Boston Symphony Orchestra Concert Programs, Summer, 2001

Total Page:16

File Type:pdf, Size:1020Kb

Boston Symphony Orchestra Concert Programs, Summer, 2001 — SEIJI OZAWA The 2000-2001 season is Seiji Ozawa's twenty-eighth as music director of the Boston Symphony Orchestra. Since becoming the BSO's music director in 1973 he has devoted himself to the orches- tra for more than a quarter-century, the longest tenure of any music director currently active with a major orchestra, and paralleled in BSO history only by the twenty-five-year tenure of the legendary Serge Koussevitzky. In recent years, numerous honors and achieve- ments have underscored Mr. Ozawa's standing on the international music scene. In December 1998, Mr. Ozawa was named a Chevalier de la Legion d'Honneur by French President Jacques Chirac, recog- nizing not only his work as a conductor, but also his support of French composers, his devotion to the French public, and his work at the Paris Opera. In De- cember 1997 he was named "Musician of the Year" by MusicalAmerica, the international direc- tory of the performing arts. In February 1998, fulfilling a longtime ambition of uniting musi- cians across the globe, he closed the Opening Ceremonies at the Winter Olympics in Nagano, Japan, leading the "Ode to Joy" from Beethoven's Ninth Symphony with performers including six choruses—in Japan, Australia, China, Germany, South Africa, and the United States linked by satellite. In 1994 he became the first recipient ofJapan's Inouye Sho (the "Inouye Award," named after this century's preeminent Japanese novelist) recognizing lifetime achieve- ment in the arts. 1994 also saw the inauguration of Seiji Ozawa Hall at Tanglewood, the BSO's summer home in western Massachusetts. At Tanglewood he has also played a key role as both teacher and administrator at the Tanglewood Music Center, the BSO's summer training acade- my for young professional musicians from all over the world. In 1992 Mr. Ozawa co-founded the Saito Kinen Festival in Matsumoto, Japan, in memory of his teacher at Tokyo's Toho School of Music, Hideo Saito, a central figure in the cultivation of Western music and musical tech- nique in Japan. Also in 1992 he made his debut with the Metropolitan Opera in New York. More recently, in 2000, reflecting his strong commitment to the teaching and training of young musicians, he founded the Ozawa Ongaku-juku ("Ozawa Music Academy") in Japan, at which aspiring young orchestral musicians collaborate with Mr. Ozawa and professional singers in fully staged opera productions. Besides his concerts throughout the year with the Boston Sym- phony, Mr. Ozawa conducts the Berlin Philharmonic and Vienna Philharmonic on a regular basis, and appears also with the New Japan Philharmonic, the London Symphony, the Orchestre National de France, La Scala in Milan, and the Vienna Staatsoper. In addition to his many Boston Symphony recordings, he has recorded with the Berlin Philharmonic, the Vienna Phil- harmonic, the Saito Kinen Orchestra, the London Philharmonic, the Orchestre National de France, the Orchestre de Paris, the Philharmonia of London, the San Francisco Symphony, the Chicago Symphony, and the Toronto Symphony, among others. In the fall of 2002, following that summer's Tanglewood season, he will begin a new phase in his artistic life when he becomes music director of the Vienna State Opera, where he has maintained a long association as a guest conductor leading productions in that house as well as concerts with the Vienna Philharmonic in Vienna, at Salzburg, and on tour. Throughout his tenure as music director of the Boston Symphony, Seiji Ozawa has main- tained the orchestra's distinguished reputation both at home and abroad, with concerts in Sym- phony Hall, at Tanglewood, on tours to Europe, Japan, Hong Kong, China, and South America, and across the United States. He has also upheld the BSO's commitment to new music through the frequent commissioning of new works. In addition, he and the orchestra have recorded nearly 140 works, representing more than fifty different composers, on ten labels. Mr. Ozawa won his first Emmy award in 1976, for the BSO's PBS television series "Evening at Symphony." He received his second Emmy in September 1994, for Individual Achievement in Cultural Pro- gramming, for "Dvorak in Prague: A Celebration," a gala Boston Symphony concert subse- quently released by Sony Classical in both audio and video formats. Mr. Ozawa holds honorary.
Recommended publications
  • Chamber Music Society of Lincoln Center New World Spirit Sunday, October 13, 2019 3:00 Pm Photo: Tristan Cook Tristan Photo
    The Chamber Music Society of Lincoln Center New World Spirit Sunday, October 13, 2019 3:00 pm Photo: Tristan Cook Tristan Photo: 2019/2020 SEASON The Chamber Music Society of Lincoln Center GLORIA CHIEN, Piano NICHOLAS CANELLAKIS, Cello CHAD HOOPES, Violin DAVID FINCKEL, Cello KRISTIN LEE, Violin ANTHONY MANZO, Double Bass ARNAUD SUSSMANN, Violin RANSOM WILSON, Flute ANGELO XIANG YU, Violin DAVID SHIFRIN, Clarinet MATTHEW LIPMAN, Viola MARC GOLDBERG, Bassoon PAUL NEUBAUER, Viola Sunday, October 13, 2019, at 3:00 pm Hancher Auditorium, The University of Iowa PROGRAM New World Spirit This concert celebrates the intrepid American spirit by featuring two pairs of composers that shaped the course of American music. Harry T. Burleigh was a star student of Dvorákˇ at the National Conservatory in New York. A talented composer and singer, he exposed the Czech composer to American spirituals and was in turn encouraged by Dvorákˇ to perform his native African American folk music. Two generations later, Copland and Bernstein conceived a clean, clear American sound that conveys the wonder and awe of open spaces and endless possibilities. Southland Sketches for violin and piano (1916) Henry T. Burleigh I. Andante (1866–1949) II. Adagio ma non troppo III. Allegretto grazioso IV. Allegro Chad Hoopes and Gloria Chien Quintet in E-flat Major for two violins, two violas, Antonín Dvorákˇ and cello, Op. 97, (“American”) (1893) (1841–1904) I. Allegro non tanto II. Allegro vivo III. Larghetto IV. Finale: Allegro giusto Arnaud Sussmann, Angelo Xiang Yu, Paul Neubauer, Matthew Lipman, and Nicholas Canellakis INTERMISSION Sonata for Clarinet and Piano (1941–42) Leonard Bernstein I.
    [Show full text]
  • GUEST ARTIST RECITAL ANTHONY DEAN GRIFFEY, Tenor RICHARD
    GUEST ARTIST RECITAL ANTHONY DEAN GRIFFEY, Tenor RICHARD BADO, Pianist Monday, November 8, 2010 8:00 p.m. Lillian H Duncan Recital Hall Q l975 -20l0 Celebrating ? r Years T H E SHEPHERD SCHOOL OF MUSIC RICE UNIVERSITY PROGRAM A Simple Song Leonard Bernstein from Mass (1918-1990) The Boatmen's Dance Aaron Copland The Dodger (1900-1990) Simple Gifts Early in the Morning NedRorem I am Rose (b. 1923) It's about the way people is made Carlisle Floyd from Susannah (b. 1926) Sleep now Samuel Barber I hear an army (1910-1981) INTERMISSION On Wenlock Edge Ralph Vaughan Williams 1. On Wenlock Edge (1872-1958) 2. From far, from eve and morning 3. 'Is my team ploughing 4. Oh, when I was in love with you 5. Bredon Hill 6. Clun Kathleen Winkler, violin Heather Kufchak, violin Ivo-Jan van der Werff, viola Matthew Kufchak, cello Tonight's performance is made possible by The Aleko Endowed Fund. The reverberative acoustics of Duncan Recital Hall magnify the slightest sound made by the audience. Your care and courtesy will be appreciated. The taking ofphotographs and use of recording equipment are prohibited. BIOGRAPHY Four-time Grammy Award Winning American tenor ANTHONY DEAN GRIFFEY has captured critical and popular acclaim on opera, concert and recital stages around the world. The combination of his beautiful and power­ ful lyric tenor voice, gift of dramatic interpretation and superb musicianship have earned him the highest praise from critics and audiences alike. He has performed leading roles at the great international opera houses including The Metropolitan Opera, Lyric Opera of Chicago, San Francisco Opera, Houston Grand Opera, Glyndebourne, the Opera National de Paris, and the Teatro Comunale di Firenze to name a few.
    [Show full text]
  • Boston Symphony Orchestra Concert Programs, Season 111, 1991-1992
    : BOSTON Symphony Orchestra Seiji Ozawa MUSIC DIRECTOR ^ ^^W * * * « V --_-n ^^H= c*--"^! 01 * Jf ^» "^ ^^ I One Hundred Eleventh Season LASSALE THE ART OF S E I K O ]f w wmm MBWsssmim '' -«•• £B HORN Jewelers since 1839 f& Our 152"d year THE E.B. HORN COMPANY 429 WASHINGTON STREET, BOSTON, MA BUDGET TERMS ALL MAJOR CREDIT CARDS ACCEPTED AVAILABLE MAIL OR PHONE ORDERS (617) 542-3902 OPEN MON. AND THURS. TIL 7 Seiji Ozawa, Music Director One Hundred and Eleventh Season, 1991-92 Trustees of the Boston Symphony Orchestra, Inc. Nelson J. Darling, Jr., Chairman Emeritus J. P. Barger, Chairman George H. Kidder, President Mrs. Lewis S. Dabney, Vice-Chairman Archie C. Epps, Vice-Chairman Mrs. John H. Fitzpatrick, Vice-Chairman William J. Poorvu, Vice-Chairman and Treasurer David B. Arnold, Jr. Dean Freed Mrs. August R. Meyer Peter A. Brooke Avram J. Goldberg Molly Millman James F. Cleary Francis W. Hatch Mrs. Robert B. Newman John F. Cogan, Jr. Julian T. Houston Peter C. Read Julian Cohen Mrs. Bela T. Kalman Richard A. Smith William M. Crozier, Jr. Mrs. George I. Kaplan Ray Stata Deborah B. Davis Harvey Chet Krentzman Nicholas T. Zervas Nina L. Doggett R. Willis Leith, Jr. Trustees Emeriti Vernon R. Alden Mrs. Harris Fahnestock Mrs. George R. Rowland Philip K. Allen Mrs. John L. Grandin Mrs. George Lee Sargent Allen G. Barry E. Morton Jennings, Jr. Sidney Stoneman Leo L. Beranek Albert L. Nickerson John Hoyt Stookey Mrs. John M. Bradley Thomas D. Perry, Jr. John L. Thorndike Abram T. Collier Irving W.
    [Show full text]
  • Hideo Saito Memorial Fund Award Diaper Changing and Breastfeeding Rooms and Stroller Parking Spaces
    Ⅲ. Fostering and Support of Young Artistic Talents Information on activities Organization and Sponsorship of International Competitions and Events Special Concert Series for Children Ⅰ . Provision of Opportunities for Children to Enjoy Quality Music Premium Concerts for Teens THE INTERNATIONAL OBOE COMPETITION OF JAPAN A concert series for the youth to enjoy quality music A triennial, worldly praised international competition dedicated solely to the oboe Organization, Planning and Commissioned Production of Concerts This concert series was launched in 2004 to offer first-hand “THE INTERNATIONAL OBOE COMPETITION OF JAPAN” has been held every three years since 1985, to experiences of works created by world-class artists. Mainly promote the true artistic value of oboe, as well as to contribute to the development of the culture of ~ ~ music with an international perspective by discovering and fostering talented musicians and help them Concert for Pre-Zero-Year-Olds Mom is My Premium Seat targeting teens, the series enjoy high popularity with A concert series since 1985 friendly to mothers-to-be descriptions of the music by performers themselves, expand their scope of activities in both Japan and abroad. With past winners going on to become reasonable price settings, and quality performances. The international figures making the world’s major orchestras their stages, it has established its recognition as Masaru Ibuka (1908-1997), Co-Founder of Sony Corporation, advocated concerts are open to children from first grade. an international competition which serves as the gateway to success for young oboists, The upcoming, the importance of prenatal nurturing of intelligence and sentiment. This 12th Competition is scheduled to take place in 2018.
    [Show full text]
  • Boston Symphony Orchestra Concert Programs, Season 117, 1997-1998
    1 997-98 SEASON Symphony Orchestra SEIJl OZAWA, Music Director 7 ' * , f j*s jf n i— ^ 4l. stonPlusSM will dramatically simplify your finances, because ^Estate Planning^ this one account provides all the services you need. Call BostonPlus Specialist at -800-BBX-PLUS. Walfleld Federated Bank 's Amazing What You Can Do. Making Loans since 1947 -AH- IkiW.i l/lii.UV.IK >i>.>IX Securities and Mutual Funds: Mutual funds and securities are offered through BankBoston • Not FDIC Insured »No Bank Investor Services, Inc. (member NASD/SIPC), a wholly Guarantee • May Lose Value owned subsidiary of BankBoston, N.A. Member FDIC W. Seiji Ozawa, Music Director Bernard Haitink, Principal Guest Conductor One Hundred and Seventeenth Season, 1997-98 Trustees of the Boston Symphony Orchestra, Inc. R. Willis Leith, Jr., Chairman Nicholas T. Zervas, President Peter A. Brooke, Vice-Chairman William J. Poorvu, Vice-Chairman and Treasurer Mrs. Edith L. Dabney, Vice-Chairman Ray Stata, Vice-Chairman Harvey Chet Krentzman, Vice-Chairman Harlan E. Anderson Nader F. Darehshori Julian T. Houston Robert P. O'Block, Gabriella Beranek Deborah B. Davis Edna S. Kalman ex-officio James F. Cleary Nina L. Doggett George Krupp Vincent M. O'Reilly John F. Cogan, Jr. Charles K. Gifford, Mrs. August R. Meyer Peter C. Read Julian Cohen ex-officio Richard P. Morse Hannah H. Schneider William F. Connell Avram J. Goldberg Mrs. Robert B. Margaret Williams- William M. Crozier, Jr. Thelma E. Goldberg Newman DeCelles, ex-officio Life Trustees Vernon R. Alden Nelson J. Darling, Jr. Mrs. George I. Kaplan Richard A. Smith David B.
    [Show full text]
  • Boston Symphony Orchestra Concert Programs, Summer, 1995
    osfon i^j^ny wksW Tangtew@» 5 NOW AT FILENE'S... FROM TOMMY H i The tommy collection i Cologne spray, 3.4-oz.,$42 Cologne spray, 1.7-oz.,$28 After-shave balmB mm 3.4-oz., $32 m After-shave, 3.4-oz., $32 Seiji Ozawa, Music Director One Hundred and Fourteenth Season, 1994-95 Trustees of the Boston Symphony Orchestra, Inc. J. P. Barger, Chairman Nicholas T. Zervas, President Mrs. Edith L. Dabney, Vice-Chairman William J. Poorvu, Vice-Chairman and Treasurer Mrs. John H. Fitzpatrick, Vice-Chairman Harlan E. Anderson Nader F. Darehshori Edna S. Kalman Mrs. August R. Meyer Peter A. Brooke Deborah B. Davis Allen Z. Kluchman Mrs. Robert B. Newman James F. Cleary Nina L. Doggett Harvey Chet Peter C. Read John F. Cogan, Jr. Dean W. Freed Krentzman Carol Scheifele-Holmes Julian Cohen AvramJ. Goldberg George Krupp Richard A. Smith William F. Connell Thelma E. Goldberg R. Willis Leith, Jr. Ray Stata William M. Crozier, Jr. Julian T. Houston Trustees Emeriti Vernon R. Alden Archie C. Epps Mrs. George I. Mrs. George Lee Philip K. Allen Mrs. Harris Kaplan Sargent David B. Arnold, Jr. Fahnestock George H. Kidder Sidney Stoneman Leo L. Beranek Mrs. John L. Thomas D. Perry, Jr. John Hoyt Stookey Abram T. Collier Grandin Irving W. Rabb John L. Thorndike Nelson J. Darling, Jr. Other Officers of the Corporation John Ex Rodgers, Assistant Treasurer Michael G. McDonough, Assistant Treasurer Daniel R. Gustin, Clerk Board of Overseers of the Boston Symphony Orchestra, Inc. Thelma E. Goldberg, Chairman Robert P. O'Block, Vice-Chairman Jordan L.
    [Show full text]
  • Advisory Staff
    Advisory Staff Profile Takaaki Kondo (Principal Timpanist of New Japan Philharmonic) Michiko Takahashi(Marimbist) Hans-Dieter Lembens(Ex-Percussionist of Berlin Philharrnonic) Tomoyuki Okada(Professor Emeritus at Senzoku Gakuen College of Music, Director of Percussion Ensemble Okada of Japan) Takaaki Kondo Michiko Takahashi Hans-Dieter Lembens Tomoyuki Okada Benedict Hoffnung Benedict Hoffnung(Percussionist of London Symphony Orchestra) Ryosuke Murayama(Lecturer at Seigakuin University, Technical Adviser) Koji Fukamachi(Associate Professor at Aichi Prefecturai University of Fine Arts and Music) Toshiaki lshiuchi(Ex- Prncipal Percussionist of Yomiuri Nippon Symphony Orchestra, Prdect Professor at Showa Academia Musicae) Masanori Izumi(Ex-Timpanist of Nagoya Philharrnonic Orchestra) Ryosuke Murayama Koji Fukamachi Toshiaki lshiuch Masanori Izumi Keiko Otsuka Keiko Otsuka(Ex- Percussionist of Vienna Radio Symphony Orchestra) Shoichi Kubo(Timpanist and Percussionist of NHK Syrnphony Orchestra) Hiroshi Sakagami(Ex- Percussionist of Osaka Philharmonic Orchestra, Chairperson of KansaI Percussion Association) Keita Shiraishi(Freelance Percussionist) Atsushi Sugahara(Ex- Principal Timpanist of Yomiuri Nippon Symphony Orchestra, Professor at Tokyo College of Music) Shoichi Kubo Hiroshi Sakagami Keita Shiraishi Atsushi Sugahara Thomas O'Kelly Thomas O'Kelly(Guest Principal Timpanist of Orchestra Ensemble Kanazawa) Hitoshi Hamada(Jazz Vibraphonist) Toshihiro Hori(Lecturer at Japan Marching Association, Street Performer) Kazunori Momose(Ex- Principal
    [Show full text]
  • JOHANN SEBASTIAN BACH HORN CONCERTOS RADEK BABORÁK BERLINER BAROCK SOLISTEN Liebe Musikfreunde, Oder Dynamikangaben
    hänssler CLA SSIC JOHANN SEBASTIAN BACH HORN CONCERTOS RADEK BABORÁK BERLINER BAROCK SOLISTEN Liebe Musikfreunde, oder Dynamikangaben. Ich denke, er musste sich sicher gewesen sein, dass seine Musik überleben JOHANN SEBASTIAN BACH (1685 – 1750) Johann Sebastian Bach hat für Waldhorn weder ein Konzert noch ein Solo-Stück komponiert. und nach seinem Tod lebendig bleiben wird. Dass Natürlich hat er hier und da einige wunderbare die Ausdrucksstärke und Emotion seiner Musik HORNKONZERTE Partien für Horn geschrieben – das Brandenbur- nicht verlorengehen kann. Es gibt hier und da nur gische Konzert Nr. 1, in der h-Moll-Messe und Sopran, Alt, Tenor, Bass oder eine Orgelregistrie- rung, alte und neue Instrumente. Wir haben es Konzert für Horn, Streicher und B.c. Es-Dur Konzert für Horn, Streicher und B.c. B-Dur auch in ein paar wenigen Kantaten. Ich wollte mit ganz unterschiedlichen Klangfarben zu tun, (Rekonstruktion nach BWV 169, 49 und 1053) (Rekonstruktion nach Konzert für Oboe d’ amore, mich aber seinem musikalischen Kosmos noch aber das Wichtigste bleibt: Es spielt keine große Streicher und B.c. A-Dur BWV 1055R) weiter annähern. Vor ungefähr 20 Jahren habe 1. I (Allegro) ...............................8'16 ich angefangen, die Cello-Suiten auf dem Horn Rolle, ob wir auf Barockrepliken spielen oder ein 2. II Siciliano ...............................5'25 7. I (Allegro) ...............................4'25 zu spielen und sie sehr behutsam angefasst. Es modernes Instrumentarium benutzen, Bach war 3. II Allegro ................................6'52 8. II Larghetto .............................5'51 war die erste Herausforderung und hornistische uns immer mehrere Schritte voraus. Ich hoffe, der 9. III Allegro ma non tanto .................4'33 Begegnung mit dem großen Meister.
    [Show full text]
  • Boston Symphony Orchestra Concert Programs, Season 115, 1995-1996, Subscription, Volume 02
    BOSTON ii_'. A4 SYMPHONY . II ORCHESTRA A -+*\ SEIJIOZAWA MUSIC DIRECTOR 9 6 S E SON The security of a trust, Fidelity investment expertise. A CLjmIc Composition Just as a Beethoven score is at its Fidelity i best when performed by a world- Pergonal ** class symphony — so, too, should your trust assets be managed by Trudt r a financial company recognized Serviced globally for its investment expertise. Fidelity Investments. hat's why Fidelity now offers a naged trust or personalized estment management account ** »f -Vfor your portfolio of $400,000 or ^^ more. For more information, visit -a Fidelity Investor Center or call Fidelity Pergonal Triut Serviced at 1-800-854-2829. Visit a Fidelity Investor Center Near You: Boston - Back Bay • Boston - Financial District Braintree, MA • Burlington, MA Fidelity Investments" SERVICES OFFERED ONLY THROUGH AUTHORIZED TRUST COMPANIES. TRUST SERVICES VARY BY STATE. FIDELITY BROKERAGE SERVICES, INC., MEMBER NYSE, SIPC. Seiji Ozawa, Music Director Bernard Haitink, Principal Guest Conductor One Hundred and Fifteenth Season, 1995-96 Trustees of the Boston Symphony Orchestra, Inc. J. P. Barger, Chairman Nicholas T. Zervas, President Peter A. Brooke, Vice-Chairman Harvey Chet Krentzman, Vice-Chairman Mrs. Edith L. Dabney, Vice-Chairman William J. Poorvu, Vice-Chairman and Treasurer Mrs. John H. Fitzpatrick, Vice-Chairman Ray Stata, Vice-Chairman Harlan E. Anderson Nader F. Darehshori Edna S. Kalman Mrs. Robert B. Newman James F. Cleary Deborah B. Davis Allen Z. Kluchman Robert P. O'Block John E. Cogan, Jr. Nina L. Doggett George Krupp Peter C. Read Julian Cohen Avram J. Goldberg R. Willis Leith, Jr. Carol Scheifele-Holmes William F.
    [Show full text]
  • Violin Viola Flute Trombone Ribon Aida Noriko Inoue Lindsey Ellis
    Aug. 31 (Fri) 19:00 Orchestra Concert Program B Saito Kinen Orchestra Violin Viola Flute Trombone Ribon Aida Noriko Inoue Lindsey Ellis Shinichi Go Syoko Aki Ryo Oshima Sébastian Jacot Michael Buchanan Taro Uemura Yoko Kanamaru Jacques Zoon Massimo La Rosa Amy Oshiro Yoshiko Kawamoto Randall Hawes Rintaro Omiya Hideko Kobayashi Oboe Hirono Oka Tsuna Sakamoto Philippe Tondre Tuba Takumi Kubota Tomomi Shinozaki Matthieu Petitjean Yasuhito Sugiyama Aiko Goto Manabu Suzuki Akiko Mori Takumi Komoriya Maiko Takimoto Timpani Kyoko Saburi Mazumi Tanamura Clarinet Don Liuzzi Tomoko Shinohara Masahiro Chihara Hidehito Naka Machiko Shimada Daisuke Tomita Yuki Hamasaki Percussion Kei Shirai Ricardo Morales Makoto Shibahara Julien Szulman Cello Masaharu Yamamoto Satoshi Takeshima Masaya Soshi Noboru Kamimura Mika Takehara Kazutaka Takahashi Akio Ueki Bassoon Ludvig Nilsson Chiharu Taki Yo Kigoshi Tomoko Kano Koji Fukamachi Naoko Tanaka Hideki Kitamoto Marc Goldberg Yasushi Toyoshima Sumire Kudo Masaru Yoshida Harp Chisako Naoe Rei Tsujimoto Kazuko Shinozaki Shizuka Nakamura Sadao Harada Saxophone Naoko Yoshino Yuka Nishino Nobuo Furukawa Takahiro Nishio Miho Hashizume Dai Miyata Kazuyuki Hayashida Piano/Celesta Nana Hayashi Hiroyasu Yamamoto Mariko Kobayashi Yoko Hiroe Horn Yuki Kusumoto Mayuki Fukuhara Contrabass Maro Abe Tatsuya Yabe Shigeru Ishikawa Yasushi Katsumata Organ Hiroyuki Yamaguchi Satoshi Okamoto Neil Deland Motoko Murozumi Masanobu Yoda Nakano Sano Masayuki Naoi Kiichi Watanabe Ryu Sukegawa Conductor Yota Takahashi Trumpet Kazuyoshi Akiyama Tomoko Tadokoro Karl Sodl Ryutaro Hei Osamu Takahashi Osamu Yamamoto Takaya Hattori Mariko Wakabayashi.
    [Show full text]
  • Boston Symphony Orchestra Concert Programs, Summer
    Tanglewqpd SEIJI OZAWA HALL Wednesday, July 10, at 8:30 Florence Gould Auditorium, Seiji Ozawa Hall CHANTICLEER Texts and Translations I. GUILLAUME DUFAY (c. 1400-1 474) Gloria ad modum tubae Gloria ad modum tubae Trumpet Gloria Gloria in excelsis Deo. Glory to God in the highest. Et in terra pax hominibus bonae And on earth, peace to men of good will. voluntatis. Laudamus te, benedicimus te, We praise You, we bless You, adoramus te, glorificamus te. we worship You, we glorify You. Gratias agimus tibi propter magnam We give You thanks for Your great glory. gloriam tuam. Domine Deus, Rex caelestis, Lord God, Heavenly King, Deus Pater omnipotens. God the Father Almighty. Domine Fili unigenite Jesu Christe. Lord the only begotten Son, Jesus Christ. Domine Deus, Agnus Dei, Filius Patris. Lord God, Lamb of God, Son of the Father. Qui tollis peccata mundi, You who take away the sins of the world, miserere nobis. have mercy on us. Qui tollis peccata mundi, You who take away the sins of the world, suscipe deprecationem nostram. receive our prayer. Qui sedes ad dexteram patris, You who sit at the right hand of the Father, miserere nobis. have mercy on us. Quoniam tu solus sanctus, tu solus For You alone are holy, You alone are the Dominus, Lord, tu solus altissimus, Jesu Christe. You alone are most high, Jesus Christ. Cum Sancto Spiritu in gloria Dei Patris. With the Holy Spirit in the glory of God the Father. Amen. Amen. Please turn the page quietly. Design Team for Seiji Ozawa Hall: William Rawn Associates, Architect Lawrence Kirkegaard & Associates, Acousticians Theatre Projects Consultants, Inc., Theatrical Consultant Week 2 mm II.
    [Show full text]
  • School of Music 2010–2011
    BULLETIN OF YALE UNIVERSITY BULLETIN OF YALE UNIVERSITY Periodicals postage paid New Haven ct 06520-8227 New Haven, Connecticut School of Music 2010–2011 School of Music 2010–2011 BULLETIN OF YALE UNIVERSITY Series 106 Number 7 July 25, 2010 BULLETIN OF YALE UNIVERSITY Series 106 Number 7 July 25, 2010 (USPS 078-500) The University is committed to basing judgments concerning the admission, education, is published seventeen times a year (one time in May and October; three times in June and employment of individuals upon their qualifications and abilities and a∞rmatively and September; four times in July; five times in August) by Yale University, 2 Whitney seeks to attract to its faculty, sta≠, and student body qualified persons of diverse back- Avenue, New Haven CT 0651o. Periodicals postage paid at New Haven, Connecticut. grounds. In accordance with this policy and as delineated by federal and Connecticut law, Yale does not discriminate in admissions, educational programs, or employment against Postmaster: Send address changes to Bulletin of Yale University, any individual on account of that individual’s sex, race, color, religion, age, disability, PO Box 208227, New Haven CT 06520-8227 status as a special disabled veteran, veteran of the Vietnam era, or other covered veteran, or national or ethnic origin; nor does Yale discriminate on the basis of sexual orientation Managing Editor: Linda Koch Lorimer or gender identity or expression. Editor: Lesley K. Baier University policy is committed to a∞rmative action under law in employment of PO Box 208230, New Haven CT 06520-8230 women, minority group members, individuals with disabilities, special disabled veterans, veterans of the Vietnam era, and other covered veterans.
    [Show full text]