Issue 4 Celebrate! Art Journal
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Jazz and the Cultural Transformation of America in the 1920S
Louisiana State University LSU Digital Commons LSU Doctoral Dissertations Graduate School 2003 Jazz and the cultural transformation of America in the 1920s Courtney Patterson Carney Louisiana State University and Agricultural and Mechanical College, [email protected] Follow this and additional works at: https://digitalcommons.lsu.edu/gradschool_dissertations Part of the History Commons Recommended Citation Carney, Courtney Patterson, "Jazz and the cultural transformation of America in the 1920s" (2003). LSU Doctoral Dissertations. 176. https://digitalcommons.lsu.edu/gradschool_dissertations/176 This Dissertation is brought to you for free and open access by the Graduate School at LSU Digital Commons. It has been accepted for inclusion in LSU Doctoral Dissertations by an authorized graduate school editor of LSU Digital Commons. For more information, please [email protected]. JAZZ AND THE CULTURAL TRANSFORMATION OF AMERICA IN THE 1920S A Dissertation Submitted to the Graduate Faculty of the Louisiana State University and Agricultural and Mechanical College in partial fulfillment of the requirements for the degree of Doctor of Philosophy in The Department of History by Courtney Patterson Carney B.A., Baylor University, 1996 M.A., Louisiana State University, 1998 December 2003 For Big ii ACKNOWLEDGEMENTS The real truth about it is no one gets it right The real truth about it is we’re all supposed to try1 Over the course of the last few years I have been in contact with a long list of people, many of whom have had some impact on this dissertation. At the University of Chicago, Deborah Gillaspie and Ray Gadke helped immensely by guiding me through the Chicago Jazz Archive. -
The Runners of Shawnee Road
University of New Orleans ScholarWorks@UNO University of New Orleans Theses and Dissertations Dissertations and Theses Fall 12-20-2013 The Runners of Shawnee Road Melissa Remark University of New Orleans, [email protected] Follow this and additional works at: https://scholarworks.uno.edu/td Part of the Fiction Commons Recommended Citation Remark, Melissa, "The Runners of Shawnee Road" (2013). University of New Orleans Theses and Dissertations. 1761. https://scholarworks.uno.edu/td/1761 This Thesis is protected by copyright and/or related rights. It has been brought to you by ScholarWorks@UNO with permission from the rights-holder(s). You are free to use this Thesis in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights- holder(s) directly, unless additional rights are indicated by a Creative Commons license in the record and/or on the work itself. This Thesis has been accepted for inclusion in University of New Orleans Theses and Dissertations by an authorized administrator of ScholarWorks@UNO. For more information, please contact [email protected]. The Runners of Shawnee Road A Thesis Submitted to the Graduate Faculty of The University of New Orleans in partial fulfillment of the requirements for the degree of Master of Fine Arts in Film, Theater and Communication Arts Creative Writing by Melissa Remark B.A. Trent University, 2010 Diploma, Humber College, 2000 December, 2013 The Sheeny Man rides through the streets pulling his wagon of junk. Sometimes he is black, sometimes he is white, and sometimes he is French. -
Contestations, Conflicts and Music-Power: Mevlevi Sufism in the 21St Century Turkey
CONTESTATIONS, CONFLICTS AND MUSIC-POWER: MEVLEVI SUFISM IN THE 21ST CENTURY TURKEY A THESIS SUBMITTED TO THE GRADUATE SCHOOL OF SOCIAL SCIENCES OF MIDDLE EAST TECHNICAL UNIVERSITY BY NEVİN ŞAHİN IN PARTIAL FULFILLMENT OF THE REQUIREMENTS FOR THE DEGREE OF DOCTOR OF PHILOSOPHY IN THE DEPARTMENT OF SOCIOLOGY FEBRUARY 2016 Approval of the Graduate School of Social Sciences _____________________________ Prof. Dr. Meliha Altunışık Director I certify that this thesis satisfies all the requirements as a thesis for the degree of Doctor of Philosophy. _____________________________ Prof. Dr. Sibel Kalaycıoğlu Head of Department This is to certify that we have read this thesis and that in our opinion it is fully adequate, in scope and quality, as a thesis for the degree of Doctor of Philosophy. _____________________________ Assoc. Prof. Dr. Mustafa Şen Supervisor Examining Committee Members Assoc. Prof. Dr. Zana Çıtak (METU, IR) _____________________________ Assoc. Prof. Dr. Mustafa Şen (METU, SOC) _____________________________ Assoc. Prof. Dr. Cenk Güray (YBU, MUS) _____________________________ Assist. Prof. Dr. Yelda Özen (YBU, SOC) _____________________________ Assist. Prof. Dr. Çağatay Topal (METU, SOC) _____________________________ I hereby declare that all information in this document has been obtained and presented in accordance with academic rules and ethical conduct. I also declare that, as required by these rules and conduct, I have fully cited and referenced all material and results that are not original to this work. Name, Last name: Nevin Şahin Signature: iii ABSTRACT CONTESTATIONS, CONFLICTS AND MUSIC-POWER: MEVLEVI SUFISM IN THE 21ST CENTURY TURKEY Şahin, Nevin PhD. Department of Sociology Supervisor: Assoc. Prof. Dr. Mustafa Şen February 2016, 232 pages Established as a Sufi order in central Anatolia following the death of Rumi, Mevlevi Sufism has influenced the spirituality of people for over 8 centuries. -
English Song Booklet
English Song Booklet SONG NUMBER SONG TITLE SINGER SONG NUMBER SONG TITLE SINGER 100002 1 & 1 BEYONCE 100003 10 SECONDS JAZMINE SULLIVAN 100007 18 INCHES LAUREN ALAINA 100008 19 AND CRAZY BOMSHEL 100012 2 IN THE MORNING 100013 2 REASONS TREY SONGZ,TI 100014 2 UNLIMITED NO LIMIT 100015 2012 IT AIN'T THE END JAY SEAN,NICKI MINAJ 100017 2012PRADA ENGLISH DJ 100018 21 GUNS GREEN DAY 100019 21 QUESTIONS 5 CENT 100021 21ST CENTURY BREAKDOWN GREEN DAY 100022 21ST CENTURY GIRL WILLOW SMITH 100023 22 (ORIGINAL) TAYLOR SWIFT 100027 25 MINUTES 100028 2PAC CALIFORNIA LOVE 100030 3 WAY LADY GAGA 100031 365 DAYS ZZ WARD 100033 3AM MATCHBOX 2 100035 4 MINUTES MADONNA,JUSTIN TIMBERLAKE 100034 4 MINUTES(LIVE) MADONNA 100036 4 MY TOWN LIL WAYNE,DRAKE 100037 40 DAYS BLESSTHEFALL 100038 455 ROCKET KATHY MATTEA 100039 4EVER THE VERONICAS 100040 4H55 (REMIX) LYNDA TRANG DAI 100043 4TH OF JULY KELIS 100042 4TH OF JULY BRIAN MCKNIGHT 100041 4TH OF JULY FIREWORKS KELIS 100044 5 O'CLOCK T PAIN 100046 50 WAYS TO SAY GOODBYE TRAIN 100045 50 WAYS TO SAY GOODBYE TRAIN 100047 6 FOOT 7 FOOT LIL WAYNE 100048 7 DAYS CRAIG DAVID 100049 7 THINGS MILEY CYRUS 100050 9 PIECE RICK ROSS,LIL WAYNE 100051 93 MILLION MILES JASON MRAZ 100052 A BABY CHANGES EVERYTHING FAITH HILL 100053 A BEAUTIFUL LIE 3 SECONDS TO MARS 100054 A DIFFERENT CORNER GEORGE MICHAEL 100055 A DIFFERENT SIDE OF ME ALLSTAR WEEKEND 100056 A FACE LIKE THAT PET SHOP BOYS 100057 A HOLLY JOLLY CHRISTMAS LADY ANTEBELLUM 500164 A KIND OF HUSH HERMAN'S HERMITS 500165 A KISS IS A TERRIBLE THING (TO WASTE) MEAT LOAF 500166 A KISS TO BUILD A DREAM ON LOUIS ARMSTRONG 100058 A KISS WITH A FIST FLORENCE 100059 A LIGHT THAT NEVER COMES LINKIN PARK 500167 A LITTLE BIT LONGER JONAS BROTHERS 500168 A LITTLE BIT ME, A LITTLE BIT YOU THE MONKEES 500170 A LITTLE BIT MORE DR. -
Jazz Vocal Sound: a Timbre Knowledgebase for Research and Practice
Jazz vocal sound: A timbre knowledgebase for research and practice Daniela Prem, Centre of Systematic Musicology, University of Graz Richard Parncutt, Centre of Systematic Musicology, University of Graz Annette Giesriegl, Department of Jazz, University of Music and Performing Arts Graz Hubert Johannes Stiegler, Centre of Information Modelling, University of Graz [email protected], +43 664 395 1793 ((no landline??)) Date of submission: 1.4.2011 Desired presentation format: talk Background in psychoacoustics Timbre, the colour or quality of a sound, is differentiated from pitch and loudness. The results of psychoacoustic studies (similarity ratings, multidimensional scaling) have limited practical usefulness. Relatively little research has addressed the large vocabulary of words and phrases used by musicians to describe instrumental and vocal timbre (Bellemare & Traube, 2006; Garnier et al., 2007). Prem and Parncutt (2007; 2008) listed 250 timbre descriptors used by six professional female jazz vocalists during lessons and when describing recordings. Background in jazz research Sound is a holistic term that includes timbre, timing, articulation, musical style, and musical context or accompaniment. Research on jazz sound highlights its central importance for the performance and character of jazz. It is difficult to describe sound directly so we often use metaphors. Jazz singers have a large and colourful vocabulary of words to describe sound, including e.g. Mickey Mouse, sexy, laid back, nasty, focused, and open. There is no clear boundary between timbre and other musical parameters in this vocabulary. Sound in jazz singing also depends on corporality - the human body and the physical environment (Prem and Parncutt, 2008). Jazz singers and teachers use their vocabulary intuitively to achieve interpretive goals; they seem to be unaware of its artistic importance and extent (Prem and Parncutt, 2007). -
Sweet Songs from Crazy Heart 1 Sweet Songs from Crazy by Sarah Skates Heart 2 Bobby Karl Works the New Movie Crazy Heart Drawn Less Media Lady Antebellum No
page 1 Friday, January 15, 2010 Table of Contents Sweet Songs From Crazy Heart 1 Sweet Songs From Crazy by Sarah Skates Heart 2 Bobby Karl Works The New movie Crazy Heart drawn less media Lady Antebellum No. 1 was not filmed in Nashville, attention with his un- Party but its country music theme billed role as “Tommy 3 Griffith Rejoins Magic is drawing a lot of local Sweet,” the superstar Mustang interest. A premiere held who got his start in 3 Roots Music Exporters Hits First $1 Million Year Tuesday night (1/12) at Blake’s band. Maggie 4 Flammia Exits UMG the Green Hills movie Gyllenhall is “Jean” a 4 King Offers Inspiration theatre attracted members journalist, and Robert And Help of the industry and Duvall plays Blake’s bar- 4 DISClaimer celebrities alike; all owning friend. Writer- 5 Spin Zone/Chart Data curious about the flick director Scott Cooper 7 Programmer Playlist which is generating adapted the story from 8 On The Road... Oscar buzz for star Jeff Thomas Cobb’s novel by 9 CountryBreakout™ Chart Bridges and the theme Jeff Bridges the same name. song penned by T Bone Photo: Erika The film’s roots- Respect Intellectual Property: Goldring MusicRow transmissions in email and Burnett and Ryan Bingham. grounded soundtrack was file form plus online passwords, are In the movie Bridges plays produced by renowned intended for the sole use of active subscribers only and protected under hard-living country singer- talents Burnett and Stephen the copyright laws of the United States. Resending or sharing of such intellectual songwriter “Bad Blake.” With the Bruton, who also contributed property to unauthorized individuals tagline “The Harder The Life, The as songwriters and and/or groups is expressly forbidden. -
2020 • Vol 22 • Issue 253
February 2020 • vol 22 • issue 253 2020 FISHER POETS HIPFiSH GATHERING MONTHLY alternative press serving the lower columbia pacific region Boatload o f Workshops KI LOVE EI R practitioners talk healing energy PSI-2020 Attend the Next FlashCuts Psilocybin Black History Coastal Tourism OSCAR Picks! Initiative Month Events Forum THEATRE KALA Imogen at Nadia’s Exclusive Salon 1 12th St. Ste. 3 Astoria 503.325.8667 Cell:791.7285 Gallery contemporary works 240 11th street, astoria, or • 5 0 3 . 4 6 8 . 0 6 2 0 mon – sat 11 to 5:30, sun 11 to 4 • www.imogengallery.com Celestine Durham Panache Salon Full Set A Peaceful hair designer Lash Extensions Christmas Hair Cutting to All ! Color Services $99 oExtensions Brazilian Brow Waxing & Wax Coloring $29 503.739.5181 salon STELLAR 2921 MARINE DR. ASTORIA Cell: 503.791.7285 261 W. Marine Dr. Astoria Kelley Shannon—Cosmetologist follow us on facebook Belly Dance A We offer weekly classes with finn by local artists, Jessamyn Gypsy’s ware workshops by nationally Whimsy crystal & pottery known artists, studios and HERBAL dinnerware meeting space, APOTHECARY cooking products textiles home decor 2 classrooms and a large sweet treats gallery showing fine jewelry sweaters t-shirts art and crafts. discover scandinavian design books & souvenirs Christmas year AstoriaArtLoft.com round sauna supplies cookware [email protected] finnware.com • 503.325.5720 Since 1987 106 Third Street, Astoria Or. 97103 503.325.4442 1116 Commercial St., Astoria OR • Open Daily Hrs: M-Th 10-5pm/ F 10-5:30pm/Sat 10-5pm Enter into the Gypsy's Caravan Visit Downtown Astoria • exotic teas and herbs on the 2nd Saturday of every month for art, music, • unique fair-trade imports and general merriment! • nutritional remedies 5:00 pm Wednesdays, 7pm to 8:15pm Downtown Presented by the at the AAMC, $10 drop-in • natural body care Astoria Downtown 342 10th St (2nd Floor). -
Countryladies 1257 Titel, 3,2 Tage, 7,71 GB
Seite 1 von 49 -CountryLadies 1257 Titel, 3,2 Tage, 7,71 GB Name Dauer Album Künstler 1 Tupelo 3:40 Wildflower - Lauren Alaina - 2011 (RS) Alaina Lauren 2 The middle 3:56 Wildflower - Lauren Alaina - 2011 (RS) Alaina Lauren 3 Like my mother does 4:08 Wildflower - Lauren Alaina - 2011 (RS) Alaina Lauren 4 Dirt road prayer 4:14 Wildflower - Lauren Alaina - 2011 (RS) Alaina Lauren 5 Honeysuckle sweet 4:38 Honeysuckle Sweet - Jessi Alexander - 2005 (VA) Alexander Jessi 6 This world is crazy 4:13 Honeysuckle Sweet - Jessi Alexander - 2005 (VA) Alexander Jessi 7 Everywhere 3:59 Honeysuckle Sweet - Jessi Alexander - 2005 (VA) Alexander Jessi 8 Reasons to run 4:27 Honeysuckle Sweet - Jessi Alexander - 2005 (VA) Alexander Jessi 9 The long way 3:51 Honeysuckle Sweet - Jessi Alexander - 2005 (VA) Alexander Jessi 10 Canyon prayer 4:24 Honeysuckle Sweet - Jessi Alexander - 2005 (VA) Alexander Jessi 11 Baby, I Lied 3:35 Memphis Princess - Deborah Allen - 2006 (RS) Allen Deborah 12 Ain't that something 3:53 Ain't That Life - Jessica Andrews - 2016 (PA-320) Andrews Jessica 13 Bad girl blues 3:49 Ain't That Life - Jessica Andrews - 2016 (PA-320) Andrews Jessica 14 Didn't you know how much i loved you 4:03 Ain't That Life - Jessica Andrews - 2016 (PA-320) Andrews Jessica 15 Forever to go 3:58 Ain't That Life - Jessica Andrews - 2016 (PA-320) Andrews Jessica 16 I need a man 3:14 Ain't That Life - Jessica Andrews - 2016 (PA-320) Andrews Jessica 17 I'm going back 3:22 Ain't That Life - Jessica Andrews - 2016 (PA-320) Andrews Jessica 18 Straight to the bone -
The Counter Globalisation Movement As Multitude –
Hope and Abundance: The counter globalisation movement as multitude – breaking the logic of pathological modernity By James Arvanitakis A thesis submitted in fulfilment of the requirements of Doctor of Philosophy School of History of Philosophy and Science University of New South Wales, 2006 ORIGINALITY STATEMENT ‘I hereby declare that this submission is my own work and to the best of my knowledge it contains no materials previously published or written by another person, or substantial proportions of material which have been accepted for the award of any other degree or diploma at UNSW or any other educational institution, except where due acknowledgement is made in the thesis. Any contribution made to the research by others, with whom I have worked at UNSW or elsewhere, is explicitly acknowledged in the thesis. I also declare that the intellectual content of this thesis is the product of my own work, except to the extent that assistance from others in the project's design and conception or in style, presentation and linguistic expression is acknowledged.’ Signed ……………………………………………........................... ii Abstract Using the theoretical work of Hardt and Negri’s Empire and Beck’s Risk Society, I define current experiences of modernity as ‘pathological’. The term ‘pathological modernity’ is used because it portrays a modernity dominated by ‘spirals of crisis’ that are aggravated by the solutions proposed to solve them. Like the ‘war on terror’ and environmental degradation, I argue that many crises facing the world today reflect the characteristics of capital as they globalised, branded, hybridised, boundless and endless. ‘Pathological modernity’ has various dimensions including a Cartesian logic underscored by an ‘eternal truth’, free-market fundamentalism, certainty in decision making, and a scientism which believes all challenges can be overcome. -
Who's Got the Biggest Cume of All? Swift Closes
June 7, 2010 Issue 195 Who’s Got The Biggest Cume Of All? Country programmers and sales staffs have been absolutely giddy in recent years as they’ve watched cumes for most Country radio stations double once Arbitron’s PPM becomes currency in a market and replaces the diary. (We’ll fight over TSL’s plunge from diary to PPM another time.) Prior to PPM’s arrival, no Country outlet had ever cracked the one million listener barrier. Only a handful of stations exceeded 500,000 cumers. Now this format boasts four or five stations at one million plus on a regular basis, with another handful posting audience levels in excess of 900,000. The exuberance is, of course, tempered by the fact that all of the other format cumes have ballooned as well. Proving that size does indeed matter, the top 23 cuming stations in America are in either New York or Los Angeles. The You Belong With Me: WKLB/Boston’s Ginny Rogers (l) and daughter top five cuming stations are: Lauren bookend Taylor Swift in the vibe room backstage Saturday (6/5). 1. WLTW/New York, AC, 5,859,400 2. WKTU/New York, Rhythmic AC, 4,900,200 Swift Closes Fearless Tour Taylor Swift wrapped her international Fearless Tour Saturday 3. WHTZ/New York, Top 40, 4.740,800 night (6/5) at Gillette Stadium in Foxboro, MA, and WKLB/Boston 4. WCBS/New York, Classic Hits, 4,134,400 MD Ginny Rogers was in the sellout crowd of nearly 57,000. She has 5. KIIS/Los Angeles, Top 40, 4,040,100 a unique perspective on the 15-month, 110-date tour. -
Karaoke with a Message – August 16, 2019 – 8:30PM
Another Protest Song: Karaoke with a Message – August 16, 2019 – 8:30PM a project of Angel Nevarez and Valerie Tevere for SOMA Summer 2019 at La Morenita Canta Bar (Puente de la Morena 50, 11870 Ciudad de México, MX) karaoke provided by La Morenita Canta Bar songbook edited by Angel Nevarez and Valerie Tevere ( ) 18840 (Ghost) Riders In The Sky Johnny Cash 10274 (I Am Not A) Robot Marina & Diamonds 00005 (I Can't Get No) Satisfaction Rolling Stones 17636 (I Hate) Everything About You Three Days Grace 15910 (I Want To) Thank You Freddie Jackson 05545 (I'm Not Your) Steppin' Stone Monkees 06305 (It's) A Beautiful Mornin' Rascals 19116 (Just Like) Starting Over John Lennon 15128 (Keep Feeling) Fascination Human League 04132 (Reach Up For The) Sunrise Duran Duran 05241 (Sittin' On) The Dock Of The Bay Otis Redding 17305 (Taking My) Life Away Default 15437 (Who Says) You Can't Have It All Alan Jackson # 07630 18 'til I Die Bryan Adams 20759 1994 Jason Aldean 03370 1999 Prince 07147 2 Legit 2 Quit MC Hammer 18961 21 Guns Green Day 004-m 21st Century Digital Boy Bad Religion 08057 21 Questions 50 Cent & Nate Dogg 00714 24 Hours At A Time Marshall Tucker Band 01379 25 Or 6 To 4 Chicago 14375 3 Strange Days School Of Fish 08711 4 Minutes Madonna 08867 4 Minutes Madonna & Justin Timberlake 09981 4 Minutes Avant 18883 5 Miles To Empty Brownstone 13317 500 Miles Peter Paul & Mary 00082 59th Street Bridge Song Simon & Garfunkel 00384 9 To 5 Dolly Parton 08937 99 Luftballons Nena 03637 99 Problems Jay-Z 03855 99 Red Balloons Nena 22405 1-800-273-8255 -
January / February
CONCERT & DANCE LISTINGS • CD REVIEWS FREE BI-MONTHLY Volume 7 Number 1 January-February 2007 THESOURCE FOR FOLK/TRADITIONAL MUSIC, DANCE, STORYTELLING & OTHER RELATED FOLK ARTS IN THE GREATER LOS ANGELES AREA “Don’t you know that Folk Music is illegal in Los Angeles?” — WARREN C ASEY of the Wicked Tinkers MARIAMARIA MULDAURMULDAUR GIVESGIVES DYLANDYLAN AA SHOTSHOT OFOF LOVELOVE inside this issue: BY REX BUTTERS inside this issue: aria Muldaur’s latest release, Heart of Mine: Love Songs of Bob Dylan adds PraisingPraising PeacePeace another notch on an enviable creative upswing. A bona fide national treasure, AA TributeTribute toto PaulPaul RobesonRobeson her artistic momentum since the nineties has yielded a shelf full of CDs covering M roots music, blues, love songs, and Peggy CalifoniaCalifonia IndianIndian Lee, each with Muldaur’s faultless aesthetics overseeing the production as well. Graciously, she took a break from Tribal Culture her relentless performance-rehearsal-recording schedule Tribal Culture to chat about her recent projects. FW: It was great to hear you back on fiddle on You Ain’t Goin Nowhere, a very exuberant reading of that song. PLUS:PLUS: MM: Thank you. We just kind of got down with a low down Cajun hoedown on the whole thing. It reminded me RossRoss Altman’sAltman’s of the kind of stuff the Band was playing over at Big Pink when we all lived in Woodstock. It had that vibe to it. Bob HowHow CanCan II KeepKeep FromFrom TalkingTalking [Dylan], in the last ten years or so, every time I would see him backstage at a gig, he started asking me, “Hey are you ever playing your fiddle anymore?” And I’d say, oh no, && muchmuch more...more..