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SAM Volume 3 Issue 1 Cover and Front Matter
jsam cover_January.qxd 1/9/09 12:02 AM Page 1 JOURNAL OF THE JOURNAL OF THE SOCIETY FOR AMERICAN MUSIC VOLUME 3 • NUMBER 1 FEBRUARY 2009 JOURNAL OF THE SOCIETY FOR AMERICAN MUSIC SOCIETY FOR TABLE OF CONTENTS AMERICAN MUSIC VOLUME 3 Ⅲ NUMBER 1 Ⅲ FEBRUARY 2009 Continued on inside back cover Cambridge Journals online For further information about this journal please go to the journal website at: journals.cambridge.org/sam Downloaded from https://www.cambridge.org/core. IP address: 170.106.202.8, on 02 Oct 2021 at 00:05:23, subject to the Cambridge Core terms of use, available at https://www.cambridge.org/core/terms. https://doi.org/10.1017/S1752196309090075 jsam cover_January.qxd 1/9/09 12:02 AM Page 2 Continued from back cover Downloaded from https://www.cambridge.org/core. IP address: 170.106.202.8, on 02 Oct 2021 at 00:05:23, subject to the Cambridge Core terms of use, available at https://www.cambridge.org/core/terms. https://doi.org/10.1017/S1752196309090075 Journal of the Society for American Music A quarterly publication of the Society for American Music Editor Leta E. Miller (University of California, Santa Cruz, USA) Assistant Editor Mark Davidson (University of California, Santa Cruz, USA) Book Review Editor Amy C. Beal (University of California, Santa Cruz, USA) Recording Review Editor Daniel Goldmark (Case Western Reserve University, USA) Multimedia Review Editor Jason Stanyek (New York University, USA) Editorial Board David Bernstein (Mills College, USA) Jose´ Bowen (Southern Methodist University, USA) Martin Brody (Wellesley -
Verdi Week on Operavore Program Details
Verdi Week on Operavore Program Details Listen at WQXR.ORG/OPERAVORE Monday, October, 7, 2013 Rigoletto Duke - Luciano Pavarotti, tenor Rigoletto - Leo Nucci, baritone Gilda - June Anderson, soprano Sparafucile - Nicolai Ghiaurov, bass Maddalena – Shirley Verrett, mezzo Giovanna – Vitalba Mosca, mezzo Count of Ceprano – Natale de Carolis, baritone Count of Ceprano – Carlo de Bortoli, bass The Contessa – Anna Caterina Antonacci, mezzo Marullo – Roberto Scaltriti, baritone Borsa – Piero de Palma, tenor Usher - Orazio Mori, bass Page of the duchess – Marilena Laurenza, mezzo Bologna Community Theater Orchestra Bologna Community Theater Chorus Riccardo Chailly, conductor London 425846 Nabucco Nabucco – Tito Gobbi, baritone Ismaele – Bruno Prevedi, tenor Zaccaria – Carlo Cava, bass Abigaille – Elena Souliotis, soprano Fenena – Dora Carral, mezzo Gran Sacerdote – Giovanni Foiani, baritone Abdallo – Walter Krautler, tenor Anna – Anna d’Auria, soprano Vienna Philharmonic Orchestra Vienna State Opera Chorus Lamberto Gardelli, conductor London 001615302 Aida Aida – Leontyne Price, soprano Amneris – Grace Bumbry, mezzo Radames – Placido Domingo, tenor Amonasro – Sherrill Milnes, baritone Ramfis – Ruggero Raimondi, bass-baritone The King of Egypt – Hans Sotin, bass Messenger – Bruce Brewer, tenor High Priestess – Joyce Mathis, soprano London Symphony Orchestra The John Alldis Choir Erich Leinsdorf, conductor RCA Victor Red Seal 39498 Simon Boccanegra Simon Boccanegra – Piero Cappuccilli, baritone Jacopo Fiesco - Paul Plishka, bass Paolo Albiani – Carlos Chausson, bass-baritone Pietro – Alfonso Echevarria, bass Amelia – Anna Tomowa-Sintow, soprano Gabriele Adorno – Jaume Aragall, tenor The Maid – Maria Angels Sarroca, soprano Captain of the Crossbowmen – Antonio Comas Symphony Orchestra of the Gran Teatre del Liceu, Barcelona Chorus of the Gran Teatre del Liceu, Barcelona Uwe Mund, conductor Recorded live on May 31, 1990 Falstaff Sir John Falstaff – Bryn Terfel, baritone Pistola – Anatoli Kotscherga, bass Bardolfo – Anthony Mee, tenor Dr. -
Choral Union Concert Series HILL AUDITORIUM ANN ARBOR, MICHIGAN
UNIVERSITY MUSICAL SOCIETY CHARLES A. SINK. PRESIDENT EARL V. MOORE. MUSICAL DIRECTOR Ninth Concert 1928-1929 Complete Series 1716 FIFTIETH ANNUAL Choral Union Concert Series HILL AUDITORIUM ANN ARBOR, MICHIGAN YELLY D'ARANYI, Violinist assisted by AMY COREY FISCHER, Pianist Wednesday Evening, February 20, 1929, at 8:15 PROGRAM CIACONNA Vttali a. ANDANTE, C major Bach b. GAVOTTE, E major Back BAGATELLE IN D Gatty PASSEPIED Delibes-Gruenberg LA VIDA BREVE DeFalla-Kreiselr HUNGARIAN DANCE • Brahms-Joachim TZIGANE Ravel Management: Annie Friedberg, Nezv York. The piano used is a Baldwin (OVER) fcgfr^ KX »" ARS LONGA VITA BREVIS I V&&f$@9Cz& I THIRTY-SIXTH Annual May Festival FOUR DAYS SIX CONCERTS May 22, 23, 24, 25,1929 For the closing event in the Semi-Centenary Concert Series of the University Musical Society, the following distinguished artists and organizations have been engaged: EDITH MASON, Prima Donna Soprano, Chicago Civic Opera Company JEANNETTE VREELAND, Distinguished American Soprano SOPHIE BRASLAU, Renowned American Contralto MARION TELVA, Contralto, Metropolitan Opera Company RICHARD CROOKS, Tenor, Premier American Concert Artist PAUL ALTHOUSE, Tenor, Metropolitan Opera Company LAWRENCE TIBBET, Baritone, Metropolitan Opera Company RICHARD BONELLI, Baritone, Chicago Civic Opera Company BARRE HILL, Baritone, Chicago Civic Opera Co. WILLIAM GUSTAFSON, Bass, Metropolitan Opera Company JOSEF HOFMANN, Russian Pianist EFREM ZIMBALIST, Hungarian Violinist THE CHICAGO SYMPHONY ORCHESTRA, Frederick Stock, Conductor THE UNIVERSITY CHORAL UNION, Earl V. Moore, Conductor CHILDREN'S FESTIVAL CHORUS, Jiiva Higbee, Conductor CHORAL WORKS: Samson and Delilah, by Saint Saens; The New Life, by Wolf Ferrari; The Requiem, by Brahms; The Hunting of the Snark (Children), by Boyd. -
Killing for Krishna
Sulochan dasa (Steven Bryant) (ACBSP) (1952-1986) Memorial Service on the 32nd Anniversary of his death Cheviot Hills Park, Los Angeles (May 22, 2018) Note: The statements and philosophies promoted in the following tributes may not necessarily be those of the organizers of this memorial service, but we believe we must allow devotees to express their sentiments and realizations even if we may disagree with their conclusions. TRIBUTES Henry Doktorski, author of Killing For Krishna. My dear assembled Vaishnavas: Please accept my humble obeisances. All glories to Srila Prabhupada. My name is Henry Doktorski; I am a former resident of New Vrindaban and a former disciple of Kirtanananda Swami. Some of my friends know me by my initiated name: Hrishikesh dasa. I am the author of a book—Killing For Krishna: The Danger of Deranged Devotion—which recounts the unfortunate events which preceded Sulochan’s murder, the murder itself, and its aftermath and repercussions. Prabhus and Matajis, thank you for attending this memorial service for Sulochan prabhu, the first of many anticipated annual events for the future. Although Sulochan was far from a shining example of a model devotee, and he was unfortunately afflicted with many faults, he should nonetheless, in my opinion, be respected and honored for (1) his love for his spiritual master, and (2) his courageous effort to expose corruption within his spiritual master’s society. His endeavors to (1) expose the so-called ISKCON spiritual masters of his time as pretenders, by writing and distributing his hard-hitting and mostly-accurate book, The Guru Business, and (2) dethrone the zonal acharyas, with violence if necessary, resulted in a murder conspiracy spearheaded by two ISKCON gurus, several ISKCON temple presidents and several ksatriya hit men from ISKCON temples in West Virginia, Ohio and Southern California. -
Constructing the Archive: an Annotated Catalogue of the Deon Van Der Walt
(De)constructing the archive: An annotated catalogue of the Deon van der Walt Collection in the NMMU Library Frederick Jacobus Buys January 2014 Submitted in partial fulfilment for the degree of Master of Music (Performing Arts) at the Nelson Mandela Metropolitan University Supervisor: Prof Zelda Potgieter TABLE OF CONTENTS Page DECLARATION i ABSTRACT ii OPSOMMING iii KEY WORDS iv ACKNOWLEDGEMENTS v CHAPTER 1 – INTRODUCTION TO THIS STUDY 1 1. Aim of the research 1 2. Context & Rationale 2 3. Outlay of Chapters 4 CHAPTER 2 - (DE)CONSTRUCTING THE ARCHIVE: A BRIEF LITERATURE REVIEW 5 CHAPTER 3 - DEON VAN DER WALT: A LIFE CUT SHORT 9 CHAPTER 4 - THE DEON VAN DER WALT COLLECTION: AN ANNOTATED CATALOGUE 12 CHAPTER 5 - CONCLUSION AND RECOMMENDATIONS 18 1. The current state of the Deon van der Walt Collection 18 2. Suggestions and recommendations for the future of the Deon van der Walt Collection 21 SOURCES 24 APPENDIX A PERFORMANCE AND RECORDING LIST 29 APPEDIX B ANNOTED CATALOGUE OF THE DEON VAN DER WALT COLLECTION 41 APPENDIX C NELSON MANDELA METROPOLITAN UNIVERSTITY LIBRARY AND INFORMATION SERVICES (NMMU LIS) - CIRCULATION OF THE DEON VAN DER WALT (DVW) COLLECTION (DONATION) 280 APPENDIX D PAPER DELIVERED BY ZELDA POTGIETER AT THE OFFICIAL OPENING OF THE DEON VAN DER WALT COLLECTION, SOUTH CAMPUS LIBRARY, NMMU, ON 20 SEPTEMBER 2007 282 i DECLARATION I, Frederick Jacobus Buys (student no. 211267325), hereby declare that this treatise, in partial fulfilment for the degree M.Mus (Performing Arts), is my own work and that it has not previously been submitted for assessment or completion of any postgraduate qualification to another University or for another qualification. -
Newsletter • Bulletin
NATIONAL CAPITAL OPERA SOCIETY • SOCIETE D'OPERA DE LA CAPITALE NATIONALE Newsletter • Bulletin Summer 2000 L’Été A WINTER OPERA BREAK IN NEW YORK by Shelagh Williams The Sunday afternoon programme at Alice Tully Having seen their ads and talked to Helen Glover, their Hall was a remarkable collaboration of poetry and words new Ottawa representative, we were eager participants and music combining the poetry of Emily Dickinson in the February “Musical Treasures of New York” ar- recited by Julie Harris and seventeen songs by ten dif- ranged by Pro Musica Tours. ferent composers, sung by Renee Fleming. A lecture We left Ottawa early Saturday morning in our bright preceded the concert and it was followed by having most pink (and easily spotted!) 417 Line Bus and had a safe of the composers, including Andre Previn, join the per- and swift trip to the Belvedere Hotel on 48th St. Greeted formers on stage for the applause. An unusual and en- by Larry Edelson, owner/director and tour leader, we joyable afternoon. met our fellow opera-lovers (six from Ottawa, one from Monday evening was the Met’s block-buster pre- Toronto, five Americans and three ladies from Japan) at miere production of Lehar’s The Merry Widow, with a welcoming wine and cheese party. Frederica von Stade and Placido Domingo, under Sir Saturday evening the opera was Offenbach’s Tales Andrew Davis, in a new English translation. The oper- of Hoffmann. This was a lavish (though not new) pro- etta was, understandably, sold out, and so the only tick- duction with sumptuous costumes, sets descending to ets available were seats in the Family Circle (at the very reappear later, and magical special effects. -
11-03-2018 Carmen Eve.Indd
GEORGES BIZET carmen conductor Opera in four acts Omer Meir Wellber Libretto by Henri Meilhac and production Sir Richard Eyre Ludovic Halévy, based on the novella by Prosper Mérimée set and costume designer Rob Howell Saturday, November 3, 2018 lighting designer 1:00–4:25 PM Peter Mumford choreographer Christopher Wheeldon revival stage director Paula Williams The production of Carmen was made possible by a generous gift from Mrs. Paul Desmarais Sr. general manager Peter Gelb jeanette lerman-neubauer music director Yannick Nézet-Séguin 2018–19 SEASON The 1,012th Metropolitan Opera performance of GEORGES BIZET’S carmen conductor Omer Meir Wellber in order of vocal appearance mor alès le dancaïre Adrian Timpau** Javier Arrey micaël a le remendado Guanqun Yu Scott Scully don josé Yonghoon Lee solo dancers Maria Kowroski zuniga Martin Harvey Richard Bernstein carmen Clémentine Margaine fr asquita Sydney Mancasola mercédès Sarah Mesko escamillo Kyle Ketelsen Saturday, November 3, 2018, 1:00–4:25PM MARTY SOHL / MET OPERA Clémentine Margaine Chorus Master Donald Palumbo in the title role of Musical Preparation Derrick Inouye, Liora Maurer, and Bizet’s Carmen Bénédicte Jourdois* Fight Director J. Allen Suddeth Assistant Stage Directors Sara Erde and Jonathon Loy Stage Band Conductor Jeffrey Goldberg Met Titles Sonya Friedman Children’s Chorus Director Anthony Piccolo Movement Coach Sara Erde Associate Costume Designer Irene Bohan Scenery, properties, and electrical props constructed and painted by Metropolitan Opera Shops Costumes executed by Art for Art Theater Service GmbH, Vienna; Justo Algaba S.L., Madrid; Carelli Costumes, New York, and Metropolitan Opera Costume Department Wigs and Makeup executed by Metropolitan Opera Wig and Makeup Department This production uses gunshot effects. -
01-29-2019 Carmen Eve.Indd
GEORGES BIZET carmen conductor Opera in four acts Louis Langrée Libretto by Henri Meilhac and production Sir Richard Eyre Ludovic Halévy, based on the novella by Prosper Mérimée set and costume designer Rob Howell Tuesday, January 29, 2019 lighting designer 7:30–10:55 PM Peter Mumford choreographer Christopher Wheeldon revival stage director Paula Williams The production of Carmen was made possible by a generous gift from Mrs. Paul Desmarais Sr. general manager Peter Gelb jeanette lerman-neubauer music director Yannick Nézet-Séguin 2018–19 SEASON The 1,021st Metropolitan Opera performance of GEORGES BIZET’S carmen conductor Louis Langrée in order of vocal appearance mor alès le dancaïre Alexey Lavrov* Javier Arrey micaël a le remendado Aleksandra Kurzak Eduardo Valdes don josé Roberto Alagna solo dancers Maria Kowroski zuniga Martin Harvey Richard Bernstein carmen Clémentine Margaine fr asquita Sydney Mancasola mercédès Samantha Hankey escamillo Alexander Vinogradov Tuesday, January 29, 2019, 7:30–10:55PM KAREN ALMOND / MET OPERA Clémentine Chorus Master Donald Palumbo Margaine in the Musical Preparation Pierre Vallet, Bradley Moore*, and title role and Liora Maurer Roberto Alagna as Don José in Fight Director J. Allen Suddeth Bizet’s Carmen Assistant Stage Directors Sara Erde and Jonathon Loy Stage Band Conductor Gregory Buchalter Met Titles Sonya Friedman Children’s Chorus Director Anthony Piccolo Movement Coach Sara Erde Associate Costume Designer Irene Bohan Scenery, properties, and electrical props constructed and painted by Metropolitan Opera Shops Costumes executed by Art for Art Theater Service GmbH, Vienna; Justo Algaba S.L., Madrid; Carelli Costumes, New York, and Metropolitan Opera Costume Department Wigs and Makeup executed by Metropolitan Opera Wig and Makeup Department This production uses gunshot effects. -
The Bulletin O F T H E S O C I E T Y F O R a M E R I C a N M U S I C F O U N D E D I N H O N O R O F O S C a R G
The Bulletin OF THE S OCIETY FOR A MERIC A N M U S IC FOUNDED IN HONOR OF O S C A R G . T. S ONNECK Vol. XXXV, No. 1 Winter 2009 Denver Update tations and performances covering the night events: the traditional SAM Sacred entire historical, ethnic, geographic, and Harp Sing and the induction of the 2009 stylistic range of American music. We are honorary member Tony Isaacs, founder particularly glad to note that the main and chief recordist of Indian House Re- themes of the conference—Native Ameri- cords, which will follow the sing. Isaacs can music and music in the West—are has recorded the music of Native Ameri- very well represented on the program. No can singers and drummers for over forty fewer than seven sessions will be devoted years, and Indian House has one of the to Native American/First Nations/Indig- largest catalogues of recorded native mu- enous musical traditions of the United sic making available commercially. He will States, Canada, and Mexico, surely a first present a lecture on the Plains music of for SAM. And sessions devoted to topics the powwow, illustrated with live perfor- as wide-ranging as Canadian compos- mances by a prominent Colorado drum ers, Cage and Sousa, popular music in and singing group. On Friday after lunch, Los Angeles, music in Colorado and the Buffalo Bill’s Cowboy band, featuring Pacific Northwest, Julius Eastman and performers from Wyoming and Montana, experimental music in New York City, will present a visually illustrated and nar- 18th- and 19th-century repertories, film rated concert of the music of Buffalo Bill’s music, and musical theater also appear on outdoor traveling Wild West Show, which the program. -
Eljnral Mtttntt £>*Rt?0 3
UNIVERSITY- MUSICAL-SOCIETY (Eljnral Mtttntt £>*rt?0 3 Forty-Seventh Season Seventh Concert Vo* ?S —————No. CCCCXXXXII Complete Series — p « Detroit Symphony Orchestra •* OSSIP GABRILOWITSCH, Conducting •HUl Aufcttnrtam. Atm Arbor, IHirtjigan /^ MONDAY, MARCH 8, 1926, AT EIGHT O'CLOCK PROGRAM J| as Overture to the Opera "Oberon" Weber Fifth Symphony in C minor, Op. 67 Beethoven Allegro con brio Andante con moto 8$ Allegro (Scherzo); Trio Allegro Prelude and Love Death from the Opera "Tristan and Isolde"... Wagner <*§ Capriccio Espagnol, Op. 34 Rimsky-Korsakov J§i Alborada Jj£$ Variazioni Rfo Alborada j*g Scena e conto gitano c™ Fandango asturiano 85 (OVER) $£ raffftfft K^ AR Sa ON G A'VITA'BREVI S j ^^5^t^«^^5 THIRTY-THIRD ANNUAL MAY FESTIVAL EARL V. MOORE, Musical Director Six Concerts Four Days May 19, 20, 21, 22 ARTISTS, ORGANIZATIONS, AND PROGRAMS (Subject to Change) First Concert—Wednesday Evening, May 19 SOLOISTS LOUISE HOMER Contralto Metropolitan and Chicago Civic Operas CHICAGO SYMPHONY ORCHESTRA Frederick Stock, Conductor PROGRAM OVERTURE, "Im Fruhling" Goldmark ARIA MMU. HOMSR SYMPHONY IN B MINOR Chausson Intermission ARIA MME. HOMER "THE PLANETS" .Hoist ARIA MME. HOMER DANCES FROM "PRINCE IGOR" Bbrodine Second Concert—Thursday Evening, May 20 SOLOISTS MARIE SUNDELIUS Soprano Metropolitan Opera JEANNE LAVAL Contralto American Oratorio Singer CHARLES STRATTON Tenor Distinguished American Artist THEODORE HARRISON Baritone Authoratative "Elijah" UNIVERSITY CHORAL UNION ) _ . ,7 „ r , . CHICAGO SYMPHONY ORCHESTRA f hMl W' Moore> Conductor PROGRAM ELIJAH Mendelssohn An Oratorio with words from Holy Script CAST Theodore Harrison Elijah Marie Sundelius The Widow Charles Stratton Obadiah Jeanne Laval An Angel Third Concert—Friday Afternoon, May 21 SOLOISTS ALBERT SPAULDING Violinist CHILDREN'S FESTIVAL CHORUS J. -
Lotuses in Muddy Water: Fracked Gas and the Hare Krishnas at New Vrindaban, West Virginia
Lotuses in Muddy Water: Fracked Gas and the Hare Krishnas at New Vrindaban, West Virginia Kevin Stewart Rose American Quarterly, Volume 72, Number 3, September 2020, pp. 749-769 (Article) Published by Johns Hopkins University Press DOI: https://doi.org/10.1353/aq.2020.0043 For additional information about this article https://muse.jhu.edu/article/765831 [ Access provided at 6 Jul 2021 14:51 GMT from University of Virginia Libraries & (Viva) ] Fracked Gas and the Hare Krishnas at New Vrindaban, West Virginia | 749 Lotuses in Muddy Water: Fracked Gas and the Hare Krishnas at New Vrindaban, West Virginia Kevin Stewart Rose ach morning before the sun rises, devotees of the International Society of Krishna Consciousness (ISKCON) in New Vrindaban gather in a Edimly lit temple to chant the mahamantra to Krishna. As the residents of this remote religious commune in West Virginia’s northern panhandle chant in unison, their voices rising and falling over the hourlong service, robed worshippers offer a series of objects to an image of Krishna to stir up their lord’s love for the Earth. The flame of a ghee lamp is waved before the image, offering Krishna the pleasure of warmth and light produced from the milk of the community’s sacred cows. Then the lamps are carried to each of the devotees, who, one by one, briefly hold their hands over the flame before placing them on their heads, transferring the warmth of the lamp to their own bodies. Next, a pink flower is held up to Krishna before again being carried to the devotees. -
Choral Union Concert Series HILL AUDITORIUM ANN ARBOR
UNIVERSITY MUSICAL SOCIETY CHARLES A. SINK. PRESIDENT EARL V, MOORE. MUSICAL DIRECTOR -~HE^» ion*-- Tenth Concert 1928-1929 Complete Series 1725 FIFTIETH ANNUAL Choral Union Concert Series HILL AUDITORIUM ANN ARBOR. MICHIGAN DETROIT SYMPHONY ORCHESTRA ALFRED HERTZ, Guest Conductor Monday Evening, March 11, 1929, at 8:15 PROGRAM SIXTH SYMPHONY, IN B MINOR, OP. 74 (PATHETIQUE) Tschaikovsky I Adagio; Allegro non troppo; Andante Allegro vivo II Allegro con grazia III Allegro molto vivace (March) IV Adagio Iamentoso INTERMISSION OVERTURE TO "RIENZI" Wagner SCHERZO FROM "A MIDSUMMER NIGHT'S DREAM" Mendelssohn TONE POEM. "DEATH AND TRANSFIGURATION/' OP. 24 R. Srauss JEFFERSON B. WEBB, Mgr. The Mason & Hamlin is the official piano of the Detroit Symphony Society. (OVER) ARS LONGA VITA BREVIS .,,, ••• • ••!!- «.VfgjRfr^.ftt THIRTY-SIXTH Annual May Festival FOUR DAYS SIX CONCERTS May 22, 23, 24, 25,1929 For the closing event in the Semi-Centenary Concert Series of the University Musical Society, the following distinguished artists and organizations have been engaged: EDITH MASON, Prima Donna Soprano, Chicago Civic Opera Company JEANNETTE VREELAND, Distinguished American Soprano SOPHIE BRASLAU, Renowned American Contralto MARION TELVA, Contralto, Metropolitan Opera Company RICHARD CROOKS, Tenor, Premier American Concert Artist PAUL ALTHOUSE, Tenor, Metropolitan Opera Company LAWRENCE TIBBET, Baritone, Metropolitan Opera Company RICHARD BONELLI, Baritone, Chicago Civic Opera Company BARRE HILL, Baritone, Chicago Civic Opera Co. WILLIAM GUSTAFSON, Bass, Metropolitan Opera Company JOSEF HOFMANN, Russian Pianist EFREM ZIMBALIST, Hungarian Violinist THE CHICAGO SYMPHONY ORCHESTRA, Frederick Stock, Conductor THE UNIVERSITY CHORAL UNION, Earl V. Moore, Conductor CHILDREN'S FESTIVAL CHORUS, Juva Higbee, Conductor CHORAL WORKS: Samson and Delilah, by Saint Saens; The New Life, by Wolf Ferrari; The Requiem, by Brahms; The Hunting of the Snark (Children), by Boyd.