europe possible on a greater scale than ever before. ETEP Results 2007 P. 88 ETEP then facilitates the bookings of European acts on festivals and generates ETEP Results 2006 P. 90 extensive radio and media exposure for these artists in co-operation with the ETEP Results 2005 P. 92 European Broadcasting Union and local media. The intention was - and still is - to ETEP Results 2004 P. 94 give a boost to the careers of European acts. ETEP Results 2003 P. 96 CEETEP P. 97 There is no doubt that ETEP has been more than successful in achieving its aims, CEETEP Results 2015 P. 98 and the figures speak for themselves: CEETEP Results 2014 P.
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												  Experimentelle Musikkulturen in Mittelosteuropa Experimental Music Cultures in Central and Eastern Europe Sound Exchangesound exchange sound exchange sucht nach den Wurzeln und der Gegenwart der experi mentellen Musik kulturen in Mittelosteuropa. Hier existiert eine lebendige, international vernetzte Szene von Musikern, Künstlern und Festivals. Jedoch sind lokale Traditionen und deren Protagonisten seit dem Umbruch 1989 teilweise in Vergessenheit geraten. sound Experimentelle Musikkulturen in Mittelosteuropa exchange will diese Traditionen sichtbar machen und zu aktuellen Experimental Music Cultures in Central and Eastern Europe Entwicklungen in den lokalen Musikszenen in Beziehung setzen. sound exchange embarks on a search for the roots and current state of experimental music cultures in Central and Eastern sound exchange Europe, which can boast a lively, internationally-linked scene of musicians, artists and festivals. Since the fall of the Iron Curtain in 1989, however, local traditions and their protagonists have partially been consigned to oblivion. sound exchange wants to ensure that these traditions can once again be seen, and position them in the context of current developments within local music scenes. ISBN 978-3-89727-487-7 Vertrieb distribution PFAU PFAU Herausgeber editors Carsten Seiffarth Carsten Stabenow Golo Föllmer 6 Vorwort 10 Preface Carsten Seiffarth / Carsten Stabenow 14 Grußwort: Goethe-Institut Prag 15 Welcome: Goethe-Institut Prague Angelika Eder 16 Grußwort: Kulturstiftung des Bundes 17 Welcome: The German Federal Cultural Foundation Hortensia Völckers / Alexander Farenholtz 18 Experiment und Widerstand – Experimentelle Musik