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Situational Ethics in Wilkie Collins' "Woman in White" and "Moonstone"
W&M ScholarWorks Dissertations, Theses, and Masters Projects Theses, Dissertations, & Master Projects 1990 Situational Ethics in Wilkie Collins' "Woman in White" and "Moonstone" Flora Christina Buckalew College of William & Mary - Arts & Sciences Follow this and additional works at: https://scholarworks.wm.edu/etd Part of the English Language and Literature Commons Recommended Citation Buckalew, Flora Christina, "Situational Ethics in Wilkie Collins' "Woman in White" and "Moonstone"" (1990). Dissertations, Theses, and Masters Projects. Paper 1539625596. https://dx.doi.org/doi:10.21220/s2-bjv4-6j20 This Thesis is brought to you for free and open access by the Theses, Dissertations, & Master Projects at W&M ScholarWorks. It has been accepted for inclusion in Dissertations, Theses, and Masters Projects by an authorized administrator of W&M ScholarWorks. For more information, please contact [email protected]. SITUATIONAL ETHICS IN WILKIE COLLINS' WOMAN IN WHITE AND MOONSTONE A Thesis Presented to The Faculty of the Department of English The College of William and Mary in Virginia In Partial Fulfillment Of the Requirements for the Degree of Master of Arts by Flora C. Buckalew 1990 APPROVAL SHEET This thesis is submitted in partial fulfillment of The requirements for the degree of Master of Arts Cl — '_________________ Flora C. Buckalew Approved, December 1990 Deborah D. Morse W . O&y&SuL. John W. Conlee Z. Terry/L7 Meyers/ ii DEDICATION The author would like to thank her parents, Dr. Robert Jo Buckalew and Mrs. Flora K. Buckalew, and her sister, Miss Faye R. Buckalew, for their love and support. iii TABLE OF CONTENTS Page ACKNOWLEDGMENTS ............... v ABSTRACT ........................ -
The Moonstone
The Moonstone Wilkie Collins Retold by David Wharry Series Editors: Andy Hopkins and Jocelyn potter Contents Page Introduction 4 Taken From an Old Family Letter 5 Part 1 The Loss of the Diamond 7 Chapter 1 A Record of the Facts 7 Chapter 2 Three Indian Men 8 Chapter 3 The Will 9 Chapter 4 A Shadow 13 Chapter 5 Rivals 14 Chapter 6 The Moonstone 17 Chapter 7 The Indians Return 18 Chapter 8 The Theft 21 Chapter 9 Sergeant Cuff Arrives 26 Chapter 10 The Search Begins 29 Chapter 11 Rosanna 30 Chapter 12 Rachel's Decision 34 Chapter 13 A Letter 36 Chapter 14 The Shivering Sands 39 Chapter 15 To London 44 Part 2 The Discovery of the Truth 46 First Narrative 46 Chapter 1 A Strange Mistake 46 Chapter 2 Rumours and Reputations 49 Chapter 3 Placing the Books 54 Chapter 4 A Silent Listener 56 Chapter 5 Brighton 59 Second Narrative 65 Chapter 1 Money-Lending 65 Chapter 2 Next June 67 2 Third Narrative 69 Chapter 1 Franklin's Return 69 Chapter 2 Instructions 71 Chapter 3 Rosanna's Letter 73 Chapter 4 Return to London 76 Chapter 5 Witness 78 Chapter 6 Investigating 82 Chapter 7 Lost Memory 85 Chapter 8 Opium 87 Fourth Narrative 90 Fifth Narrative 94 Sixth Narrative 100 3 Introduction 'Look, Gabriel!' cried Miss Rachel, flashing the jewel in the sunlight. It was as large as a bird's egg, the colour of the harvest moon, a deep yellow that sucked your eyes into it so you saw nothing else. -
The Moonstone
THE MOONSTONE by R.N. SANDBERG Adapted from the novel by WILKIE COLLINS ~f Dramatic Publishing Woodstoc~ Illinois • England • Australia • New Zealand © The Dramatic Publishing Company, Woodstock, Illinois *** NOTICE *** The amateur and stock acting rights to this work are controlled exclusively by THE DRAMATIC PUBLISHING COMPANY without whose pennission in writing no performance of it may be given. Royalty fees are given in our current catalog and are subject to change without notice. Royalty must be paid every time a play is performed whether or not it is presented for profit and whether or not admission is charged. A play is performed any time it is acted before an audience. All inquiries concerning amateur and stock rights should be addressed to: DRAMATIC PUBLISHING P. O. Box 129, Woodstock, illinois 60098 COPYRIGHT LAW GIVES THE AUTHOR OR THE AUTHOR"S AGENT THE EXCLUSWE RIGHTTO MAKE COPIES. This law provides authors with a fair retmn for their creative efforts. Authors earn their living from the royalties they receive from book sales and from the perfonnance of their work. Conscientious observance of copyright law is not ooly ethical, it encourages authors to continue their creative work. This work is fully protected by copyright No alterations, dele tions or substitutions may be made in the work without the prior written consent of the publisher. No part of this work may be reproduced or transmitted in any fonn or by any means, electronic or mechanical, including photocopy, recording, video tape, film., or any infonnation storage and retrieval ~ without permission in writing from the publisher. It may not be perfonned either by professionals or amateurs without payment of royalty. -
Azu Etd Mr 2012 0090 Sip1 M.Pdf
Truth and Justice in The Moonstone and Bleak House Item Type text; Electronic Thesis Authors Keffeler, Kristina Lee Publisher The University of Arizona. Rights Copyright © is held by the author. Digital access to this material is made possible by the University Libraries, University of Arizona. Further transmission, reproduction or presentation (such as public display or performance) of protected items is prohibited except with permission of the author. Download date 28/09/2021 15:41:49 Item License http://rightsstatements.org/vocab/InC/1.0/ Link to Item http://hdl.handle.net/10150/244411 Abstract Truth and justice seem to have a natural connection, especially in novels where detectives investigate the mysteries behind a crime. The plot of a detective story is based on the assumption that once the facts are discovered, the truth will come out and justice will be served. This thesis explores the interaction between truth and justice in Wilkie Collins’s The Moonstone and Charles Dickens’s Bleak House. While investigations may reveal the truth, this does not always lead to justice. Authors can uphold or deviate from traditional norms to reinforce or undermine the expectation that justice will be served. Keffeler 1 Truth and Justice in The Moonstone and Bleak House Introduction Victorians placed a high value on honesty. The cultural norm of the period was that people were expected to tell the truth (Kucich 6). There are many references by people such as Ralph Waldo Emerson and W. E. H. Lecky about how Victorians took pride in being candid and sincere. This emphasis on honesty led to moral values that placed great importance on the truth (Kucich 8). -
•Œâ•¦A Bolshevik, a Negro and a Gun╊
“…A Bolshevik, a Negro and a Gun” by Nadine Allan-Vaught A thesis submitted in fulfillment of the requirements for the degree of Master of Liberal Arts in Liberal Studies Department of English Literature College of Arts and Sciences University of South Florida St. Petersburg Major Professor: Julie Buckner Armstrong, Ph.D. Amy Robinson, Ph.D. Louie Simon, Ph.D. Date of Approval: 19 March, 2014 Keywords: Red Summer, Karl Marx, Britain, America, Black Oppression Copyright © 2014, Nadine Allan-Vaught Table of Contents List of Tables…………………………………………………………………………….. ii Abstract………………………….………………………………………………………. iii Introduction: The “Other”………………………………………………………………... 1 Chapter One: The Historical Events of 1919…………………………………………… 14 Chapter Two: Charlotte Brontë’s Jane Eyre and the Dark “Other”……………………. 29 Chapter Three: Wilkie Collins’s The Moonstone and the Colonial “Other”…………… 41 Chapter Four: Ida B. Wells’s A Red Record and the White “Other”……………..…….. 57 Chapter Five: Claude McKay’s “If We Must Die” and a New “Other”………………... 72 Conclusion……………………………………………………………………………… 87 Works Cited……………………………………………………………………………...95 i List of Tables Table 1- Racial Riots in the United States in the month of July 1919………………….. 17 Table 2- Racial Riots in the Great Britain in the month of June 1919………………….. 19 ii Abstract This thesis reveals how a system of changing social positions structured in various private and public spaces provides a social arena for authors, Charlotte Brontë in Jane Eyre, Wilkie Collins in The Moonstone, Ida B. Wells in A Red Record and Claude McKay in his poem “If We Must Die,” to frame the racial struggles of their particular culture and time. These cross-cultural resources establish a wider, contextual stage from which to understand the complex atmosphere of race and violence out of which the transatlantic racial riots of 1919 emerged. -
Twilight States: Sleepwalking, Liminal Consciousness, and Sensational Selfhood in Victorian Literature and Culture
TWILIGHT STATES: SLEEPWALKING, LIMINAL CONSCIOUSNESS, AND SENSATIONAL SELFHOOD IN VICTORIAN LITERATURE AND CULTURE by Rebecca Wigginton B. A. in English, University of Kentucky, 2005 Submitted to the Graduate Faculty of the Kenneth P. Dietrich School of Arts and Sciences in partial fulfillment of the requirements for the degree of Doctor of Philosophy University of Pittsburgh 2014 UNIVERSITY OF PITTSBURGH DIETRICH SCHOOL OF ARTS AND SCIENCES This dissertation was presented by Rebecca Wigginton It was defended on September 29, 2014 and approved by Philip E. Smith, PhD, Associate Professor, English Jonathan Arac, PhD, Andrew W. Mellon Professor, English Marah Gubar, PhD, Associate Professor, English John Twyning, PhD, Associate Professor, English Christopher Drew Armstrong, PhD, History of Art & Architecture Dissertation Advisor: Philip E. Smith, PhD, Associate Professor, English ii Copyright © by Rebecca Wigginton 2014 iii TWILIGHT STATES: SLEEPWALKING, LIMINAL CONSCIOUSNESS, AND SENSATIONAL SELFHOOD IN VICTORIAN LITERATURE AND CULTURE Rebecca Wigginton, PhD University of Pittsburgh, 2014 Twilight States: Sleepwalking, Liminal Consciousness, and Sensational Selfhood in Victorian Literature and Culture argues that sleepwalking was everywhere in nineteenth-century culture, both as a topic for scientific, legal, and public debate, but also as a potent symbol in the Victorian imagination that informed literature and art. Furthermore, the nineteenth-century interest in the somnambulist was provoked by what the figure represented and revealed to the Victorians: namely, themselves. The sleepwalker represented the hidden potential within the self for either greatness or deviance, or, more mundanely, simply a fuller existence than consciousness has an awareness of. Sleepwalking writ large the multi-layered self at a time when the self—by psychiatry and society at large—was being accepted as increasingly multivalent. -
Detective Fiction Is Always Engaged in a Veiled Form of Colonial Discourse
Volume 2: 2009-2010 ISSN: 2041-6776 9 { Roth suggests that ”detective fiction is always engaged in a veiled form of colonial discourse.‘ Taking this statement as your starting point, analyse the part played by colonialism and colonial relationships, and/or relationships between foreign and domestic more generally, in the texts you have studied. Abbas Lightwalla Marty Roth‘s suggestion that detective fiction is ”always‘ engaged in a veiled form of colonial discourse is a broad generalisation, followed by little substantiation. 1 Even disregarding non-canonical detective fiction novels which may have no inference of colonial discourse, classic detective fiction which disregards colonial discourse exists; G. K. Chesterton‘s Father Brown Mysteries , whilst often playing upon dynamics between French and English relations, rarely delves into an engagement of colonial discourse. Roth nevertheless highlights an important element of classic detective fiction in emphasising the prevalence of colonial discourse in the genre. This essay will subsequently explore this feature through an examination of the way colonial discourse catalyses more fundamental features of detective fiction, explaining its prominence within the genre. In order to understand this dynamic between colonial discourse and detective fiction, Wilkie Collins‘ The Moonstone , Conan Doyle‘s ”The Sign of Four‘ and Sax Rohmer‘s The Insidious Dr. Fu- Manchu will be explored. They will then be discussed in regard to the way this fiction creates a motif of invasion and how this facilitates the genre‘s composition of order, disorder and the restoration of order. The final aspect of the essay will take this discussion regarding colonial discourse and the more general concept of foreign invasion a step further. -
Information to Users
INFORMATION TO USERS This manuscript has been reproduced from the microfilm master. UMI films the text directly from the original or copy submitted. Thus, some thesis and dissertation copies are in typewriter face, w hile others may be from any type of computer printer. The quality of this reproduction is dependent upon the quality of the copy submitted. Broken or indistinct print, colored or poor quality illustrations and photographs, print bleedthrough, substandard margins, and improper alignment can adversely affect reproduction. In the unlikely event that the author did not send UMI a complete manuscript and there are missing pages, these will be noted. Also, if unauthorized copyright material had to be removed, a note will indicate the deletion. Oversize materials (e.g., maps, drawings, charts) are reproduced by sectioning the original, beginning at the upper left-hand comer and continuing fiom left to right in equal sections with small overlaps. Each original is also photographed in one exposure and is included in reduced form at the back of the book. Photographs included in the original manuscript have been reproduced xerographically in this copy. Higher quality 6" x 9" black and white photographic prints are available for any photographs or illustrations appearing in this copy for an additional charge. Contact UMI directly to order. UMI University Microfilms International A Bell & Howell Information Company 300 Nortti Z eeb Road. Ann Arbor, Ml 48106-1346 USA 313/761-4700 800/521-0600 Order Number 9201755 Interactive fiction, virtual realities, and the reading-writing relationship Sloane, Sarah Jane, Ph.D. The Ohio State University, 1991 UMI SOON. -
Plagiat Merupakan Tindakan Tidak Terpuji
PLAGIAT MERUPAKAN TINDAKAN TIDAK TERPUJI SELFISH AND UNSELFISH WAYS OF LOVING AS DEPICTED BY THE FOUR CHARACTERS IN WILKIE COLLINS’ THE MOONSTONE AN UNDERGRADUATE THESIS Presented as Partial Fulfillment of the Requirements for the Degree of Sarjana Sastra in English Letters By NURI IKHSAN SAMODRO Student Number: 0142114087 ENGLISH LETTERS STUDY PROGRAMME DEPARTMENT OF ENGLISH LETTERS FACULTY OF LETTERS SANATA DHARMA UNIVERSITY YOGYAKARTA 2007 PLAGIAT MERUPAKAN TINDAKAN TIDAK TERPUJI SELFISH AND UNSELFISH WAYS OF LOVING AS DEPICTED BY THE FOUR CHARACTERS IN WILKIE COLLINS’ THE MOONSTONE AN UNDERGRADUATE THESIS Presented as Partial Fulfillment of the Requirements for the Degree of Sarjana Sastra in English Letters By NURI IKHSAN SAMODRO Student Number: 0142114087 ENGLISH LETTERS STUDY PROGRAMME DEPARTMENT OF ENGLISH LETTERS FACULTY OF LETTERS SANATA DHARMA UNIVERSITY YOGYAKARTA 2007 PLAGIAT MERUPAKAN TINDAKAN TIDAK TERPUJI PLAGIAT MERUPAKAN TINDAKAN TIDAK TERPUJI PLAGIAT MERUPAKAN TINDAKAN TIDAK TERPUJI Life is a journey, not a long vacation Get real and always do your best PLAGIAT MERUPAKAN TINDAKAN TIDAK TERPUJI This undergraduate thesis is dedicated to My beloved father and mother and My beloved brother and sister PLAGIAT MERUPAKAN TINDAKAN TIDAK TERPUJI ACKNOWLEDGEMENTS In finishing this thesis, I would like to thank many people who have supported me with their help, care, love and prayer. First, I would like to express my great gratitude to Allah the Almighty for His endless blessing and for giving me spirit and guidance in accomplishing this thesis. My great gratitude is also dedicated to my beloved mother and father who always support and give me advice and prayer during my study. -
VICTORIAN SENSATIONS H&F Fm 3Rd.Qxd 9/15/2006 4:30 PM Page Ii H&F Fm 3Rd.Qxd 9/15/2006 4:30 PM Page Iii
H&F_fm_3rd.qxd 9/15/2006 4:30 PM Page i VICTORIAN SENSATIONS H&F_fm_3rd.qxd 9/15/2006 4:30 PM Page ii H&F_fm_3rd.qxd 9/15/2006 4:30 PM Page iii ᪑᪑᪑᪑᪑᪑᪑᪑᪑᪑᪑᪑᪑᪑ VICTORIAN SENSATIONS ķ Essays on a Scandalous Genre EDITED BY Kimberly Harrison and Richard Fantina The Ohio State University Press Columbus ᪑᪑᪑᪑᪑᪑᪑᪑᪑᪑᪑᪑᪑᪑ H&F_fm_3rd.qxd 9/15/2006 4:30 PM Page iv Copyright ©2006 by The Ohio State University Press. All rights reserved. Library of Congress Cataloging-in-Publication Data Victorian sensations : essays on a scandalous genre / edited by Kimberly Harrison and Richard Fantina. p. cm. Includes bibliographical references and index. ISBN-13: 978–0-8142–1031–4 (alk. paper) ISBN-10: 0–8142–1031–7 (alk. paper) ISBN-13: 978–0-8142–9108–5 (cd-rom) ISBN-10: 0–8142–9108–2 (cd-rom) 1. English fiction—19th century—History and criticism. 2. Sensationalism in litera- ture. I. Harrison, Kimberly, 1969– II. Fantina, Richard. PR878.S44V53 2006 823'.809353—dc22 2006005531 Cover design by Laurence Nozik. Text design by Jennifer Shoffey Forsythe. Type set in Adobe Garamond by Jennifer Shoffey Forsythe. Printed by Thomson Shore, Inc. The paper used in this publication meets the minimum requirements of the American National Standard for Information Sciences—Permanence of Paper for Printed Library Materials. ANSI Z39.48–1992. 9 8 7 6 5 4 3 2 1 H&F_fm_3rd.qxd 9/15/2006 4:30 PM Page v ᪑᪑᪑᪑᪑᪑᪑᪑᪑᪑᪑᪑᪑᪑ CONTENTS Acknowledgments vii Introduction: Richard Fantina and Kimberly Harrison ix Part One Sensation: Genre, Textuality, and Reception 1. -
Crime and Subversion in the Later Fiction of Wilkie Collins by Lisa Gay
Crime and Subversion in the Later Fiction of Wilkie Collins By Lisa Gay Mathews Submitted in accordance with the requirements for the degree of Doctor of Philosophy The University of Leeds: School of English 1993 The candidate confirms that the work submitted is her own and that appropriate credit has been given where reference has been made to the work of others. Crime and Subversion in the Later Fiction of Wilkie Collins By Lisa Gay Mathews Submitted in accordance with the requirements for the degree of Doctor of Philosophy The University of Leeds: School of English 1993 The candidate confirms that the work submitted is her own and that appropriate credit has been given where reference has been made to the work of others. With Thanks To Alan Steele for supervising my work. To my parents for financial and moral support. To Ray and Geraldine Stoneham for teaching me to use a word processor. To Bill Forsythe of Exeter University for moral support and encouragement. And lastly, to my four beautiful cats for keeping me company whilst I wrote. Lisa Mathews: Crime and Subversion in the Later Fiction of Wilkie Collins Submitted for the degree of Doctor of Philosophy. October 1990 Abstract Although some good work on Collins is now beginning to emerge, complex and central elements in his fiction require fuller exploration. More consideration is due to the development of Collins's thinking and fictional techniques in the lesser-known novels, since out of a total of thirty-four published works most have received scant attention from scholars. This is particularly true of the later fiction. -
Reflections on British Imperialism in Wilkie Collins's the Moonstone
ISSN: 2349-2147 Modern Research Studies Editor-in-Chief Gyanabati Khuraijam An International Title: The Moonstone’s Vengeance 1: Reflections on Journal of British Imperialism in Wilkie Collins’s The Humanities and Social Moonstone Sciences An Indexed & Refereed e-Journal www.modernresearch.in Author/s: SERCAN ÖZTEKIN Volume 2, Issue 3 pp. 541–551. September 2015 Disclaimer: The views expressed in the articles/contribution s published in the journal are solely the author’s. They do not represent the views of the Editors. Email: [email protected] [email protected] Managing Editor:r: Yumnam Oken Singh ISSN: 2349-2147 Modern Research Studies: An International Journal of Humanities and Social Sciences The Moonstone’s Vengeance1: Reflections on British Imperialism in Wilkie Collins’s The Moonstone SERCAN ÖZTEKIN Ph.D. Student Istanbul Aydin University, Turkey Abstract: Having been one of the most notable writers in his age, Wilkie Collins generally criticizes upper class, patriarchal order by displaying different and unknown side of the society in his time. Additionally, he may be recognized to be a critique of British imperialism especially in India through precise symbolism and numerous references to empire in The Moonstone (1868). This study attempts to analyze in what ways Wilkie Collins’s The Moonstone is considered as a criticism of imperialism in India. He provides a prominent insight into Victorian society with regards to imperialism by depicting the discrepancies between British and Indian identities, conditions, and using significant symbols deliberately in order to show these issues. His difference from his contemporaries in Victorian era is another focus of the article.