Advisory Staff

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Advisory Staff Advisory Staff Profile Takaaki Kondo (Principal Timpanist of New Japan Philharmonic) Michiko Takahashi(Marimbist) Hans-Dieter Lembens(Ex-Percussionist of Berlin Philharrnonic) Tomoyuki Okada(Professor Emeritus at Senzoku Gakuen College of Music, Director of Percussion Ensemble Okada of Japan) Takaaki Kondo Michiko Takahashi Hans-Dieter Lembens Tomoyuki Okada Benedict Hoffnung Benedict Hoffnung(Percussionist of London Symphony Orchestra) Ryosuke Murayama(Lecturer at Seigakuin University, Technical Adviser) Koji Fukamachi(Associate Professor at Aichi Prefecturai University of Fine Arts and Music) Toshiaki lshiuchi(Ex- Prncipal Percussionist of Yomiuri Nippon Symphony Orchestra, Prdect Professor at Showa Academia Musicae) Masanori Izumi(Ex-Timpanist of Nagoya Philharrnonic Orchestra) Ryosuke Murayama Koji Fukamachi Toshiaki lshiuch Masanori Izumi Keiko Otsuka Keiko Otsuka(Ex- Percussionist of Vienna Radio Symphony Orchestra) Shoichi Kubo(Timpanist and Percussionist of NHK Syrnphony Orchestra) Hiroshi Sakagami(Ex- Percussionist of Osaka Philharmonic Orchestra, Chairperson of KansaI Percussion Association) Keita Shiraishi(Freelance Percussionist) Atsushi Sugahara(Ex- Principal Timpanist of Yomiuri Nippon Symphony Orchestra, Professor at Tokyo College of Music) Shoichi Kubo Hiroshi Sakagami Keita Shiraishi Atsushi Sugahara Thomas O'Kelly Thomas O'Kelly(Guest Principal Timpanist of Orchestra Ensemble Kanazawa) Hitoshi Hamada(Jazz Vibraphonist) Toshihiro Hori(Lecturer at Japan Marching Association, Street Performer) Kazunori Momose(Ex- Principal Timpanist of NHK Symphony Orchestra) Yasukazu Amemiya(Ex- Percussionist of Yomiuri Nippon Symphony Orchestra) Hitoshi Hamada Toshihiro Hori Kazunori Momose Yasukazu Amemiya Shigemitsu Eiso Shigemitsu Eiso(Representative of Percusslon Group 72, Lecturer at Tamagawa University) Ken Katsumata(Ex- Percussionist of New Japan Philharrnonic) Hikaru Kojima(Percussionist of New Japan Philharmonic) Susumu Sato(Freelance Percussionist) Motolchiro Shiraisi(Ex- Percussionist of Tokyo Metropolitan Symphony Orchestra) Ken Katsumata Hikaru Kojima Susumu Sato Motolchiro Shirais Yuji Shingai Yuji Shingai(Ex-Timpanist and Percussionist of Sapporo Symphony Orchestra Chairperson of Japan Castanets Association) Koya Nakatani(Professor at Musashino Academia Musicae) Tetsu Nagano(Ex-Tlmpanist and Percussionist of Kyushu Symphony Orchestra) Nobuyuki Hatanaka(Percussion Group 72) Koya Nakatani Tetsu Nagano Nobuyuki Hatanaka Yasunobu Mikami Bob Yagi Yasunobu Mikami(Timpanist and Percussionist of Sendai Philharmonic Orchestra) Bob Yagi(Percussionist) Takako Yamaguchi(Percussionist of Tokyo Kosei Wind Orchestra) Drummer Ryo(Drummer) Junko Segawa(Marimbist) Dongwook Park (Ex-President of Korea Percussive Art Society) Takako Yamaguch Drummer Ryo Junko Segawa Dongwook Park Kwangseo Park Kwangseo Park(Professor at Korea National University of Arts) Kyunghwan Choi(Professor at Seoul National University) Jiguang Jin(Presldent of China Percussion Association) 柳啓平(中国国家交響楽団首席打楽器奏者) 陳少倫(中国打楽器協会副会長) Gang Liu(Professor at Central Conservatory of Music) Xiong Zhou(Principal Percussionist of Kyunghwan Choi Jiguang Jin 柳啓平 陳少倫 Gang Liu Shanghai Symphony Orchestra) Hai Pu(Lecturer at Minzu University of China) Xiaoliang Meng(Percussionist) Xiong Zhou Hai Pu Xiaoliang Meng Professional Percussion Instrument BAROCK MUSIC CO., LTD. Head office : 4-10-2, Akabanedai, Kita-ku, Tokyo 115-0053 Factory : 5-3-30, Asahi, Kawaguchi-shi, Saitama Pref. 332-0001 Home Page http://www.playwood.co.jp E-mail [email protected] Timpani Mallet Timpani Mallet Artist Series PRO-3300 Flannel Series PRO-3300 World Performer model PRO-3100 Classical Series PRO-3111 PRO-3112 PRO-3113 PRO-3114 PRO-3115 PRO-3116 PRO-3311 PRO-3312 PRO-3313 PRO-3314 PRO-3315 Staccaussimo, very Staccato Character Allround, like 3113, Lighter sound, less More sound-center, Allround, hard, excellent for Barock- excellent for Barock- excellent for Barock-music, smooth round sound, dark voluminous but non hard, direct and wlh direct sound but wtth more direct in rhythmical sound-projection clear sound music, hard, direct and music, less direct, good smooth but direct sound, character aggressive dark sound percussive sound volume clarity and directer sound- clear sound, light of articulation, light of more dark character proiection than 3115 character character 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PRO-3223 PRO-3341 PRO-3342 PRO-3351 PRO-3352 PRO-3353 ercussive wool-flanell-sticks ercussive wool-flanell-sticks percussive, direct sound, smooth, elegant but heavy heavy, massive sound PRO-3231 PRO-3232 PRO-3233 PRO-3231 for clear rhythnlical but not for clear rhythmical, not also suited for Barock- sounding sticks Smooth rolling-stick, Powefull smooth rolling φ 24 × 365 aggressive but voluminous Dark and direct stick with PRO-3232 aggressive sounding passages music fills the whole bowl, stick, with even more passages "into the bowl"-feeiing, PRO-3233 for dynamical powerful volume and body than deep in colour-structure passages 3232 2 3 Timpani Mallet PRO-1000 Series Shoichi Kubo Model Orchestra Series PRO-100 Series Shoichi Kubo (Timpanist and Percussionist of NHK Syrnphony Orchestra) PRO-110 PRO-120 PRO-130 PRO-131 PRO-140 PRO-150 PRO-160 Item Number Size Description PRO-110 VH Red Felt PRO-120 H φ 25 × 370 MH PRO-130 Round Corners Cork Core MH PRO-131 Bamboo Shaft German Felt 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