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Volume 21 • 2011|20122012|2013 SeaSeasSonon

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CLIENT BMW Filename BMWN11KB0393_3SerInnovLHP_2 Job Mgr.# 11182 Last Date 8-1-2012 12:16 PM Fonts Doc. Path Description 4CFP - 3Ser Innovation Prod. Mgr. Deirdre McMurray BMW Type Global Pro (Light, Bold, Regular), Helvetica (Bold) StudioMechanicals2:Volumes:S Bleed 6.5” x 9.5” Art Director - tudioMechanicals2:BMW: Final Mechanicals:BMWN11KB0393 South Trim 6” x 9” Acct. Mgr. Danielle Skeen x4024 Region Print Umbrella JM 11182:BM- WQ3SRP1 3Ser INNOVATION LHP Live 5.5” x 8.5” Copy Writer - Gutter - (Folds: None) Studio Oper. pfrumkin Placed Graphics Inks signoff.eps Cyan Scale None Prev. Oper. Mike Spoagis 2 11_0428_A0141686_3SER_01.tif (933 ppi) A0145167.tif (1250 ppi) Magenta Colors 4 Last Modifi ed 8-1-2012 12:16 PM 11_0428_A0140793_3SER_01.tif (2222 ppi) Yellow BMW_UDM_Module.ai Ln. Screen 133 Proof # 2 FINAL pf 8/1 Black Deadline 8/1 MEMPHIS SYMPHONY ORCHESTRA via e-mail: denise.borton@MemphisSymphony. Pub List org (NO proof) Contents Volume 1 • 2012|2013 Season

Concert Experience • Beethoven 8 • Sponsors & Foundations...... 64 September 14...... 21 • Membership Benefits...... 66 • Rachmaninoff and Mahler • Contributors...... 67 September 22 & 23...... 29 • Honorariums & Memorials ...... 82 • Stax! The Memphis Sound October 13 & 14...... 37 • Patron/Ticket Information ...... 84 • Yo-Yo Ma October 22...... 45 Symphony Gallery • Mei-Ann Chen, Music Director ...... 56 • Mei-Ann’s Circle of Friends...... 8 • Orchestra Roster...... 58 • Meet the Musicians...... 16

Patron Experience Community Experience • Advertiser Listing...... 53 • In Memory of Marguerite Piazza...... 6 • MSO Board of Directors, Staff, League Board • Family Tunes and Tales...... 10 & Chorus Board...... 60 • Symphony Soul Project...... 14 • Memphis Symphony League...... 62

The Memphis Symphony Orchestra, Inc., is a qualified 501(c)(3) deductible organization funded by gifts from you, ticket sales and contracted services. We are recipients of grants from ArtsMemphis and the Tennessee Arts Commission. ©2012|2013 Memphis Symphony Orchestra • 585 S. Mendenhall Rd., Memphis, TN 38117

Your attendance constitutes consent for use of your likeness and/or voice on all video and/or audio recordings and in photographs made during Symphony events.

For tickets (901) 537-2525 | MemphisSymphony.org Follow the Memphis Symphony!

For Tickets 901-537-2525 3 2012-2013 SeaSOn IT’S HAPPENING AT GPAC JaZZ Dance chick corea and Gary Burton The Theater of Needless Talents with the Harlem String Quartet Spectrum Dance Theater sunday, september 30 wednesday, november 14 The chucho Valdés Quintet Cinderella sunday, 0ctober 21 Russian national Ballet Theatre Jane Monheit with sunday, january 6 special guest Mark O’connor Savion Glover’s SoLe Sanctuary sunday, february 17 friday, january 25 Monterey Jazz Festival celebrating the 100th anniversary of 55th anniversary Tour sunday, april 21 tuesday, april 23 FaMILY SPecIaL eVenTS “Sleeping Beauty” The Secret Sisters with David Gonzalez, storyteller friday, september 7 sunday, october 7 capitol Steps Cirque Chinois friday, september 14 national circus of the Van cliburn Gala People’s Republic of china saturday, march 16 sunday, october 14 Cinderella Russian national Ballet Theatre sunday, january 6 The Black Watch and The of the Scots Guards sunday, february 10 The Voca People sunday, march 24 erth’s Dinosaur Petting Zoo™ friday, april 26-28

GERMANTOWN PERFORMING ARTS CENTRE Call 901-751-7500 or visit www.GPACweb.com Scheidt Milton Schaeffer Family Foundation

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For Tickets 901-537-2525 Follow the Memphis Symphony! 5 In Memory of Marguerite Piazza (May 6, 1926 – August 2, 2012)

By Shelly Sublett Many documentaries, memoirs, and articles have described Marguerite Piazza’s life as a performer on the stage, television, and in supper clubs as well as detailing her tireless efforts to raise funds for the American Cancer Society and St. Jude Children’s Research Hospital by giving benefit concerts. During her funeral at St. Louis Catholic Church on August 7th, Reverend Richard A. Cortese announced that Marguerite Gloria Nobles, Marguerite Piazza and Marguerite’s had raised a total of $70 million during Aunt Anne her lifetime. “Piazza,” which means “a large public square,” was her mother’s maiden name that she adopted during her early years of performance, and it accurately portrays her generous heart and her incredible work ethic which enabled her to touch so many lives. Her own life was full of adversity, but she never allowed her problems to interfere with her professionalism or her duties as a mother. Her philanthropy was also extended to the Memphis Symphony Orchestra. During the early years, she became a board member of the Memphis Orchestral Society. At the first Ball on October 16, 1959, her name was listed as the main attraction. This ball raised funds for the school concerts, to create a “family interest” in music. The Sinfonietta was officially renamed the Memphis Symphony Orchestra the following season. She and her husband, William (Billy) Condon, hosted the gala reception at their home to commemorate this event on October 21, 1960. As the times changed, she changed with them. When Marguerite was featured as the guest artist for the Memphis Symphony Pops Concert on February 24, 1973, she performed a variety of styles including arias, from Broadway, and Italian folk tunes. Her three daughters also joined her on stage to sing Raindrops Keep Falling on My Head and Candy Man from the Top 40. Her audiences were always touched by her ability to sing from the heart, no matter what style of music she sang. She never stopped working. On December 10, 2011, the Memphis Symphony League hosted a cocktail buffet honoring her. The proceeds from this event benefited the Memphis Symphony Orchestra’s annual city school program, “Music in the Schools.” We are saddened by her death, but we are so grateful for her support during these past decades. May her legacy always live on!

6 www.MemphisSymphony.org Involved in your community.

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For Tickets 901-537-2525 Follow the Memphis Symphony! 7 Mei-Ann’s Circle of Friends Mei-Ann’s Circle of Friends members had a fantastic evening with Mei-Ann Chen at a Box Supper in the home of Becky Wilson this past June. The women attending began discussions about the Circle’s future projects.

Back Row: Sandra Mays, Ritche Bowden, Cynthia Ham, Sharon Wheeler, Janet Seessel, Pam Arrindell, Becky Wilson Front Row: Frances Hooks, Mei-Ann Chen

Ann Marie Wallace, Monica Wharton, Phyllis Berz

8 www.MemphisSymphony.org Mary Tate-Smith, Phyllis Berz, Monica Wharton, Diane Rudner, Mei-Ann Chen, Mary McDaniel, Nicki Inman, Ruby Bright

Diane Rudner Frances Hooks

Cassandra Webster Ellen Rolfes Sandra Mays Deborah Craddock Pam Arrindell Ritche Bowden

For Tickets 901-537-2525 9 Family Tunes and Tales MSO ensembles bring classic children’s tales to life through narration and music.

At Family Tunes and Tales your imagination will take you around the world. You’ll see unbelievable sights and encounter characters great and small: a tender hearted bull, musical mice, frogs that dance and sing, a violin-playing mole, nasty pirates, courageous village girls, and adventurous boys. You might even combat a monster dog, kill a giant with , fly to the moon, and watch butterflies tricking coyotes! These delightful concerts are not to be missed!

Currently embarking on its fourth season, Family Tunes and Tales is the product of a partnership between five community libraries and the MSO. Each season, the librarians compile a list of children’s books. One book is selected from the list by each ensemble and the musicians create a score to accompany the story. Sometimes the players use existing works and sometimes a special arrangement or composition is created by MSO Violist Marshall Fine. On the day of the concert, the librarians read as the musicians perform. The entire event lasts an hour and is free and open to everyone. Family Tunes and Tales take place on Saturdays starting in October and continuing through the spring. Post-concert activities that relate thematically to the performances the children have just experienced are also featured.

This season, the MSO and the Shelby County Books from Birth Foundation will begin a new collaboration around Family Tunes and Tales. Books from Birth is a statewide initiative providing Tennessee children from birth to age five with books from Dolly Parton’s Imagination Library. The goal of the Foundation is to promote reading and comprehension, vocabulary development and school readiness. Two of this season’s Family Tunes and Tales selections are on the Books from Birth list: Five Nice Mice and Why Mosquitos Buzz in People’s Ears. Books from Birth will provide copies of these books for children who attend their performances.

10 www.MemphisSymphony.org Family Tunes and Tales 2012-2013 All performances begin at 11:00 am on Saturdays Date Hooks Central Randolph Branch Cordova Branch Germantown Burch Library, Library Library Library Community Library Collierville October Percussion String Quartet Woodwind Quintet Brass Quintet Kinder Trio 27 Why Mosquitos Coyote and Five Nice Mice Dirty Joe the Pirate: Abiyoyo Buzz in People’s the Laughing by Chisato Tashiro A True Story By Pete Seeger Ears Butterflies by Bill Harley by Verna Aardema by Harriet Peck Taylor January String Quartet Woodwind Quintet Brass Quintet Kinder Trio Percussion 19 Coyote and Five Nice Mice Dirty Joe the Pirate Abiyoyo Why Mosquitos the Laughing Buzz in People’s Butterflies Ears February Woodwind Quintet Brass Quintet Kinder Trio Percussion String Quartet 9 Five Nice Mice Dirty Joe the Pirate Abiyoyo Why Mosquitos Coyote and Buzz in People’s the Laughing Ears Butterflies April Brass Quintet Kinder Trio Percussion String Quartet Woodwind Quintet 20 Dirty Joe the Pirate Abiyoyo Why Mosquitos Coyote and Five Nice Mice Buzz in People’s the Laughing Ears Butterflies May Kinder Trio Percussion String Quartet Woodwind Quintet Brass Quintet 11 Abiyoyo Why Mosquitos Coyote and Five Nice Mice Dirty Joe the Pirate Buzz in People’s the Laughing Ears Butterflies

Also noteworthy, as a part of a special initiative in which the Symphony will be in residence in the Soulsville area throughout the 2012 – 2013 season, two performances of Family Tunes and Tales will occur at Cornelia Crenshaw Branch Library in addition to the five performances described above. On September 29 at 2:30 pm the brass quintet will perform Dogzilla from last year’s line-up, and on March 2 at 1:30 pm percussion will perform Why Mosquitos Buzz in People’s Ears. These two performances are free and open to everyone. Also this fall, MSO ensembles will perform Family Tunes and Tales at St. Jude Children’s Research Hospital. These concerts are for patients and hospital staff only and are not open to the public; they do, however, provide entertainment and edification for children who are seriously ill.

For Tickets 901-537-2525 Follow the Memphis Symphony! 11 Stat. Fast, specialized care can make all the difference. OrthoStat offers convenientcare for urgent orthopaedic injuries from the names you trust. Discover how we can get you back to an active lifestyle by visiting www.orthomemphis.com.

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12 www.MemphisSymphony.org ArtsMemphis.org Discover

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Visit the best local site for all the ways you can connect to the arts in Memphis. artsmemphis.org 901 578 2787 Find hundreds of arts events on our cultural calendar, videos, discounts, reviews and more.

For Tickets 901-537-2525 Follow the Memphis Symphony! 13 Symphony Soul Project

To support community revitalization in historic Soulsville USA, the Memphis Symphony Orchestra will present a series of FREE concerts during 2012-2013 at the Memphis Music Magnet facility, located at 915 East McLemore Avenue. The MSO, in partnership with Community LIFT, received generous funding from ArtPlace to support this work.

Question: What’s one way for the Memphis Symphony Orchestra to celebrate 60 years of service? Answer: Present a year of free programming in a real Memphis music neighborhood.

Question: What makes Soulsville USA a real Memphis music neighborhood? Answer: In Memphis, where music is both legacy and industry, Soulsville is an authentic

artistic asset. It is the Upper South Memphis Campbell Photo credit: Wayne community where began, in the Joseph Salvalaggio, oboe late-1950s, to craft an essential chapter in the American songbook – a place where musicians gave sound to soul in their homes, schools and churches. The streets of Soulsville resonate with decades of authentic Memphis music making.

Question: But that’s all history - why go there now? Answer: Soulsville lost its voice in the mid-1970s when Stax went out of business. Streets went quiet and people left. Fortunately for Memphis, the Stax Museum of American Soul rose from the studio’s vacant lot to become a catalyst for community interest and revitalization, and now the Stax Music Academy is training a new generation of Memphis musicians. These and other vibrant amenities, including the Renaissance Center at College Park, enhance the neighborhood’s historic assets – like Metropolitan Baptist Church, where civil rights leaders gathered after Dr. King was killed, and LeMoyne-Owen College, which began educating African-Americans in the 1800s.

Question: So how does the MSO fit into the Soulsville revitalization scene? Answer: In February 2012, the MSO entered a partnership with Community LIFT to support Soulsville’s continuing re-development. Since its inception in 2010, Community LIFT has become an intermediary of collaboration and development that channels public

14 www.MemphisSymphony.org and private funding toward resource-poor neighborhoods. In June 2012, the MSO / Community LIFT partnership received a highly coveted grant from ArtPlace, a national initiative that invests in community revitalization through the arts. Grant funds will be used to improve Soulsville’s music-focused infrastructure and fund a full season of free MSO concerts in the historic neighborhood.

At the heart of the MSO / Community LIFT partnership is a shared interest in the success of the Memphis Music Magnet. Originating as a research project of the Graduate Program in City and Regional Planning at the University of Memphis, the Memphis Music Magnet seeks to rehabilitate vacant neighborhood properties into a Soulsville community plan powered by the creativity and manpower of musicians. By attracting and supporting musicians, artistic products and the Memphis music industry, the plan breaks down barriers within and around the neighborhood to create an epicenter of cultural and commercial activity. MMM is designed to draw young, educated and vested residents, and provide opportunities for economic advancement. Visit memphismusicmagnet.org to learn more about the plan.

Question: What exactly is the MSO doing with a year-long residency in Soulsville? Answer: Throughout 2012-2013, the MSO will present concerts at the Magnet, a new performing arts facility in the heart of the community. Performances represent the full Photo credit: Wayne Campbell Photo credit: Wayne range of MSO offerings – classical, pops and the alternative series, Opus One. The Magnet at Soulsville is located at 915 East McLemore Avenue. The concerts are free, but come early – seating is limited!

October 14, 2012 4:00 p.m. Pops - STAX! The Memphis Sound October 18, 2012 7:30 p.m. Opus One with DJ Redeye January 26, 2013 2:00 p.m. Opus One with North Mississippi Allstars February 17, 2013 4:00 p.m. Pops – A Memphis Gospel Celebration February 26, 2013 6:00 p.m. MSO / Brooks Museum Arts & Music Lecture 7:30 p.m. Masterworks - HOLST The Planets April 20, 2013 2:00 p.m. Opus One with Hope Clayburn

The season will begin with a free concert on the LeMoyne-Owen College Campus, September 9, 2012, beginning at 6:00 p.m. In addition, the MSO Gospel Choir will present open rehearsals at Metropolitan Baptist Church – the schedule of open rehearsals will be posted on the MSO website.

Looking for more information about the MSO Symphony Soul Project? Visit the MSO website at www.MemphisSymphony.org/SymphonySoulProject… follow us on Facebook… or contact Joseph Nelson, Project Manager, at 901.537.2528 or joseph.nelson@ memphissymphony.org.

For Tickets 901-537-2525 Follow the Memphis Symphony! 15 Meet the Musicians

Welcome Conner Gray Covington! The MSO’s new Assistant Conductor.

Colleges attended: Eastman School of Music, University of Texas at Arlington Most influential musical teachers: Robert Spano, Neil Varon, Dr. Clifton Evans Notable achievements: 2011 and 2012 Fellowship Student in the American Academy of Conducting at Aspen, 2012 Walter Hagen Conducting Prize from Eastman School of Music, youngest participant to advance to the third round of the Malko Conducting Competition with the Danish National Symphony

FUN FACTS! Favorite Memphis restaurant: I haven’t been here very long, but Central BBQ is pretty impressive so far Describe your family and pets: Big!! Mom (Kay), Dad (Russ), Stepmom (Debbie), Stepdad (Dick), Sister (Annie), Brother (Cole), 2 Stepsisters (Stephanie and Kara), 2 Stepbrothers (Chris and Tommy), and 2 dogs (Molly and Happy) If you could travel anywhere, where would you go: Sweden. It’s such a beautiful country! Favorite hobby: Golf Age you started your instrument: Conducting-18, Violin-11 What inspired you to make music your career: The love that I have for the orchestral repertoire and for making music with other people Favorite book, movie, or TV show: Catcher in the Rye, Shine, and The Office Favorite piece of music: It is impossible for me to choose one, but Beethoven’s 9th is pretty amazing Interesting Fact about yourself: I am a HUGE neat freak

16 www.MemphisSymphony.org Name: Ruth Valente Burgess Instrument: Principal Cello

Colleges attended: Indiana University, Musik Hochschule Freiburg (Germany), New England Conservatory Most influential musical teachers: Janos Starker, Tsyoshi Tsutsumi, Adriana Contino, Natasha Brofsky, Donna Davis, Phyllis Kline First Season with the MSO: 2008-2009 Teaching Positions: private studio, Suzuki teacher As a Chamber Musician: Performances around town with MSO String Quartet Notable achievements: toured internationally with the Schleswig-Holstein Orchestra Academy, attended many summer music festivals MSO Community Involvement: CAPA Virtuosi, Family Tunes and Tales Photo: Susan K. Bryant FUN FACTS! Describe your family and pets: I live with my husband Chris, who is also a musician, and we have two orange cats, Archie and Ginny If you could travel anywhere, where would you go: England and Wales Favorite hobby: reading and knitting Age you started your instrument: 6 What inspired you to make music your career: My parents always encouraged me to find a career that would be fulfilling and I have always loved making music Favorite book, movie, or TV show: Harry Potter books and movies Most embarrassing moment on stage: I fell on my face walking up the stairs to the stage at a piano recital in high school Favorite piece of music: anything by the folk band Harpeth Rising

For Tickets 901-537-2525 17 Name: Shelly Sublett Instrument: English Horn/Assistant Principal Oboe

Colleges attended: University of Memphis, D.M.A., Eastman School of Music, M.M., Cincinnati College Conservatory of Music, B.M. Most influential musical teachers: John Mack, Richard Killmer, Pamela Pecha, Robert Weiner First Season with the MSO: 1985-1986 Teaching Positions: University of Memphis, Distance Education; Southwest Tennessee Community College, Adjunct Instructor of music theory and music appreciation; Private instruction Appeared as a soloist with: Memphis Symphony Orchestra, November 2000, Copland’s /Quiet City/ with Scott Moore Notable achievements: Tennessee Arts Commission Fellowship Award, 1995-1996. This award enabled me to fund a tour to premiere commissioned works by Robert Patterson, Paul Pellay and John Elmquist MSO Community Involvement: Memphis Symphony Orchestra League Board Member and Memphis Symphony Orchestra Historian

FUN FACTS! Something you do outside of the MSO: Being a Mary Kay Consultant. This is my fun business. As a member of Sara Chiego’s unit, I really enjoy interacting with a diverse group of women. We enjoy attending local meetings, special events, and seminar in Dallas where we receive wonderful training. Last year, I had the honor of performing for our National Sales Director, Pat Campbell, at her retirement dinner Favorite Memphis restaurant: Firebirds, Collettas, and Formosa Describe your family and pets: Mike, husband and Persephone, cat If you could travel anywhere, where would you go: New York to attend a performance Favorite hobby: Knitting, gardening, and power walking Age you started your instrument: 14 What inspired you to make music your career: My love for it…couldn’t imagine doing anything else Favorite book, movie, or TV show: To Kill a Mockingbird by Harper Lee (book and movie) and the Big Bang Theory Most embarrassing moment on stage: Can’t think of one, but do remember when it rained on stage during a Masterworks Concert with Alan Balter before Vincent De Frank Hall was remodeled Favorite piece of music: Ravel’s Le Tombeau de Couperin Interesting Fact about yourself: Owner of Sublett Woodwind Repair...I repair oboes and have the Fox dealership Additional Facts: I enjoy spending time with my family

18 www.MemphisSymphony.org Joseph Salvalaggio, principal oboe I’ll take you there! SOULSVILLE, USA

SYMPHONY SOUL PROJECT Join us for the fi rst concerts of the MSO year-long residency

Memphis Music Magnet at Soulsville USA www.memphismusicmagnet.org OCTOBER 14 AT 4:00 PM – STAX! The Memphis Sound OCTOBER 18 AT 7:30 PM – Opus One with DJ Redeye Free & open to the public! Location – 915 East McLemore

(901) 537-2525 | MemphisSymphony.org

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For Tickets 901-537-2525 Follow the Memphis Symphony! 19

MSO program ad_AP-MM_0812.indd 1 8/24/12 12:55 PM Season Launch Party and costume fashion show at the Studios 9/8 The River Project a world premiere at Playhouse 10/20–28 Nutcracker with the Memphis Symphony Orchestra at The Orpheum 11/30–12/2 Family Matters at Playhouse 2/22–24 Wizard of Oz America’s fairytale ballet at The Orpheum 4/20–21 Taking Flight a FedEx Hangar experience 5/11

Season Tickets start at just $30. Visit balletmemphis.org for details.

20 www.MemphisSymphony.org

BLM_SYM_AD.indd 1 8/1/12 9:25 AM Beethoven 8 Friday, September 14, 2012 at 7:30 p.m. - Lindenwood Christian Church

MEI-ANN CHEN, conductor

LUDWIG VAN BEETHOVEN (1770 - 1827) Symphony No. 8 in F Major, Op. 93 I. Allegro vivace con brio II. Allegretto scherzando III. Tempo di menuetto IV. Allegro vivace

SERGEI PROKOFIEV (1891 - 1953) Symphony No. 1, Op. 25 (Classical) I. Allegro con brio II. Larghetto III. Gavotte: Non troppo allegro IV. Finale: Molto vivace

Please join Mei-Ann Chen, the musicians, Board of Directors and a staff in the lobby for a complimentary post-concert reception.

For Tickets 901-537-2525 Follow the Memphis Symphony! 21 Naha Greenholtz guest concertmaster Canadian violinist Naha Greenholtz was born in Kyoto, Japan, where she began her studies on violin at the age of three. Since debuting at age 14, her concerto appearances include engagements with the Vancouver, Madison, Quad City, Burnaby, Kelowna, National Repertory, and Vancouver Youth symphony orchestras in works ranging from Bach to Stravinsky.

A participant in many prominent music festivals, Ms. Greenholtz has been featured at venues such as Kneisel Hall Chamber Music Festival (Maine), the Taos School of Music (New Mexico), the Spoleto Festival dei Due Mondi (Italy), the Lucerne Festival (Switzerland), and the New York String Orchestra Seminar at Carnegie Hall. She was recently named Artistic Director of Davenport, Iowa’s acclaimed Signature Series, a chamber music festival dedicated to bringing world class performances to the Davenport metro area.

Ms. Greenholtz has also had an active career as an orchestra musician. In addition to her duties as Concertmaster of both the Madison Symphony Orchestra and the Quad City Symphony Orchestra, performance highlights include guest concertmaster appearances with the Oregon Symphony, Calgary Philharmonic, National Ballet of Canada, Omaha Symphony, and Memphis Symphony, among many others. She continues to perform frequently with The Cleveland Orchestra both at Severance Hall and on tour domestically and abroad, and has also been a member of the first violin section of the Milwaukee Symphony Orchestra. Ms. Greenholtz began her career as the Associate Concertmaster of the Philharmonic Orchestra (formerly the Symphony), a position she assumed at age 21.

In 2010-2011, she was the sole participant in the prestigious Concertmaster Academy at the Cleveland Institute of Music, a mentoring fellowship with William Preucil, Concertmaster of the Cleveland Orchestra and former first violinist of the Cleveland Quartet.

Ms. Greenholtz received her Bachelor of Music from The Juilliard School, where her primary teachers were Joel Smirnoff and Donald Weilerstein. Other teachers have included Andrew Dawes and Judith Ingolfsson. She performs on a 1778 Antonio Gragnani violin (“Ex- Caressa”), and a Eugene Sartory bow.

22 www.MemphisSymphony.org For Tickets 901-537-2525 Follow the Memphis Symphony! 23 program notes

BEETHOVEN Symphony No. 8 in F Major, Op.93 (1812)

Today, we tend to view Beethoven’s symphonies in two groups—the bolder, more adventurous odd-numbered works, and the lighter, more conservative even-numbered pieces. Beethoven himself actually conceived of these works in odd-even pairs, performing them on the same concert—and the even numbered symphonies often suffered in comparison. The Fifth and Sixth Symphonies, with their stark differences in mood, were composed around the same time, and even premiered on the same concert (with their numbers and orders switched). Similarly, the Seventh and Eighth Symphonies were also written close together—and from the start, the Eighth was overlooked. When the work was premiered—on a program that also featured the Seventh Symphony and Wellington’s Victory—of Beethoven’s friends pointed out that the Symphony No. 8 received less applause—and Beethoven retorted, “That’s because it’s so much better!” A reviewer writing in the Allgemeine musikalische Zeitung(the leading music periodical) agreed that any lack of enthusiasm was due more to comparisons with Beethoven’s other symphonies than to some inherent compositional weakness: The applause that it received was not accompanied by the enthusiasm which distinguishes a work that gives universal delight. … The reviewer is of the opinion that the reason does not lie by any means in weaker or less artistic workmanship (for here as in all of Beethoven’s work of this kind there breathes that peculiar spirit by which his originality always asserts itself); but partly in the faulty judgment which permitted this symphony to follow the [Seventh in] A major. … If this symphony should be performed alone hereafter, we have of its success. Written in the standard four-movement form, the Eighth Symphony begins with an Allegro vivace e con brio, a suitable designation for a movement that seems to flit from one big idea to the next. As Michael Steinberg writes, “Its melodies are of amazing brevity; yet, what would seem to be neutral accompaniment or cadential figures sometimes claim enormous amounts of real and psychological room.” One notable feature of the Eighth Symphony is that it has no slow movement; in the second movement, marked Allegretto scherzando, Beethoven evokes the sound of the newly invented “chronometer” (known today as the metronome), given to him by Johann Nepomuk Maelzel. Beethoven makes another substitution in the third movement, replacing his signature scherzo with the minuet used in the Classical period—the last time he ever used the courtly dance in a major work. In the concluding Allegro vivace, Beethoven revives the same density of musical ideas present in the first movement, alternating so quickly between lighthearted melody and intense orchestral tuttisthat the listener is left almost bewildered. Toward the end, Beethoven strays so far from the original key that he takes extra time at the end to reinforce his return to F Major, ending the Eighth Symphony in a way that is at once humorous and exhilarating.

24 www.MemphisSymphony.org PROKOFIEV Classical Symphony

Born in 1891, began writing music at the age of five and went on to study with Glière. He eventually attended the St. Petersburg Conservatory, where he was the pupil of some of the most famous Russian composers of the time including Lyadov and Rimsky-Korsakov. It was at the Conservatory where Prokofiev seems to have found his impetus for his first symphony, the “Classical.” Though students at St. Petersburg were not necessarily encouraged to study music of the classical period, Prokofiev’s conducting professor, Nikolai Tcherepnin, urged his students to get to know the music of the Viennese classicists. As Prokofiev later explained, Haydn provided the impetus for the Classical – not just his music, but also the innovative spirit with which Haydn approached his compositions. As Prokofiev later wrote in his autobiography,

It seemed to me that if Haydn had lived into this era, he would have kept his own style while absorbing things from what was new in music. That’s the kind of symphony I wanted to write: a symphony in the Classical style. And when I saw that my idea was beginning to work, I called it the Classical Symphony: in the first place because it was simpler, and secondly, for the fun of it, to “tease the geese,” and in the secret hope that I would prove to be right if the symphony really did turn out to be a piece of classical music.

Prokofiev began the Classical Symphony in 1916, finishing it less than a month before the October Revolution of 1917. A few days after the work’s premiere on April 21, 1918, Prokofiev asked the People’s Commissar of Education, A. V. Lunarchsky, for permission to travel abroad. The commissar is said to have responded, “You are a revolutionary in music and we are revolutionaries in life. We ought to work together. But if you want to go to America, I shall not stand in your way.” While audiences responded positively to its New York premiere later that same year, a Musical America article in December 1918 foreshadows the difficulty Prokofiev was later to have in the : “In these days when peace is heralded and the world is turning from dissonance to harmony, it comes as a shock to listen to such a program. Those who do not believe that genius is evident in superabundance of noise looked in vain for a new musical message in Mr. Prokofiev’s work. Nor in the Classical Symphony, which the composer conducted, was there any cessation from the orgy of discordant sounds.”

For Tickets 901-537-2525 Follow the Memphis Symphony! 25 program notes

Perhaps the Classical Symphony sounded like an “orgy of discordant sounds” to its 1918 listeners, but its nostalgic look at music history has made it a favorite of audiences ever since. The work’s lighthearted tone stands in sharp contrast to the major political events surrounding its inception. While Prokofiev follows classical procedure throughout, he girds the formal architecture with thoroughly modern sounds. Prokofiev uses eighteenth century scoring, writing the piece for strings, pairs of flutes, oboes, clarinets, bassoons, horns and trumpets, and timpani. The way in which he uses these instrumental resources is audibly different, however. In the opening movement—a lively Allegro in traditional sonata form—the first and second theme are suitably “classical,” but the way the themes unfold, coupled with the movement’s nuanced dynamics and rich orchestration, is less than Haydnesque. In the Larghetto that follows, the graceful, elegant opening melody sounds almost nostalgic, while the strings’ extreme register creates a sound characteristic of Prokofiev’s music. The gallant Gavotte is peppered with striking harmonies, while the brilliant Finale, marked Molto vivace, possesses an exhilarating drive.

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26 www.MemphisSymphony.org 60th Season ... the Memphis Story

Photo: Justin Fox Burks 2012 | 2013 SeaSon September Sun 9 Lemoyne-Owen College Fri 14 beethoven 8 Sat 22–Sun 23 rachmaninoff & mahler Sun 30 Symphony in the Gardens OCtOber Sat 13 StAX! the memphis Sound mon 22 Yo-Yo ma NOvember Sat 17–Sun 18 Shostakovich 5 DeCember Sat 8 Home for the Holidays (2:30 pm & 7:30 pm) Fri 14 memphis messiah JANuArY Sat 5 Aloha ®! Sat 12–Sun 13 Innovation: beethoven & bernstein Fri 18 bach and mozart thurs 24 North mississippi Allstars FebruArY Sat 16 A memphis Gospel Celebration Sat 23–Sun 24 Holst The Planets mArCH Sat 9 Feelin’ Groovy: the music of Simon & Garfunkel Sat 16–Sun 17 tchaikovsky 5 Fri 22 If bach Were a beekeeper AprIL Sat 13–Sun 14 From Gandolfi to memphis thurs 18 Hope Clayburn mAY Sat 4 Symphony in the Gardens Sat 18–Sun 19 Porgy & Bess Programs, prices, dates, times, venues and artists are subject to change. n First tennessee Masterworks – n saturday PoPs saturday 7:30 p.m. at Cannon Center 7:30 p.m. at Cannon Center n Friday ClassiC aCCents First tennessee Masterworks – 7:30 p.m. at Lindenwood Christian Church sunday n oPus one At published venues 2:30 p.m. at GPAC n sPeCial Tickets (901) 537-2525 | MemphisSymphony.org

For Tickets 901-537-2525 Follow the Memphis Symphony! 27

MSO program ad_schedule_0812.indd 1 8/14/12 4:20 PM Powering your next stage in life At First Tennessee, we love the arts as much as you do. That’s why we support them. And why we make it easier for you to be there for every great performance by providing convenient hours and online banking. Not to mention multiple ATMs and locations that make it easy to find us on the way to the show.

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©2011 First Tennessee28 Bank National Association. Member FDIC. www.firsttennessee.com www.MemphisSymphony.org Rachmaninoff and Mahler Saturday, September 22, 2012 at 7:30 p.m. - Cannon Center Sunday, September 23, 2012 at 2:30 p.m. - GPAC

MEI-ANN CHEN, conductor Gabriela Montero, piano

SERGEI RACHMANINOFF (1873 - 1943) Rhapsody on a Theme of Paganini, Op. 43 Gabriela Montero, piano

INTERMISSION

GUSTAV MAHLER (1860 - 1911) Symphony No. 1 in D Major (Titan) I. Langsam Schleppend II. Kräftig bewegt III. Feierlich und gemessen, ohne zu schleppen IV. Stürmisch bewegt

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Guest Artist Sponsor: Wil and Sally Hergenrader

For Tickets 901-537-2525 Follow the Memphis Symphony! 29 Gabriela Montero piano Gabriela Montero’s visionary interpretations and unique improvisational gifts have won her a quickly expanding audience and devoted following around the world. “I connect to my audience in a completely unique way – and they connect with me. Because improvisation is such a huge part of who I am, it is the most natural and spontaneous way I can express myself”. Today, in both recital and after performing a concerto, Gabriela often invites her audience to participate in asking for a melody for improvisations.

Ms. Montero’s engagements include acclaimed performances with the , LA Philharmonic at the Hollywood Bowl, San Francisco Symphony, Pittsburgh Symphony, Philadelphia Orchestra, at the Royal Festival Hall, Rotterdam Philharmonic, WDR Sinfonieorchestre Koln. In recital she has appeared in , Frankfurt, Dresden, Hamburg, Klavier Festival Ruhr, Salzburg Festival, Koln Philharmonie, Tonhalle Dusseldorf, Istanbul International Festival, Kennedy Center and Library of Congress in Washington DC, Ravinia Festival, National Arts Centre Ottawa, Orchard Hall Tokyo and at the ‘Progetto Argerich’ Festival in Lugano where she is invited annually.

It has long been a desire to take her improvisations to the next logical step of composition. Gabriela has enthusiastically embarked on this new phase of her career by composing a new work ExPatria for piano and orchestra. Her composition received its premiere performance in and on tour in Germany with the Academy of St Martin in the Fields orchestra. In these concerts, her multi-faceted talents were featured along with her new work as Ms. Montero performed Beethoven’s Emperor Concerto as well as her legendary solo improvisations.

Ms. Montero’s recordings for EMI Classics comprises of one disc of music by Rachmaninov, Chopin and Liszt and a second of her deeply felt and technically brilliant improvisations. Her EMI CD Bach and Beyond is a complete disc of improvisations on themes by Bach which topped the charts for several months. In February 2008 her follow up EMI recording of improvisations Baroque was nominated for a Grammy Award and released with great critical acclaim receiving 5 star reviews from BBC Music Magazine and Classic FM. Gabriela’s most recent recording Solatino released by EMI Classics in January, is devoted exclusively to works by Latin American composers. She selected the works of six composers, including Alberto Ginastera’s Piano Sonata No. 1 as well as her own improvisations on Latin themes.

Born in Caracas , Gabriela gave her first public performance at the age of five. At the age of eight she made her concerto debut with the Simon Bolivar Youth Orchestra conducted by Jose Antonio Abreu and was granted a scholarship from the Venezuelan Government to study in the USA. She currently resides in Massachusetts with her two daughters.

30 www.MemphisSymphony.org Peter Rovit guest concertmaster Peter Rovit (BM with High Distinction, Indiana University; MM, Hartt School; Professional Studies, Juilliard; DMA, SUNY at Stony Brook) was among the last students of Josef Gingold at Indiana University where he also studied Baroque violin with Stanley Ritchie. Other teachers have included Mitchell Stern, Philip Setzer, Cho-Liang Lin, Paul Kantor and Donald Weilerstein. As a chamber musician, recitalist, and soloist he has performed throughout the United States and at music festivals such as Aspen, Taos, Yellow Barn, Hot Springs, and Skaneateles. A concerto competition winner at both the Hartt School and at SUNY Stony Brook, Mr. Rovit has also performed as a soloist with the Montgomery Symphony, the Fort Smith Symphony, the Oklahoma City Philharmonic, and the Tuscaloosa Symphony. He has been a member of the Quartet Oklahoma, Associate Concertmaster of the Oklahoma City Philharmonic, and Concertmaster of the Tuscaloosa Symphony. Mr. Rovit also loves to share his knowledge and experience with young musicians and has been on the string faculty of the University of Oklahoma, the University of Alabama, and Syracuse University.

For Tickets 901-537-2525 Follow the Memphis Symphony! 31 program notes

RACHMANINOFF Rhapsody on a Theme of Paganini

Like many of his compatriots, Rachmaninoff left as a result of the 1917 Revolution, moving to Europe and eventually the United States. Although he was internationally recognized as a conductor, soloist, and composer, Rachmaninoff soon decided that the first two careers would bring him greater financial stability, and composed relatively fewer pieces in the final decades of his life. Written during the summer of 1934, the Rhapsody on a Theme of Paganini is one of these works. As Brahms and Liszt had done before him, Rachmaninoff took as inspiration the main theme from the last of Niccolò Paganini’s 24 Caprices for solo violin. In choosing this melody, Rachmaninoff placed himself in a line of great composers—and, as he also served as the Rhapsody’s first soloist during its November 1934 premiere with the Philadelphia Orchestra and Leopold Stokowski, shrewdly aligned himself with one of history’s finest virtuoso performers.

One of the most intriguing violinists of all time, Paganini was the stuff of legends. Contemporaries who saw him perform described his talents as unearthly, even demonic. As composer Louis Spohr gushed after hearing him play, “He is a complete wizard, and brings tones from his violin which were never heard before from that instrument.” Heinrich Heine described Paganini in equally supernatural terms, “waving his bow in the air, he appeared more than ever like a wizard commanding the elements.” Paganini’s renowned personal life was also the subject of much speculation, some of which was fueled by the virtuoso himself. In one particularly famous statement, Paganini describes his experiences with the opposite sex: “I am not handsome, but when women hear me play, they come crawling to my feet.” Some even believed that Paganini had sold his soul to the devil in exchange for his ungodly talent—and for a little attention from women, too.

This Faust-inspired myth inspired Rachmaninoff as much as Paganini’s music. Although the Rhapsody has no stated program, a few years later Rachmaninoff proposed the violinist as the subject for Mikhail Fokine’s 1939 ballet, Paganini(for which he provided the music). Elements of the Paganini legend are audible in the Rhapsody, too. In the melody from Caprice No. 24 (which appears after the introduction and first variation) Rachmaninoff heard the “Dies irae,” the well-known chant from the Requiem Mass that he used in other works, including The Isle of the Deadand Symphonic Dances. In the Rhapsody, the chant seems to symbolize the devil, while the original theme could be interpreted as Paganini. Whether or not this was Rachmaninoff’s actual intent, Paganini’s life-as-legend is easy to hear in the Rhapsody’s central contrast between lush romanticism (particularly in the well-known Variation 18, which was featured in the 1980 movie “Somewhere in Time”) and diabolical intensity.

32 www.MemphisSymphony.org MAHLER Symphony No. 1 (Titan)

A series of false starts marked the start of Gustav Mahler’s career as a composer. Although he knew he wanted to write music by the time he was eighteen, he decided conducting was perhaps the more prudent choice after his cantata Das Klagende Lied failed to win the Vienna Beethoven Prize. Not until 1888, when he was 27 years old, did he begin composing the work that ultimately became his first symphony. He was confident in its success: as he later wrote, “I imagined naively that it was childishly simple, that it would please immediately, and that I was going to be able to live comfortably on the royalties I would earn.” Mahler quickly learned that winning audience approval wasn’t going to be quite so easy. After trying in vain to have his “Symphonic Poem in Two Parts” (as it was first called) premiered in Prague, Munich, Dresden, and Leipzig, Mahler finally conducted its debut himself in November 1889 in Budapest, where he was then director of the Hungarian Opera. Critics and audience members alike were unimpressed. Mahler completely revised the piece, unveiling it four years later in Hamburg as Titan: A Tone Poem in the Form of a Symphony. By its Berlin performance in 1896, Mahler had jettisoned the program, simply calling the piece Symphony No. 1. He also excised the symphony’s original second movement, entitled “Blumine” (Flowers). Still performed today, “Blumine” often appears as a self-standing concert work, although modern performances sometimes restore it to its earlier position within the First Symphony.

In its earliest guise as a “symphonic poem,” Mahler’s work was structured in two parts— the first three movements, representing spring, daydreams, and a wedding procession, and the final two, a funeral procession and a progression to spiritual victory. When he reworked the piece as Titan, he retained the division into two parts, but added descriptive titles and extensive programs describing the metaphorical content of each movement. Why did Mahler ultimately strip away these extra-musical associations? The work’s evolution—from Symphonic Poem, to Titan, and finally to the generic First Symphony—illustrates the myriad of attitudes towards “program music” in the last decade of the nineteenth century. The 1890s were the time of Richard Strauss’s rich tone poems Till Eulenspiegel, Also sprach Zarathustra, Don Quixote, and Ein Heldenleben, and in abandoning the idea of a program Mahler created a certain distance between himself and his colleague. At the same time, the extra-musical ideas that served as the symphony’s inspiration were very much in evidence, and Mahler struggled to resolve the contradiction. Before the Symphony’s Vienna premiere in 1900, he “leaked” a program to a critic, rejecting Titanalong with “all other titles and inscriptions, which, like all ‘programs,’ are always misinterpreted. [The composer] dislikes and discards them as ‘anti-artistic’ and ‘anti-musical.’” He ultimately proposes a schema similar to his original Symphonic Poem, saying “the real, the climactic denouement [of the First] comes only in the Second [Symphony].”

For Tickets 901-537-2525 Follow the Memphis Symphony! 33 program notes

Musically, Mahler’s First Symphony holds within it the same ambivalence towards the idea of program music. As he once mused, “To write a symphony is, for me, to construct a world,” and indeed, the First Symphony’s distinctive soundscape suggests a story more than it does the generic conventions the term “symphony” suggests. Mahler draws much of its musical material from his Lieder eines Fahrenden Gesellen (Songs of a Wayfarer), both quoting the songs—especially the first and second—and using them as thematic material in the symphony. The first movement, Langsam Schleppend (Slow and dragging), unfolds as if evoking dawn itself, weaving cuckoo calls and distant fanfares into its pastoral musical landscape. Mahler takes the movement’s principal theme from the second “Song of a Wayfarer,” “Ging heut’ Morgens übers Feld” (I Went Out This Morning Through the Fields), echoing its original connection to “spring.” A hearty Austrian Ländler, full of yodels and foot stomping, takes over in the ensuing Kräftig bewegt (Strongly moving), gradually giving way to a wistful Trio that conjures feelings of nostalgia and longing. A woodcut depicting animals carrying a hunter to his grave inspires the ironic third movement, Feierlich und gemessen (Solemnly and measured). As the centerpiece of this funeral march, Mahler famously uses the French folk song “Frère Jacques” (which he would have most likely known in the Austrian version, “Bruder Martin”), which first appears—in the minor mode—as a lugubrious double bass solo. The tawdry Viennese cabaret music that dominates the Trio adds to the sardonic mood. The final movement of the First Symphony—Stürmisch bewegt (Stormy)—begins with what Mahler originally called “the sudden outburst of a wounded heart.” After this intense, tumultuous opening, including a strident march derived from the first movement, the music gives way to a richly lyrical melody that bears traces of the omitted “Blumine.” A transformative fanfare points the way to the Symphony No. 1’s final triumphant conclusion.

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CONDUCTING OUR FOUR STAR OPUS

Chef Ryan Spruhan creates a French symphony for the palate at the Mid- South’s only Forbes 4 Star restaurant. For memories that linger long after the performace, Chez Philippe blends a visually stunning ensemble of tastes and aromas. Special moments shared, passages celebrated, occasions remembered. Serving dinner Wednesday-Sunday. Reservation preferred. 901.529.4188.

at The Peabody 149 Union Avenue Memphis, Tennessee 38103 901.529.4188 1.800.PEABODY www.peabodymemphis.com STAX! The Memphis Sound Saturday, October 13, 2012 at 7:30 p.m. - Cannon Center Sunday, October 14, 2012 at 4:00 p.m. - The Magnet @ Soulsville

James Lowe, conductor Booker T. Jones, organ William Bell, vocals Susan Marshall, vocals Wendy Moten, vocals

with special guest Wayne Jackson from the Memphis Horns – 2012 Grammy Lifetime Achievement Award featuring Members of the Stax Music Academy Soulsville Charter School String Program

Program to be announced from the stage and will include an intermission.

For Tickets 901-537-2525 Follow the Memphis Symphony! 37 James Lowe conductor A leading conductor of Opera and Musical Theater, James Lowe will make his Lyric Opera of Chicago debut this season conducting a new production of Rodgers and Hammerstein’s Oklahoma! Most recently Mr. Lowe served as the Music Director and Conductor of the Tony Award- winning Broadway revival of Cole Porter’s Anything Goes.

Mr. Lowe was nominated for a Grammy Award for his work on the Anything Goes cast released on Ghostlight Records, which he conducted and co-produced. With members of the cast he has appeared on The Late Show with David Letterman, the CBS Early Show and A Prairie Home Companion with . Mr. Lowe was recently seen conducting performances of the Broadway revival of Gypsy, starring Patti LuPone. He toured the United States as Music Director and Conductor of the acclaimed Cameron Mackintosh/National Theatre production of My Fair Lady, and conducted the First National Tour of Adam Guettel’s The Light in the Piazza.

Mr. Lowe has appeared in concert with Sir Elton John, conducting his own orchestrations and choral arrangements of Elton’s classic songs, as well as with singer- Randy Newman. He accompanied legendary lyricist and writer Betty Comden in a performance featuring his own arrangements of Comden and Green songs, and his arrangements of Gershwin songs have been performed by renowned mezzo-soprano Joyce DiDonato in recitals at Lincoln Center and Wigmore Hall.

Mr. Lowe has played in several rock, jazz, blues and country bands. He was the keyboardist, rhythm guitarist, lead singer and songwriter for the rock band Backwash for five years, recording and touring the Eastern United States. He co-produced the band’s compact disc, Goin’ to the Mall, released in 1995 on Transit Records.

Mr. Lowe holds degrees from the Eastman School of Music and the University of Michigan, with additional studies at the Aspen Music School and the Aspen Opera Theater Center.

38 www.MemphisSymphony.org Booker T. Jones organ Booker is a Rock and Roll Hall of Fame inductee, Musicians Hall of Fame inductee, Grammy Lifetime Achievement Award recipient and arguably the most famous Hammond B3 player in history. As leader of the legendary Booker T and the MG’s, this pillar of collaborated with Otis Redding, Albert King, Eddie Floyd and Sam and Dave during his tenure at the renowned Stax Records label. Since then, Booker has lent his trademark keyboard chops to artists as diverse as Ray Charles, Eric Clap- ton, Neil Young and produced classic such as ’s triple platinum hit “Stardust” and Bill Withers’ “Just As I Am” featuring the hit song “Ain’t No Sunshine”. Booker’s 2009 solo release on Anti Records, “Potato Hole” won a Grammy for Best Pop Instrumental Album in 2010. Booker followed “Potato Hole” with “The Road From Memphis”, a soulful return to the classic Memphis sound recorded with SymphonyThe Roots No Bleed and Curves.pdf released 1 8/29/2012 in 2011 10:51:47 with AM Anti Records.

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For Tickets 901-537-2525 Follow the Memphis Symphony! 39 William Bell vocals As a native of Memphis, William Bell was dominant in the city’s rise to prominence as an international city of music in the 60’s. He was one of the pioneers of the Stax-Volt empire. His first release came in 1961, and was the self-penned hit record “You Don’t Miss Your Water.”

Other Classics are “Any Other Way” - “Every- day Will Be Like A Holiday” - “Never Like This Before” Tribute To A King” - (Bell’s personal tribute to another Stax Legend, Otis Redding) “I Forgot To Be Your Lover” & “Born Under A Bad Sign” and his internationally acclaimed duet with Judy Clay “Private Number.”

In 1994 William Bell’s released his “Greatest Hits Vol. 1&2”. Every year William Bell finds the time to tour Europe. He remains faithful to his fans in England - Belgium - Switzer- land - Austria, France, Italy & Germany.

He has also launched his new web site where he provides information on himself and other Wilbe artists. Also Sound Clips, Photos and links to sites that sell William’s CDs. Visit William at: www.williambell.com

In 1999 William Bell finished a CD, with all new original self-penned songs. The CD is titled “A Portrait Is Forever” and is released on William Bell’s Wilbe .

In 2003 William received the prestigious W.C. Handy Heritage Award.

William Bell’s Record label Wilbe Records’ chain of success, promises to continue with the latest CD release by Jeff Floyd “Keepin’ It Real” & “Watch me Work” as well as a new CD soon to be released by Award Winning Artist Lola !

40 www.MemphisSymphony.org Susan Marshall vocals One of the region’s finest vocalists, international recording artist Susan Marshall began her career Off- Broadway as a leading soprano in the Rep-Company Light Opera of Manhattan. Shortly after moving back to Memphis in 1990 she began fronting rock-soul band The Mother Station and was signed to a record deal with EastWest / Atlantic Records. In 1994 they released their debut album “Brand New Bag” which peeked at #34 on Billboard’s Mainstream Rock charts.

Since then, Susan’s released three critically praised solo albums—“Susan Marshall Is Honey Mouth”, “Firefly” and “Little Red”. She has performed renditions of her eclectic mix of jazz, blues and soul standards and originals with the Memphis Symphony Orchestra, Memphis Jazz Orchestra and is also known for her solo and duo performances in residency over the last 5 years at Itta Bena located on world famous Beale Street just above B.B. Kings.

Susan has toured all over the world as part of the Afghan Whigs as well as with Cat Power & The Memphis Rhythm Band, which included appearances on Austin City Limits, The Late Show w/David Letterman, Late Night with Conan O’Brien, and the BBC’s “Later…with Jools Holland.”

Her song “Better Off Alone” was recorded by American Idol’s Katherine McPhee for her 2007 self-titled debut which reached #2 on Billboard’s Top 200 Albums Chart. Her songs have also been recorded by international blues divas Ana Popovic and Reba Russell to name a few.

Susan was recently elected as the first female President of Memphis’ Chapter of the Recording Academy, and is currently serving that term through 2013. Susan was also the winner of the 2003 “Premier Female Vocalist Award” given by the The Recording Academy’s Memphis Chapter. She was voted Best Local Singer in the Memphis Flyer’s “Best of Memphis 2008” issue, named “Emissary of Memphis Music” in 2009 by the Memphis and Shelby County Music Commission where her name was read into the official Congressional record on the floor of the U. S. House of Representatives by Representative Steve Cohen, and was given the “Divine Memphis Diva Award” at the 2011 Blues Ball.

Susan is also known for her studio and/or stage work with a wide range of superstars; Lucinda Williams, Keith Richards, Norah Jones, Lenny Kravitz, Lynyrd Skynyrd, Ann Peebles, North Mississippi Allstars, Alvin Youngblood Hart, , Jim Lauderdale, Steve Earle, and Kirk Whalum to name a few. In the studio she has worked alongside legendary producers , Chips Moman, Willie Mitchell, , Joe Hardy, John Hampton and husband Jeff Powell. Her studio work has garnered multiple gold and platinum record awards, as well as the distinction of having sung on five GRAMMY nominated records.

For Tickets 901-537-2525 Follow the Memphis Symphony! 41 Wendy Moten vocals Wendy Moten has recorded three solo albums EMI Records and several singles. With a fluid, stylish voice, the Memphis-born artist started her career with the Billboard hit ballad, Come In Out Of The Rain. Wendy’s self-titled debut EMI release also included up tempo tracks, Step By Step and Nobody But You. Wendy toured as the opening act for during his North American stadium tours and was the toast of Japan when she performed sold-out concerts held at the famed Budokan, hosted by David Foster and friends.

Wendy released her second EMI album Time For Change, produced by David Foster and Michael Powell. Popular cuts included For- ever Yours and Your Love Is All I Know. After receiving rave U.S. reviews, Wendy’s music became one of Japan’s and some parts of Europe as one of the best selling albums. Wendy recorded the GRAMMY nominated single, Whatever You Imagine, for the ani- mated film, The Pagemaster, starring Macauley Caulkin.

Alongside her solo albums, Wendy has recorded duets with Michael McDonald, No Love To Be Found; Julio Iglesias, Just Walk Away; and Peabo Bryson, My Gift Is You. She was also a featured artist on Larry Carlton’s CD, I Still Believe. One of Wendy’s most rec- ognizable accomplishment, is her recording of the Stevie Wonder hit, All I Do which appears on Grammy-award winning saxophonist, Kirk Whalum’s CD, For You, produced by Paul Brown.

Wendy has toured with Julio Iglesias for many years singing duets with the world-wide artist as well as with star, , Wynonna Judd ,Tim McGraw and others.

WENDY MOTEN is “THE VOICE”.

42 www.MemphisSymphony.org Soulsville Symphony Orchestra In addition to rigorous academy stud- ies, almost all students of The Soulsville Charter School (TSCS) participate in the Soulsville Symphony Orchestra. This is based on proof that musical education greatly enhances general education. TSCS’s partnership with the Memphis Symphony Orchestra has afforded students special opportunities, includ- ing receiving small group instruction, playing alongside the professionals on stage, and attending rehearsals and concerts. Students have performed a variety of public concerts, including concerts for the likes of former First Lady Laura Bush. Students study and learn to play violin, cello, viola, percussion, keys, and other instruments. Stax Music Academy The Stax Music Academy serves approximately 70 high school students and 20 middle school students in its SNAP! After School and SNAP! Summer Music Experience pro- grams, many of whom are potentially at-risk. Approximately 90 percent of the students attend via scholarships provided by the Soulsville Foundation. Students study music and vocal training, as well as music production, theory, marketing, and songwriting. They have performed in Italy, Australia, Lincoln Center in New York City, the Smithson- ian Folklife Festival and Kennedy Center in Washington, D.C., Berklee College of Music Performance Center in Boston, and many other venues. Since 2008, every high school senior in the Stax Music Academy SNAP! After School program has gone on to college.

For Tickets 901-537-2525 Follow the Memphis Symphony! 43 TFA218.12-Memphis SymphonyAd.indd 2 7/30/12 1:43 PM Memphis Symphony Orchestra Yo-Yo Ma Monday, October 22, 2012 at 7:30 p.m. - Cannon Center

MEI-ANN CHEN, conductor Yo-Yo Ma, cello

JOHANNES BRAHMS (1833 – 1897) Hungarian Dances No. 1 in G Minor No. 3 in F Major No. 5 in G Minor

RICHARD STRAUSS (1864 - 1949) Till Eulenspiegel’s Merry Pranks, Op. 28

INTERMISSION

ANTONIN Dvorˇ ák (1841 - 1904) Cello Concerto in B Minor, Op. 104 I. Allegro II. Adagio ma non troppo III. Finale: Allegro moderato Yo-Yo Ma, Cello

Made possible by

For Tickets 901-537-2525 Follow the Memphis Symphony! 45 Yo-Yo Ma cello The many-faceted career of cellist Yo-Yo Ma is testament to his continual search for new ways to communicate with audiences and to his personal desire for artistic growth and renewal. Mr. Ma maintains a balance between his engagements as soloist with orchestras worldwide and his recital and chamber music activities. His discography includes over 75 albums, including more than 15 Grammy award winners.

Mr. Ma serves as the Artistic Director of the Silk Road Project, an organization he founded to promote the study of cultural, artistic and intellectual traditions along the ancient Silk Road trade routes. Since the Project’s inception, more than 60 works have been commis- sioned specifically for the Silk Road Ensemble, which tours annually. Mr. Ma also serves as the Judson and Joyce Green Creative Consultant to the Chicago Symphony Orchestra’s Institute for Learning, Access and Training. His work focuses on the transformative power music can have in individuals’ lives, and on increasing the number and variety of opportu- nities audiences have to experience music in their communities.

The Project’s ongoing affiliation with Harvard University has made it possible to broaden and enhance educational programming. In the 2011-2012 school year, with ongoing part- nerships with arts and educational organizations in New York City, it continues to expand Silk Road Connect, a multidisciplinary educational initiative for middle-school students in the city’s public schools. Developing new music is also a central undertaking of the Silk Road Project, which has been involved in commissioning and performing more than 60 new musical and multimedia works from composers and arrangers around the world. Through his work with the Silk Road Project, as throughout his career, Yo-Yo Ma seeks to expand the cello repertoire, frequently performing lesser known music of the 20th century and commissions of new concertos and recital pieces. He has premiered works by a diverse group of composers, among them Stephen Albert, Elliott Carter, Chen Yi, Richard Danielpour, Osvaldo Golijov, John Harbison, Leon Kirchner, Peter Lieberson, Christopher Rouse, Bright Sheng, Tan Dun, and Dmitry Yanov-Yanovsky.

As the Chicago Symphony Orchestra’s Judson and Joyce Green Creative Consultant, Mr. Ma is partnering with Maestro Riccardo Muti to provide collaborative musical leadership and guidance on innovative program development for The Institute for Learning, Access and Training at the Chicago Symphony Orchestra, and for Chicago Symphony artistic ini- tiatives. Mr. Ma’s work focuses on the transformative power music can have in individu- als’ lives, and on increasing the number and variety of opportunities audiences have to experience music in their communities. Mr. Ma and the Institute have created the Citizen Musician Initiative, a movement that calls on all musicians, music lovers, music teachers and institutions to use the art form to bridge gulfs between people and to create and inspire a sense of community. www.citizenmusician.org features stories of Citizen Musi- cian activity across the globe.

46 www.MemphisSymphony.org Yo-Yo Ma is strongly committed to educational programs that not only bring young audiences into contact with music but also allow them to participate in its creation. While touring, he takes time whenever possible to conduct master classes as well as more informal programs for students - musicians and non-musicians alike. At the same time, he continues to develop new concert programs for family audiences, for instance, helping to inaugurate the family series at Carnegie Hall. In each of these undertakings, he works to connect music to students’ daily surroundings and activities with the goal of making music and creativity a vital part of children’s lives from an early age. He has also reached young audiences through appearances on “Arthur,” “Mister Rogers’ Neighborhood” and “Sesame Street.”

Mr. Ma was born in to Chinese parents who later moved the family to New York. He began to study cello at the age of four, attended the Juilliard School and in 1976 gradu- ated from Harvard University. He has received numerous awards, among them the 2001 National Medal of Arts, the 2006 Sonning Prize, the 2008 World Economic Forum’s Crystal Award, and the 2010 Presidential Medal of Freedom. In 2011 Mr. Ma was recognized as a Kennedy Center Honoree. Mr. Ma serves as a UN Messenger of Peace and as a member of the President’s Committee on the Arts & the Humanities. He has performed for eight American presidents, most recently at the invitation of President Obama on the occasion of the 56th Inaugural Ceremony.

Mr. Ma and his wife have two children. He plays two instruments, a 1733 Montagnana cello from Venice and the 1712 Davidoff Stradivarius. For additional information, see www.yo-yoma.com and www.silkroadproject.org.

For Tickets 901-537-2525 Follow the Memphis Symphony! 47 Charles Morey guest concertmaster Charles Morey was born in Fayetteville, West Virginia and began playing the violin at the age of two. Leading a diverse musical life as violinist, composer, conductor, and teacher, he frequently performs in the country’s most prestigious halls, including the Kennedy Center, Severance Hall, and New York’s Carnegie Hall. He has performed as soloist with numerous orchestras, including the River Cities Symphony Orchestra, Seneca Chamber Orchestra, Marshall University Symphony Orches- tra, Cleveland Institute of Music (CIM) Orchestra, Lexington Bach Festival Orchestra, and the West Virginia Symphony Orchestra. In the Spring of 2009, Mr. Morey won CIM’s concerto competition, performing Prokofiev’s Violin Concerto no. 2. He was also a prize winner in the 2009 An- nual Milhaud Performance Prize Competition.

As concertmaster, he has performed with orchestras such as the San Antonio Symphony, Omaha Symphony Orchestra, Ashland Symphony, CIM Orchestra, Lexington Bach Festival Orchestra. Also a composer, in February 2011 he made his Kennedy Center debut perform- ing his own composition, “Images,” for violin and piano. He has also performed his own set of variations on the tune “Wondrous Love” with the West Virginia Symphony Orches- tra, with an orchestral accompaniment by Artistic Director Grant Cooper. He frequently composes pieces for student ensembles, which have been premiered by students from Cleveland School of the Arts and CODA Mountain Academy of Music. In 2005 he was a recipient of the Andrew and Amy Vaughan Student Symphonic Fellowship, which culmi- nated in a performance with the WVSO as conductor.

Mr. Morey received his Bachelor’s and Master’s degrees in violin performance from the Cleveland Institute of Music where he was a student of William Preucil. A recipient of the Bock scholarship, he was chosen in 2010 to study in an orchestra leadership program at the Music Academy of the West under San Diego Symphony concertmaster Jeffrey Thayer. Mr. Morey is founder of the CODA Mountain Academy of Music, a summer music festival in Appalachia.

He is currently a member of the Rochester Philharmonic and Canton Symphony Orchestra. Previous positions include concertmaster of the Ashland Symphony, Solon Philharmonic, and Suburban Symphony, as well as violin instructor in the Cleveland Institute of Music’s Preparatory Department. Recent honors include a collaboration with composer Augusta Read Thomas, world premiere of “Three Short Pictures for Violin and Piano” by Dolores White, and a solo performance for Bronislaw Komorowski, President of the Republic of Poland.

48 www.MemphisSymphony.org Hot Springs Music Festival Season Eighteen: Coming of Age Hot Springs, Arkansas 2-15 JUNE 2013

For the Hot Springs Music Festival: Danses sacrée et profane by Hugh Dunnahoe after the musical composition by Claude Debussy

Casual, Classical, Fun! The Hot Springs Music Festival brings together over 200 international musicians each June in the 501.623.4763 historic spa resort of Hot Springs National Park to present over 20 concerts and 250 free open rehearsals for music lovers from around the globe. hotmusic.org Visit hotmusic.org for the complete schedule, programs, and other exciting information! For Tickets 901-537-2525 Follow the Memphis Symphony! 49 program notes

Behind the creation of every artwork is inspiration—and as the works on this program demonstrate, inspiration takes many forms. For his beloved Hungarian Dances, Brahms drew upon his experiences as a teenaged pianist trying to make a living in Hamburg. A few decades later, Richard Strauss cast a mischievous scamp from the Middle Ages in the starring role of Till Eulenspiegel’s Merry Pranks. And Antonin Dvorˇák’s Cello Concerto in B Minor may have been shaped by perhaps the most classic of artistic impulses—love.

BRAHMS Hungarian Dances

Johannes Brahms isn’t always thought of as a lighthearted composer—after all, his anxiety over Beethoven’s symphonic precedent was so extreme that it took him years to produce his first symphony. The Hungarian Dances were born of very different musical experiences, however. As a teenager, Brahms was active in the local Hamburg music scene, performing as a pianist in modest local venues (and perhaps even a few immodest locales, though the notion that he played dance music in bordellos has been generally discredited). By the time he performed his first solo concert in September 1848, however, Europe was in turmoil. Political events in their homeland led many Hungarians through Hamburg en route to the United States, and refugee musicians gave many public performances to earn money for their passage. This was most likely the way Brahms first heard Hungarian—or “gypsy”—music. In 1853, he accompanied one of the major interpreters of this style, violinist Eduard Hoffman (known as Reményi) on a concert tour. Personally, the trip had a profound impact on his life: in Göttingen, Brahms met Joseph Joachim, who became a close friend, and in Düsseldorf, he met Robert and Clara Schumann.

Hungarian music itself had a less profound but equally lasting impact on Brahms’s musical idiom, and it is from this wellspring that the Hungarian Dances came. Brahms reportedly enjoyed improvising upon Hungarian melodies for fun and entertainment at private performances, and Clara Schumann—herself a fine pianist—took up some of these early dances at her own concerts in the 1860s. The first complete performance of what we know today as the first ten Hungarian Dances, for four-hand piano, took place in 1868 with Brahms and Clara Schumann as the soloists. Published in 1869, the pieces were immediate hits. Seizing the moment (and almost certainly with the blessing of his publisher, Fritz Simrock, who essentially made his fortune on the works), Brahms arranged the dances for solo piano in 1872 and orchestrated three the following year (Nos. 1, 3, and 10). In order to capitalize on the works’ success, Simrock persuaded Brahms to compose even more dances, and asked other composers to create orchestral arrangements. In 1880, Simrock published eleven more dances—and riding on the success of his own Slavonic Dances, Dvorˇák orchestrated the last four. Not only are the Hungarian Dances

50 www.MemphisSymphony.org among the most beloved of Brahms’s works, they were by far the most lucrative for the composer.

As Malcolm McDonald writes of the Hungarian Dances, “Brahms takes full advantage of the rhythmic freedom, the opportunities for cross-rhythms and rubato, the popular melodic style and exotically inflected cadences that the [Hungarian] idiom offered.” The first and third dances, which Brahms orchestrated, are based on tunes by known Hungarian composers. No. 1, in the key of G minor, alternates between a sensuous, swaying melody (likely Ferenc Sárkozi’s “Isteni Csárdas”) and a lively dance with sparkling woodwinds adding brilliant accents. The melody in the third dance is taken from a wedding dance by Rizner. With a stately pair of oboes setting the tone, it is relatively sedate and dignified in comparison. Orchestrated by Martin Schmeling (whose main legacy may well be his orchestrations of several of the dances), Hungarian Dance No. 5 is perhaps the most recognizable.

R. STRAUSS Till Eulenspiegel’s Merry Pranks Till Eulenspiegel’s lustige Streiche

Although Richard Strauss lived until 1949, his music highlights one of the major debates of the nineteenth century: between “absolute” music, or music with no extra-music connections, and program music, or music based on non-musical ideas. While Johannes Brahms is often held as a symbol of the former, Richard Strauss became increasingly associated with the latter. Perhaps the best illustrations of this allegiance are his tone poems, his series of single-movement symphonic works based on a story or idea. Abandoning traditional musical forms seemed natural to Strauss. As he wrote to his mentor Hans von Bülow after writing Don Juan and Macbeth, “To create a correspondingly new form for every subject, to shape which neatly and perfectly, is a very difficult task, but for that very reason the more attractive.”

Despite his allegiance to “correspondingly new forms,” Strauss manages to do something equally brilliant in many of his compositions: merging unique ideas with preexisting musical structures. Till Eulenspiegel’s Merry Pranks is an excellent example of this achievement. Completed in May of 1895 and published in September—two months before its first performance—Till Eulenspiegel is actually a rondo, generally fast and sprightly with lots of repeating motives. The form fits the tone poem’s subject well. Till Eulenspiegel was a real person, a legendary prankster believed to have lived in the fourteenth century in northern Germany. His name, literally meaning “owl’s mirror,” refers

For Tickets 901-537-2525 Follow the Memphis Symphony! 51 program notes to the old saying, “One sees one’s own faults no more clearly than an owl sees its own ugliness in a looking glass.” Through his practical jokes and trickery, Till points out the hypocrisy of others. (The real Till may not have been quite so lighthearted. The earliest account of Till Eulenspiegel, published around 1510, depicts him as a living cautionary tale—a demonic figure whose misdeeds served as a warning to good Christians.

Did Strauss see Till as a corrupting force? A glimpse of the title page—on which Strauss wrote the direction, “after the manner of an old-style rogue”—immediately suggests otherwise. The tone poem begins with a gentle melody that is often described as a musical version of “Once upon a time.” The French horn sounds the slightly off-kilter, energetic theme associated with Till himself—and his adventures ensue. Till races through a marketplace upsetting baskets, clothes himself in religious garb and gives a blasphemous speech, flirts with ladies, and presents himself as a scholar disseminating false information. While he pays for his misdeeds on the gallows, even execution can’t silence the roguish hero.

Contemporary listeners didn’t know quite how to react to Till Eulenspiegel’s Merry Pranks. In 1900, a critic for the Musical Record of Boston wrote, “No gentleman would have written that thing. It is positively scurrilous. There are places for such music, but surely not before miscellaneous assemblages of ladies and gentlemen.” For French composer Claude Debussy, the work was like “an hour of music in an asylum ... You do not know whether to roar with laughter or with pain and you wonder at finding things in their customary places.” Debussy goes on to express sentiments closer to our modern assessment of Till Eulenspiegel: “But in spite of all this, there is genius in certain aspects of the work, notably in the amazing sureness of the orchestration and in that frenzied movement which sweeps us on from beginning to end, making us live through all the hero’s adventures.”

Dvorˇ ák Cello Concerto in B Minor, Op. 104

When Antonin Dvorˇák came to New York City in 1892 to become the Director of the National Conservatory of Music, he became good friends with Victor Herbert, the school’s cello professor, and worked with him on several projects and performances. Herbert later left the school to do more performing, conduct the Regimental Band of the New York National Guard, and finish composing his second Cello Concerto for the New York Philharmonic. Dvorˇák attended the work’s premiere in 1894, and went backstage to congratulate his friend. Within two years, in March 1896, Dvorˇák led the London Philharmonic in the debut of his own Cello Concerto, with cellist Leo Stern as soloist.

52 www.MemphisSymphony.org Was it the spirit of competition that spurred Dvorˇák to compose a cello concerto? More likely, Herbert’s work had jogged his memory: thirty years earlier, Dvorˇák had begun a cello concerto at the request of Czech cellist Hanus Wihan, but had set it aside. Now thousands of miles away, Dvorˇák began writing anew—expressing his longing for his homeland and according to some, his desire for his sister-in-law, Josefina Kaunitzova, his first love interest and possibly the greatest love of his life. From the start of the work, its drama is clear. After a lengthy orchestral introduction, the soloist enters—but with a statement that itself sounds like an introduction, or even a cadenza. When Dvorˇák was composing the Adagio that follows, he reportedly received a letter from Josefina in which she shared that her health was deteriorating. The stormy episode that erupts in the middle of the movement—and then gives way to a quotation from her favorite of his songs (Leave me alone in my fond dream)—is often said to mirror his reaction to the news. After completing the energetic rondo with which the concerto ends, Dvorˇák returned home— and shortly thereafter, Josefina passed away. Just before the concerto’s end, Dvorˇák inserted a short, exquisitely lyrical passage in memoriam, quoting her favorite song once again in the violin.

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54 www.MemphisSymphony.org Saturday, October 6th 2:00 pm - 4:00 pm Carriage Crossing in Collierville, Tennessee Conducting your investments is our passion. Enjoy an afternoon of Duncan-Williams and our Private Client free food, great music, special Group are proud to be a part of the giveaways and our premiere arts and other fun events throughout fashion show modeled by Memphis and the Mid-South. It’s no real Mid-South area breast coincidence the same values that make cancer survivors. us visible in the community also make us the right fit for our clients’ financial goals. Because whether it’s neighbors, friends or clients, here at DW Private Client Group, they’re all family to us.

duncanwilliams.com memphis, tn 901-435-4000 member finra, sipc, bda, wbenc Mei-Annmusic director Chen

One of the most dynamic young conductors in America, Mei- Ann Chen is currently in her third year as Music Director of the Memphis Symphony Orchestra. She is also beginning her second season as Music Director of the Chicago Sinfonietta. During this time, the impact of her energy, enthusiasm and high level of music-making has been felt by both of these orchestras, their audiences and entire communities, as well. The League of American Orchestras recognized this fact by choosing her for the prestigious Helen M. Thompson Award at their 2012 national conference in Dallas. Among Ms. Chen’s upcoming highlights are debuts on the Chicago Symphony subscription series, the San Francisco Symphony Chinese New Year Celebration, North Carolina Symphony, San Diego Symphony, the São Paulo Symphony in Brazil, and the Tampere Philharmonic in Finland. Among last season’s debuts were the Netherlands Philharmonic at the Amsterdam Concertgebouw, the Aspen Music Festival, and the symphonies of Jacksonville, Naples and Sarasota.

In great demand as a guest conductor, Mei-Ann Chen recently stepped in on short notice for her very well-received subscription concert debut with the Cincinnati Symphony. She has been engaged by the Cincinnati Symphony for this season as well. Ms. Chen has also appeared with the Rochester Philharmonic and the symphonies of Alabama, , Baltimore, Chicago, Colorado, Columbus, Edmonton (Canada), Florida, Fort Worth, Nashville, National (Washington, DC), Oregon, Pacific, Pasadena, Phoenix, Seattle and Toronto. Worldwide engagements include all the principal Danish orchestras, BBC Scottish Symphony, Bournemouth Symphony, Graz Symphony, National Symphony of Mexico, Norrlands Opera Orchestra, Norwegian Radio Orchestra and the Trondheim Symphony. Festival appearances include Grand Teton, Wintergreen, Chautauqua Institute and the Texas Music Festival in Houston. The first woman to win the Malko Competition (2005), Ms. Chen has served as Assistant Conductor of the Atlanta, Baltimore and Oregon symphonies. The positions in Atlanta and Baltimore were sponsored by the League of American Orchestras. Recipient of the 2007 Taki Concordia Fellowship, she has appeared jointly with Marin Alsop and Stefan Sanderling in highly acclaimed subscription concerts with the Baltimore Symphony, Colorado Symphony and Florida Orchestra. In 2002, Ms. Chen was unanimously selected as Music Director of the Portland Youth Philharmonic in Oregon, the oldest of its kind and the model for many of the youth orchestras in the United States. During her five-year tenure with the orchestra, she led its sold-out debut in Carnegie Hall, received an ASCAP award for innovative programming, and developed new and unique musicianship programs for the orchestra’s members. She was honored with a Sunburst Award from Young Audiences for her contribution to music education. Born in Taiwan, Mei-Ann Chen has lived in the United States since 1989. She holds a Doctor of Musical Arts degree in conducting from the University of Michigan, where she was a student of Kenneth Kiesler. Prior to that, she was the first student in New England Conservatory’s history to receive master’s degrees, simultaneously, in both violin and conducting. Ms. Chen also participated in the National Conducting Institute in Washington, D.C. and the American Academy of Conducting in Aspen. For more information, visit www.meiannchen.com

56 www.MemphisSymphony.org 2012 | 2013 SEASON Student Tickets $5 First Tennessee Masterworks, Pops and Paul & Linnea Bert Classic Accents!*

Beethoven 8 September 14 Rachmaninoff and Mahler September 22 & 23 STAX! The Memphis Sound October 13 GABRIELA MONTERO, PIANO SEPTEMBER 22 & 23 Shostakovich 5 November 17 & 18 Home for the Holidays December 8 – Two performances: 2:30 & 7:30 PM Aloha Elvis®! January 5 Innovation: Beethoven & Bernstein January 12 & 13 STAX! THE MEMPHIS SOUND OCTOBER 13 Bach and Mozart January 18 A Memphis Gospel Celebration February 16 Holst The Planets February 23 & 24 Feelin’ Groovy: The Music of Simon & Garfunkel FEELIN’ GROOVY: THE MUSIC OF SIMON & GARFUNKEL March 9 MARCH 9 Tchaikovsky 5 March 16 & 17 If Bach Were A Beekeeper March 22 From Gandolfi to Memphis April 13 & 14 Porgy & Bess

ANTHONY McGILL, CLARINET May 18 & 19 APRIL 13 & 14 *Subject to availabiity

For tickets (901) 537-2525 or MemphisSymphony.org/studentdiscounts

For Tickets 901-537-2525 Follow the Memphis Symphony! 57

MSO program ad_student tix_0812.indd 1 8/14/12 4:43 PM Memphis Symphony Orchestra mei-ann chen, music director conner gray covington, assistant conductor

Violin I Jeffery Jurcuikonis Guest Concertmaster Hannah Schmidt The Joy Brown Wiener Chair Mark Wallace Paul Turnbow, Assistant Concertmaster The Maxine Morse Chair Bass Marisa Polesky, Assistant Principal Scott Best, Principal Barrie Cooper, Assistant Principal Christopher Butler, Assistant Principal Diane Zelickman Sean O’Hara Laurie Pyatt* Andrew Palmer Wen-Yih Yu Timothy Weddle Jessica Munson David Troupe* Greg Morris Jeremy Upton Long Long Kang Sara Chiego

Violin II Flute Gaylon Patterson, Acting Principal Karen Busler, Principal The Dunbar and Constance Abston Chair The Marion Dugdale McClure Chair Heather Trussell, Acting Assistant Principal Todd Skitch Erin Kaste Chris James Christine Palmer Sarah Beth Hanson* Ann Spurbeck Lenore McIntyre Piccolo Chris James Viola Sarah Beth Hanson* Jennifer Puckett, Principal The Corinne Falls Murrah Chair Oboe Michelle Pellay-Walker, Assistant Principal Joseph Salvalaggio, Principal Marshall Fine, Assistant Principal Saundra D’Amato Irene Wade Shelly Sublett, Assistant Principal Michael Barar Karen Casey English Horn Kent Overturf Shelly Sublett Beth Luscombe Clarinet Cello Andre Dyachenko, Principal Ruth Valente Burgess, Principal Rena Feller The Vincent de Frank Chair Nobuko Igarashi Iren Zombor, Assistant Principal Milena Albrecht, Assistant Principal Bass Clarinet Phyllis Long Nobuko Igarashi Jonathan Kirkscey Griffin Browne

58 www.MemphisSymphony.org Bassoon Bass Trombone Susanna Whitney, Acting Principal Mark Vail Jennifer Rhodes* Michael Scott Tuba Christopher Piecuch Charles Schulz, Principal

Contrabassoon Timpani Christopher Piecuch Frank Shaffer, Principal

Horn Percussion Samuel Compton, Principal David Carlisle, Principal The Morrie A. Moss Chair Ed Murray, Assistant Principal Robert Patterson Caroline Kinsey Harp Pamela Kiesling Marian Shaffer, Principal The Ruth Marie Moore Cobb Chair Trumpet Scott Moore, Principal Piano/Celeste The Smith & Nephew Chair Adrienne Park, Principal Susan Enger The Buzzy Hussey and Hal Brunt Chair J. Michael McKenzie * Currently on leave. Trombone Greg Luscombe, Principal James Albrecht Mark Vail

For Tickets 901-537-2525 Follow the Memphis Symphony! 59 Memphis governanceSymphony & staff Orchestra

Board of Directors Mark Crosby Janet Seessel Crosby & Higgins LLP Arts Advocate Officers Mike Edwards Michael J. Douglass Charles Shipp Chair Gerber/Taylor Capital Architect Paragon Bank Advisors, Inc. John Speer Arthur N. Seessel III Mary Lawrence Flinn Bass, Berry & Sims, PLC Interim Executive Director Memphis Symphony League Memphis Symphony Jim Vining Orchestra Pam Guinn Vining Sparks St. Mary’s Episcopal School Louis Jehl Anneliese Watts Chair Elect Larry J. Hardy Morgan Keegan Diversified Trust Retired Corporate Executive Russ Wigginton Louise Barden Scott Heppel Rhodes College Secretary Retired Corporate Executive First Tennessee Bank Board Emeritus Buzzy Hussey Gloria Nobles Lowry Howell Babcock Gifts Treasurer Past Chairs Southeastern Asset Bryan Jordan Dunbar Abston, Jr. Management First Horizon National Corp. Newton P. Allen, Esq.* Walter P. Armstrong, Jr.* Paul A. Bert Natalie Kerr Leo Bearman, Jr., Esq. Immediate Past Chair UT Medical Group, Inc. Troy Beatty* Retired Corporate Executive Paul A. Bert Joanna Lipman Jack R. Blair Board Arts Advocate Robert L. Booth, Jr. Paul Berz Judge Bailey Brown* Retired Corporate Executive Hon. Mark Luttrell Robert E. Cannon* Shelby County Government George E. Cates Ritche Manley Bowden Charles P. Cobb, Esq.* Arts Advocate Alec McLean Nancy R. Crosby* New South Capital George E. Falls, Jr. Dr. Karen Bowyer Management David B. Ferraro Dyersburg State Community Lewis E. Holland College Lisa Mendel William F. Kirsh* Memphis Symphony Chorus Martha Ellen Maxwell Austin Byrd Dr. Joseph Parker* Scott Moore G. Dan Poag Darrell Cobbins Memphis Symphony Thomas M. Roberts* Universal Commercial Real Orchestra Jeff Sanford Estate P.K. Seidman* Carol W. Prentiss Michael Uiberall Nancy Hughes Coe River Oaks Investments Joseph Weller Dominion Partners Private Dr. Russel L. Wiener Wealth Management Robert Quinn (*deceased) FedEx

60 www.MemphisSymphony.org Administrative Staff Joseph Nelson Development Arthur N. Seessel III Soulsville Project Manager Nicki Inman Interim Executive Director Vice President of Artistic Engagement Patron Engagement Accountability Brandon Knisley Anita McLean Vice President of Erica Eason Chief Financial Officer Artistic Engagement Patron Engagement Assistant

Grace McAlister, PHR Jenny Compton Ellen Montgomery Finance Manager Music Librarian Corporate Engagement Assistant Frieda Campbell Molly Mangialardi Accounting Clerk Artist Coordinator Ellen Rolfes Advancement Specialist Rodney Gilchrist Susan Miville Technical Support Director of Musician Marketing & Public Engagement Relations Grants Denise Borton Rhonda Causie Operations Director of Patron Director of Grants Douglas Whitaker Engagement & Marketing & Innovation Director of Operations Nicole Davis Ricardo Callender Laura Mirahver Patron Engagement Manager Grants & Accountability Orchestra Personnel Manager Specialist Mandy Porch Box Office Manager

Memphis Symphony League Board of Directors Mary Lawrence Flinn, Eula Horrell Charlotte Neal President Mindy Johnson Gloria Nobles Priscilla Alexander Nancy Lou Jones Marilyn Powell Honey Cannon Florence Leffler Shelly Sublett Scottie Cobb Sissy Long Lura Turner Jeanette Cooley Carol Martin Sharon Turner Jean de Frank Amy Meadows Joy Wiener Billie Jean Graham Laurie Monypeny

Memphis Symphony Chorus Board of Directors Steve Alsobrook Deborah Goodman Mary Seratt Cindy Armistead Anita Hester Jack Seubert Elizabeth Buls Lisa Mendel Ginny Vann Janet Carnall David Patterson Jackie White Larry Edwards Terron Perk Matthew Williams Pamela Gold Shane Rasner Rae Williams

For Tickets 901-537-2525 Follow the Memphis Symphony! 61 Letter from the League President

As we begin the 2012-2013 season, we in the Memphis Symphony League invite you to join us and share our passion - supporting the Memphis Symphony Orchestra.

This 60th season will be The Memphis Story, and it is hard to miss the excitement in the air. Wonderful music is headed our way for patrons and all in our city, because our musicians are everywhere in the community mentoring, teaching, and sharing music. We support those efforts by volunteering our time and talents as needed. You could be a part of that too.

Several events are being planned throughout the year for League members. We have fun while we raise funds! Please consider joining us as we show appreciation this year to our Memphis Symphony Orchestra.

Mary Lawrence Flinn President Memphis Symphony League

2012-2013 Memphis Symphony League Membership Form (PLEASE PRINT)

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Memphis Symphony Orchestra • 585 S. Mendenhall, Memphis, TN 38117 • (901) 537-2500

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For Tickets 901-537-2525 Follow the Memphis Symphony! 65 Symphony Fund 2012-2013

As a community-supported organization committed to Memphis, the MSO depends more than ever before on the generosity of donors who make it possible for us to make meaningful experiences through music. We are pleased to offer the following benefits in response to your support:

Maestro’s Partners $10,000 and above (Fair Market Value is $350) Maestro’s Partners welcomes annual donors of $10,000 and above. In recognition of their support, donors receive unprecedented opportunity to engage with the MSO through personalized events. For more information, please call Nicki Inman, Vice President of Patron Engagement at 537-2519.

Benefactor $5,000 - $9,999 (Fair Market Value is $295) Invitation to join Maestro Mei-Ann Chen and the orchestra on-stage for a First Tennessee Masterworks or Paul & Linnea Bert Classic Accents rehearsal Personalized concierge ticket services (with waiver of service fees) Plus all below

Patron $2,500 - $4,999 (Fair Market Value is $220) Invitation to MSO Annual Review meeting Invitation to the annual Season Preview Party Plus all below

Golden Circle $1,000 - $2,499 (Fair Market Value is $200) Admission to the donors-only Golden Circle Room, during intermission, at First Tennessee Masterworks and Pops concerts Seven passes for free parking at the Cook Convention Center, good for First Tennessee Masterworks or Pops concerts Plus all below

MSO Associates Associate $600 - $999 (Fair Market Value is $80) Opportunity to purchase tickets in advance Plus all below

Member $300 - $599 (Fair Market Value is $60) Invitation to MSO open rehearsals Plus all below

Friend $100 - $299 (Fair Market Value is $40) Backstage tour of the Cannon Center for the Performing Arts Two tickets to Contributor Recognition Night Acknowledgment in Experience, the MSO concert magazine, in all volumes published during the season

Supporter Up to $99 (Full Market Value) Acknowledgment in Experience, the MSO concert magazine, in one volume published during the season

Consider a gift to the Symphony Fund today! To donate, visit the MSO office, go online to www.MemphisSymphony.org, call (901) 537-2525 or mail to 585 S. Mendenhall Road, Memphis, TN 38117

66 www.MemphisSymphony.org ContributionsSymphony Fund 2011-2012 Thank you! Individuals, corporations, foundations, ArtsMemphis, the Tennessee Arts Commission and others make annual contributions to support our Symphony. Because the Memphis Symphony Orchestra, like orchestras throughout the country, obtains less than 30% of our income from ticket sales, these gifts and grants are crucial to our ability to provide music of the highest quality. The following community members have expressed their support for the Memphis Symphony Orchestra between July 1, 2011 and August 1, 2012. We are most appreciative.

Virtuoso - ($100,000+) Benefactor - ($5,000 - $9,999) Anonymous (2) Anonymous Arts Memphis William & Louise Barden David & Betty Blaylock Impresario - ($50,000 - $99,999) Mr. & Mrs. Marion S. Boyd, Jr. Paul & Linnea Bert Phyllis Brannon The Estate of Billy J. Christian Andrew Clarkson Jeniam Foundation Nancy & Chuck Coe The Estate of Jean C. Mosow Mike & Carolyn Edwards Robin Lauren & Peter Hale Visionary - ($25,000 - $49,999) Formanek Advised Fund Anonymous (2) Dr. Suzanne Gronemeyer & Mr. Ellis Delin Mr. & Mrs. George E. Cates Larry J. Hardy Scott & Carolyn Heppel Lowry Howell Wil & Sally Hergenrader Lisa & Louis Jehl Gayle S. Rose Hamilton Eye Institute Mr. & Mrs. Arthur N. Seessel III Dorothy O. Kirsch Mr. & Mrs. Frederick W. Smith J. W. & Emily McAllister Joy & Russel Wiener Carol W. Prentiss Mrs. Alice J. Rawlins Burnett Pacesetter - ($15,000 - $24,999) Schadt Foundation, Inc. Anonymous Charles & Nino Shipp Phyllis & Paul Berz Mr. John C. Speer Scheidt & Hohenberg Charity Trust Families Michael & Andie Uiberall Buzzy Hussey & Hal Brunt Watkins Uiberall Kim & Bryan Jordan Jack & Cristina Ward Marion & James McClure Susan & Robert J. Quinn Patron - ($2,500 - $4,999) Mrs. Thomas N. Stern Allied Pest Control, Inc Ann & Jim Vining Jack & Kathleen Blair Scott E. Bohon Sustainer - ($10,000 - $14,999) Phillip Bowden & Ritche Manley Bowden Anonymous Ms. Mei-Ann Chen Mr. & Mrs. Michael J. Bruns Harriett & Hilliard Crews Kitty Cannon & Jim Waller Liz & Glenn Crosby Mr. & Mrs. Robert E. Craddock Mark Crosby Michael J. Douglass Mr. & Mrs. John S. Evans Mr. & Mrs. Jeffrey Engelberg Farrell Calhoun, Inc. Mary Lee & Peter Formanek Ryan Fleur & Laura Banchero Sylvia G. Marks Martha & Robert Fogelman Andrew R. & Anne H. McCarroll and Bradley & Robert Fogelman Phillip & Mabel McNeill Kathy & J. W. Gibson Estelle & John Sheahan Mr. & Mrs. Robert A. Goodman Craig Simrell & Mark Greganti Pam & Steve Guinn Bonnie & Chapman Smith Dr. & Mrs. Masanori Igarashi Lynne & Henry Turley Ellen Cooper Klyce Mr. & Mrs. Joseph C. Weller Mr. Edwin Koshland III

For Tickets 901-537-2525 Follow the Memphis Symphony! 67 Contributions

Joanna & Josh Lipman Barbara A. Denley Dr. & Mrs. Dan Meadows Saryn Doucette M.D. Mark & Suzanne Medford Mrs. Bryan M. Eagle Morgan Stanley Susan & David Ellison Ron & Jessica Morris Mr. & Mrs. David B. Ferraro Sadie & C.J. Pickering Ms. Kathy Fish Mr. & Mrs. Joseph H. Powell Fred & Mary Lawrence Flinn CAPT & Mrs. Robert R. Proctor, USN (Ret.) Barbara & Hiram Fry Mrs. Charles E. Walker Allison Garrott Mr. & Mrs. Jeff Weintraub Mr. & Mrs. James S. Gilliland Mr. & Mrs. Charles L. Wurtzburger Ms. Katie Smythe Gould Martha & Jerrold Graber Golden Circle - ($1,000 - $2,499) Billie Jean Graham Anonymous (4) Phyllis Guenter Ben & Kathy Adams Sarah Haizlip Peter & Fran Addicott Judith & John Hansen Ms. Anita Allison Mrs. James E. Harwood III Kay Farrish & Roger Arango Ann & O. Mason Hawkins Pamela & Esmond Arrindell Mrs. June Hildebrand Charles S. & Stephanie Baer Sigmund Hiller Richard W. Barnes & Peter R. Pauciello David O. Hill & Elisabeth Hills Carol & Bert Barnett Lunida & Lewis Holland Sharon Barnett-Myers Mr. & Mrs. Walter B. Howell, Jr. Neal & Joey Beckford Greg & Trina Huelsman Dot & Stanley Bilsky Terri & Don Hutson Mr. & Mrs. Richard H. Bodine, Jr. Barbara Hyde The Honorable Joseph Boeckmann, Jr. Brian & Nicki Inman Carmen C. Bond Dr. & Mrs. Eric E. Johnson Dr. Karen A. Bowyer Ms. Rose M. Johnston Martha & James Boyd Dr. Edward S. & Linda S. Kaplan Charles R. & Ronell C. Brindell Sue Kaplan Lillian Hammond Brown Edith Kelly-Green Austin Byrd Dale V. Kelman Canale Foundation Delores Kinsolving Mr. & Mrs. Henry Cannon Mr. & Mrs. Lloyd C. Kirkland, Jr. Karen M. Carlisle Knapp Foundation Jeanne Gray Carr Bruce & Susanne Landau Robert & Jenny Carter Mr. & Mrs. George Lapides Dan & Rhonda Causie Dr. Peter G. & Susan J. Law Dr. Fenwick W. Chappell LeMay+Lang Dr. Nancy A. Chase, M.D. Daniel Lewis Gloria & Irvine Cherry Suzana & Michael Lightman, Jr. Memphis Symphony Chorus Board of Directors Aron Livnah & Rose Merry Brown Mikki & Darrell Cobbins Al & Janet Lyons Seandria Cobbins Mr. & Mrs. Jerome B. Makowsky Colonial Middle School B. Lee & Susan Mallory Ms. Jeanette S. Cooley Jerry & Elizabeth Marshall Bill & Foy Coolidge William D. & Marcia B. Mathis III Robert & Kim Cox Martha Ellen Maxwell Mr. & Mrs. David Crippen Ashley Mayfield Jill & Joe Crocker Sandra H. Mays Elaine & Loren Crown Mr. & Mrs. Alexander D. McLean Dr. & Mrs. Ray E. Curle Mary McDaniel

68 www.MemphisSymphony.org Mr. & Mrs. Michael McDonnell Snow & Henry Morgan Anita & Don McClean Brooke Morrow Linda McNeil Christine B. Munson Jean & Michael McSwain Zoe & Alan Nadel Dr. Lisa & Dr. Maurice I. Mendel Gloria P. Nobles Nancy & Rodgers Menzies Dr. Frank & Mrs. Sarah Ognibene Pam & Fred Montesi Sally Pace

MEI-ANN’S CIRCLE OF FRIENDS Mei-Ann’s Circle of Friends is a women’s philanthropic giving circle honoring the Memphis Symphony Orchestra’s Music Director, Mei-Ann Chen, whose artistic vision is reshaping the city’s cultural center. This critical group of diverse community investors is called to be stakeholders who support and steward her vision as a creative catalyst for innovation through the performing arts. Most importantly, Mei-Ann’s Circle of Friends welcomes new members, as its ultimate mission is to be an instrument of inclusion. Ritche Bowden, Nancy Coe Gretchen McLennon Maxine Smith co-chair Jeanette Cooley Bickie McDonnell Rita Sparks Mary McDaniel, Kim Cox Linda McNeil Susan Springfield co-chair Deborah Craddock Mabel McNeill Nancye Starnes Becky Wilson, Jill Crocker Lisa Chow Mallory Helga Stengel co-chair Elaine Crown Suzy Mallory Anne Stokes Jean Abraham Dr. Saryn Doucette Ashley Mayfield Margaret Tabor Anita Allison Joy Doss Suzanne Medford Mary Tate-Smith Belinda Anderson Mary Ann Eagle Nancy Menzies Ashley Tobias Pam Arrindell Marsha Evans Snow Morgan Anne Townsend Louise Barden Kathy Fish Brooke Morrow Bridget Trenary Sharon Barnett-Myers Mary Lawrence Flinn Christine Munson Lynne Turley Joey Beckford Mary Lee Formanek Jenny Nevels Lura Turner Phyllis Berz Allison Garrott Gloria Nobles Andie Uiberall Kathy Blair Billie Jean Graham Sarah Carpenter Jeanne Varnell Peggy Bodine Sarah Haizlip Ognibene Anita Vaughn Carmen Crane Bond Cynthia Ham Sally Pace Kimmie Vaulx Dr. Marcia Bowden Ann Hawkins Tommie Pardue Ann Vining Martha Boyd Carolyn Heppel Barbara Perkins Stacie Waddell Sonji Branch Trina Huelsman Carol Prentiss Ann Marie Wallace Ronell Brindell Buzzy Hussey Mary Alice Quinn Jane Walters Ruby Bright Barbara Hyde Susan Quinn Cassandra Webster Lillian Brown Nicki Inman Dr. Sandra Reed Becky West Rose Merry Brown Rose Johnston Ellen Rolfes Sharon Wheeler Marian Bruns Dale Kelman Gayle Rose Joy Wiener Alice Burnett Edith Kelly-Green Diane Rudner Dr. Ethelyn Williams- Kitty Cannon Delores Kinsolving Lila Saunders Neal Karen Carlisle Dorothy Kirsch Honey Scheidt Julia Williams Jeanne Gray Carr Ellen Klyce Janet Seessel Tracey Williams Jenny Carter Suzanne Landau Rachel Shankman Barbara Williamson Dr. Nancy Chase Florence Leffler Lynda Mead Shea Oneida Wittichen Dorothy Cleaves Suzana Lightman Alisa Smallwood Jocelyn Wurzburg Mikki Cobbins Joanna Lipman Bonnie Smith Jan Young Sponsorships: Hyde Foundation Ritche Bowden Baptist Mem Health Care Fd. Paragon Bank Deborah Craddock Blue Cross Blue Shield TN Phyllis Berz Ellen Klyce Gerber/Taylor Gayle Rose For more information please contact Ellen Rolfes at the Memphis Symphony: 901.537.2526

For Tickets 901-537-2525 Follow the Memphis Symphony! 69 Contributions

Tommie Pardue Becky West Marianne Parrs Barry White & Dr. Janice Garrison Robert G. Patterson, Jr. & Patricia Gray Julia G. Williams Clint & Esther Pearson Ms. Tracey Williams Mrs. Barbara J. Perkins Dr. Ethelyn Williams-Neal Arnold & Mary Lynn Perl Barbara Williamson Elisabeth & Lewis Perry Becky Webb Wilson Chloee & Dan Poag Oneida Wittichen Dr. Anca Pop Jocelyn Wurzburg Mary Alice Quinn Jan Young Dr. Sandra Reed Dr. & Mrs. Brown Robertson Associate - ($600 - $999) Carol Lee & Joe Royer Ms. Carol Beachey & Mr. Donald Voth Diane Rudner Nancy E. Bogatin Jocelyn & William Rudner Walter Brown Dr. Craig & Mrs. Andrea Sander Joanne & George Buzard Jeff Sanford & Cynthia Ham Gary Carlson Lila Saunders Sara G. Folis Dr. Charles A. & Mrs. Sharen Schulz Dot & Luther Gause Mary M. Seratt Emily & Jerry Gay Patricia & John Seubert Jim & Harriett Gillis John & Lynda Mead Shea John Gilmer & Catherine Willner William W. Siler Susan Kingston Ron & Linda Sklar Father Albert Kirk Alisa & Arwin Smallwood Janie & Martin Kocman Bruce R. & Jane Scharding Smedley Barry Kuhn Rita Sparks Ramona & Harry Mahood Susan L. Springfield Shirley W. McRae Nancye Starnes Mr. & Mrs. J. A. O’Neill, Jr. Eugene & Helga Stengel Johnny & Kim Pitts Anne & John Stokes Mrs. Emily Ruch Owen & Margaret Tabor John Pickens & Suzanne Satterfield Mary E. Tate-Smith Jenny & Graham Smith The Rose & Walter Montgomery Foundation Robert Vidulich & Diane Sachs Paul G. Thomas Don B. Vollman Ashley & Todd Tobias Julia Wilkins Mr. & Mrs. Philip H. Trenary Berje & Kathy Wade-Yacoubian Mr. & Mrs. Corey B. Trotz Steve & Lura Turner Member - ($300 - $599) Dr. Eugene A. Vaccaro Family Anonymous Ms. Susan Van Dyck & Dr. James Newcomb Dot Arata Mr. & Mrs. William M. Vaughan, Jr. Mary & Allen Battle Mike & Gay Veazey Williams Mr. & Mrs. Jack A. Belz Mr. & Mrs. David S. Waddell Eugene Bernstein Patricia & Charles Walker Denise & Scott Borton James L. Waller Jerry Bowman Dr. Jane Walters Gregory Buckley & Susan Berry-Buckley Graham Warr Reggi & Sharon Burch Dr. & Mrs. Otis S. Warr III Dr. & Mrs. Paul Burgar Frank & Houston Watson Lewis Donelson Anneliese & William Watts Dr. Michael R. Drompp Mrs. Cassandra H. Webster Gerry & Charles Duff Martha & Lee Wesson Betty Jo & William P. Dulaney

70 www.MemphisSymphony.org Joseph & Anne Fisher Friend - ($100 - $299) Dr. Phillip George Anonymous Mr. Charles K. Gilder Larry Adler Mary Gill Gwendolyn & John Ahlemann Diane Greenhill Harriet Alperin Robert Hanusovsky Frank Anthony Janet D. Held Mrs. Eleanor Appling Judith & Howard Hicks Genni Arledge Bill & Marian Himmelreich Dr. & Mrs. Philip Aronoff Dr. & Mrs. Horace K. Houston, Jr. Sue & Wesley Atwood Dr. G. Leon Howell Clayton Baker Joanna Hwang William Baker Susan & Frank Inman Dr. & Mrs. George I. Balas Paul Tudor Jones Sue & A.E. Balkin William B. Keiser, Jr. Mary Nell & Pervis Ballew Mr. & Mrs. Jerry D. Kirkscey David & Debbie Balling Ms. Yoriko Kitai Rosemary Banta Marti & Mike Laslavic Robert Bartolotta & Ellen Hutchinson-Bartolotta Lucy Lee Mrs. Frank Barton, Jr. Mrs. Esther K. Lubin Patricia Barton Jennifer Lyons John & Wanda Barzizza Frank & Mary Markus Mr. Herbert Battle Nancy Masterson Becky Bayless Ethel T. Maxwell Dr. & Mrs. Tom Beasley Richard McStay Ernest & Georgia Bell Simone & Logan Meeks Dr. & Mrs. Michael P. Berry Ed & Anne Motley Dr. Harry Berryman Cecile & Frederick Nowak Dr. & Mrs. H. Delano Black Max B. Ostner, Jr. Mr. & Mrs. James C. Blackburn Bob Owens Allen & Mary Blair Nancy M. Penisten Sam Blair Dr. William S. Phillips Emilie Blanchard Mr. & Mrs. Neil Ringel Clark & Yolanda Blatteis Marco & Cynthia Ross Dr. & Mrs. Gene Boeckman Sandy & Beth Schaeffer Lois E. Bohon Marcia Schlesinger Scott Bojko Bonnie & Bill Siler Modine & Lee Bolen Fred & Joan Stephenson Jan & John Boudreaux Leslie Stratton Dr. & Mrs. Allen Street Boyd Ryals & Gwendolyn Thomas Jennifer Brady Keith & Anne Townsend David Brown Mariet & Sam Rogers Judy & Charles Burkett Joan & James Vogel Raymond Butts Dr. William W. Walker & Ms. Mary L. Belenchia Eleanor & Gerald Byrne Lee & Mary Wardlaw Mr. & Mrs. Irvin Califf Jules & Betty Weiss Ricardo Callender Stewart Wingate Cham & Hazel Canon Mary Jane & Herman Wolfe, AIA Ruby Chittenden Jerry Wolfe Carol & David Ciscel Mr. Winston Wolfe Dorothy Cleaves Dr. George R. Woodbury & Dr. Cathy M. Chapman Brian Clement Nick & Charlotte Woodward Allen E. Cohen Mr. & Mrs. William M. Yandell III Alan K. Cole

For Tickets 901-537-2525 Follow the Memphis Symphony! 71 Contributions

James P. Cole Marsh & Ann Gibson Samuel & Jenny Compton Paul & Mary Evelyn Goodwin Anne Connell Capt. & Mrs. James P. Googe, Jr. Tim Cook Arthur Graesser David Cooper Betty Tully Graves Alice & Jack J. Craddock Rita Mercille Green Mr. & Mrs. William S. Craddock Lyndal Grieb Mrs. Laura J. Crane Gerard & Alessandra Grosveld Robert K. Crane Bela & Nan Hackman Brad Crawford Mr. Reb Haizlip Michelle Cronk Clarence & Harriett Halmon Susanna & Daniel Cullen William Haltom Dale & Gina Cunningham Doug Hamik Leslie Daniel Robert Hamilton Fred Davis Dr. & Mrs. O. Brewster Harrington Diane & Joe Davis Jeffery & Cathy Harris Steve Davis Thomas Harrison III Phili & Terry Deboo Albert C. Harvey, Jr. Kathryn Deshpande & Jon Katze Geraldine Haspel Drs. Robert & Heather Donato Diane Hawks Joe & Martha Dooley Dr. Jean S. Hayden George Douglas Mr. Jerry Hearn Jed Dreifus Emil Henry Regina Duberstein Ms. Jane Hester John & Alice Dudas Mr. & Mrs. James R. Hillis Delories Duncan Sara M. Holmes Mr. & Mrs. Douglas Duncan Bobby & Eva Hussey Mrs. Ruth Edmonds Mr. & Mrs. Antonino Incardona Patti & Lew Ellis Ann Indingaro Karen English Bertha Means & Michael Jacewicz Richard Ennis Larry & Diane Jackson Lillian & Thomas Ernst Mr. & Mrs. James B. Jalenak Dorothy Evans Anita James Edward & Gloria Felsenthal David & Ann James Fredrika & Joel Felt Dr. & Mrs. Russell James Helen Ferguson Harriette Jenkins James & Sue Ferguson Mr. David Jennings Donna Fisher Mickey Johnson Tanya Fitts Mr. Jeff Johnston Jackie & David Flaum Nancy Lou & Mott Jones Molitor Ford John & Anne Jones Turner Foster Mr. & Mrs. Robert K. Jones Ms. Kathie Fox Warren & Betty Lu Desi Franklin Kathy Junkin Ms. Barbara A. Frederick Tom & Anne Marie Kadien Dr. Jerre Freeman Helen & J.D. Kelly Caroline Fruchtman Charlotte King Kathleen C. Gardner Nadine King Ana & Mark Gardner Jon Knight Bill & Jeannine Gaudet Nancy & Brian Kuhn Frank & Anne Gianotti Michael & Diane Kuhn Mr. & Mrs. James D. Gibson Kitty & Howard Lammons John Gibson Ms. Patsy Lane

72 www.MemphisSymphony.org Frank M. Langford, Jr. Jason & Rita Ortiz Ms. Demetra Lawrence Norma Davis Owen & Penn Owen Jr. Gumersindo & Marianne Leal Christopher A. Owens Suzanne Lease & Michael Watts Mr. Ernest Owens Mr. Shelby R. Lee III Joy Ozbirn Sandra Leftwich Mr. & Mrs. Keith M. Parker Kristin Lensch & Tim Huebner Roylyn & Bill Parks Tom & Celesta Letchworth Richard Patterson Dr. & Mrs. Michael J. Levinson Eugene Pearlman Jean & Melvyn Levitch Dana Sue Percer Pamela & Robert Levy O.C. Pleasant, Jr. Leticia Lindsey Maryanna Popper Mrs. Molly Lockwood Ms. Prak William Payson & Melissa Luck Peter A. Pranica Chris Luhrs Mr. & Mrs. Julian Prewitt Jose & Nancy Magallanes Brenda & Robert Rachor Mr. & Mrs. Hugh Mallory Karen & James Ralston Charles & May Lynn Mansbach Lynn Rawlings Mr. & Mrs. Jack H. Marks Nancy Reed Shannon G. Matta, Ph.D. Betsy Reeder Mrs. Eloise Mays Mrs. & Mr. Geraldine Rhodes Michael McCanless Mr. & Mrs. Curtis E. Ringold Peggy & Don McClure, Jr. Mr. Luther L. Robinson III Sandra & Lynn McCorry Dr. & Mrs. E. William Rosenberg Mr. & Mrs. James W. McDonnell, Jr. Tom & Elena Ross Mary Ellen & Phillip McDow Dr. & Mrs. Richard T. Ross Martha & I. W. “Dan” McGuire Barbara Rubenstein Mary Allie & Denton McLellan Thelma Rudd Barbara & George McMahon Melanie Runyon Sylvia & Ron McSwain Amy & William Ryan Gale Medley Bev & Ken Sakauye T. Medlin Barbara J. Sax Diane Meess Joseph & Mary Scheuner Dr. & Mrs. Lee Milford, Jr. Doug Schrank Phoebe & Dan Miller Mike Schwartz Dr. & Mrs. David M. Mirvis J. Allen Scoggin Mrs. Houston Niller Moore Christopher Seaton Ms. Patricia T. Moran Roy & Cyndy Shepherd Gregory Morrell Beth Simpson George Morris Kenneth & Mary Sipley Dr. R. J. & Susan Moskop, Jr. John H. Sligh Mrs. Sue Myers Mr. & Mrs. Richard W. Smith Alan’s Carpetland Cecil Smith Dr. Robert Neimeyer & Ms. Kathryn E. Story Charles Smith Stephen & Mary Nelson Ritchie & Patti Smith Drs. Thomas J. & Monika Nenon Marshall & Maida Smith Julie & William Nicholson John Snowden Mr. & Mrs. Greg Nomland Trish & Richard R. Spore III Mr. & Mrs. Herbert L. Notowich Sheri L. Spunt, M.D. Mr. & Mrs. Thomas Oates Shirley St. Hilaire Adrienne Oeding Charles & Mary Stagg David Ogdon Terry Starr Wilson Orr Jill & Kenneth Steinberg

For Tickets 901-537-2525 Follow the Memphis Symphony! 73 Contributions

Betty & Vaughn Stimbert Ruth Allen Fred & Shirley Stinson Sonia Alvaerz David & Alicia Stires Murphy Appling Harriett Surprise Tonya Ashworth Denise Taylor Dorothy S. Atkinson Mr. & Mrs. Parrish Taylor Edna Bagoyado The Womans Exchange of Memphis, Inc Elsie Bailey Doris Thomas Hill Mary Baird John J. Thomason, Esq. Sara Baker Dr. & Mrs. Steve Tower Bernice Banes Patricia Wilson Tripp Carol Barber Mike Vaughn William Bastnagel Mr. & Mrs. Simon Wadsworth Rose A. Bauer Drs. Anni B. Walker & William S. Walker Barbara Beck Sonia Walker Dea & Richard Beckwith Mr. Edward Wallace Paul Bell Evelyn Walpole Dr. & Mrs. Raymond Bell Gerald & Julie Walton Robert Bell Shihung & Chingfun Wang Kathryn & William Bendall Matilda Washington Linda-Anne Bennett Patrick & Vicki Washington Ms. Mary Benton Susan S. Webb William & Annette Bickers Judge & Mrs. Bernie Weinman Linda Billings Ira & Deborah Weinstein Molly & Karl Birkholz Diane & Walker Wellford Kathryn Black James Werkhoven Ben Blackburn Dr. & Mrs. Benton Wheeler Patricia Bladon Elsa & David Williams Melissa Blakemore Tige Williams Ms. Joanne Bloom Mrs. Barbara H. Wilson Robert Bloom Carol Wilson Jeff Bloomfield Mrs. John M. Wilson William Bodley Major & Donna Wilson Lura Bond Debra Wingood Mr. & Mrs. Jack Borg Josephine M. Wood Aretha Bourne Mary & Lucius Wright Matthew Bowlin Peggy Wroten Keith Brame Mr. Paul Yacoubian Mary Kate Brandon John Young Peggy Brawner Dr. Herbert D. Zeman Dr. & Mrs. Lamar Bridges Qihong Zhou Mr. Jerry Brigman Linda Broffitt Supporter - (Up to $99) Cortni Brooks Melissa Abbis Caroline Brown Angela Adams Ignatious Brown Dennis Adams Deana Brunjes Marta Adams Robert & Beverly Buchalter Mary Adams Roger & Jill Buckmaster Bettie Albers Alice Burns Ray & Nancy Marcia Buster Marilyn & Franklin Allen Dr. Patty & Dennis Calvert Julia Allen Ms. Janet Campbell Roosevelt & Jo Ann Allen Kerry Campbell

74 www.MemphisSymphony.org Molly Carr Mr. & Mrs. Duckworth Gary Carter Robert Dumais Gene Carter Earline Duncan Patricia Casey Teresa Dunlap John Cassidy John & Lissa Duston Don Chenault Brian Earwood Russell W. & Joan Chesney Dan Elias Mary Clark Hallie Elliot Charles Clerget Amber England David & Amy Cluck Mary Epps Mr. & Mrs. Charles P. Cobb, Jr. Lawrence A. Estes Marian Cocke Marguerite Estes Thomas Coffelt Nancy Eubanks Larose Todd Coffey Betty Evans Keith Coker Mr. Metab Falanzi George & Jan Colgate John Faulconbridge Fred & Pat Collins Carroll R. Fay Thomas & Marcia Collins Ms. Lynn Ferrier Betty Colter Caylain Festherson Billy & Sara Colvard Lara A. & Thomas A. Firrone Leo Connolly Ashley Flashner Robert Connolly Cheryl Floyd Mike & Jane Coop Linda Forbess Stanley Cooper Isaac Fordjour Dr. & Mrs. George Cowan Yvonne Fournier Ms. Beverly Cox Becky Fowler Gwendolyn Cranshaw Joan D. Freund Michele Robin Crump Mr. & Mrs. Bill Friedl Betty Cruzen Ms. Ann Frogge Kay Cunningham Prentice Fulton Dianne Curtiss Virginia Gandy Ms. A. J. Daneman Lida Garcete Mrs. Mimi Dann Lori & Scott Garner Susanne Darnell Robert I. Gilbert Jr. Elina Davidoff Sharon Gilbert Henry Davis Gwynne Gladden Dr. Ira N. B. Davis Jr. Mr. Marvin Glatstein Louie Debacco Dr. Leslie Gordon Marcelle Decorte Richard Graff Carol Deforest Sheri & Donald Grear Carolyn & Kevin Delaney Ms. Amy Greenberg Gulcan Demirtas Dr. Jennifer Grove H. Dermon Scott Gustafson Julia DeWeese Dalia Hammoudeh Sam Diaz Louis Hamric Lynn & Robert Dittman Telisha Hankins Ann Dixon Paul & Agnes Hanson Gloria Dobbs Suzanne Hanson Curtis & Jean Dohan Elizabeth Harris Thea Dotson Peggy Harris Amy Downing Amber-Rose Hawkins Mr. & Mrs. William Dozier Stoy & Kathryn Hedges Ms. Qiuyue Du William Henderson

For Tickets 901-537-2525 Follow the Memphis Symphony! 75 Contributions

Arthur & Sally Hermsdorfer Emily Landry Sally Hermsdorfer Nanette G. Lawhon Cathy Hobbs Xue Leng Shirley Hollahan Sam Leow Donna P. Holliday Nicole & Jack Lewis Sherwin Holloway Jean Lewis Jerry Holmes Myron & Gail Lewis Linda Holmes Peter Limper Elizabeth Hopper Mary Livaudais Robert & Eula Horrell Dr. & Mrs. William E. Long Lisa Houston David & Dorothy Love Josh Howard Joseph Loveland Julia Howell Dr. Catherine Ly Mr. & Mrs. Wally Huggins Kyle Lynch Sarah Hurley Betty Lyon Matt Blake & Nobuko Igarashi Mrs. Floyd Lyons Mr. & Mrs. Deke Iglehart Frances Manley Carmen Inquilla David Mann Kenny Jabbour Patti Martin Janas L. Jackson Randy & Carol Martin Grace Jamison Pat Massengill Daisy Jefferson Mr. & Mrs. Eugene Mathes Mr. & Mrs. Ben R. Johnson Carlise Mathews Darrell & Betty Z. Johnson Connie May Inez Johnson Jill & Tibor Mazar James & Theresa Johnson Grace McAlister Dr. & Mrs. James R. Johnson Mary Alice McAlister Warren & Claire Johnson Jan McClain Evelyn Jones Mary McCombs Lynn Jones Jill McCool Mark Jones Mollie McCormick Patricia Joyner Walker Mccutcheon Cantor & Mrs. John M. Kaplan Dale & Eugene McDermott Mrs. Susan Karpie Marion McDonald Philip & Carol Keith Geneva McGee Donna & John Kelly Jeremy C. McGee Linda Kennard Brother Joel McGraw Stanley Kess Norma McHugh Rhinda Kesselring Sharron McKinney Larry & Karen Kestner Speed McLean Georgia King Frank Lewis McRae Ruth & James King Thomas & Maryann Mears Jim & Ruth King Oscar Menzer Kathryn A. King Ms. June E. Merrell Mary King Maragret Meyer Virginia Klettner Nancy Meyer Robert Klyce Suttina & William Millar, III Rev. & Mrs. William A. Kolb Pamela & Fred Miller Victoria Krivda-Ferrell Lee Miller Bobbie Kyle Paige Miller Cynthia Lancaster Christine Mitchell Dr. & Mrs. Mack A. Land Susan Miville Jane Landrigan Linda Mohns

76 www.MemphisSymphony.org Leroy Mosby Donald Reynolds Virginia & Tom Moss Janice Richie Camille & William Mueller Holly Rickman Ann Mulis Mi Rim Harry & Vivian Murchison Gwelyne Robinson Sean Murnan Kirby Rogers Edward Murphy Norma M. Rogers Gail Murray Norma Rogers Martha Myers Betty & Al Paula Newberry Jennifer Rote Toni Nguyen James B. Rothman Irene & Svend Nielsen Aileen Ruben Suzette Noel Mr. Forster Ruhl Allison Ogilvie Dr. & Mrs. C. A. Ruleman Jr. Dr. Anthony Oldknow Leonid & Fridrerica Saharovici Mr. & Mr. Mark O’Malley Konnie K. Saliba-Reid & Dennis Reid Fred Ousley Joe Schellenberg Lucia Outlan Jonathon Schug Teresa Owen Cathy & Ray Schwill Lynne Owens Mary Lynn Scoggins Rose Mary Pace Erin Shackelford Marvarene Paker Marian & Frank Shaffer Lyda Parker Vicki Shelton Steve & Sue Parr Mark Sherman Clyda Parrish Marilyn Shiffman Rachel Patrick Donna Shipman Stephanie & Michael Patton Martina Sigal Charles Pazar Bill & Cheryl Simco Chelsea Pearce David Simmons Binford Peeples Jeanne Simmons William Peer David Skinner Lynne & Warren Pence Ben & Robyn Slen Mary Pennington Rochelle & Avron Slutsky Larry Perlberg Betty Smith Mr. Gordon Perry Bruce Smith Alice Petty Virginia Smith Mr. & Mrs. Gordon Pfund Lisa Soplata Ashley Piper Mark Sorrell Rafael Portillo Ms. Laura Spencer Paula Posey-Destefanis Dr. Bernard Spiegel Kelly Pouncey Eugene Spiotta Jim Prate Shannon Stanley Kara Preston Mary Steele Libby & Howard Pritchard Maury Strauss Mrs. Van Pritchartt Lynn Strickland Lana & Gary Prosterman Douglas Strohmer LTC Judith C. Pruitt (Ret.) Peter & Catrina Sullivan Carol Purvis Sarah Sullivant Jennifer Ransom Richard Summers Rance & Deborah Reagan Parker Suttle Ralph Reed Truman Suttle Charles Reifers Carol W. Tabor Eugene Reyneke Michael Taube

For Tickets 901-537-2525 Follow the Memphis Symphony! 77 Contributions

Herbert & Diane Taylor Hallie Ward Jane & Reede Taylor Nicole Ward Robin Taylor Phyllis M. Warmington Mr. & Mrs. William Taylor David & Georgie Weaver Dr. & Mrs. Terry Templeton Marcia B. Wells Lavern Terrell Kathleen Weston Heather L. Tetleton Jennifer & Brian Wilder Ms. Joan Thomas Mary Wilder Charles Tilly Jane Williams David Tipton Patricia Williams Bruce Tonkel Robert & Nancy Williams Richard Townsend Robert Williams Beverly Trojan Dr. Beverly J. Williams-Cleaves Ed & Ann Truett Betsy Wilson Kelly & Sharon Truitt Mary Jo Wilson Jane Umfress Elise & Robert Wilson Rev. & Mrs. Robert Van Doren Marianne Wolff Barbara Van Ness Jerry Woods Doug Vance & Darlene Germuend Vance Beebe Woodside Janice Vanderhaar Dorothy Work Peggy Vannucci Laura Burgoyne & Becky Wright Mr. Erick Vasquez Lloyd Wright Albert Vaughn Rebecca Yancey Kristen & Richard Vining Jaime Yanes Fred Voigt Mr. & Mrs. Keith M. Young Robert Wakefield Dolores Waldrup Carol Walker Julie Wang

Matching Gifts Corporate matching gifts are a great way for MSO patrons and donors to maximize personal contributions to the Symphony and increase the impact of their gift. By taking advantage of your company’s matching gift benefit, you may be able to double or triple your contribution. Thank you to those companies below who match current and retired employees’ contributions to the Memphis Symphony Orchestra, and thank you to our donors who apply for these matching gifts. For more information on matching gifts, please call (901) 537-2523. AT&T Foundation Home Depot Foundation Bank of America Johnson & Johnson Chevron Corporation Kraft, Inc. Citigroup Foundation Lucite International Digital Equipment Corporation Merrill Lynch Ernst & Young, PLLC New York Times Company Foundation Federated Department Stores Nissan Motor Corporation First Horizon National Corporation Phillip Morris Companies, Inc. First Tennessee Foundation Quaker Oats Foundation Gap Foundation Regions Financial Corporation General Electric Security Pacific Foundation General Mills Foundation United Technologies – Carrier Corporation GlaxoSmithKline Foundation

78 www.MemphisSymphony.org Memphis Youth Symphony Program

Conner Gray Covington, Music Director |Musical Leaders Since 1966

Youth Symphony, Conner Gray Covington, Conductor Fall Concert | Sunday, November 18, 7:30 Winter Concert | Sunday, February 24, 7:30 Spring Concert | Sunday, April 28, 7:30 *venues TBD

String Orchestra, Ray Pak Chung Cheng, Conductor Fall Concert | Sunday, May 5, 4:30 Winter Concert | Sunday, February 24, 4:30 Spring Concert | Sunday, November 11, 4:30 *venues TBD

String Sinfonia, Karla Philipp, Conductor Fall Concert |Tuesday, November 6, 7:30 pm Winter Concert | Tuesday, February 26, 7:30 pm *venues TBD

String Ensemble, Karla Philipp, Conductor Fall Concert |Tuesday, November 6, 7:30 pm Winter Concert |Tuesday, February 26, 7:30 pm *venues TBD

Visit us and become a supporter! Sponsor a child, a concert, name a chair or a scholarship! Contact Todd Skitch, MYSP Board President, and help us keep Memphis talent growing.

66 South Cooper Street, Suite 509 | Memphis, TN 38104 | 901-722-4004 | www.mysp-music.org Find us on Facebook!

For Tickets 901-537-2525 Follow the Memphis Symphony! 79 purchase tickets: operamemphis.org | 901.257.3100

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Fall Schedule Jazz Eucharist with the Tony Thomas Trio Sunday September 30, 2012 at 10:30 a.m. Memphis Boychoir & Memphis Girlchoir 25th Annual Service of Lessons and Carols Sunday December 16, 2012 at 4:00 and 7:00 p.m. Memphis Boychoir & Memphis Chamber Choir

Ongoing Auditions for the Memphis Boychoir and Memphis Girlchoir Please contact Dr. Geoffrey Harris Ward for more information (901) 351-8540

Saint John’s Episcopal Church | Central at Greer | 901-323-8597 | memphisboychoir.org

MBC-MGC Experience ad_0712.indd 1 7/30/12 1:24 PM Honor/Memorial Contributors List Honor/Memorial Overture 11-12 Honorariums and Memorials The following Honorarium and Memorial contributions were made to the Symphony Fund between July 1, 2011 and August 1, 2012.

In Honor of Kathy & Ben Adams In Memory of Billie Crenshaw Camille & William Mueller Mr. & Mrs. David B. Ferraro

In Honor of Peter & Fran Addicott In Memory of Nancy Crosby Ms. Rosemary Banta Dr. & Mrs. Vaughn E. Stimbert

In Honor of Jim Albrecht In Honor of Jane Dutcher Ms. Kathryn A King Norma M. Rogers

In Honor of Michael Barar In Honor of Rena Feller Anonymous Helen Ferguson

In Memory of Dr. Bernard B. Beard In Honor of Laura, Ryan, Robert & Anna Fleur Dr. Jerre Freeman Mr. & Mrs. Henry Cannon Dr. & Mrs. Dan T. Meadows In Honor of Paul & Linnea Bert Mrs. Lyda Parker Ms. Mei-Ann Chen Jennifer Lyons In Honor of Sara G. Folis Helen Ferguson In Memory of Florence Bohon Ms. S. Dorothy Atkinson In Honor of Billie Jean Graham Mr. & Mrs. James C. Blackburn Mr. & Mrs. James L. Alexander Ms. Lois E. Bohon Mr. Samuel Graham Mr. & Mrs. Michael S. Laslavic Dr. & Mrs. Myron Lewis In Memory of Mrs. Barbara Ramsey Harris Ms. Nancy M. Penisten Louis & Lisa Jehl Ms. Barbara Van Ness In Honor of James “Jim” Gholson In Memory of Tandy Brannon Mr. & Mrs. Ron Sklar Mrs. Phyllis Brannon In Memory of Mrs. Evelyn Foote Horrell In Honor of Joy Brown Wiener Mrs. Jean Lewis Ms. Lucia Outlan In Honor of Buzzy Hussey In Honor of the Marriage of Kitty Cannon Mr. & Mrs. Franklin Allen & Jim Waller Ms. Jeanette S. Cooley Mr. & Mrs. Rodgers Menzies, Jr. Mr. & Mrs. W. A. Coolidge, Jr. Ms. Jean Lewis Coors In Honor of Rhonda Causie Mr. & Mrs. James S. Gilliland Mr. & Mrs. Frank W. Shaffer Mr. & Mrs. Robert J. Hussey, Jr. Mr. & Mrs. Tom Hutton, Jr. In Honor of Mei-Ann Chen Mr. & Mrs. Bill Jones Mr. & Mrs. Stanley L. Bilsky Ms. Adrienne Oeding Mr. & Mrs. Joseph Fisher Mr. & Mrs. Bryson Randolph Mr. & Mrs. Bryson Randolph Mr. & Mrs. Arthur N. Seessel III Dr. & Mrs. W. Chapman V. Smith In Memory of Charles P. Cobb, Sr. Mr. & Mrs. John W. Stokes, Jr. Dr. & Mrs. Horace K. Houston, Jr. Ms. Patricia Williams

In Honor of Ruth Moore Cobb In Memory of Max E. Johns Chuck & Scottie Cobb Mr. & Mrs. Michael Edwards Dr. & Mrs. Horace K. Houston, Jr. Gerber-Taylor Family In Honor of Mrs. Scottie Cobb Buzzy Hussey & Dr. C. Hal Brunt The Womans Exchange of Memphis, Inc Louis & Lisa Jehl Watkins Uiberall Family In Honor of the Birthday of Charles “Chuck” Coe Dr. & Mrs. Dan T. Meadows In Honor of John Paul Jones Paul Tudor Jones

82 www.MemphisSymphony.org Honor/Memorial Contributors List Honor/Memorial Overture 11-12

In Memory of Dr. Abraham D. Kriegel In Honor of Susanna Perry Gilmore Dr. & Mrs. H. Delano Black Mr. & Mrs. John S. Evans Mr. Walter R. Brown Dr. Diane Greenhill Mr. & Mrs. Thomas Collins Ms. Lynn Jones Mr. Jed Dreifus Mrs. Lyda Parker Ms. Gail S. Murray Ms. Leslie Stratton In Memory of Mr. William “Bill” Prest Mr. & Mrs. Major Wilson Mrs. Virginia P. Gandy

In Memory of George Krupicka In Memory of Ms. Marguerite Piazza nexAir Family David & Barbara Ferraro Mrs. Buzzy Hussey & Dr. C. Hal Brunt In Honor of Florence Leffler Dr. & Mrs. William E. Long In Honor of Perry Redfearn Ms. Mary Alice Quinn Chancel Choir of Christ United Methodist Church

In Honor of Sissy Long In Memory of Thomas M. Roberts Mr. & Mrs. James L. Alexander Mr. & Mrs. John S. Evans Dr. & Mrs. O. Brewster Harrington Mrs. Lucy C. Lee Dr. & Mrs. Edward S. Kaplan Mr. & Mrs. Eugene A. McDermott, Jr. Mrs. Van Pritchartt Dr. & Mrs. Jack Roane In Honor of Dr. Charles Schulz Mrs. Jane Williams Mrs. Sue Myers

In Memory of Mrs. Cele Carolyn Lubin In Honor of Peggy Seessel Louis & Lisa Jehl Mr. & Mrs. Allen S. Blair

In Memory of Dorothy McDonald In Honor of Marian & Frank Shaffer Mr. & Mrs. David B. Ferraro Ms. Josephine M. Wood

In Honor of the Marriage of Don & Anita McLean In Memory of Mrs. Dena Shapiro Louis & Lisa Jehl Dr. & Mrs Sheldon Korones

In Memory of Jeff Manis In Honor of David Skinner Dr. Suzanne Gronemeyer & Mr. Ellis Delin Anonymous

In Honor of Barbara H. Marshall In Memory of Donna Simmons Mrs. Doris Thomas Hill Mr. David Simmons

In Honor of Martha Ellen Maxwell In Memory of Peter Spurbeck Ms. Kathleen C. Gardner Mrs. Jean de Frank Mr. & Mrs. John S. Evans In Honor of Dr. & Mrs. Lee Milford Ms. Shirley W. McRae Mr. & Mrs. James Boyd Ms. Shirley St. Hilaire Mr. & Mrs. Reede Taylor In Memory of Madeleine Moore Dr. Robert Vidulich & Ms. Diane Sachs Patti Martin In Memory of Robert Spurbeck In Honor of Charlotte Neal Ms. Susan S. Webb Dr. & Mrs. Edward S. Kaplan In Memory of Jean Tuttle In Honor of Gloria Nobles Mr. & Mrs. William Watts Mr. & Mrs. W. A. Coolidge, Jr. Dr. & Mrs. Jack Roane In Honor of Irene Wade Dr. Diane Greenhill

For Tickets 901-537-2525 Follow the Memphis Symphony! 83 z Patron Information

Your attendance constitutes consent for use of your likeness and/or voice on all video and/ or audio recordings and in photographs made during Symphony events.

Box Office Location/Hours: The Box Office is located at 585 South Mendenhall Road, between Cadence Bank and Folk’s Folly. We are open weekdays 9 a.m. to 5 p.m. and on concert Saturdays from 9 a.m. to 12 p.m. The Box Offices at the concert venues open 90 minutes prior to each performance and remain open until intermission begins. Please note that for concerts at the Cannon Center on the night of, concert tickets must be purchased through the Ticketmaster Box Office located in the east hallway. Services and Will Call for MSO patrons are located near the box office at each venue.

Venues: Saturday First Tennessee Masterworks Series and Memphis Symphony Pops Series concerts are performed at the Cannon Center for the Performing Arts, 255 North Main Street in downtown Memphis. Paid parking is available in the Cook Convention Center garage or surface lots. Friday performances of the Paul and Linnea Bert Classic Accent Series are at the Lindenwood Christian Church, 2400 Union Avenue in Midtown Memphis. First Tennessee Masterworks Sundays are performed at the Germantown Performing Arts Centre (GPAC), 1801 Exeter Road in Germantown. Free parking is available at Lindenwood Christian Church and GPAC.

Cameras and Recording Devices: No photos or video recordings are allowed during the performance due to potential injury to performers on stage.

Concert Preview: Free pre-concert discussions begin 45 minutes prior to each First Tennessee Masterworks series performance. Join us in the Cannon Center west mezzanine and the GPAC Dance Studio to get the inside scoop on the upcoming performance.

Coat Check: In the lobby of the Cannon Center and GPAC.

Wheelchair Seating: Wheelchair seating is available upon request at each of our concert venues. Please call our Box Office for more information.

Ticket Information Subscriptions: Buy a series and save! Subscribers get the best seats in the house. Plan for the music you love with our First Tennessee Masterworks, Pops, and Paul & Linnea Bert Classic Accents series. As a subscriber, you will not only save off the single ticket price but also enjoy priority seating and ticket flexibility! Subscribers have the opportunity to purchase the best available seats for your series before tickets go on sale to the general public. You also have the same great seats all season and every year! Subscribers also have the opportunity to purchase tickets for special events before they are available to the general public! New season ticket patrons receive up to a 50% savings off the single ticket price. Established subscribers receive up to a 33% discount for their second year and all others (3+ year) subscribers save 20% off the full price. For subscriber services or to order, call the Box Office at (901) 537-2525 or visit www.MemphisSymphony.org.

84 www.MemphisSymphony.org Single Tickets: Tickets for all events are available through the MSO Box Office by phone, in person, or online at www.MemphisSymphony.org. Please note that vouchers and coupons may only be redeemed at the MSO office and must be done in person.

Gift Certificates: Give the gift of music! Gift certificates to the Memphis Symphony Orchestra may be purchased in any denomination. Please call the Box Office at (901) 537-2525 for details.

Refunds/Exchanges: There are no refunds or exchanges on single ticket purchases or returned tickets. Subscribers have the benefit of exchanging their subsription tickets. All subscription ticket exchanges are subject to availability. Ticket exchanges must be made at least 24 hours before the date of the original performances.

Lost Tickets: Subscribers can have lost tickets reprinted by calling the Box Office at (901) 537-2525 or visiting the Box Office prior to the concert.

Student/Child Tickets: Student Tickets are available for $5.00 (plus applicable processing fees, excluding Memphis Messiah, Nutcracker, Symphony in the Gardens and Opus One series) to regular series concerts based on availability. Please come to the box office prior to the performance. Students must show a valid student ID. A maximum of 1 ticket per ID is available. All discount tickets are subject to availability.

Group Discounts: For more information, call our Box Office at (901) 537-2525.

Other Information • Please turn off all cell phones and pagers when the performance begins. • Food and beverages are not allowed in the concert halls. • Lost and Found is located at the box office. Management is not responsible for lost, stolen or damaged property. • Restrooms are located off the main floor, lobby and balcony areas of the concert hall. Facilities for wheel chair bound patrons are also available in each main floor restroom.

First Aid • Contact an usher for assistance. • Emergency Evacuation – In case of a fire or other emergency, please use the exit nearest to your seat, indicated by a lighted Exit sign. This is the shortest route out of the performing arts center. Please be sure to walk to the exit – do not run.

All concerts and performers are subject to change with or without notificiation.

For Tickets 901-537-2525 Follow the Memphis Symphony! 85 Pure Entertainment

Nationally recognized for creative quality and community vision. Join us for a stellar season with a variety of entertaining shows in our 2012-13 season. See classics, comedies, musicals and new works on the Lohrey Stage and Next Stage. Memberships include six tickets to use in any combination on any unrestricted show and Member Card benefits are all part of your Membership,including discounts on adult tickets to A Christmas Carol, TM’s special events and ShoWagon children’s camps. Season Memberships may be purchased through November 30, 2012 for only $120.

Purchase individual tickets online at www.theatrememphis.org

or call 901.682.8323 to become a member. photos by Skip Hooper 2011-12 production

2012-13 Season

FIDDLER ON THE ROOF A CHRISTMAS CAROL* SYLVIA Aug 24 – Sept 16, 2012 Nov 30 – Dec 23, 2012 April 5 – 21, 2013 TALLEY’S FOLLY SIX DEGREES OF BRIGHTON BEACH Sept 21 – Oct 7, 2012 SEPARATION MEMOIRS Jan 25 – Feb 10, 2013 April 26 – May 12, 2013 DANGEROUS LIAISONS Oct 12 – 28, 2012 A STEADY RAIN SINGIN’ IN THE RAIN Feb 15 – March 3, 2013 June 7 – 30, 2013 ALTAR BOYZ Nov 2 – 18, 2012 A CHORUS LINE *Not part of the season membership Jan 11 – 20, 2013 March 8 – 30, 2013 but members do get discounts on A Christmas Carol tickets.

UNRIVALED PERFORMANCE. UNENDING APPLAUSE.

Season Presenting Sponsor Season sponsored by Generous support received from Arthur F. and Alice E. Adams Foundation

PURCHASE TICKETS ONLINE WWW.THEATREMEMPHIS.ORG OR CALL 682.8323 Bon Appétit, Y’all

Sample our food section with a distinctive Southern flavor in Wednesday’s paper and online at facebook.com/sotastes

For home delivery, call 529.2666 88 www.MemphisSymphony.org