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Integrating Malaysian and Japanese Textile Motifs Through Product Diversification: Home Décor
Samsuddin M. F., Hamzah A. H., & Mohd Radzi F. dealogy Journal, 2020 Vol. 5, No. 2, 79-88 Integrating Malaysian and Japanese Textile Motifs Through Product Diversification: Home Décor Muhammad Fitri Samsuddin1, Azni Hanim Hamzah2, Fazlina Mohd Radzi3, Siti Nurul Akma Ahmad4, Mohd Faizul Noorizan6, Mohd Ali Azraie Bebit6 12356Faculty of Art & Design, Universiti Teknologi MARA Cawangan Melaka 4Faculty of Business & Management, Universiti Teknologi MARA Cawangan Melaka Authors’ email: [email protected]; [email protected]; [email protected]; [email protected]; [email protected]; [email protected] Published: 28 September 2020 ABSTRACT Malaysian textile motifs especially the Batik motifs and its product are highly potential to sustain in a global market. The integration of intercultural design of Malaysian textile motifs and Japanese textile motifs will further facilitate both textile industries to be sustained and demanded globally. Besides, Malaysian and Japanese textile motifs can be creatively design on other platforms not limited to the clothes. Therefore, this study is carried out with the aim of integrating the Malaysian textile motifs specifically focuses on batik motifs and Japanese textile motifs through product diversification. This study focuses on integrating both textile motifs and diversified the design on a home décor including wall frame, table clothes, table runner, bed sheets, lamp shades and other potential home accessories. In this concept paper, literature search was conducted to describe about the characteristics of both Malaysian and Japanese textile motifs and also to reveal insights about the practicality and the potential of combining these two worldwide known textile industries. The investigation was conducted to explore new pattern of the combined textiles motifs. -
CORDURA® NYCO Fabric. the Toughness You Need Without Sacrificing Comfort
CORDURA® NYCO Fabric. The toughness you need without sacrificing comfort. CORDURA.COM CORDURA® NYCO Fabrics for Workwear In line with the CORDURA® brand team’s commitment to developing innovative and protective fabrics for the workwear industry, a new range of CORDURA® NYCO fabrics from Malaysian based Penfabric, part of the Japanese Toray Group of companies, will be introduced to the European workwear market. The innovative range includes four fabrics, each in an intimate blend of 75 percent cotton, 25 percent high strength INVISTA T420 nylon 6,6. The fibres are staple in nature and intimately blended in both the warp and weft direction. The fabrics are available in twill and canvas constructions in weights of 325gr/m2 and 380gr/m2. Comfortably durable CORDURA® NYCO fabrics are suitable for a wide range of garment types such as trousers, jackets, coveralls and bib & braces, and are particularly valuable for harsh working conditions especially in areas where high stress is imparted on the garment. Such conditions are commonly found in industries such as construction and supporting trades, plant and vehicle maintenance, heavy engineering, butchery and transportation. The workwear market has traditionally been serviced by polyester/cotton fabrics over many years, whether polyester rich or cotton rich in nature. The new CORDURA® NYCO fabric workwear portfolio from Penfabric has been specifically developed to provide exceptional durability and comfort characteristics to innovative garment designs. In terms of durability, the CORDURA® NYCO fabric workwear range has high levels of abrasion resistance. Independent laboratory testing demonstrates that 325 gr/m2 and 380 gr/m2 CORDURA® NYCO fabrics based on 25%/75% cotton INVISTA T420 nylon 6,6 blends can reach levels of 250,000 rubs under the Martindale woolen abrasion test method with 12 kPa (ISO – 12947-2). -
The Influence of Japanese Textile Design on French Art Deco Textiles, 1920-1930
CREATING CLOTH, CREATING CULTURE: THE INFLUENCE OF JAPANESE TEXTILE DESIGN ON FRENCH ART DECO TEXTILES, 1920-1930 By SARA ELISABETH HAYDEN A thesis submitted in partial fulfillment of the requirements for the degree of MASTER OF ARTS in Apparel and Textiles WASHINGTON STATE UNIVERSITY Department of Apparel, Merchandising, Design and Textiles AUGUST 2007 © Copyright by SARA ELISABETH HAYDEN, 2007 All Rights Reserved © Copyright by SARA ELISABETH HAYDEN, 2007 All Rights Reserved To the Faculty of Washington State University: The members of the Committee appointed to examine the thesis of SARA ELISABETH HAYDEN find it satisfactory and recommend that it be accepted. ___________________________________ Chair ___________________________________ ___________________________________ ii ACKNOWLEDGMENT I would like to thank the members of my thesis committee, Linda B. Arthur, PhD, Patricia Fischer, MA and Dr. Lombuso Khoza, PhD for their continued support and guidance. I would like to extend special thanks to Dr. Arthur for her research assistance and mentoring throughout my graduate studies. Additionally, I am very grateful to have received the Hill Award administered through the Department of Apparel, Merchandising, Design and Textiles in the College of Agricultural, Human and Natural Resource Sciences. Dr. Alberta Hill’s generous endowment of the Hill Award made my thesis research possible. iii CREATING CLOTH, CREATING CULTURE: THE INFLUENCE OF JAPANESE TEXTILE DESIGN ON FRENCH ART DECO TEXTILES, 1920-1930 Abstract by Sara Elisabeth Hayden, M.A. Washington State University August 2007 Chair: Linda B. Arthur After Japan opened its doors to international commerce in the 1850s, its trade with European countries blossomed. From the beginning of France’s economic interaction with Japan in the nineteenth century, these commercial transactions led to cultural exchange via trade wares, which included clothing and fabrics. -
Materials and Fabrics
MATERIALS AND FABRICS Note: The information contained in this document is for general purposes. It only represents technical opinions at the time of publishing. It does not guarantee any item or effect any product warranties given. ACCUMOLD A process in the manufacture of holsters and many other products from Bianchi. The make-up of Accumold is a laminate material which includes an outer layer of tough nylon fabric, a layer of polyfoam and an inner layer of liner material bonded together under heat and pressure. The resulting product retains its shape well and is not significantly deformed by weight or pressure of its contents. ACCUMOLD ELITE Accumold Elite is similar to Accumold in the manufacturing process except the outer layer is a smooth material that looks like leather. ANILINE A colorless, oily liquid with an aromatic, pungent odor. It is used, among many other things, in the manufacture of resins, varnishes, printing inks, cloth marking inks, explosives and dyes. CABRETTA A leather produced from the skins of sheep that have hair instead of wool i.e., straight-haired sheepskins. The leather is produced in China, South America and Africa. This material offers all of the features required to manufacture gloves, which include a thin tough structure giving strength and dexterity and is hard wearing and comfortable. Much of the tanned product comes from Pittards Tannery in England. CLARINO Manufactured by Kuraray Co. Ltd., Clarino is a man-made, synthetic leather which offers several surface types which, among others, include high gloss and a suede surface texture. The suede is used in gloves and is soft and flexible, breaths like leather and is washable and easy to care for. -
Hand Evaluation and Formability of Japanese Traditional 'Chirimen' Fabrics
Chapter 11 Hand Evaluation and Formability of Japanese Traditional ‘Chirimen’ Fabrics Takako Inoue and Masako Niwa Additional information is available at the end of the chapter http://dx.doi.org/10.5772/48585 1. Introduction Clothes, which are used in direct contact with the human body, are mostly made of fabrics of planar fiber construction, that is, they are manufactured for the most part from textiles. Needless to say, the quality of clothes directly affects both the human mind and body. For this reason, it is essential to have a system which allows us to accurately and thoroughly evaluate the qualities and use-value of textiles. Since Prof. Sueo Kawabata of Kyoto University developed the KES (Kawabata Evaluation System) in 1972 (Kawabata, 1972), research into fabric handle and quality based on physical properties has made remarkable progress, and objective evaluation of fabrics using the KES system is now common around the world. Evaluation formulas for fabric formability, tailoring appearance, and hand evaluation of the tailored-type fabrics represented by those used in tailored men's suits have been created, and allow us to objectively evaluate the fundamental performance capabilities of fabrics, unaffected by changing times and fashions (Kawabata, 1980). Furthermore, fabric formability, tailoring appearance, hand evaluation, and quality of tailored-type fabrics can now be influenced at every stage, even the very earliest: at the fiber-to-yarn stage, the yarn- to-fabric stage, and then at all the subsequent stages, up to the finishing of the material. This is invaluable for the fabric design process (Kawabata et al., 1992). -
EVOLUTION of JAPANESE WOMEN's KIMONO from A.D. 200 to 1960
THE EVOUTCION OF JAPANESE WOMEN'S KIMONO FEOK A.D. 200 TO 1960 *"> MASAKO TOYOSHMA B. S., Fukuoka Women's University, 1963 A MASTER'S REPORT submitted in partial fulfillment of the requirements for the degree MASTER OF SCIENCE General Home Economics College of Home Eoonomios KANSAS STATE UNIVERSITY Manhattan, Kansas 1967 Approved byi Major Professor TABLE OF CONTENTS CHAPTER PAGE I. INTRODUCTION 1 II. HU-STYLE PERIOD (A.D. 200-552) 7 Political Situation 7 Dress of tha Period 9 III. T'ANG-STYLE PERIOD (552-894) 13 Politioal Situation 13 Dress of T'ang-stylo Period 18 IV. OS0DE-FASHI0N PERIOD (894-1477) 26 Political Situation 26 Dress of the OBode-Fashion Period 33 V. KOSODE-FASHION PERIOD (1477-1868) 44 Politioal Situation 44 Dress of Kosode-fashion Period •• 52 VI. JAPANESE-WESTERN PERIOD (1868-1960) 68 Politioal Situation 68 Dress of Japanese -'Western Period • 75 VII. SUMMARY AND RECOMMENDATIONS 83 Summary ............. 83 Recommendations •• •• 87 88 BIBLIOGRAPHY • • • ii LIST OF PLATES PLATE PAGE I Dress of Hu-style Period ..... ... 11 II Dress of T'ang-style Period 21 III Dress of Osode-fashion Period 37 17 Dress of Kosode-fashion Period 54 V Dress of Japanese -We stern Period. ............ 82 iii CHAPTER I INTRODUCTION Costume expresses a relationship to the ideals and the spirit - of the country during a particular time. Hurlock states in The Psych ology of Pre s s : In every age, some ideal is developed which predominates over all others. This ideal may be religious or political; it may re- late to the crown or to the people; it may be purely social or artistic, conservative or radical. -
Design and Development of Denim Fabrics with Improved Strength and Impact Abrasion Resistance for Motorcyclist Clothing
Onur Kurtulmuş, Semin Güner, Design and Development of Denim Fabrics M. Şahin Akkaya, Burçak Karagüzel Kayaoğlu* with Improved Strength and Impact Abrasion Resistance for Motorcyclist Clothing DOI: 10.5604/01.3001.0010.7797 Istanbul Technical University, Abstract Faculty of Textile Technologies and Design, This study aims to design and develop denim fabrics with enhanced mechanical and impact Department of Textile Engineering, abrasion resistance performance using different materials, yarn types and fabric construc- Istanbul, Turkey tions. It was aimed to reach the standard impact abrasion resistance requirements of motor- * E-mail: [email protected] cycle protective clothing for Level 1 in high impact areas of the body (zones 1 and 2), such as hip and knee areas. The existence of cotton/Cordura® yarn in warp and T400 polyester yarn in the weft and the use of higher yarn densities increased the performance in tensile strength and impact abrasion resistance, compared to a classical cotton denim fabric. The use of coarser yarns and fabrics with a double weave construction increased impact abrasion resistance compared to single layer cloths. The double and backed cloth samples developed with cotton/Cordura® and Kevlar®/polyester yarns in their construction showed impact abrasion resistance times over 4 s and reached the “EN 13595-2:2002 Level 1 abrasion resistance” standard requirement. Key words: denim fabric, Kevlar®, Cordura®, impact abrasion, strength, motorcyclist. ® Introduction The series of standards of EN 13595 as- and Lycra , a polyurethane elastomer, sess the requirements, such as abrasion have been utilised in fabrics used for Motorcycle clothing is designed to pro- resistance or cut resistance, for motorcy- protective motorcyclist clothing [1, 9]. -
Guide to the Japanese Textiles
1310. Embroidered Velvet Fukusa. " Jo and Uba." igth century. Frontispiece.] [Seep. 47. m VICTORIA AND ALBERT MUSEUM DEPARTMENT OF TEXTILES GUIDE TO THE JAPANESE TEXTILES PART I.—TEXTILE FABRICS BY A. D. HOWELL SMITH 0CT23B75 LONDON : PRINTED UNDER THE AUTHORITY OF HIS MAJESTY'S STATIONERY OFFICE, 1919. Publication No. 119T First Printed\ August, 9 9. 1 1 Crown Copyright Reserved 7 y. $i PREFATORY NOTE. OME progress had already been made with the printing of this guide when the exigencies of the war led to its temporary s abandonment. Since this guide was first set in hand, the Museum has lost a helpful and sympathetic friend in the late Mr. Wilson Crewdson. His life-long interest in the art of Japan has often been of good service to the staff, and his loss is lamented by many personal friends in the Museum. Mr. Hogitaro Inada's translations, and his explanatory notes of various Japanese objects in the Museum, supplied from time to time, have been made use of in the following pages. The thanks of the Museum are due to Mr. Luther Hooper for the technical description of the velvet panel No. 841. Victoria and Albert Museum. CECIL H. SMITH. August, 1919. NOTE. THE preparation of the first part of this guide has been entrusted to Mr. A. D. Howell Smith, Assistant in the department. The collection cannot at present be regarded as adequately representative of the textile art of the Japanese, but there is quite enough to warrant the publication of this guide, the scope of which is to describe, in simple fashion, the most noticeable examples. -
Flame Retardant Fabrics Engineered with CORDURA® Fiber Technology
Flame defense Flame Retardant Fabrics engineered with CORDURA® fiber technology Long-lasting performance Excellent resistance to tears, scuffs and abrasions Engineered to meet industry standards for flame protection Abrasion Tear Flame Built to last Resistant Resistant Retardant FLAME DEFENSE INHERENT FR FABRICS - FR TREATED CORDURA® NYCO FR CORDURA® REINFORCEMENT ® ENGINEERED WITH CORDURA Excellent abrasion resistance Excellent abrasion resistance TECHNOLOGY Chemical flame retardant finish Excellent tensile strength Enhanced abrasion resistance Enhanced electric arc performance Water repellent Maintains performance after Ideal in refineries & industries that ISO 15025 Method A Index 3 - multiple washes require both flame retardant and Flame Retardant performance antistatic properties Electric arc protection ISO 14116 Method A Index 3 - ® FR performance after washing Excellent tear resistance Durable CORDURA NYCO fabric technology for long-lasting performance Developed by Sasytex, France Excellent wash shrinkage Developed by DALETEC Style: Gimli FR NW, 300gsm (Sapphire Group) Tested to industrial laundry 50m High tenacity nylon 6,6 IFR MOVEX stretch functionality washes @ 75ºC PU coated – water repellent Style: SPARKSHIELD EXTREME FR meta aramid non-woven – 863153X, 310gsm / 9.1oz backing Modacrylic / Cotton / INVISTA Developed by Carrington, UK T420HT nylon 6,6 / EOL / Style: Flametougher antistatic 280AS, 280gsm Cotton / INVISTA T420 Nylon EN ISO 15025-3 EN ISO 14116-3 Water Repellent Movex IFR – A stretch solution 6,6 / Antistatic Fiber -
Japanese Design Motifs and Their Symbolism As Used On
JAPANESE DESIGN MOTIFS AND THEIR SYMBOLISM AS USED ON ITAJIME-DYED JUBAN by SUSAN ELIZABETH GUNTER (Under the Direction of Patricia Hunt-Hurst) ABSTRACT Itajime is a little-known process of resist-dyeing that employs sets of wooden boards carved in mirror image of one another to clamp together a piece of folded fabric. Itajime was used extensively to decorate Japanese women’s underkimono (juban). The objectives of this research were to examine a sample of sixty-five itajime-dyed garments, to identify the motifs used to decorate the garments, to ascertain the symbolic meanings of the motifs, and to create a catalog of the sixty-five itajime-dyed garments. The motifs appearing on the itajime-dyed garments were most often botanical, although other motifs in the following categories were also present: animal/bird/insect motifs, water-related motifs, everyday object motifs, and geometric designs and abstract shapes. INDEX WORDS: Itajime, Japanese Motifs, Resist Dyeing, Underkimono, Juban JAPANESE DESIGN MOTIFS AND THEIR SYMBOLISM AS USED ON ITAJIME-DYED JUBAN by SUSAN ELIZABETH GUNTER A.B., The University of Georgia, 1999 A Thesis Submitted to the Graduate Faculty of The University of Georgia in Partial Fulfillment of the Requirements for the Degree MASTER OF SCIENCE ATHENS, GEORGIA 2003 © 2003 Susan Elizabeth Gunter All Rights Reserved. JAPANESE DESIGN MOTIFS AND THEIR SYMBOLISM AS USED ON ITAJIME-DYED JUBAN by SUSAN ELIZABETH GUNTER Major Professor: Patricia Hunt-Hurst Committee: Glen Kaufman J. Nolan Etters Electronic Version Approved: Maureen Grasso Dean of the Graduate School The University of Georgia May 2003 iv ACKNOWLEDGMENTS I would like to thank the members of my committee, Patricia Hunt-Hurst, Glen Kaufman, and Nolan Etters, for the support, kindness, and patience they have shown in all aspects of my graduate studies during the past two years. -
Fabric Supplier List
FABRIC SUPPLIER LIST CANADA Kendor Textiles Ltd 1260 Cliveden Ave Delta BC V3M 6Y1 Canada 604.434.3233 [email protected] www.kendortextiles.com Fabrics Available: Fabric supplier. Eco-friendly. Organic. Knits: solids, prints, yarn dyes and warp. Wovens: solids and yarn dyes. End Use: activewear, bottomweights, medical, lingerie, childrenswear, swimwear, rainwear, skiwear and uniform. Natural & eco items include cottons, bamboo's, modals, linens, hemps, organic cottons & organic linens. Technical items include waterproof/breathable soft shells, antibacteric & wicking polyester & recycled polyesters. Is a proud representative of the British Millerain line of waxed cottons and wools, and are able to provide custom souring. Minimums: Carries stock. In-stock minimum: 5 yards/color. Minimum order for production: 10 yards/color. Gordon Fabrics LTD #1135-6900 Graybar Rd. Richmond BC Canada 604.275.2672 [email protected] Fabrics Available: Fabric Supplier. Importer. Jobber. Carries stock. Knits & Wovens: solids, prints, yarn dyes and novelties. End Use: activewear, borromweights, eveningwear/bridal, medical, lingerie and childrenswear. Minimums: In stock minimum 1 yard. Minimum order for production varies. StartUp Fashion Supplier List 2016 – Page 1 CHINA Ecopel (HX) Co., Ltd. China +86 216.767.9686 www.ecopel.cn Fabrics Available: Fake fur and leather garments. End Uses: Childrenswear, Menswear, Other, Womenswear. Minimums: Min. order 50-100 m Hangzhou New Design Source Textile Co., Ltd. China +86 057.182.530528 Fabrics Available: Knits, Polyester/Man-Made, Prints. End Uses: Juniors Fashion, Menswear, Womenswear. Minimums: Min order 50 m. Nantong Haukai Textile Co., Ltd. China +86 513.890.78626 www.huakaitex.com Fabrics Available: Cotton, Linen. End Uses: Corporatewear/Suiting, Menswear, Womenswear. -
CORDURA® Brand 2018 Gear Guide Take Our Trend-Spotting Trip Around the World
SummerCORDURA® Brand 2018 Gear Guide Take our trend-spotting trip around the world. Ready for some excitement? Let’s discover a stunning new 360o world of durable innovation. Our journey will explore the trends that are shaping the world, with insights that reflect more than 50 years of experience with our mills, collaborative partners and consumers. The trend towards . Packability, Mobility and Durability on the Go People who embrace life as an adventure are constantly on the move. They yearn for the freedom to move effortlessly from work to wherever the day takes them. Durable products made with CORDURA® fabric help these explorers to pack up and go anywhere in ease, comfort and style. We empower them to travel light across the city, into the wild and around the world. Teva Sandals Take a Giant Stride Forward, with Porter and Cordura® Fabric. Teva’s Hurricane XLT 2 … the adventurer’s ‘strap on and go’ sandal designed to walk on the wild side. Now, given a stylish makeover in a brilliant collaboration with iconic Japanese brand Porter – famous for bringing their creative touch to classic originals. In this limited- edition remastering, Porter kept the XLT 2’s silhouette and signature colors but elevated the concept with new features for enhanced performance. Including an exceptionally rugged upper solidly engineered using CORDURA® fabric. So, wherever you ramble, you have the reassurance of knowing the Teva x Porter team has gone the extra mile to help make your footwear even more stylishly durable. Demonstrating that this is an idea whose time has come. Live sustainable, Live Durable™.