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The Top 87 of 2019!
THE TOP 87 OF 2019! Rank Artist Title Label 1 CAMEL PHAT/CRISTOPH BREATHE (ft. Jem Cooke) Arista 2 MAHALO & DL/LILY DENNING SO COLD Perfect Havoc 3 GRYFFIN REMEMBER (f. ZOHARA) Geffen 4 CHAINSMOKERS/ILLENIUM TAKEAWAY (f. Lennon Stella) Disruptor/Columbia 5 NOTD/FELIX JAEHN SO CLOSE (f. Georgia Ku & Capt. Cuts) Island/Republic 6 JAX JONES/MARTIN SOLVEIG ALL DAY AND NIGHT (f. Madison Beer) Interscope 7 ARMIN VAN B/ABOVE & BEYOND SHOW ME LOVE Armind 8 ARIANA GRANDE THANK U, NEXT Republic 9 LODATO HOME Overdrive 10 HALSEY WITHOUT ME Capitol 11 CHEAT CODES/DANIEL BLUME WHO'S GOT YOUR LOVE 300 Ent. 12 PHANTOMS DESIGNS FOR YOU Casablanca/Republic 13 SILK CITY/DIPLO/ MARK RONSON ELECTRICITY (f. Dua Lipa) Columbia 14 KYGO/WHITNEY HOUSTON HIGHER LOVE RCA 15 KHALID TALK RCA 16 D-SOL/KATT ROCKELL FEEL ALIVE Pay Back/Big Beat 17 MADEON ALL MY FRIENDS Columbia 18 KYGO/VALERIE BROUSSARD THINK ABOUT YOU RCA 19 MARTIN GARR/MATISSE & SADKO MISTAKEN (f. Alex Aris) RCA 20 GRYFFIN/SLANDER ALL YOU NEED TO KNOW Darkroom/Geffen 21 KHALID BETTER RCA 22 STEVE AOKI/BTS WASTE IT ON ME Ultra 23 AVICII HEAVEN Avicii Music/AB/Geffen 24 LIL NAS X OLD TOWN ROAD Columbia 25 DAVID GUETT/MARTIN SOLVEIG THING FOR YOU Warner/FFRR 26 FLORA CASH YOU'RE SOMEBODY ELSE Bee & E/RCA 27 AVICII/ALOE BLACC S.O.S. Geffen/Interscope 28 DOM DOLLA TAKE IT Sweat It Out 29 ARTY SAVE ME TONIGHT Armada 30 BENNY BLANC/CALVIN HARRIS I FOUND YOU Interscope 31 DALLASK/NICKY ROMERO SOMETIMES (f. -
Logging Songs of the Pacific Northwest: a Study of Three Contemporary Artists Leslie A
Florida State University Libraries Electronic Theses, Treatises and Dissertations The Graduate School 2007 Logging Songs of the Pacific Northwest: A Study of Three Contemporary Artists Leslie A. Johnson Follow this and additional works at the FSU Digital Library. For more information, please contact [email protected] THE FLORIDA STATE UNIVERSITY COLLEGE OF MUSIC LOGGING SONGS OF THE PACIFIC NORTHWEST: A STUDY OF THREE CONTEMPORARY ARTISTS By LESLIE A. JOHNSON A Thesis submitted to the College of Music in partial fulfillment of the requirements for the degree of Master of Music Degree Awarded: Spring Semester, 2007 The members of the Committee approve the Thesis of Leslie A. Johnson defended on March 28, 2007. _____________________________ Charles E. Brewer Professor Directing Thesis _____________________________ Denise Von Glahn Committee Member ` _____________________________ Karyl Louwenaar-Lueck Committee Member The Office of Graduate Studies has verified and approved the above named committee members. ii ACKNOWLEDGEMENTS I would like to thank those who have helped me with this manuscript and my academic career: my parents, grandparents, other family members and friends for their support; a handful of really good teachers from every educational and professional venture thus far, including my committee members at The Florida State University; a variety of resources for the project, including Dr. Jens Lund from Olympia, Washington; and the subjects themselves and their associates. iii TABLE OF CONTENTS ABSTRACT ................................................................................................................. -
Politics, Development, and Discourse in Port-Au-Prince
What’s Wrong with Haiti? Politics, Development, and Discourse in Port-au-Prince by Alison C. Joersz A dissertation submitted in partial fulfillment of the requirements for the degree of Doctor of Philosophy (Anthropology) in the University of Michigan 2016 Doctoral Committee: Professor Stuart Kirsch, Co-Chair Associate Professor Michael P. Lempert, Co-Chair Assistant Professor Robert S. Jansen Professor Alaina M. Lemon Professor Kristina S. Wirtz, Western Michigan University ACKNOWLEDGEMENTS Completing this dissertation was a long, and often difficult journey. It was one supported by the assistance of many individuals and institutions in a variety of forms. They are too numerable to be named individually yet I am eternally grateful for each and every one of them, no matter how big or small the assistance was. The research and writing for this project was generously supported by fellowships from University of Michigan’s International Institute, Rackham Graduate School, the Department of Anthropology, the Institute for Research on Women and Gender, and the Institute for the Humanities. Along the way, I received considerable scholarly advice, encouragement, and support from mentors, advisors, instructors, and colleagues alike, including my entire committee – Stuart Kirsch, Michael Lempert, Kristina Wirtz, Alaina Lemon, and Rob Jansen – as well as:Mark Schuller, Chelsey Kivland, Richard Turits, Maxwell Owusu, Sophonie Joseph, Athena Kolbe, Ling Lab participants, Michicagoan attendees (2013), my fellow IRWG Community of Scholars participants (2014), and Humanities Institute scholars (2014-15). Living in Haiti and learning from those around me was not always an easy process yet it was made that much easier and enjoyable by the many generous Haitians and expatriates who went out of their way to help a stumbling and sometimes incoherent blan. -
SOCIAL CLASS in AMERICA TRANSCRIPT – FULL Version
PEOPLE LIKE US: SOCIAL CLASS IN AMERICA TRANSCRIPT – FULL Version Photo of man on porch dressed in white tank top and plaid shorts MAN: He looks lower class, definitely. And if he’s not, then he’s certainly trying to look lower class. WOMAN: Um, blue collar, yeah, plaid shorts. MAN: Lower middle class, something about the screen door behind him. WOMAN ON RIGHT, BROWN HAIR: Pitiful! WOMAN ON LEFT, BLOND HAIR, SUNGLASSES: Lower class. BLACK WOMAN, STANDING WITH WHITE MAN IN MALL: I mean, look how high his pants are up–my god! Wait a minute–I’m sorry, no offense. Something he would do. Photo of slightly older couple. Man is dressed in crisp white shirt, woman in sleeveless navy turtle neck with pearl necklace. WOMAN: Upper class. MAN: Yeah, definitely. WOMAN: Oh yeah. WOMAN: He look like he the CEO of some business. OLD WOMAN: The country club set- picture of smugness. GUY ON STREET: The stereotypical “my family was rich, I got the money after they died, now we’re happily ever after.” They don’t really look that happy though. Montage of images: the living situations of different social classes Song: “When you wish upon a star, makes no difference who you are. Anything your heart desires will come to you. If your heart is in your dream, no request is too extreme.” People Like Us – Transcript - page 2 R. COURI HAY, society columnist: It’s basically against the American principle to belong to a class. So, naturally Americans have a really hard time talking about the class system, because they really don’t want to admit that the class system exists. -
Literary Miscellany
Literary Miscellany Including Recent Acquisitions, Manuscripts & Letters, Presentation & Association Copies, Art & Illustrated Works, Film-Related Material, Etcetera. Catalogue 349 WILLIAM REESE COMPANY 409 TEMPLE STREET NEW HAVEN, CT. 06511 USA 203.789.8081 FAX: 203.865.7653 [email protected] www.williamreesecompany.com TERMS Material herein is offered subject to prior sale. All items are as described, but are consid- ered to be sent subject to approval unless otherwise noted. Notice of return must be given within ten days unless specific arrangements are made prior to shipment. All returns must be made conscientiously and expediently. Connecticut residents must be billed state sales tax. Postage and insurance are billed to all non-prepaid domestic orders. Orders shipped outside of the United States are sent by air or courier, unless otherwise requested, with full charges billed at our discretion. The usual courtesy discount is extended only to recognized booksellers who offer reciprocal opportunities from their catalogues or stock. We have 24 hour telephone answering and a Fax machine for receipt of orders or messages. Catalogue orders should be e-mailed to: [email protected] We do not maintain an open bookshop, and a considerable portion of our literature inven- tory is situated in our adjunct office and warehouse in Hamden, CT. Hence, a minimum of 24 hours notice is necessary prior to some items in this catalogue being made available for shipping or inspection (by appointment) in our main offices on Temple Street. We accept payment via Mastercard or Visa, and require the account number, expiration date, CVC code, full billing name, address and telephone number in order to process payment. -
190728 SAPPORO HOT100.Pdf
2019 7/28 DJ TUCK HERSEY ON AIR EVERY SUN. 12:00～15:55 TITLE ARTIST TITLE ARTIST THIS LASTWEEK WEEK 2 WKS AGO THIS WEEK LAST WEEK 2 WKS AGO 1 10 14 夏のどこかへ WANIMA 51 15 10 Ordinary THE CHARM PARK 2 4 31 Beautiful People feat. Khalid Ed Sheeran 52 70 92 Mad Love Mabel 3 14 21 LILLY Hump Back 53 － － ☆ Do Do Do Lucky Kilimanjaro 4 3 22 宿命 Official髭男dism 54 58 59 Summer Magic AI 5 1 1 忘れられないの サカナクション 55 37 36 青春 スキマスイッチ 6 35 － 真夏の夜の匂いがする あいみょん 56 67 57 DiSTANCE BiSH 7 21 44 feel 笠原瑠斗 57 － － Catch me, Flag!!? feat. SUKISHA ぜったくん 8 12 19 ☆ White Lie Naz 58 74 － Goodbyes feat. Young Thug Post Malone 9 2 2 優しいあの子 スピッツ 59 26 9 帰り道 Overground Acoustic Underground 10 18 24 Señorita Shawn Mendes & Camila Cabello 60 － － 愛をさがして feat. G.RINA 武田と哲也 11 32 － Aurora BUMP OF CHICKEN 61 27 17 Call ちゃんみな 12 8 11 Have A Nice Day! SCOOBIE DO 62 － － ☆ 時のシルエット ナツ・サマー 13 22 68 気球 The Wisely Brothers 63 46 15 RUN 佐藤広大 14 30 － balloon chelmico 64 － － SHINE 韻シスト 15 11 47 Higher Love Kygo, Whitney Houston 65 61 42 Go The Black Keys 16 6 3 free? Skoop On Somebody 66 39 30 CHANCE feat. 中村佳穂 蓮沼執太 17 28 － Beautiful Journey 平井大 67 51 25 闇夜 Eve 18 7 8 YOU MAHINA 68 33 26 Remember Me MAN WITH A MISSION 19 5 4 iをyou フレンズ 69 44 43 Future Madonna & Quavo 20 52 － ハローフィクサー 10-FEET 70 38 12 舞台をおりて My Hair is Bad 21 17 53 イエス ズーカラデル 71 56 40 A Whole New World ZAYN, Zhavia Ward 22 47 － WHAT'S UP SUMMER ドミコ 72 － － 海を見てる Ms.OOJA 23 29 51 いかれたBaby モトーラ世理奈 73 62 － 無煙狼煙 KREVA 24 9 5 HOUSE Lucky Kilimanjaro 74 99 85 No Guidance feat. -
Songs by Artist 08/29/21
Songs by Artist 09/24/21 As Sung By Song Title Track # Alexander’s Ragtime Band DK−M02−244 All Of Me PM−XK−10−08 Aloha ’Oe SC−2419−04 Alphabet Song KV−354−96 Amazing Grace DK−M02−722 KV−354−80 America (My Country, ’Tis Of Thee) ASK−PAT−01 America The Beautiful ASK−PAT−02 Anchors Aweigh ASK−PAT−03 Angelitos Negros {Spanish} MM−6166−13 Au Clair De La Lune {French} KV−355−68 Auld Lang Syne SC−2430−07 LP−203−A−01 DK−M02−260 THMX−01−03 Auprès De Ma Blonde {French} KV−355−79 Autumn Leaves SBI−G208−41 Baby Face LP−203−B−07 Beer Barrel Polka (Roll Out The Barrel) DK−3070−13 MM−6189−07 Beyond The Sunset DK−77−16 Bill Bailey, Won’t You Please Come Home? DK−M02−240 CB−5039−3−13 B−I−N−G−O CB−DEMO−12 Caisson Song ASK−PAT−05 Clementine DK−M02−234 Come Rain Or Come Shine SAVP−37−06 Cotton Fields DK−2034−04 Cry Like A Baby LAS−06−B−06 Crying In The Rain LAS−06−B−09 Danny Boy DK−M02−704 DK−70−16 CB−5039−2−15 Day By Day DK−77−13 Deep In The Heart Of Texas DK−M02−245 Dixie DK−2034−05 ASK−PAT−06 Do Your Ears Hang Low PM−XK−04−07 Down By The Riverside DK−3070−11 Down In My Heart CB−5039−2−06 Down In The Valley CB−5039−2−01 For He’s A Jolly Good Fellow CB−5039−2−07 Frère Jacques {English−French} CB−E9−30−01 Girl From Ipanema PM−XK−10−04 God Save The Queen KV−355−72 Green Grass Grows PM−XK−04−06 − 1 − Songs by Artist 09/24/21 As Sung By Song Title Track # Greensleeves DK−M02−235 KV−355−67 Happy Birthday To You DK−M02−706 CB−5039−2−03 SAVP−01−19 Happy Days Are Here Again CB−5039−1−01 Hava Nagilah {Hebrew−English} MM−6110−06 He’s Got The Whole World In His Hands -
Pleksiglass Som Lokke Mat Og Mulighet Plexiglas As a Lure And
Pleksiglass som lokke mat og mulighet Pleksiglass som lokke mat og mulighet Plexiglas as a lure and Plexiglas potential By Liam Gillick Den britiske kunstneren Liam Gillick har gjerne The British artist Liam Gillick is often associated as a lure and blitt forbundet med den relasjonelle estetikken, with relational aesthetics, which emphasises the som la vekt på betrakteren som medskaper av ver- contribution of the viewer to an artwork and tends ket, og som ofte handlet om å tilrettelegge steder to focus on defining places and situations for social og situasjoner for sosial interaksjon. Men i mot- interaction. But in contrast to artists like Rirkrit setning til kunstnere som Rirkrit Tiravanija, som Tiravanija, who encourages audience-participation inviterte publikum til å samtale over et måltid, in a meal or a conversation, Gillick’s scenarios do gir ikke Gillicks scenarier inntrykk av å være laget not seem constructed for human activity. Instead, for menneskelig aktivitet. Installasjonene hans i his installations of Plexiglas and aluminium are potential pleksiglass og aluminium handlere snarere om concerned with the analysis of structures and types å analysere sosiale strukturer og organisasjons- of social organisation, and with the exploration of måter, og undersøke de romlige forutsetningene the spatial conditions for human interaction. Rec- for menneskelig interaksjon. Inspirert av hans ognising Gillick’s carefully considered relationship reflekterte forhold til materialene han jobber to the materials he uses, we invited him to write By med, ba vi ham skrive om sin interesse for pleksi- about his interest in Plexiglas, a material he has glass, et materiale han har arbeidet med i over 30 år. -
The Story of Israel at 66 Through the Songs of Arik Einstein
1 The Soundtrack of Israel: The Story of Israel at 66 through the songs of Arik Einstein Israel turns sixty six this year and a so much has happened in this seemingly short lifetime. Every war, every peace treaty, every struggle, and every accomplishment has left its impact on the ever changing character of the Jewish State. But throughout all of these ups and downs, all of the conflicts and all of the progress, there has been one voice that has consistently spoken for the Jewish nation, one voice that has represented Israelis for all 66 years and will continue to represent a people far into the future. That is the voice of Arik Einstein. Einstein’s music, referred to by Prime Minister Benjamin Netanyahu as the “soundtrack of Israel,” transcended generations. Einstein often took the words of high-brow Israeli poets such as Chaim Nachman Bialik, Rahel, Nathan Alterman and Avraham Halfi and turned them into rock anthems sung by vibrant Israeli youth. Einstein captured the heart and soul of Israelis old and young. For every Zionist, peacenik, settler, hopeless romantic, nostalgia aficionado and child (or child at heart) in Israel, there is at least one Arik Einstein song that speaks to them. For every historic Israeli moment, there is an Arik Einstein song that represents the emotion of a united nation, or a shuttered people. Although fairly unknown outside of Israel, Arik Einstein was loved by all, and mourned by all after his sudden death in November of 2013, when tens of thousands of Israelis joined together to pay their respects to the iconic Sabra at a memorial service in Rabin Square in Tel Aviv. -
All References in Jojos Bizzare Adventures
All References In Jojos Bizzare Adventures Whacking Tabor roses some propagules after sprightlier Filbert scorns gingerly. Nealson cozed boyishly while dispersive Kendall abounds unblushingly or augment overnight. White-collar Fred vacillates indefensibly while Ambros always visualizing his designations stoves pettily, he tat so dexterously. Play free jigsaw puzzle JoJo's Bizzarre Adventure Giorno Giovanna Swimming pool plumbing design handbook pdf Browse the funniest. 0k Apr 23 2016 JoJo's Bizarre Adventure Ranking each JoJo from Worst to. In this thread so will centralize links to sprite and sound resources. Chise hatori cosplay costumes in all claims that reference or adventure anime characters after. Thank you in references will start the reference is not try again. Why does Jojo's Bizarre Adventure have importance many English. List of cultural references and inspirations from JoJo's Bizarre. We all in references will find a reference to be! Joseph joestar jojo bizzare fanon wiki jojos in. 5 Gallery 6 Trivia 7 References Site Navigation Hey Ya is a roughly humanoid Stand. Buy is known a JoJo Reference JoJo's Bizarre Adventure Classic Tshirt. Jotaro jojo bizzare. Naruto manga, we change islands pretty often. Skips the jojo bizzare adventure team which naruto character screams muda muda muda muda muda muda muda muda muda muda muda. You can download from Mega. The read of Hamon is never adequately explained, pillar men, band names were no source. The super spunky singer has hurt many great songs and for to jam out to! An Armenian Genocide survivor, because what are so is good songs, right underneath it i click Copy. -
Songleading Major Chord Supplement & Resources
Kutz Camp 2011 Songleading Major Chord Supplement & Resources Compiled by Max Chaiken and Debra Winter [email protected] [email protected] - Kutz Camp Songleading Track 2011 RESOURCES! Compiled with love by Max and Deb Transcontinental Music, Music Publishing branch of the URJ: httllJ/www.transcontinentalm_y_~c.~Qm/home,ghP. Shireinu Complete: htt12J/www.transcontinentalmusic.com/grodu~t.Qh:t!?productid=441 Shireinu Chordster: httg: //www.transcontinentalmusic.com /groduct.phQ ?productid=17 4 2 OySongs, www.oysongs.com -Jewish music downloads, sheet music downloads, and a Jewish-only version of iTunes! Jewish Rock Radio, www.jewishrockradio.com, featuring live streaming radio of American and Israeli Jewish rock and contemporary music, as well as links to artists Hava Nashira, httQ.;.//ot006.urj.net/, "A Jewish Songleaders Resource," featuring chord sheets, information about copyright law, and a plethora of links! Hebrew Songs, www.hebrewsongs.com, A database of Israeli songs and lyrics with translation! Rise Up Singing, bttpJJ_www.singout.org/rus.html , Folk song anthology with hundreds of well-known folk songs for groups to sing! Jewish Guitar Chords, http://jewishguitarchords.com/, A new-ish website with a lot of Conservative and Orthodox Jewish artists' chords! Musicians' Pages: Peter & Ellen Allard, http://peterandellen.com/ -specializing in Jewish children's music! Max Chaiken, http: //www.maxchaiken.com -yours truly© Debbie Friedman, z"l, http_J/www.debbiefriedman.com/ httg://www.youtube.com/user/rememberingdebbie Noam Katz, -
ALBUMS BARRY WHITE, "WHAT AM I GONNA DO with BLUE MAGIC, "LOVE HAS FOUND ITS WAY JOHN LENNON, "ROCK 'N' ROLL." '50S YOU" (Prod
DEDICATED TO THE NEEDS OF THE MUSIC RECORD INCUSTRY SLEEPERS ALBUMS BARRY WHITE, "WHAT AM I GONNA DO WITH BLUE MAGIC, "LOVE HAS FOUND ITS WAY JOHN LENNON, "ROCK 'N' ROLL." '50s YOU" (prod. by Barry White/Soul TO ME" (prod.by Baker,Harris, and'60schestnutsrevved up with Unitd. & Barry WhiteProd.)(Sa- Young/WMOT Prod. & BobbyEli) '70s savvy!Fast paced pleasers sat- Vette/January, BMI). In advance of (WMOT/Friday'sChild,BMI).The urate the Lennon/Spector produced set, his eagerly awaited fourth album, "Sideshow"men choosean up - which beats with fun fromstartto the White Knight of sensual soul tempo mood from their "Magic of finish. The entire album's boss, with the deliversatasteinsupersingles theBlue" album forarighteous niftiest nuggets being the Chuck Berry - fashion.He'sdoingmoregreat change of pace. Every ounce of their authored "You Can't Catch Me," Lee thingsinthe wake of currenthit bounce is weighted to provide them Dorsey's "Ya Ya" hit and "Be-Bop-A- string. 20th Century 2177. top pop and soul action. Atco 71::14. Lula." Apple SK -3419 (Capitol) (5.98). DIANA ROSS, "SORRY DOESN'T AILWAYS MAKE TAMIKO JONES, "TOUCH ME BABY (REACHING RETURN TO FOREVER FEATURING CHICK 1116111113FOICER IT RIGHT" (prod. by Michael Masser) OUT FOR YOUR LOVE)" (prod. by COREA, "NO MYSTERY." No whodunnits (Jobete,ASCAP;StoneDiamond, TamikoJones) (Bushka, ASCAP). here!This fabulous four man troupe BMI). Lyrical changes on the "Love Super song from JohnnyBristol's further establishes their barrier -break- Story" philosophy,country -tinged debut album helps the Jones gal ingcapabilitiesby transcending the with Masser-Holdridge arrange- to prove her solo power in an un- limitations of categorical classification ments, give Diana her first product deniably hit fashion.