By % of EPISODES DIRECTED by FEMALES

Total Page:16

File Type:pdf, Size:1020Kb

By % of EPISODES DIRECTED by FEMALES 2016 DGA Episodic Director Diversity Report (by % of EPISODES DIRECTED BY FEMALES) # Episodes # Episodes # Episodes # Episodes Male # Episodes Female Total # of Directed by Male Directed by Directed by Female Title Directed by Female % Caucasian Directed by Caucasian Signatory Company Network Episodes Male Minority % Female Female Minority % Females % Male Minority % Caucasian Caucasian Minority 11/22/63 9 0 0% 9 100% 0 0% 0 0% 0 0% NS Pictures, Inc. Hulu Plus 12 Monkeys 9 0 0% 3 33% 6 67% 0 0% 0 0% Universal Cable Productions Syfy LLC Almost There 10 0 0% 10 100% 0 0% 0 0% 0 0% We're Out of Time DirecTV Productions Inc. American Crime Story 10 0 0% 4 40% 6 60% 0 0% 0 0% Pacific 2.1 Entertainment FX Group, Inc. American Horror Story 12 0 0% 10 83% 2 17% 0 0% 0 0% Twentieth Century Fox FX Television, a unit of Twentieth Century Fox Film Corporation Aquarius 13 0 0% 13 100% 0 0% 0 0% 0 0% Next Step Productions LLC NBC Ash vs. Evil Dead 2 0 0% 2 100% 0 0% 0 0% 0 0% Starz Evil Productions, LLC Starz! Baby Daddy 20 0 0% 20 100% 0 0% 0 0% 0 0% Prodco, Inc. ABC Family Ballers 10 0 0% 9 90% 1 10% 0 0% 0 0% Home Box Office, Inc. HBO Banshee 8 0 0% 6 75% 2 25% 0 0% 0 0% Home Box Office, Inc. Cinemax Baskets 9 0 0% 9 100% 0 0% 0 0% 0 0% Louie Zach Productions, Inc. FX Beauty & the Beast 7 0 0% 6 86% 1 14% 0 0% 0 0% BATB IV Productions Inc. CW Benders 8 0 0% 8 100% 0 0% 0 0% 0 0% Blink TV, LLC IFC Berlin Station 10 0 0% 10 100% 0 0% 0 0% 0 0% Paramount Overseas Epix Productions, Inc. Black Jesus 11 0 0% 11 100% 0 0% 0 0% 0 0% Triage Entertainment, LLC Cartoon Network Blunt Talk 10 0 0% 10 100% 0 0% 0 0% 0 0% Right Here Right Now Starz! Productons, LLC Clipped 9 0 0% 9 100% 0 0% 0 0% 0 0% Horizon Scripted Television TBS Inc. Crowded 12 0 0% 11 92% 1 8% 0 0% 0 0% Universal Television LLC NBC CSI: Crime Scene 2 0 0% 2 100% 0 0% 0 0% 0 0% CBS Broadcasting Inc. CBS Investigation Defiance 10 0 0% 8 80% 2 20% 0 0% 0 0% Open 4 Business Productions Syfy LLC Detour, The 9 0 0% 9 100% 0 0% 0 0% 0 0% Turner North Center TBS Productions, Inc. Dice 6 0 0% 6 100% 0 0% 0 0% 0 0% TVM Productions, Inc. Showtime Difficult People 10 0 0% 10 100% 0 0% 0 0% 0 0% Jax Media, LLC Hulu (SVOD) Donny! 6 0 0% 6 100% 0 0% 0 0% 0 0% Grueville Productions LLC USA Network Downton Abbey 3 0 0% 3 100% 0 0% 0 0% 0 0% Carnival Productions Limited PBS Emerald City 10 0 0% 0 0% 10 100% 0 0% 0 0% Universal Television LLC NBC Fargo 10 0 0% 10 100% 0 0% 0 0% 0 0% Redhawk Productions II LLC FX From Dusk till Dawn: The 10 0 0% 1 10% 9 90% 0 0% 0 0% Dusk Productions LLC El Rey Network Series Galavant 10 0 0% 10 100% 0 0% 0 0% 0 0% Film 49 Productions, Inc. ABC Game of Thrones 10 0 0% 8 80% 2 20% 0 0% 0 0% Home Box Office, Inc. HBO Game Shakers 25 0 0% 25 100% 0 0% 0 0% 0 0% Uptown Productions Inc. Nickelodeon Get Down, The 12 0 0% 10 79% 3 21% 0 0% 0 0% Mesquite Productions, Inc. Netflix Getting On 6 0 0% 0 0% 6 100% 0 0% 0 0% Home Box Office, Inc. HBO Goliath 8 0 0% 7 88% 1 13% 0 0% 0 0% Picrow, Inc. Amazon Prime Graves 10 0 0% 10 100% 0 0% 0 0% 0 0% Graves Productions, Inc. Epix Guide to Surviving Life, The 12 0 0% 11 92% 1 8% 0 0% 0 0% Twentieth Century Fox Film FOX Corporation Hap and Leonard 6 0 0% 4 67% 2 33% 0 0% 0 0% Stu Segall Productions, Inc. Sundance Channel Henry Danger 19 0 0% 19 100% 0 0% 0 0% 0 0% Uptown Productions Inc. Nickelodeon Here We Go Again 8 0 0% 0 0% 8 100% 0 0% 0 0% Not Again Series LLC TV One Heroes Reborn 11 0 0% 11 100% 0 0% 0 0% 0 0% Universal Television LLC NBC Houdini and Doyle 2 0 0% 2 100% 0 0% 0 0% 0 0% Big Talk Investments Limited FOX Hunters 2 0 0% 1 50% 1 50% 0 0% 0 0% Universal Cable Productions Syfy LLC Idiotsitter 10 0 0% 10 100% 0 0% 0 0% 0 0% Central Productions LLC Comedy Central Page 1 of 8 2016 DGA Episodic Director Diversity Report (by % of EPISODES DIRECTED BY FEMALES) # Episodes # Episodes # Episodes # Episodes Male # Episodes Female Total # of Directed by Male Directed by Directed by Female Title Directed by Female % Caucasian Directed by Caucasian Signatory Company Network Episodes Male Minority % Female Female Minority % Females % Male Minority % Caucasian Caucasian Minority Impastor 9 0 0% 9 100% 0 0% 0 0% 0 0% King Street Productions Inc. TV Land Into the Badlands 6 0 0% 6 100% 0 0% 0 0% 0 0% Stalwart Films, LLC AMC It's Always Sunny In 10 0 0% 10 100% 0 0% 0 0% 0 0% Sunny Television Productions, FXX Philadelphia Inc. Jim Gaffigan Show, The 10 0 0% 5 50% 5 50% 0 0% 0 0% Jax Media, LLC TV Land Knick, The 10 0 0% 10 100% 0 0% 0 0% 0 0% Home Box Office, Inc. Cinemax Last Man Standing 22 0 0% 6 27% 16 73% 0 0% 0 0% Twentieth Century Fox ABC Television, a unit of Twentieth Century Fox Film Corporation Legends 10 0 0% 8 80% 2 20% 0 0% 0 0% Atlantic 2.1 Entertainment TNT Group, Inc. Longmire 10 0 0% 10 100% 0 0% 0 0% 0 0% Horizon Scripted Television Netflix Inc. Louie 8 0 0% 8 100% 0 0% 0 0% 0 0% Pig Newton Inc. FX Luke Cage 13 0 0% 10 73% 4 27% 0 0% 0 0% Marvel Eastern Productions Netflix LLC Man Seeking Woman 10 0 0% 10 100% 0 0% 0 0% 0 0% Minim Productions, Inc. FXX Mann and Wife 10 0 0% 0 0% 10 100% 0 0% 0 0% Mann and Wife, LLC Bounce Marco Polo 11 0 0% 11 100% 0 0% 0 0% 0 0% Marco Polo Productions Asia Netflix Sdn Bhd Maron 13 0 0% 13 100% 0 0% 0 0% 0 0% TVM Productions, Inc. IFC Mom 22 0 0% 22 100% 0 0% 0 0% 0 0% Warner Bros. Television CBS Muppets, The 16 0 0% 16 100% 0 0% 0 0% 0 0% ABC Studios ABC Narcos 3 0 0% 0 0% 3 100% 0 0% 0 0% Narcos 2 Productions LLC Netflix Neon Joe, Werewolf Hunter 5 0 0% 5 100% 0 0% 0 0% 0 0% PFFR CoCor, Inc. Cartoon Network Of Kings and Prophets 9 0 0% 9 100% 0 0% 0 0% 0 0% Film 49 Productions, Inc. ABC Player, The 12 0 0% 9 75% 3 25% 0 0% 0 0% Topanga Productions, Inc. NBC Playing House 8 0 0% 8 100% 0 0% 0 0% 0 0% Open 4 Business Productions USA Network LLC Powers 10 0 0% 9 90% 1 10% 0 0% 0 0% Mesquite Productions, Inc. Playstation Plus Quarry 7 0 0% 7 100% 0 0% 0 0% 0 0% Home Box Office, Inc. Cinemax Ranch, The 20 0 0% 20 100% 0 0% 0 0% 0 0% Cowmen Productions, LLC Netflix School of Rock 13 0 0% 13 100% 0 0% 0 0% 0 0% Uptown Productions Inc. Nickelodeon Shannara Chronicles, The 10 0 0% 10 100% 0 0% 0 0% 0 0% On-Site Productions Inc. MTV Significant Mother 9 0 0% 9 100% 0 0% 0 0% 0 0% West of 7th Digital CW Productions, LLC Soul Man, The 24 0 0% 2 8% 22 92% 0 0% 0 0% King Street Productions Inc. TV Land Stranger Things 8 0 0% 8 100% 0 0% 0 0% 0 0% Camp Hero Productions, LLC Netflix Teachers 9 0 0% 0 0% 9 100% 0 0% 0 0% King Street Productions Inc. TV Land Those Who Can't 9 0 0% 9 100% 0 0% 0 0% 0 0% That's Fantastic LLC TruTV Tim and Eric's Bedtime Stories 2 0 0% 2 100% 0 0% 0 0% 0 0% Abso Lutely Films, Inc. Cartoon Network Togetherness 8 0 0% 8 100% 0 0% 0 0% 0 0% Home Box Office, Inc. HBO Twin Peaks 9 0 0% 9 100% 0 0% 0 0% 0 0% Rancho Rosa Partnership, Inc. Showtime Tyler Perry's For Better or 20 0 0% 0 0% 20 100% 0 0% 0 0% For Better or Worse, LLC OWN Worse Tyler Perry's If Loving You is 22 0 0% 0 0% 22 100% 0 0% 0 0% And Action LLC OWN Wrong Tyler Perry's Love Thy 22 0 0% 0 0% 22 100% 0 0% 0 0% And Action LLC OWN Neighbor Tyler Perry's The Haves And 23 0 0% 0 0% 23 100% 0 0% 0 0% And Action LLC OWN The Have Nots Undateable 13 0 0% 1 8% 12 92% 0 0% 0 0% Warner Bros.
Recommended publications
  • February 26, 2021 Amazon Warehouse Workers In
    February 26, 2021 Amazon warehouse workers in Bessemer, Alabama are voting to form a union with the Retail, Wholesale and Department Store Union (RWDSU). We are the writers of feature films and television series. All of our work is done under union contracts whether it appears on Amazon Prime, a different streaming service, or a television network. Unions protect workers with essential rights and benefits. Most importantly, a union gives employees a seat at the table to negotiate fair pay, scheduling and more workplace policies. Deadline Amazon accepts unions for entertainment workers, and we believe warehouse workers deserve the same respect in the workplace. We strongly urge all Amazon warehouse workers in Bessemer to VOTE UNION YES. In solidarity and support, Megan Abbott (DARE ME) Chris Abbott (LITTLE HOUSE ON THE PRAIRIE; CAGNEY AND LACEY; MAGNUM, PI; HIGH SIERRA SEARCH AND RESCUE; DR. QUINN, MEDICINE WOMAN; LEGACY; DIAGNOSIS, MURDER; BOLD AND THE BEAUTIFUL; YOUNG AND THE RESTLESS) Melanie Abdoun (BLACK MOVIE AWARDS; BET ABFF HONORS) John Aboud (HOME ECONOMICS; CLOSE ENOUGH; A FUTILE AND STUPID GESTURE; CHILDRENS HOSPITAL; PENGUINS OF MADAGASCAR; LEVERAGE) Jay Abramowitz (FULL HOUSE; GROWING PAINS; THE HOGAN FAMILY; THE PARKERS) David Abramowitz (HIGHLANDER; MACGYVER; CAGNEY AND LACEY; BUCK JAMES; JAKE AND THE FAT MAN; SPENSER FOR HIRE) Gayle Abrams (FRASIER; GILMORE GIRLS) 1 of 72 Jessica Abrams (WATCH OVER ME; PROFILER; KNOCKING ON DOORS) Kristen Acimovic (THE OPPOSITION WITH JORDAN KLEPPER) Nick Adams (NEW GIRL; BOJACK HORSEMAN;
    [Show full text]
  • Vita PDF Download
    AMOR SCHUMACHER SYNCHRON (Rollen und Ensemble) Auswahl „The Dinner“ Splendid Nana Spier „Superstore“ BSG Frank Muth „Librarians“ Interopa Elke Weidemann „Billions“ Cinephon Reinhard Knapp „Patriots Day“ RC Bernhard Völger „Collateral Beauty“ FFS Marianne Gross „Christmas Office RC Kathrin Fröhlich Party“ „La La Land“ Cinephon Dr. Harald Wolff „House of Lies“ Cinephon Dr. Harald Wolff Wohnort: Berlin „Flikken Maastricht“ Antares Marc Böttcher Geburtsdatum: 14.08.1979 Sprachen: deutsch (Muttersprache), „Paradise“ Studio Funk Olaf Mierau spanisch (Muttersprache), „Homeland“ Cinephon Stephan Hoffmann englisch (fliessend), italienisch (GK) „Istanbul“ Taunusfilm Beate Klöckner Dialekte: hessisch, American English, „Better Call Saul“ BSG Frank Muth British English „Brigade“ SDI Uschi Hugo Akzente: englisch, spanisch, französisch, italienisch, arabisch „Bull“ Cinephon Stefan Ludwig Stimmlage: Alt „New Girl“ Cinephon Martin Schmitz „Bad Batch“ SDI Bernhard Völger Sprachberatung: Spanisch diverse Dialekte „Die irre Heldentour Interopa Christoph Cierpka des Billy Lynn“ „The Strain“ Cinephon Stefan Ludwig „Brotherhood“ Cinephon Wolfgang Ziffer AUSBILDUNG „Veep“ Cinephon Stefan Ludwig „Captain America: FFS Björn Schalla 2009, 2010, 2012 Larry Moss, Susan Civil War“ Batson Masterclass, „I Zombie“ Arena Synchron Gabrielle Pietermann Meisner Technique Mike Bernardin, Berlin „Relentless Justice“ Lautfabrik U.G. Benjamin Plath 2002 - 2006 Berliner Schule für „Longmire” FFS Marianne Gross Schauspiel „ScoobyDoo” SDI Sven Plate 2000 Method Studio London „Vampire
    [Show full text]
  • Female Homosociality Refers to All Kinds of Female Bonding And
    Durham E-Theses Hostility and Solidarity: Female Homosociality in the Fiction of Toni Morrison ZANGANEH, MOTAHHAREH How to cite: ZANGANEH, MOTAHHAREH (2015) Hostility and Solidarity: Female Homosociality in the Fiction of Toni Morrison, Durham theses, Durham University. Available at Durham E-Theses Online: http://etheses.dur.ac.uk/11031/ Use policy The full-text may be used and/or reproduced, and given to third parties in any format or medium, without prior permission or charge, for personal research or study, educational, or not-for-prot purposes provided that: • a full bibliographic reference is made to the original source • a link is made to the metadata record in Durham E-Theses • the full-text is not changed in any way The full-text must not be sold in any format or medium without the formal permission of the copyright holders. Please consult the full Durham E-Theses policy for further details. Academic Support Oce, Durham University, University Oce, Old Elvet, Durham DH1 3HP e-mail: [email protected] Tel: +44 0191 334 6107 http://etheses.dur.ac.uk 2 Hostility and Solidarity: Female Homosociality in the Fiction of Toni Morrison Motahhareh Zanganeh Doctor of Philosophy Department of English Studies Durham University 2014 Table of Contents Statement of Copyright ii Acknowledgment iii Introduction 1 Chapter One Friendship and Age: Homosociality in Toni Morrison’s Sula and Jazz 49 Chapter Two Revolving Around Men: Patriarchy and Women’s Identity in Song of Solomon 114 and Love Chapter Three Female Homosociality and the Impact of Slavery in Beloved and A Mercy 169 Chapter Four Collective Female Bonding in Paradise: Reviving Hurt Women 222 Conclusion 261 Bibliography 265 i Statement of Copyright “The copyright of this thesis rests with the author.
    [Show full text]
  • The Problems and Potentials in Haunted Maternal Horror Narratives
    University of South Florida Scholar Commons Graduate Theses and Dissertations Graduate School 6-30-2014 The rP oblems and Potentials in Haunted Maternal Horror Narratives Sarah Laura Novak University of South Florida, [email protected] Follow this and additional works at: https://scholarcommons.usf.edu/etd Part of the Feminist, Gender, and Sexuality Studies Commons, and the Film and Media Studies Commons Scholar Commons Citation Novak, Sarah Laura, "The rP oblems and Potentials in Haunted Maternal Horror Narratives" (2014). Graduate Theses and Dissertations. https://scholarcommons.usf.edu/etd/5286 This Thesis is brought to you for free and open access by the Graduate School at Scholar Commons. It has been accepted for inclusion in Graduate Theses and Dissertations by an authorized administrator of Scholar Commons. For more information, please contact [email protected]. The Problems and Potentials in Haunted Maternal Horror Narrative by Sarah L. Novak A thesis submitted in partial fulfillment of the requirements for the degree of Master of Liberal Arts In Humanities Department of Humanities and Cultural Studies College of Arts and Science University of South Florida Major Professor: Amy Rust, Ph.D. Daniel Belgrad, Ph.D. Brooke Sadler, Ph.D. Date of Approval: June 30, 2014 Keywords: motherhood, repetition, anxiety, stabilization, hegemony Copyright © 2014, Sarah L. Novak Dedication I would like to thank all of my family members and friends who have supported me throughout this thesis, in more ways than one. But I would especially like to thank: Priscilla Boatwright, Victoria Wallace, and John Archer – While they went through their college or personal troubles miles away, they still found time to invest in my writing, in my thesis and my personal writing.
    [Show full text]
  • Sunday Morning Grid 5/1/16 Latimes.Com/Tv Times
    SUNDAY MORNING GRID 5/1/16 LATIMES.COM/TV TIMES 7 am 7:30 8 am 8:30 9 am 9:30 10 am 10:30 11 am 11:30 12 pm 12:30 2 CBS CBS News Sunday Face the Nation (N) Paid Program Boss Paid Program PGA Tour Golf 4 NBC News (N) Å Meet the Press (N) Å News Rescue Red Bull Signature Series (Taped) Å Hockey: Blues at Stars 5 CW News (N) Å News (N) Å In Touch Paid Program 7 ABC News (N) Å This Week News (N) NBA Basketball First Round: Teams TBA. (N) Basketball 9 KCAL News (N) Joel Osteen Schuller Pastor Mike Woodlands Amazing Paid Program 11 FOX In Touch Paid Fox News Sunday Midday Prerace NASCAR Racing Sprint Cup Series: GEICO 500. (N) 13 MyNet Paid Program A History of Violence (R) 18 KSCI Paid Hormones Church Faith Paid Program 22 KWHY Local Local Local Local Local Local Local Local Local Local Local Local 24 KVCR Landscapes Painting Joy of Paint Wyland’s Paint This Painting Kitchen Mexico Martha Pépin Baking Simply Ming 28 KCET Wunderkind 1001 Nights Bug Bites Space Edisons Biz Kid$ Celtic Thunder Legacy (TVG) Å Soulful Symphony 30 ION Jeremiah Youssef In Touch Leverage Å Leverage Å Leverage Å Leverage Å 34 KMEX Conexión En contacto Paid Program Fútbol Central (N) Fútbol Mexicano Primera División: Toluca vs Azul República Deportiva (N) 40 KTBN Walk in the Win Walk Prince Carpenter Schuller In Touch PowerPoint It Is Written Pathway Super Kelinda Jesse 46 KFTR Paid Program Formula One Racing Russian Grand Prix.
    [Show full text]
  • Why the Inimitable Sarah Paulson Is the Future Of
    he won an Emmy, SAG Award and Golden Globe for her bravura performance as Marcia Clark in last year’s FX miniseries, The People v. O.J. Simpson: American Crime Story, but it took Sarah Paulson almost another year to confirm what the TV industry really thinks about her acting chops. Earlier this year, her longtime collaborator and O.J. executive producer Ryan Murphy offered the actress the lead in Ratched, an origin story he is executive producing that focuses on Nurse Ratched, the Siconic, sadistic nurse from the 1975 film One Flew Over the Cuckoo’s Nest. Murphy shopped the project around to networks, offering a package for the first time that included his frequent muse Paulson attached as star and producer. “That was very exciting and also very scary, because I thought, oh God, what if they take this out, and people are like, ‘No thanks, we’re good. We don’t need a Sarah Paulson show,’” says Paulson. “Thankfully, it all worked out very well.” In the wake of last year’s most acclaimed TV performance, everyone—TV networks and movie studios alike—wants to be in business with Paulson. Ratched sparked a high-stakes bidding war, with Netflix ultimately fending off suitors like Hulu and Apple (which is developing an original TV series strategy) for the project last month, giving the drama a hefty Why the inimitable two-season commitment. And that is only one of three high- profile TV series that Paulson will film over the next year. In Sarah Paulson is the 2018, she’ll begin production on Katrina, the third installment in Murphy’s American Crime Story anthology series for FX, and continue on the other Murphy FX anthology hit that future of TV.
    [Show full text]
  • Curriculum Vitae
    JERRY M. SONNENBERG 463 S. Bixel st. Los Angeles CA 90017 | 310-628-7157 | [email protected] ART DIRECTION Pitch FOX PD: Dave Blass Lincoln Heights - 3 Seasons ABC Family/ Balance productions PD: John Iacovelli Battle Rap MTV PD: Julio Himede 2016 Video Music Awards MTV PD: Dave Edwards Kid’s Choice Sports Awards Nicelodeon PD: Julio Himede 88/89th Oscars Red Carpet ABC PD: Seth Easter Best Friends Whenever Disney Channel/ It’s a laugh PD: Scott Heineman I Didn’t Do It Disney Channel/ It’s a laugh PD: Scott Heineman Dog with a Blog - 3 Seasons Disney Channel/ It’s a laugh PD: Scott Heineman Mighty Med - 2 Seasons Disney Channel/ It’s a laugh PD: Scott Heineman Kickin’ It - 3 Seasons Disney Channel/ It’s a laugh PD: Scott Heineman Ant Farm - 3 Seasons Disney Channel/ It’s a laugh PD: Scott Heineman Let’s Make a Deal CBS/ Fremantle PD: Jerry Sonnenberg Jeopardy! - 5 Seasons Sony Pictures Entertainment PD: Naomi Slodki America’s Best Dance Crew MTV/Tenth Planet PD: John Calkins Wheel of Fortune - 3 Seasons Sony Pictures Entertainment PD: Renee Johnson America’s Next Top Model CW / Anisa Productions PD: Jeff Hall Nick Cannons’ Wild n’ Out MTV/Remote Productions PD: Dave Edwards How Do I Look? E!/Style Network PD: Naomi Slodki 38th NAACP Image Awards FOX/Vicangelo films PD: Bruce Ryan Friday Night Slime Time Nickelodeon/MAC productions PD: Dave Edwards MTV Movie Award Red Carpet MTV Productions PD: Dave Edwards Walk it off with George Foreman ESA Entertainment PD: Bruce Ryan U.S.
    [Show full text]
  • The Intertwining of Multimedia in Emma, Clueless, and Gossip Girl ​ ​ ​ Nichole Decker Honors Scholar Project May 6, 2019
    Masthead Logo Scholar Works Honors Theses Honors 2019 Bricolage on the Upper East Side: The nI tertwining of Multimedia in Emma, Clueless, and Gossip Girl Nichole Decker University of Maine at Farmington Follow this and additional works at: https://scholarworks.umf.maine.edu/honors_theses Part of the Comparative Literature Commons Recommended Citation Decker, Nichole, "Bricolage on the Upper East Side: The nI tertwining of Multimedia in Emma, Clueless, and Gossip Girl" (2019). Honors Theses. 5. https://scholarworks.umf.maine.edu/honors_theses/5 This Research Project is brought to you for free and open access by the Honors at Scholar Works. It has been accepted for inclusion in Honors Theses by an authorized administrator of Scholar Works. For more information, please contact [email protected]. 2 Bricolage on the Upper East Side: The Intertwining of Multimedia in Emma, Clueless, and Gossip Girl ​ ​ ​ Nichole Decker Honors Scholar Project May 6, 2019 “Okay, so you’re probably going, is this like a Noxzema commercial or what?” - Cher ​ ​ In this paper I will analyze the classic novel Emma, and the 1995 film Clueless, as an ​ ​ ​ ​ adaptive pair, but I will also be analyzing the TV series, Gossip Girl, as a derivative text. I bring ​ ​ this series into the discussion because of the ways in which it echos, parallels, and alludes to both Emma and Clueless individually, and the two as a source pair. I do not argue that the series is an ​ ​ ​ actual adaptation, but rather, a sort of collage, recombining motifs from both source texts to create something new, exciting, and completely absurd.
    [Show full text]
  • Honoring the Dead of Both Sides
    1A SUNDAY, FEBRUARY 17, 2013 | YOUR COMMUNITY NEWSPAPER SINCE 1874 | $1.00 Lake City Reporter LAKECITYREPORTER.COM Like having Caribbean seeing SUNDAY EDITION a chef on signs of rebound in the shelf. 1C tourist industry. 1D Honoring the dead of both sides the Oaklawn Cemetery Memorial Ceremony Northern soldier for the Union, Johnny Reb Olustee weekend begins signaled the start of the 37th Olustee Battle for the Southern way of life — we honor them with memorial service at Festival Friday at 9 a.m. both this morning,” Montgomery said. Oaklawn Cemetery. After the presentation of the colors by the The Rev. James W. Binion, dressed as First Florida Honor Guard, former county Confederate President Jefferson Davis, was By DEREK GILLIAM commissioner James Montgomery led about guest speaker at the ceremony. Binion served [email protected] 60 spectators in the invocation. He spoke of in the Air Force with service in Southeast the North, the South and the fight that tore Asia during the Vietnam War. Confederate battle flags planted beside the nation apart. Binion said it was an honor to speak at JASON MATTHEW WALKER/Lake City Reporter the headstones of the 155 fallen soldiers “Remembering those who paid the ulti- David Dubi (left) and his brother, gently waved in a cold February breeze as mate price for a cause they believed in — the OAKLAWN continued on 5A John, retire the colors Friday. Horrors of war BLASTING AWAY brought home Civil War medical technology makes for gruesome display. By DEREK GILLIAM [email protected] Severed limbs lay scattered under the table with wounded soldiers bleeding nearby.
    [Show full text]
  • American Dolorologies
    American Dolorologies Item Type Book Authors Strick, Simon DOI 10.1353/book.28834 Publisher SUNY Press Rights Attribution-NonCommercial-NoDerivatives 4.0 International Download date 29/09/2021 04:15:19 Item License http://creativecommons.org/licenses/by-nc-nd/4.0/ Link to Item https://www.sunypress.edu/p-5822-american-dolorologies.aspx AMERICAN DOLOROLOGIES AMERICAN DOLOROLOGIES Pain, Sentimentalism, Biopolitics SIMON STRICK State University of New York Press Published by State University of New York Press, Albany © 2014 State University of New York All rights reserved Printed in the United States of America No part of this book may be used or reproduced in any manner whatsoever without written permission. No part of this book may be stored in a retrieval system or transmitted in any form or by any means including electronic, electrostatic, magnetic tape, mechanical, photocopying, recording, or otherwise without the prior permission in writing of the publisher. For information, contact State University of New York Press, Albany, NY www.sunypress.edu Production, Laurie Searl Marketing, Anne M. Valentine Library of Congress Cataloging-in-Publication Data Strick, Simon, 1974– American dolorologies : pain, sentimentalism, biopolitics / Simon Strick. pages cm Includes bibliographical references and index. ISBN 978-1-4384-5021-6 (hardcover : alk. paper) 1. Pain—Social aspects—United States. 2. Suffering—Social aspects—United States. 3. United States—Civilization. 4. Sentimentalism. I. Title. BJ1409.S85 2014 306.4—dc23 2013014434 10 9 8 7 6 5 4 3 2 1 CONTENTS LIST OF ILLUSTRATIONS vii ACKNOWLEDGMENTS ix CHAPTER ONE What Is Dolorology? 1 CHAPTER TWO Sublime Pain and the Subject of Sentimentalism 19 CHAPTER THREE Anesthesia, Birthpain, and Civilization 51 CHAPTER FOUR Picturing Racial Pain 93 CHAPTER FIVE Late Modern Pain 147 NOTES 169 WORKS CITED 199 INDEX 219 ILLUSTRATIONS Figure 4.1 gordon: The Scourged Back/Escaped slave displays wounds from torture.
    [Show full text]
  • Facts Are Stubborn Things": Protecting Due Process from Virulent Publicity
    Touro Law Review Volume 33 Number 2 Article 8 2017 "Facts Are Stubborn Things": Protecting Due Process from Virulent Publicity Benjamin Brafman Darren Stakey Follow this and additional works at: https://digitalcommons.tourolaw.edu/lawreview Part of the Civil Procedure Commons, Civil Rights and Discrimination Commons, and the First Amendment Commons Recommended Citation Brafman, Benjamin and Stakey, Darren (2017) ""Facts Are Stubborn Things": Protecting Due Process from Virulent Publicity," Touro Law Review: Vol. 33 : No. 2 , Article 8. Available at: https://digitalcommons.tourolaw.edu/lawreview/vol33/iss2/8 This Article is brought to you for free and open access by Digital Commons @ Touro Law Center. It has been accepted for inclusion in Touro Law Review by an authorized editor of Digital Commons @ Touro Law Center. For more information, please contact [email protected]. Brafman and Stakey: Facts Are Stubborn Things “FACTS ARE STUBBORN THINGS”: PROTECTING DUE PROCESS FROM VIRULENT PUBLICITY by Benjamin Brafman, Esq.* and Darren Stakey, Esq.** *Benjamin Brafman is the principal of a seven-lawyer firm Brafman & Associates, P.C. located in Manhattan. Mr. Brafman’s firm specializes in criminal law with an emphasis on White Collar criminal defense. Mr. Brafman received his law degree from Ohio Northern University, in 1974, graduating with Distinction and serving as Manuscript Editor of The Law Review. He went on to earn a Masters of Law Degree (LL.M.) in Criminal Justice from New York University Law School. In May of 2014, Mr. Brafman was awarded an Honorary Doctorate from Ohio Northern University Law School. Mr. Brafman, a former Assistant District Attorney in the Rackets Bureau of the New York County District Attorney’s Office, has been in private practice since 1980.
    [Show full text]
  • With No Catchy Taglines Or Slogans, Showtime Has Muscled Its Way Into the Premium-Cable Elite
    With no catchy taglines or slogans, Showtime has muscled its way into the premium-cable elite. “A brand needs to be much deeper than a slogan,” chairman David Nevins says. “It needs to be a marker of quality.” BY GRAHAM FLASHNER ixteen floors above the Wilshire corridor in entertainment. In comedy, they have a sub-brand of doing interesting things West Los Angeles, Showtime chairman and with damaged or self-destructive characters.” CEO David Nevins sits in a plush corner office Showtime can skew male (Ray Donovan, House of Lies) and female (The lined with mementos, including a prop knife Chi, SMILF). It’s dabbled in thrillers (Homeland), black comedies (Shameless), from the Dexter finale and ringside tickets to adult dramas (The Affair), docu-series (The Circus) and animation (Our the Pacquiao-Mayweather fight, which Showtime Cartoon President). It’s taken viewers on journeys into worlds TV rarely presented on PPV. “People look to us to be adventurous,” he explores, from hedge funds (Billions) to management consulting (House of says. “They look to us for the next new thing. Everything we Lies) and drug addiction (Patrick Melrose). make better be pushing the limits of the medium forward.” Fox 21 president Bert Salke calls Showtime “the thinking man’s network,” Every business has its longstanding rivalries. Coke and Pepsi. Marvel and noting, “They make smart television. HBO tries to be more things to more DC. For its first thirty-odd years, Showtime Networks (now owned by CBS people: comedy specials, more half-hours. Showtime is a bit more interested Corporation) ran a distant second to HBO.
    [Show full text]