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The History of Rock Music: 1970-1975
The History of Rock Music: 1970-1975 History of Rock Music | 1955-66 | 1967-69 | 1970-75 | 1976-89 | The early 1990s | The late 1990s | The 2000s | Alpha index Musicians of 1955-66 | 1967-69 | 1970-76 | 1977-89 | 1990s in the US | 1990s outside the US | 2000s Back to the main Music page Inquire about purchasing the book (Copyright © 2009 Piero Scaruffi) Decadence 1969-76 (These are excerpts from my book "A History of Rock and Dance Music") As usual, the "dark age" of the early 1970s, mainly characterized by a general re-alignment to the diktat of mainstream pop music, was breeding the symptoms of a new musical revolution. In 1971 Johnny Thunders formed the New York Dolls, a band of transvestites, and John Cale (of the Velvet Underground's fame) recorded Jonathan Richman's Modern Lovers, while Alice Cooper went on stage with his "horror shock" show. In London, Malcom McLaren opened a boutique that became a center for the non-conformist youth. The following year, 1972, was the year of David Bowie's glam-rock, but, more importantly, Tom Verlaine and Richard Hell formed the Neon Boys, while Big Star coined power-pop. Finally, unbeknownst to the masses, in august 1974 a new band debuted at the CBGB's in New York: the Ramones. The future was brewing, no matter how flat and bland the present looked. Decadence-rock 1969-75 TM, ®, Copyright © 2005 Piero Scaruffi All rights reserved. Rock'n'roll had always had an element of decadence, amorality and obscenity. In the 1950s it caused its collapse and quasi-extinction. -
Completeandleft
MEN WOMEN 1. Adam Ant=English musician who gained popularity as the Amy Adams=Actress, singer=134,576=68 AA lead singer of New Wave/post-punk group Adam and the Amy Acuff=Athletics (sport) competitor=34,965=270 Ants=70,455=40 Allison Adler=Television producer=151,413=58 Aljur Abrenica=Actor, singer, guitarist=65,045=46 Anouk Aimée=Actress=36,527=261 Atif Aslam=Pakistani pop singer and film actor=35,066=80 Azra Akin=Model and actress=67,136=143 Andre Agassi=American tennis player=26,880=103 Asa Akira=Pornographic act ress=66,356=144 Anthony Andrews=Actor=10,472=233 Aleisha Allen=American actress=55,110=171 Aaron Ashmore=Actor=10,483=232 Absolutely Amber=American, Model=32,149=287 Armand Assante=Actor=14,175=170 Alessandra Ambrosio=Brazilian model=447,340=15 Alan Autry=American, Actor=26,187=104 Alexis Amore=American pornographic actress=42,795=228 Andrea Anders=American, Actress=61,421=155 Alison Angel=American, Pornstar=642,060=6 COMPLETEandLEFT Aracely Arámbula=Mexican, Actress=73,760=136 Anne Archer=Film, television actress=50,785=182 AA,Abigail Adams AA,Adam Arkin Asia Argento=Actress, film director=85,193=110 AA,Alan Alda Alison Armitage=English, Swimming=31,118=299 AA,Alan Arkin Ariadne Artiles=Spanish, Model=31,652=291 AA,Alan Autry Anara Atanes=English, Model=55,112=170 AA,Alvin Ailey ……………. AA,Amedeo Avogadro ACTION ACTION AA,Amy Adams AA,Andre Agasi ALY & AJ AA,Andre Agassi ANDREW ALLEN AA,Anouk Aimée ANGELA AMMONS AA,Ansel Adams ASAF AVIDAN AA,Army Archerd ASKING ALEXANDRIA AA,Art Alexakis AA,Arthur Ashe ATTACK ATTACK! AA,Ashley -
A Dangerous Method
A David Cronenberg Film A DANGEROUS METHOD Starring Keira Knightley Viggo Mortensen Michael Fassbender Sarah Gadon and Vincent Cassel Directed by David Cronenberg Screenplay by Christopher Hampton Based on the stage play “The Talking Cure” by Christopher Hampton Based on the book “A Most Dangerous Method” by John Kerr Official Selection 2011 Venice Film Festival 2011 Toronto International Film Festival, Gala Presentation 2011 New York Film Festival, Gala Presentation www.adangerousmethodfilm.com 99min | Rated R | Release Date (NY & LA): 11/23/11 East Coast Publicity West Coast Publicity Distributor Donna Daniels PR Block Korenbrot Sony Pictures Classics Donna Daniels Ziggy Kozlowski Carmelo Pirrone 77 Park Ave, #12A Jennifer Malone Lindsay Macik New York, NY 10016 Rebecca Fisher 550 Madison Ave 347-254-7054, ext 101 110 S. Fairfax Ave, #310 New York, NY 10022 Los Angeles, CA 90036 212-833-8833 tel 323-634-7001 tel 212-833-8844 fax 323-634-7030 fax A DANGEROUS METHOD Directed by David Cronenberg Produced by Jeremy Thomas Co-Produced by Marco Mehlitz Martin Katz Screenplay by Christopher Hampton Based on the stage play “The Talking Cure” by Christopher Hampton Based on the book “A Most Dangerous Method” by John Kerr Executive Producers Thomas Sterchi Matthias Zimmermann Karl Spoerri Stephan Mallmann Peter Watson Associate Producer Richard Mansell Tiana Alexandra-Silliphant Director of Photography Peter Suschitzky, ASC Edited by Ronald Sanders, CCE, ACE Production Designer James McAteer Costume Designer Denise Cronenberg Music Composed and Adapted by Howard Shore Supervising Sound Editors Wayne Griffin Michael O’Farrell Casting by Deirdre Bowen 2 CAST Sabina Spielrein Keira Knightley Sigmund Freud Viggo Mortensen Carl Jung Michael Fassbender Otto Gross Vincent Cassel Emma Jung Sarah Gadon Professor Eugen Bleuler André M. -
Lesleywalker
(3/10/21) LESLEY WALKER Editor FILM & TELEVISION DIRECTOR COMPANIES PRODUCERS “MILITARY WIVES” Peter Cattaneo 42 Rory Aitken Tempo Productions Ltd. Ben Pugh “THE MAN WHO KILLED DON Terry Gilliam Amazon Studios Mariela Besuievsky QUIXOTE” Recorded Picture Co. Amy Gilliam Gerardo Herrero Gabriele Oricchio “THE DRESSER” Richard Eyre BBC Suzan Harrison Playground Ent. Colin Callender “MOLLY MOON: THE Christopher N. Rowley Amber Ent. Lawrence Elman INCREDIBLE HYPNOTIST” Lipsync Prods. Ileen Maisel “HOLLOW CROWN: HENRY IV”Richard Eyre BBC Rupert Ryle-Hodges Neal Street Prods. Sam Mendes “I AM NASRINE” Tina Gharavi Bridge and Tunnel Prods James Richard Baille (Supervising Editor) David Raedeker “WILL” Ellen Perry Strangelove Films Mark Cooper Ellen Perry Taha Altayli “MAMMA MIA” Phyllida Lloyd Playtone Gary Goetzman Nomination: American Cinema Editors (ACE) Award Universal Pictures Tom Hanks Rita Wilson “CLOSING THE RING” Richard Attenborough Closing the Ring Ltd. Jo Gilbert “BROTHERS GRIMM” Terry Gilliam Miramax Daniel Bobker Charles Roven “TIDELAND” Terry Gilliam Capri Films Gabriella Martinelli Recorded Picture Co. Jeremy Thomas “NICHOLAS NICKLEBY” Douglas McGrath Cloud Nine Ent. S. Channing Williams Hart Sharp Entertainment John Hart MGM/United Artists Jeffery Sharp “ALL OR NOTHING” Mike Leigh Cloud Nine Entertainment Simon Channing Williams Le Studio Canal “SLEEPING DICTIONARY” Guy Jenkin Fine Line Simon Bosanquet "FEAR AND LOATHING IN Terry Gilliam Rhino Patrick Cassavetti LAS VEGAS" Stephen Nemeth "ACT WITHOUT WORDS I" Karel Reisz Parallel -
MUSIC of IRELAND Fact Sheet PRESS FINAL
Premiering nationwide March 2010 on public television (check local listings), Music of Ireland – DVD plus exclusive Welcome Home tells the definitive story of bonus CD available contemporary Irish music, starting in 1960 with the only through public Clancy Brothers. Grammy-winner Moya Brennan television stations! (Clannad) hosts this new documentary featuring exclusive interviews and performances from The Chieftains’ Paddy Moloney , Riverdance ’s Michael Flatley & Bill Whelan , U2’s Bono & Adam Clayton , Sinéad O’Connor , Bob Geldof , Pete Seeger , The Dubliners’ John Sheahan , the late Liam Clancy ’s last interview before his death (12/2009), and other great icons of Irish popular culture. See vintage clips of The Clancy Brothers & Tommy Makem on The Ed Sullivan Show, Judy Collins playing music from the ‘old Companion CD of new & original country,’ The Pogues and Van Morrison with The songs from artists Chieftains on RTE’s “Late, Late Show,” Riverdance ’s in the program and debut at Eurovision and more! A must-see for music other Irish music fans, Music of Ireland explores the impact of Irish stars! music in America and the world. Preview video and more at wliw.org/musicofireland . Media Kit : wliw.org/pressroom Media Contacts Natasha Padilla Patti Conte Melani Rogers WNET.ORG Plan A Media Plan A Media [email protected] [email protected] [email protected] Phone: 212.560.8824 Phone: 212.337.1406 ext 16 Phone: 212.337.1406 ext 18 The greatest Irish musical artists of our time in the definitive story of contemporary Irish music -
The Finance and Production of Independent Film and Television in the UK: a Critical Introduction
The Finance and Production of Independent Film and Television in the UK: A Critical Introduction Vital Statistics General Population: 64.1m Size: 241.9 km sq GDP: £1.9tr (€2.1tr) Film1 Market share of UK independent films in 2015: 10.5% Number of feature films produced: 201 Average visits to cinema per person per year: 2.7 Production spend per year: £1.4m (€1.6) TV2 Audience share of the main publicly-funded PSB (BBC): 72% Production spend by PSBs: £2.5bn (€3.2bn) Production spend by commercial channels (excluding sport): £350m (€387m) Time spent watching television per day: 193 minutes (3hrs 13 minutes) Introduction This chapter provides an overview of independent film and television production in the UK. Despite the unprecedented levels of convergence that characterise the digital era, the UK film and television industries remain distinct for several reasons. The film industry is small and fragmented, divided across the two opposing sources of support on which it depends: large but uncontrollable levels of ‘inward-investment’ – money invested in the UK from overseas – mainly from the US, and low levels of public subsidy. By comparison, the television industry is large and diverse, its relative stability underpinned by a long-standing infrastructure of 1 Sources: BFI 2016: 10; ‘The Box Office 2015’ [market share of UK indie films] ; BFI 2016: 6; ‘Exhibition’ [cinema visits per per person]; BFI 2016: 6; ‘Exhibition’ [average visits per person]; BFI 2016: 3; ‘Screen Sector Production’ [production spend per year]. 2 Sources: Oliver & Ohlbaum 2016: 68 [PSB audience share]; Ofcom 2015a: 3 [PSB production spend]; Ofcom 2015a: 8. -
Summerfest 2013 Brings Just What the Doctors Ordered Starting Saturday, August 3, at 10 AM, with 3 Steps to Incredible Health with Dr
08/2013 Love, Laugh & Eat with John Tickell, MD—Live! • Masterpiece MYSTERY: Silk • The March SummerFest Enjoy sensational specials and tell your friends. Sarah Brightman: Dreamchaser in Concert Live! at UNC-TV Love, Laugh Alfie Boe: & Eat with Storyteller at the John Tickell, MD Royal Albert Hall The Supremes: ‘60s Girl Grooves Elvis: Aloha From Hawaii An Evening with Doc Watson & David Holt Please help us find new members to sustain UNC-TV’s life-changing television! AugustCP.indd 1 7/17/13 1:21 PM augustHIGHLIGHTS On ... SummerBeat the Heat with Cool Fest Specials! SummerFest 2013 brings just what the doctors ordered starting Saturday, August 3, at 10 AM, with 3 Steps to Incredible Health with Dr. Joel Fuhrman and Healthy Hormones: Brain Body Fitness, at noon. Keep moving with toe-tapping tunes from ‘60s Pop, Rock & Soul, at 1 PM, and Doobie Brothers Live at Wolf Trap, at 3 PM. Then, at 4:30 PM, learn to Love, Laugh & Eat with John Tickell, MD—LIVE—in the UNC-TV studio! Stroll down memory lane with Lawrence Welk: Precious Memories, at 6 PM, and pick up the tempo with ‘60s Girl Grooves, at 8 PM. Saturday takes a dramatic turn with the last new episode of the hit Brit mystery series Death in Paradise, at 10 PM. Get inspired Sunday, August 4, with Smarter Brains, at 10 AM, and George Beverly Shea: The Wonder of It All, at 11:30 AM. Enjoy The Great American Songbook, at 1 PM, Hugh Laurie—Live on the Queen Mary, at 3 PM, and Superstars of Seventies Soul Live, at 4 PM. -
Craig Mcmurdo the World Famous the Sound Was Dance Orchestra Floorshow Just Superb...” SAGA 105.2FM 2 4 6
Excellence in Entertainment …what a wonderful“ night… the music choice was perfect and Introduction The Craig McMurdo The World Famous the sound was Dance Orchestra Floorshow just superb...” SAGA 105.2FM 2 4 6 ..it was a pleasure “to work with you and your team and the show Other Packages was fantastic...” H.I.T. SCOTLAND 8 1 …you really made the“ wedding… thank you, thank you, thank you… Corporate Highlights you’re the greatest…” CONTENTS EMMA & STEVEN McCOLL 10 …great atmosphere… “the perfect playlist... guests were thrilled... Client List it was terrific...” WALT DISNEY THEATRICAL (UK) LTD 12 y combining the “wow factor” onstage with thorough, co-ordinated planning and management behind the scenes, he continuously achieves his goal of exceeding expectations at every performance. …a born entertainer… B “ the best show Craig McMurdo is the ultimate entertainer for private and corporate I’ve seen. ” entertainment be it music for dancing, cabaret or background with complete THE SCOTSMAN and tailored packages available to suit each and every event from a charity ball or wedding reception to a gala launch or premiere. It’s no wonder his client and venue raig McMurdo has been thrilling audiences around the globe for over list reads like a who’s who but then two decades; from humble beginnings on the Edinburgh Festival Fringe the very best demand the very best. Cto performing at private parties for such luminaries as HRH Prince Charles, actor Paul Newman and a multitude of Sir Cameron Mackintosh’s “…a night to remember… opening night parties. a joy to work with…” CAMERON MACKINTOSH LTD Originally making his name in the field of Jazz and Swing, with countless 2 INTRODUCTION television, radio, festival and theatre appearances both in the UK and world INTRODUCTION 3 wide as well as releasing six albums to date, he has, over the years, developed his voice to encompass a remarkable range of styles from Rat Pack to rock ‘n roll, pop to classic soul. -
NLS User Manual
WAVES NLS NON-LINEAR SUMMER USER GUIDE Table of Contents Chapter 1 – Introduction..................................................................... 3 1.1 Welcome..................................................................................................................3 1.2 Product Overview ....................................................................................................3 1.3 Concepts and Terminology......................................................................................4 1.4 Components ............................................................................................................7 1.5 WaveSystem Toolbar...............................................................................................7 Chapter 2 – Quick Start Guide ........................................................... 8 Chapter 3 – Interface and Controls .................................................. 10 3.1 NLS Channel Interface ..........................................................................................10 3.2 NLS Channel Controls...........................................................................................11 3.3 NLS Buss Interface................................................................................................13 3.4 NLS Buss Controls ................................................................................................14 3.5 NLS VCA Groups Console Interface .....................................................................16 3.6 NLS - VCA Group Console -
Joan Jett & the Blackhearts
Joan Jett & the Blackhearts By Jaan Uhelszki As leader of her hard-rockin’ band, Jett has influenced countless young women to pick up guitars - and play loud. IF YOU HAD TO SIT DOWN AND IMAGINE THE IDEAL female rocker, what would she look like? Tight leather pants, lots of mascara, black (definitely not blond) hair, and she would have to play guitar like Chuck Berry’s long-lost daughter. She wouldn’t look like Madonna or Taylor Swift. Maybe she would look something like Ronnie Spector, a little formidable and dangerous, definitely - androgynous, for sure. In fact, if you close your eyes and think about it, she would be the spitting image of Joan Jett. ^ Jett has always brought danger, defiance, and fierceness to rock & roll. Along with the Blackhearts - Jamaican slang for loner - she has never been afraid to explore her own vulnerabilities or her darker sides, or to speak her mind. It wouldn’t be going too far to call Joan Jett the last American rock star, pursuing her considerable craft for the right reason: a devo tion to the true spirit of the music. She doesn’t just love rock & roll; she honors it. ^ Whether she’s performing in a blue burka for U.S. troops in Afghanistan, working for PETA, or honoring the slain Seattle singer Mia Zapata by recording a live album with Zapata’s band the Gits - and donating the proceeds to help fund the investigation of Zapata’s murder - her motivation is consistent. Over the years, she’s acted as spiritual advisor to Ian MacKaye, Paul Westerberg, and Peaches. -
Glam Rock by Barney Hoskyns 1
Glam Rock By Barney Hoskyns There's a new sensation A fabulous creation, A danceable solution To teenage revolution Roxy Music, 1973 1: All the Young Dudes: Dawn of the Teenage Rampage Glamour – a word first used in the 18th Century as a Scottish term connoting "magic" or "enchantment" – has always been a part of pop music. With his mascara and gold suits, Elvis Presley was pure glam. So was Little Richard, with his pencil moustache and towering pompadour hairstyle. The Rolling Stones of the mid-to- late Sixties, swathed in scarves and furs, were unquestionably glam; the group even dressed in drag to push their 1966 single "Have You Seen Your Mother, Baby, Standing in the Shadow?" But it wasn't until 1971 that "glam" as a term became the buzzword for a new teenage subculture that was reacting to the messianic, we-can-change-the-world rhetoric of late Sixties rock. When T. Rex's Marc Bolan sprinkled glitter under his eyes for a TV taping of the group’s "Hot Love," it signaled a revolt into provocative style, an implicit rejection of the music to which stoned older siblings had swayed during the previous decade. "My brother’s back at home with his Beatles and his Stones," Mott the Hoople's Ian Hunter drawled on the anthemic David Bowie song "All the Young Dudes," "we never got it off on that revolution stuff..." As such, glam was a manifestation of pop's cyclical nature, its hedonism and surface show-business fizz offering a pointed contrast to the sometimes po-faced earnestness of the Woodstock era. -
Fall 2018/Spring 2019 Spotlight Newsletter
Newsletter Issue 7 - Fall 2018/Spring 2019 The Only Constant By Dr. James Bell, Dean of Faculty the lion’s share of prep work for Ellucian, breathless students hanging on my every The old cliché is that change is the but we have been (or will be) forced word, then free associating about the text’s only constant. Cliché or not, many of us to face the disorientation that comes significance, but teaching is no longer (Was live that reality. I think about some of the with change to outmoded but familiar it ever?) that. Our students often bring changes that currently impact me: new systems. As for my heel, the phrase “re- elevated expectations and diminished windows for the Fine Arts building, the anchor the tendon to the bone” probably preparation to the classroom; demands implementation of a new information says all it needs to say about discomfort. for “accountability,” some well-intentioned system for the entire campus community, A second and maybe significant and others driven by political concern, and a new (or vastly improved) Achilles theme of these recent changes is shape the university environment; and if Tendon and spur-free heel for me later inevitability. In each case, the simple we are honest, it is hard to keep up with this week. Though the installation is reality is that things have worn out or technological and cultural change. still in progress, the new windows have no longer meet the needs they were And yet those changes are here. already made a significant improvement intended to meet.