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The Cambridge Companion to Canadian Literature Edited by Eva-Marie Kröller Frontmatter More Information
Cambridge University Press 978-1-107-15962-4 — The Cambridge Companion to Canadian Literature Edited by Eva-Marie Kröller Frontmatter More Information The Cambridge Companion to Canadian Literature This fully revised second edition of The Cambridge Companion to Canadian Literature offers a comprehensive introduction to major writers, genres, and topics. For this edition several chapters have been completely re-written to relect major developments in Canadian literature since 2004. Surveys of ic- tion, drama, and poetry are complemented by chapters on Aboriginal writ- ing, autobiography, literary criticism, writing by women, and the emergence of urban writing. Areas of research that have expanded since the irst edition include environmental concerns and questions of sexuality which are freshly explored across several different chapters. A substantial chapter on franco- phone writing is included. Authors such as Margaret Atwood, noted for her experiments in multiple literary genres, are given full consideration, as is the work of authors who have achieved major recognition, such as Alice Munro, recipient of the Nobel Prize for literature. Eva-Marie Kröller edited the Cambridge Companion to Canadian Literature (irst edn., 2004) and, with Coral Ann Howells, the Cambridge History of Canadian Literature (2009). She has published widely on travel writing and cultural semiotics, and won a Killam Research Prize as well as the Distin- guished Editor Award of the Council of Editors of Learned Journals for her work as editor of the journal Canadian -
Cahiers-Papers 53-1
The Giller Prize (1994–2004) and Scotiabank Giller Prize (2005–2014): A Bibliography Andrew David Irvine* For the price of a meal in this town you can buy all the books. Eat at home and buy the books. Jack Rabinovitch1 Founded in 1994 by Jack Rabinovitch, the Giller Prize was established to honour Rabinovitch’s late wife, the journalist Doris Giller, who had died from cancer a year earlier.2 Since its inception, the prize has served to recognize excellence in Canadian English-language fiction, including both novels and short stories. Initially the award was endowed to provide an annual cash prize of $25,000.3 In 2005, the Giller Prize partnered with Scotiabank to create the Scotiabank Giller Prize. Under the new arrangement, the annual purse doubled in size to $50,000, with $40,000 going to the winner and $2,500 going to each of four additional finalists.4 Beginning in 2008, $50,000 was given to the winner and $5,000 * Andrew Irvine holds the position of Professor and Head of Economics, Philosophy and Political Science at the University of British Columbia, Okanagan. Errata may be sent to the author at [email protected]. 1 Quoted in Deborah Dundas, “Giller Prize shortlist ‘so good,’ it expands to six,” 6 October 2014, accessed 17 September 2015, www.thestar.com/entertainment/ books/2014/10/06/giller_prize_2014_shortlist_announced.html. 2 “The Giller Prize Story: An Oral History: Part One,” 8 October 2013, accessed 11 November 2014, www.quillandquire.com/awards/2013/10/08/the-giller- prize-story-an-oral-history-part-one; cf. -
On Deformity: Bodies in Contemporary Canadian Fiction
University of Calgary PRISM: University of Calgary's Digital Repository Graduate Studies The Vault: Electronic Theses and Dissertations 2012-10-25 On Deformity: Bodies in Contemporary Canadian Fiction Ram, Véronique Dorais Ram, V. D. (2012). On Deformity: Bodies in Contemporary Canadian Fiction (Unpublished doctoral thesis). University of Calgary, Calgary, AB. doi:10.11575/PRISM/27175 http://hdl.handle.net/11023/312 doctoral thesis University of Calgary graduate students retain copyright ownership and moral rights for their thesis. You may use this material in any way that is permitted by the Copyright Act or through licensing that has been assigned to the document. For uses that are not allowable under copyright legislation or licensing, you are required to seek permission. Downloaded from PRISM: https://prism.ucalgary.ca UNIVERSITY OF CALGARY On Deformity: Bodies in Contemporary Canadian Fiction by Véronique Dorais Ram A THESIS SUBMITTED TO THE FACULTY OF GRADUATE STUDIES IN PARTIAL FULFILMENT OF THE REQUIREMENTS FOR THE DEGREE OF DOCTOR OF PHILOSOPHY DEPARTMENT OF ENGLISH CALGARY, ALBERTA October, 2012 © Véronique Dorais Ram 2012 Abstract This dissertation ponders how deformity acts as an index of resistance to the conventional family saga; it challenges the authority of the genre, which perpetuates conformity to affirm the existence of a national identity. I open with a history of the trope of deformity and a theory on its applicability to questions of the nation in Canadian fiction. Bonnie Burnard’s A Good House begins the literary analysis and considers how Daphne’s asymmetrical face exemplifies the novel’s overarching deformation of the domestic realist text. -
Interior Music: an Examination of the Sociocognitive Abilities of Fiction Writers
INTERIOR MUSIC: AN EXAMINATION OF THE SOCIOCOGNITIVE ABILITIES OF FICTION WRITERS by Theanna Frances Bischoff A thesis submitted in conformity with the requirements for the degree of Doctor of Philosophy Department of Human Development and Applied Psychology Ontario Institute for Studies in Education University of Toronto © Copyright by Theanna Frances Bischoff (2013) INTERIOR MUSIC: AN EXAMINATION OF THE SOCIOCOGNITIVE ABILITIES OF FICTION WRITERS Doctor of Philosophy 2013 Theanna Frances Bischoff Department of Human Development and Applied Psychology University of Toronto Abstract A two-part study was undertaken to investigate the relationship between fiction writing and social cognition: the ability to make inferences about the mental states of others. First, an online survey was administered that assessed beliefs held by the general public about the social cognition of fiction writers compared to a variety of other professions. The findings revealed that the general public believes fiction writers demonstrate above average sociocognitive abilities. Next, the possibility of an empirical relationship between social cognition and fiction writing was explored by comparing two groups of fiction writers (established/published and intermediate writers) and a control group on measures directly assessing different facets of social cognition (e.g., social perception, interpreting body language, and making inferences about interpersonal interactions on video and in written vignettes). Participants were also asked to self-report their own sociocognitive abilities via a questionnaire assessing perspective taking. Related variables to social cognition were also tested, including self-reported interpersonal/social reactivity and cognitive complexity/differentiation. Potential confounding variables, including age, level of depression, verbal IQ, and tendency to read fiction were also measured and accounted for. -
A FREE PAPER for the PEOPLE WHO FIND THEMSELVES in the ANNAPOLIS VALLEY October 1 – 15, 2015 | Issue No
1 October 1 – 15, 2015 A FREE PAPER FOR THE PEOPLE WHO FIND THEMSELVES IN THE ANNAPOLIS VALLEY October 1 – 15, 2015 | Issue No. 12.20 ARTS CULTURE COMMUNITY You're holding one of 5700 copies Grow Your Own Clothes – p.3 55 Years of Apple Farming – p.11 Valley Harvest Marathon – p.11 Your Political Questions – p.12 AppleFest in Berwick – p.13 Zucchini Lasagna ••••••• – p.14 ••• Michelle Herx – p.16 Fall into Autumn – p.18 PAGE 2 REG 2 October 1 – 15, 2015 ON THE COVER Of all the amazing bounty of crops that au- food to be truly grateful for, and all produced tumn brings to our beautiful Annapolis Valley, locally by the dedicated farmers of our Annap- there is perhaps nothing more lovely than the olis Valley. These bins of crisp, red apples are Valley’s namesake fruit. Each fall when the air the product of Killam Orchard in Woodville, starts to cool and the apples are ripe, ready to land proudly worked by four generations of be picked, you know that Thanksgiving is just the Killam family. around the corner. Applesauce, apple cider, and, of course, apple pie...mouth-watering Photo by Jocelyn Hatt Grand Pré Wines Wine Fest 2015 October 10-11 12 - 4pm Live music from 12-4 Free tours and tastings at 11am, 3pm and 5pm Oyster Bar, Raclette, Sausages 2,000 Bonus reward miles. To apply, visit us at: Wolfville Branch, All new product release That’s two tickets! 424 Main St. ® ®† ®* 902-542-7177 o r BMO AIR MILES World MasterCard Stop waiting. -
Governor General's Literary Awards
Bibliothèque interculturelle 6767, chemin de la Côte-des-neiges 514.868.4720 Governor General's Literary Awards Fiction Year Winner Finalists Title Editor 2009 Kate Pullinger The Mistress of Nothing McArthur & Company Michael Crummey Galore Doubleday Canada Annabel Lyon The Golden Mean Random House Canada Alice Munro Too Much Happiness McClelland & Steward Deborah Willis Vanishing and Other Stories Penguin Group (Canada) 2008 Nino Ricci The Origins of Species Doubleday Canada Rivka Galchen Atmospheric Disturbances HarperCollins Publishers Ltd. Rawi Hage Cockroach House of Anansi Press David Adams Richards The Lost Highway Doubleday Canada Fred Stenson The Great Karoo Doubleday Canada 2007 Michael Ondaatje Divisadero McClelland & Stewart David Chariandy Soucoupant Arsenal Pulp Press Barbara Gowdy Helpless HarperCollins Publishers Heather O'Neill Lullabies for Little Criminals Harper Perennial M. G. Vassanji The Assassin's Song Doubleday Canada 2006 Peter Behrens The Law of Dreams House of Anansi Press Trevor Cole The Fearsome Particles McClelland & Stewart Bill Gaston Gargoyles House of Anansi Press Paul Glennon The Dodecahedron, or A Frame for Frames The Porcupine's Quill Rawi Hage De Niro's Game House of Anansi Press 2005 David Gilmour A Perfect Night to Go to China Thomas Allen Publishers Joseph Boyden Three Day Road Viking Canada Golda Fried Nellcott Is My Darling Coach House Books Charlotte Gill Ladykiller Thomas Allen Publishers Kathy Page Alphabet McArthur & Company GovernorGeneralAward.xls Fiction Bibliothèque interculturelle 6767, -
150 Canadian Books to Read
150 CANADIAN BOOKS TO READ Books for Adults (Fiction) 419 by Will Ferguson Generation X by Douglas Coupland A Better Man by Leah McLaren The Girl who was Saturday Night by Heather A Complicated Kindness by Miriam Toews O’Neill A Fine Balance by Rohinton Mistry The Handmaid’s Tale by Margaret Atwood Across The Bridge by Mavis Gallant Helpless by Barbara Gowdy Alias Grace by Margaret Atwood Home from the Vinyl Café by Stuart McLean All My Puny Sorrows by Miriam Toews Indian Horse by Richard Wagamese And The Birds Rained Down by Jocelyne Saucier The Island Walkers by John Bemrose Anil’s Ghost by Michael Ondaatje The Jade Peony by Wayson Choy Annabel by Kathleen Winter jPod by Douglas Coupland As For Me and My House by Sinclair Ross Late Nights on Air by Elizabeth Hay The Back of the Turtle by Thomas King Lives of the Saints by Nino Ricci Barney’s Version by Mordecai Richler Love and Other Chemical Imbalances by Adam Beatrice & Virgil by Yann Martel Clark Beautiful Losers by Leonard Cohen Luck by Joan Barfoot The Best Kind of People by Zoe Whittall Medicine Walk by Richard Wagamese The Best Laid Plans by Terry Fallis Mercy Among The Children by David Adams The Birth House by Ami McKay Richards The Bishop’s Man by Linden MacIntyre No Great Mischief by Alistair Macleod Black Robe by Brian Moore The Other Side of the Bridge by Mary Lawson Blackfly Season by Giles Blunt The Outlander by Gil Adamson The Book of Negroes by Lawrence Hill The Piano Man’s Daughter by Timothy Findley The Break by Katherena Vermette The Polished Hoe by Austin Clarke The Cat’s Table by Michael Ondaatje Quantum Night by Robert J. -
Prestige Newsletter Template 1 ENGLISH Colour
English Studies at the University Of Toronto Department of English/Faculty of Arts and Science Editor: P. Coles Assistant Editor: M. Perry Summer 2009 Volume 1, Issue 1 Transformation in Communication July, 2009 By Alan Bewell Inside this issue: Welcome. The English English News: Transformation in 1 Communication Department is undergoing a radical transformation in The Post-English Life of Brian 1 how it communicates with its students, alumni, and Eleanor Cook’s Preferred Form of 3 retired faculty. We have a Learning English Faculty Members Cozy 4 new website and a newslet- up to Science ter, which is appearing for New Faculty 7 the first time in both a printed and an electronic Awards & Accolades 9 form. An alumni email The new home of the Department of English, the Jackman Humanities Building listserve will soon be up Ted Chamberlin 10 appreciation of the rich citement and creativity of and running. All of this Placements 11 activity is part of an effort history and geographical this community. to keep in closer touch with diversity of the English lan- Donna Bennett 12 The newsletter and our that large community of guage and the cultures that new website are inextrica- Rosemary Sullivan: Villa Air-Bel 13 people who in all sorts of have developed from it. bly tied to each other: the English is as diverse as the ways are interested in events from the new web- St. George Undergraduate News 13 knowing what is happening people who speak it. Com- site should be more up-to- in English at the University munication will help us to date and will inform the Russell Brown 14 of Toronto. -
Longlisted & Shortlisted Books 1994-2018
Longlisted & Shortlisted Books 1994-2018 www.scotiabankgillerprize.ca # The Boys in the Trees, Mary Swan – 2008 13 Ways of Looking at a Fat Girl, Mona Awad - 2016 Brother, David Chariandy – 2017 419, Will Ferguson - 2012 Burridge Unbound, Alan Cumyn – 2000 By Gaslight, Steven Price – 2016 A A Beauty, Connie Gault – 2015 C A Complicated Kindness, Miriam Toews – 2004 Casino and Other Stories, Bonnie Burnard – 1994 A Fine Balance, Rohinton Mistry – 1995 Cataract City, Craig Davidson – 2013 The Age of Longing, Richard B. Wright – 1995 The Cat’s Table, Michael Ondaatje – 2011 A Good House, Bonnie Burnard – 1999 Caught, Lisa Moore – 2013 A Good Man, Guy Vanderhaeghe – 2011 The Cellist of Sarajevo, Steven Galloway – 2008 Alias Grace, Margaret Atwood – 1996 Cereus Blooms at Night, Shani Mootoo – 1997 Alligator, Lisa Moore – 2005 Childhood, André Alexis – 1998 All My Puny Sorrows, Miriam Toews – 2014 Cities of Refuge, Michael Helm – 2010 All That Matters, Wayson Choy – 2004 Clara Callan, Richard B. Wright – 2001 All True Not a Lie in it, Alix Hawley – 2015 Close to Hugh, Mariana Endicott - 2015 American Innovations, Rivka Galchen – 2014 Cockroach, Rawi Hage – 2008 Am I Disturbing You?, Anne Hébert, translated by The Colony of Unrequited Dreams, Wayne Johnston – Sheila Fischman – 1999 1998 Anil’s Ghost, Michael Ondaatje – 2000 The Colour of Lightning, Paulette Jiles – 2009 Annabel, Kathleen Winter – 2010 Conceit, Mary Novik – 2007 An Ocean of Minutes, Thea Lim – 2018 Confidence, Russell Smith – 2015 The Antagonist, Lynn Coady – 2011 Cool Water, Dianne Warren – 2010 The Architects Are Here, Michael Winter – 2007 The Crooked Maid, Dan Vyleta – 2013 A Recipe for Bees, Gail Anderson-Dargatz – 1998 The Cure for Death by Lightning, Gail Arvida, Samuel Archibald, translated by Donald Anderson-Dargatz – 1996 Winkler – 2015 Curiosity, Joan Thomas – 2010 A Secret Between Us, Daniel Poliquin, translated by The Custodian of Paradise, Wayne Johnston – 2006 Donald Winkler – 2007 The Assassin’s Song, M.G. -
Book Club Summaries
Book club summaries FICTION The 100-Year-Old Man Who Climbed Out the Window and Disappeared – Jonas Jonasson A reluctant centenarian much like Forrest Gump (if Gump were an explosives expert with a fondness for vodka) decides it’s not too late to start over. 13 rue Thérèse – Elena Mauli Shapiro American academic Trevor Stratton discovers a box full of artifacts from World War I as he settles into his new office in Paris. The pictures, letters, and objects in the box relate to the life of Louise Brunet, a feisty, charming Frenchwoman who lived through both World Wars. The 19th Wife – David Ebershoff It is 1875, and Ann Eliza Young has recently separated from her powerful husband, Brigham Young, prophet and leader of the Mormon Church. Expelled and an outcast, Ann Eliza embarks on a crusade to end polygamy in the United States. A rich account of a family’s polygamous history is revealed, including how a young woman became a plural wife. 29 – Adena Halpern 75-year-old Ellie Jerome is granted her birthday wish: for just one day, she is 29 years old again. 29 is the story of three generations of women and how one magical day shakes up everything they knew about each other. Abigale Hall – Lauren A. Forry Set aftr WWII, 17-year-old Eliza Haverford and her 12-year-old sister, Rebecca, have lost their parents and are now in the care of their sullen Aunt Bess, who’s more than willing to ship the girls off to Wales to work as servants. -
Assemble, Like So (And Other Pieces)
Volume 10 Issue 2 Assemble, Like So (Instructions from the Phrenologist’s Lover) Daniel Scott Tysdal The spirit is a bone. —Phrenologist’s Adage 1. Know that not being afraid of exposing myself for you 2. means clearing my skull of obstructions, 3. stopping not with my eyebrows or curls 4. but peeling away the flesh with them, 5. the muscles and tendons, laying raw 6. my bone’s subtlest expression of tendency 7. and fate. No lips, true, but no misplaced kisses 8. either. No curls, but no more strands to get tangled 9. in the headboard. Eyelids will be my greatest sacrifice. 10. When I turn from your disappointment—at an ominous 11. dimple in the region of my “Memory of Things,” 12. or an unsightly bump above my “Sense of Metaphysics”— 13. my eyes will slip loose from my skull and wait 105 14. for my body to emerge searching, this blind bulk 15. palming at air as it lumbers away from 16. what it cannot see to find. could we ever 17. be otherwise? just as grips must obey the principles 18. fists set forth for them, so phrenologists’ lovers 19. must free their skulls for love. Laughers must fast 20. on sadness. The living must not remain 21. at funerals forever, falling into coffins 22. and ending up buried, while the dead hang around, 23. not even nibbling on the feast laid out 24. at the reception, and leaving the roads un-roamed 25. by anything but flurries. 1. Believe that exposing myself will be easy. -
Spring 2016 Department of English & Theatre Acadia University
VOLUME 23 SPRING 2016 DEPARTMENT OF ENGLISH & THEATRE ACADIA UNIVERSITY Oh dear sisters our life is not ended yet. We shall live! ~Anton Chekov три сестры (L. to R.) Nile Whidden with Robin Moir (Olga), Connor LaFarga with Katie Chevel (Masha ) and Blake Ward with Andrea Switzer (Irina). Acadia English & Theatre Spring 2016 1 THEATRE REVIEWS numerous revivals in the intervening years are telling. Seale’s adaptation is VOICE transplanted from its original cultural HOUSE OF BLUE LEAVES context, lending itself more to a Cana- By John Guare dian sensibility with elements like 4 (Directed by Robert Seale) having Halifax stand in for New York THEATRE REVIEWS by Stuart Harris House of Blue Leaves or name-dropping Jian Ghomeshi. Its Three Sisters spirit, however, remains intact, and it Watching Robert Seale’s pro- Minifest 2016 proves that Guare’s play is still the- duction of John Guare’s The House of matically relevant in a time when new Blue Leaves feels almost like visiting ENGLISH SOCIETY EVENTS media reshapes our obsession with distant relatives remembered only in Bad Poetry Night celebrity and silent injustices are giv- photographs or long-forgotten child- Halloween Pub Night en the spotlight. The production’s po- hood memories. In this case, your Words on Tap tency lies in its human insight. It cri- place in the Denton Theatre gallery is Estuary Launch tiques our relationship with the notion both as an observer and as a house- ATLANTIC UNDERGRADUATE of fame using characters trapped in a guest in proximity to the dingy and ENGLISH CONFERENCE Lacanian nightmare, stuck in a de- nostalgic apartment set.