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Superman's Girl Friend, Lois Lane and the Represe
Research Space Journal article ‘Superman believes that a wife’s place is in the home’: Superman’s girl friend, Lois Lane and the representation of women Goodrum, M. Canterbury Christ Church University’s repository of research outputs http://create.canterbury.ac.uk Please cite this publication as follows: Goodrum, M. (2018) ‘Superman believes that a wife’s place is in the home’: Superman’s girl friend, Lois Lane and the representation of women. Gender & History, 30 (2). ISSN 1468-0424. Link to official URL (if available): https://doi.org/10.1111/1468-0424.12361 This version is made available in accordance with publishers’ policies. All material made available by CReaTE is protected by intellectual property law, including copyright law. Any use made of the contents should comply with the relevant law. Contact: [email protected] ‘Superman believes that a wife’s place is in the home’: Superman’s Girl Friend, Lois Lane and the representation of women Michael Goodrum Superman’s Girl Friend, Lois Lane ran from 1958-1974 and stands as a microcosm of contemporary debates about women and their place in American society. The title itself suggests many of the topics about which women were concerned, or at least were supposed to concern them: the mediation of identity through heterosexual partnership, the pressure to marry and the simultaneous emphasis placed on individual achievement. Concerns about marriage and Lois’ ability to enter into it routinely provide the sole narrative dynamic for stories and Superman engages in different methods of avoiding the matrimonial schemes devised by Lois or her main romantic rival, Lana Lang. -
Crossmedia Adaptation and the Development of Continuity in the Dc Animated Universe
“INFINITE EARTHS”: CROSSMEDIA ADAPTATION AND THE DEVELOPMENT OF CONTINUITY IN THE DC ANIMATED UNIVERSE Alex Nader A Thesis Submitted to the Graduate College of Bowling Green State University in partial fulfillment of the requirements for the degree of MASTER OF ARTS May 2015 Committee: Jeff Brown, Advisor Becca Cragin © 2015 Alexander Nader All Rights Reserved iii ABSTRACT Jeff Brown, Advisor This thesis examines the process of adapting comic book properties into other visual media. I focus on the DC Animated Universe, the popular adaptation of DC Comics characters and concepts into all-ages programming. This adapted universe started with Batman: The Animated Series and comprised several shows on multiple networks, all of which fit into a shared universe based on their comic book counterparts. The adaptation of these properties is heavily reliant to intertextuality across DC Comics media. The shared universe developed within the television medium acted as an early example of comic book media adapting the idea of shared universes, a process that has been replicated with extreme financial success by DC and Marvel (in various stages of fruition). I address the process of adapting DC Comics properties in television, dividing it into “strict” or “loose” adaptations, as well as derivative adaptations that add new material to the comic book canon. This process was initially slow, exploding after the first series (Batman: The Animated Series) changed networks and Saturday morning cartoons flourished, allowing for more opportunities for producers to create content. References, crossover episodes, and the later series Justice League Unlimited allowed producers to utilize this shared universe to develop otherwise impossible adaptations that often became lasting additions to DC Comics publishing. -
Corporate Registry Registrar's Periodical Template
Service Alberta ____________________ Corporate Registry ____________________ Registrar’s Periodical SERVICE ALBERTA Corporate Registrations, Incorporations, and Continuations (Business Corporations Act, Cemetery Companies Act, Companies Act, Cooperatives Act, Credit Union Act, Loan and Trust Corporations Act, Religious Societies’ Land Act, Rural Utilities Act, Societies Act, Partnership Act) 10024457 CANADA INC. Federal Corporation 2010182 ALBERTA LTD. Numbered Alberta Registered 2017 JAN 03 Registered Address: 10819 108 Corporation Incorporated 2017 JAN 10 Registered STREET, EDMONTON ALBERTA, T5S 2T2. No: Address: 209, 10836 - 24 STREET SE, CALGARY 2120145327. ALBERTA, T2Z 4C9. No: 2020101826. 10024503 CANADA INC. Federal Corporation 2012106 ALBERTA LTD. Numbered Alberta Registered 2017 JAN 03 Registered Address: 10819 184 Corporation Incorporated 2017 JAN 03 Registered STREET, EDMONTON ALBERTA, T5S 2T2. No: Address: 209, 10836 - 24 STREET SE, CALGARY 2120145459. ALBERTA, T2Z 4C9. No: 2020121063. 10050415 CANADA LTD. Federal Corporation 2013296 ALBERTA LTD. Numbered Alberta Registered 2017 JAN 09 Registered Address: 9831 - 107 Corporation Incorporated 2017 JAN 05 Registered STREET, WESTLOCK ALBERTA, T7P 1R9. No: Address: C/O #202, 10441 124 ST NW, EDMONTON 2120155953. ALBERTA, T5N 1R7. No: 2020132961. 101 BUFFET RESTAURANT LTD. Named Alberta 2013298 ALBERTA LTD. Numbered Alberta Corporation Incorporated 2017 JAN 13 Registered Corporation Incorporated 2017 JAN 04 Registered Address: 4909 - 50 AVENUE, BONNYVILLE Address: 2380, 10155 102 ST NW, EDMONTON ALBERTA, T9N 2H1. No: 2020168106. ALBERTA, T5J 4G8. No: 2020132987. 101287488 SASKATCHEWAN LTD. Other 2013300 ALBERTA LTD. Numbered Alberta Prov/Territory Corps Registered 2017 JAN 10 Corporation Incorporated 2017 JAN 10 Registered Registered Address: 2440 KENSINGTON ROAD NW, Address: 2070 BLACKMUD CREEK DR SW, CALGARY ALBERTA, T2N 3S1. No: 2120157843. -
AKA Clark Kent) Middle Name Is Joseph
Superman’s (AKA Clark Kent) Middle Name Is Joseph. What’s that?! There in the sky? Is it a bird? Is it a plane? No! It’s the Man of Tomorrow! Superman has gone by many names over the years, but one thing has remained the same. He has always stood for what’s best about humanity, all of our potential for terrible destructive acts, but also our choice to not act on the level of destruction we could wreak. Superman was first created in 1933 by Joe Shuster and Jerry Siegel, the writer and artist respectively. His first appearance was in Action Comics #1, and that was the beginning of a long and illustrious career for the Man of Steel. In his unmistakable blue suit with red cape, and the stylized red S on his chest, the figure of Superman has become one of the most recognizable in the world. The original Superman character was a bald telepathic villain that was focused on world domination. It was like a mix of Lex Luthor and Professor X. Superman’s powers include incredible strength, the ability to fly. X-ray vision, super speed, invulnerability to most attacks, super hearing, and super breath. He is nearly unstoppable. However, Superman does have one weakness, Kryptonite. When exposed to this radioactive element from his home planet, he becomes weak and helpless. Superman’s alter ego is mild-mannered reporter Clark Kent. He lives in the city of Metropolis and works for the newspaper the Daily Planet. Clark is in love with fellow reporter Lois Lane. -
Why No Wonder Woman?
Why No Wonder Woman? A REPORT ON THE HISTORY OF WONDER WOMAN AND A CALL TO ACTION!! Created for Wonder Woman Fans Everywhere Introduction by Jacki Zehner with Report Written by Laura Moore April 15th, 2013 Wonder Woman - p. 2 April 15th, 2013 AN INTRODUCTION AND FRAMING “The destiny of the world is determined less by battles that are lost and won than by the stories it loves and believes in” – Harold Goddard. I believe in the story of Wonder Woman. I always have. Not the literal baby being made from clay story, but the metaphorical one. I believe in a story where a woman is the hero and not the victim. I believe in a story where a woman is strong and not weak. Where a woman can fall in love with a man, but she doesnʼt need a man. Where a woman can stand on her own two feet. And above all else, I believe in a story where a woman has superpowers that she uses to help others, and yes, I believe that a woman can help save the world. “Wonder Woman was created as a distinctly feminist role model whose mission was to bring the Amazon ideals of love, peace, and sexual equality to ʻa world torn by the hatred of men.ʼ”1 While the story of Wonder Woman began back in 1941, I did not discover her until much later, and my introduction didnʼt come at the hands of comic books. Instead, when I was a little girl I used to watch the television show starring Lynda Carter, and the animated television series, Super Friends. -
Dc Entertainment Feb20 0392 Joker 80Th Anniv 100 Page Super Spect #1 $9.99 Feb20 0393 Joker 80Th Anni
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How Superman Developed Into a Jesus Figure
HOW SUPERMAN DEVELOPED INTO A JESUS FIGURE CRISIS ON INFINITE TEXTS: HOW SUPERMAN DEVELOPED INTO A JESUS FIGURE By ROBERT REVINGTON, B.A., M.A. A Thesis Submitted to the School of Graduate Studies in Partial Fulfillment of the Requirements for the Degree of Master of Arts McMaster University © Copyright by Robert Revington, September 2018 MA Thesis—Robert Revington; McMaster University, Religious Studies McMaster University MASTER OF ARTS (2018) Hamilton, Ontario, Religious Studies TITLE: Crisis on Infinite Texts: How Superman Developed into a Jesus Figure AUTHOR: Robert Revington, B.A., M.A (McMaster University) SUPERVISOR: Professor Travis Kroeker NUMBER OF PAGES: vi, 143 ii MA Thesis—Robert Revington; McMaster University, Religious Studies LAY ABSTRACT This thesis examines the historical trajectory of how the comic book character of Superman came to be identified as a Christ figure in popular consciousness. It argues that this connection was not integral to the character as he was originally created, but was imposed by later writers over time and mainly for cinematic adaptations. This thesis also tracks the history of how Christians and churches viewed Superman, as the film studios began to exploit marketing opportunities by comparing Superman and Jesus. This thesis uses the methodological framework of intertextuality to ground its treatment of the sources, but does not follow all of the assumptions of intertextual theorists. iii MA Thesis—Robert Revington; McMaster University, Religious Studies ABSTRACT This thesis examines the historical trajectory of how the comic book character of Superman came to be identified as a Christ figure in popular consciousness. Superman was created in 1938, but the character developed significantly from his earliest incarnations. -
Materials Challenged in Oregon 1979
Materials Challenged in Oregon 1979 - July 2015 Based on published reports from the American Library Association, the Oregon Intellectual Freedom Clearinghouse (OIFC) and other news sources L e v e Author/ Other Title & Publisher Date, Reason & Outcome Description of Material l This rap album was the first music work to be prosecuted under obscenity law. The Broward County (Florida) District Court decision was As Nasty as They overturned & the album was Wanna Be, Luke Challenged at the Multnomah ruled not to be obscene in 1992 Skywalker County Library in 1995. Reason: by the 11th Circuit Court of 2 Live Crew Records(recording) obscene and vulgar lyrics Retained. Appeals. A Challenged in 2011 in a public library by an individual. Reason: Secrets of Boys, The promotes sexual activity, smoking, and all other titles by drinking, taking drugs & other this author; Harper high risk behavior for teens. Hailey Abbott writes romance Abbott, Hailey Collins Requested removal; retained. novels for teenagers. YA Parents challenged the use of this program in a 12th grade class in Growing Up in the Age Redmond 1994. Reason: does not A news program on AIDS and ABC News of AIDS emphasize abstinence AIDS education A In this graphic novel, the Lone Wolves are Space Marines from the Space Wolf chapter. No one knows where they Challenged at the Multnomah come from or where they go, County Library in 2005. Reason: but when the soldiers of the concern that the content would Slovak Regiment of the Lone Wolves, Games contribute to hate, bad feelings and Imperial Guard need them Abnett, Dan Workshop. -
Superman Ebook, Epub
SUPERMAN PDF, EPUB, EBOOK Jerry Siegel | 144 pages | 30 Jun 2009 | DC Comics | 9781401222581 | English | New York, NY, United States Superman PDF Book The next event occurs when Superman travels to Mars to help a group of astronauts battle Metalek, an alien machine bent on recreating its home world. He was voiced in all the incarnations of the Super Friends by Danny Dark. He is happily married with kids and good relations with everyone but his father, Jor-EL. American photographer Richard Avedon was best known for his work in the fashion world and for his minimalist, large-scale character-revealing portraits. As an adult, he moves to the bustling City of Tomorrow, Metropolis, becoming a field reporter for the Daily Planet newspaper, and donning the identity of Superman. Superwoman Earth 11 Justice Guild. James Denton All-Star Superman Superman then became accepted as a hero in both Metropolis and the world over. Raised by kindly farmers Jonathan and Martha Kent, young Clark discovers the source of his superhuman powers and moves to Metropolis to fight evil. Superman Earth -1 The Devastator. The next few days are not easy for Clark, as he is fired from the Daily Planet by an angry Perry, who felt betrayed that Clark kept such an important secret from him. Golden Age Superman is designated as an Earth-2 inhabitant. You must be a registered user to use the IMDb rating plugin. Filming on the series began in the fall. He tells Atom he is welcome to stay while Atom searches for the people he loves. -
Virgil, Aeneid 11 (Pallas & Camilla) 1–224, 498–521, 532–96, 648–89, 725–835 G
Virgil, Aeneid 11 (Pallas & Camilla) 1–224, 498–521, 532–96, 648–89, 725–835 G Latin text, study aids with vocabulary, and commentary ILDENHARD INGO GILDENHARD AND JOHN HENDERSON A dead boy (Pallas) and the death of a girl (Camilla) loom over the opening and the closing part of the eleventh book of the Aeneid. Following the savage slaughter in Aeneid 10, the AND book opens in a mournful mood as the warring parti es revisit yesterday’s killing fi elds to att end to their dead. One casualty in parti cular commands att enti on: Aeneas’ protégé H Pallas, killed and despoiled by Turnus in the previous book. His death plunges his father ENDERSON Evander and his surrogate father Aeneas into heart-rending despair – and helps set up the foundati onal act of sacrifi cial brutality that caps the poem, when Aeneas seeks to avenge Pallas by slaying Turnus in wrathful fury. Turnus’ departure from the living is prefi gured by that of his ally Camilla, a maiden schooled in the marti al arts, who sets the mold for warrior princesses such as Xena and Wonder Woman. In the fi nal third of Aeneid 11, she wreaks havoc not just on the batt lefi eld but on gender stereotypes and the conventi ons of the epic genre, before she too succumbs to a premature death. In the porti ons of the book selected for discussion here, Virgil off ers some of his most emoti ve (and disturbing) meditati ons on the tragic nature of human existence – but also knows how to lighten the mood with a bit of drag. -
COMICS Viva Il Re! L a Vita E Le Opere Del Co-Creatore Della Marvel
ADM Editore - nr. 35 settembre/ottobre 2017 Metti in collaborazione con Sui Fu FuMetti e Ale A StA Digit lA Rivi FUMETTO E SCUOLA l a parola a laura Scarpa e Paolo Forni SBAM!COMICS VIVA IL RE! l a vita e le opere del co-creatore della Marvel www.sbamcomics.it RE DEL TERRORE 100 ANNI DI JACK KIRBY ... IN CAMPO l otti e Mainardi ci raccontano Drawing by Ron Frenz, inks by Sal Buscema - Captain America © Marvel Comics America © Marvel - Captain Sal Buscema by inks Frenz, Ron by Drawing INTERVISTA ESCLUSIVA A il Diabolik “calcistico” FUMETTI RON FRENZ b ondi-leone-nanni L’ulTIMO DEI KIRBYANI! antonio Pannullo Fascinella-Zuppini NOVITÀ! arrivano in libreria gli IN QUESTO NUMERO 35 4 Pre-cover Dall’esperienza della rivista digitale fumettosa più bella di tutti i tempi, lo Sbam-sito ecco nelle migliori librerie i primi titoli della nostra nuovissima collana http://sbamcomics.it/ di volumi: sono nati gli Sbam! libri. Tutti i dettagli dell’iniziativa. 12 i n copertina SBAM!COMICS Il centenario del Re del Fumetto, Jack Kirby: per celebrarlo come si deve, abbiamo intervistato l’eccellente Ron Frenz, ultimo dei kirbyani e copertinista d’eccezione di questo numero di Sbam!, e ripercorso Sbam! Comics è la rivista digitale l’incredibile carriera del King! completamente gratuita per tutti 76 Fumetto e scuola Fortunatamente, sono ormai molto lontani i tempi in cui nelle scuole gli appassionati di fumetti: è diffusa la Sbam-vetrina dei nostri libri www.sbamcomics.it/sbamlibri vigeva il più assoluto ostracismo per i fumetti. Ma oggi, che rapporto c’è tra scuola e Nona Arte? Lo abbiamo chiesto a chi di insegnamento ogni due mesi tramite il sito del Fumetto se ne intende, laura Scarpa, e a un docente che propone www.sbamcomics.it. -
Tunisian Theater at the Turn of the Century: "Hammering the Same Nail" in Jalila Baccar and Fadhel Jaïbi's Theater Rafika Zahrouni Washington University in St
Washington University in St. Louis Washington University Open Scholarship All Theses and Dissertations (ETDs) Spring 3-11-2014 Tunisian Theater at the Turn of the Century: "Hammering the Same Nail" in Jalila Baccar and Fadhel Jaïbi's Theater Rafika Zahrouni Washington University in St. Louis Follow this and additional works at: https://openscholarship.wustl.edu/etd Recommended Citation Zahrouni, Rafika, "Tunisian Theater at the Turn of the Century: "Hammering the Same Nail" in Jalila Baccar and Fadhel Jaïbi's Theater" (2014). All Theses and Dissertations (ETDs). 1274. https://openscholarship.wustl.edu/etd/1274 This Dissertation is brought to you for free and open access by Washington University Open Scholarship. It has been accepted for inclusion in All Theses and Dissertations (ETDs) by an authorized administrator of Washington University Open Scholarship. For more information, please contact [email protected]. WASHINGTON UNIVERSITY IN ST. LOUIS Program in Comparative Literature Dissertation Examination Committee: Nancy Berg, Chair Robert Hegel Robert Henke Pascal Ifri Lynne Tatlock Tunisian Theater at the Turn of the Century: “Hammering the Same Nail” in Jalila Baccar and Fadhel Jaïbi’s Theater by Rafika Zahrouni A dissertation presented to the Graduate School of Arts and Sciences of Washington University in partial fulfillment of the requirements for the degree of Doctor of Philosophy May 2014 St. Louis, Missouri Copyright by Rafika Zahrouni © 2014 Table of Contents Acknowledgments ………………………………………………………………….……….. iii Introduction: From Edison Theater in St. Louis to the New Theater of Tunis ….................... 1 Chapter 1: Background of Tunisian Theater History ……………………………….…......... 17 Chapter 2: The Development of the New Theater ………………………………………….. 58 Chapter 3: From Silence to Madness, from Madness to Speech: The Psychiatric Institution as Metaphor ………………………………………………………………………………….