DOCSLIB.ORG

The Velvet Book

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
The Velvet Book THE VELVET BOOK Persona Tabletop Roleplaying A Personanon Press Game This project is a fan-work and is free to distribute Shin Megami Tensei: Persona is developed and published by SEGA and Atlus Monsters and Other Childish Things is written by Benjamin Baugh and published by Arc Dream Publishing The One-Roll Engine was designed by Greg Stolze Visit this project’s Discord channel at https://discord.gg/aWZMuZP What is Monsters and Other Childish Things? What is Persona? What am I reading? The Velvet Book So, then, without further ado... Table of Contents Chapter I: Characters Sample 3d Persona: Orpheus 47 What Kind of Characters are in a Velvet Book Game? 16 Sample 5d Persona: Arsene 47 What Makes a Character 16 What Personas are Made-Of: Qualities 48 Your Stats 17 Attacks 48 Stat Details 18 Defends 48 Your Skills 18 Useful 48 Diligent Skills 18 What Personas are Made-Of: Extras 49 Gutsy Skills 19 Extras and Multiple Actions 51 Proficient Skills 19 Always Works and Multiple Actions 51 Knowledgeable Skills 19 Special Interactions 51 Expressive Skills 19 What Personas are Made-Of: Hit Points 52 Your Relationships 20 Putting the Pieces Together 52 Relationships, Arcana and Your True Self 21 Small Parts 53 Arcana and Psychology 21 The Other Essentials 53 Arcana and Gender 21 Arcana 53 What Arcana is My Character? 22 Evocation 54 Making your Character 23 Elemental Resistance and Weakness 54 Starting Relationships 23 What are they? 54 ARCANA ARCHETYPES INDEX How they Work 54 Magician, High Priestess, Empress 24 The Elements of Persona 54 Emperor, Hierophant, Lovers 25 Favorite Thing 55 Chariot, Justice, Hermit 26 Persona Themes and Group Dynamics 55 Fortune, Strength, Hanged Man 27 Level-Up: Improving your Persona 56 Death, Temperance, Devil 28 Tips and Tricks for Building Personas 57 Tower, Star, Moon, 29 Optional Rules 59 Sun, Judgement 30 The Voice in Your Head 59 The Fool and the World 31 Visible Personas 59 Useful in the Real World 59 Chapter II: The One Roll Engine Bizarre Personas 59 An Introduction to ORE. 34 PERSONA AND ARCANA COMPENDIUM What Sets Mean 35 Magician, High Priestess, Empress, Emperor, Strategizing your Sets 35 Hierophant, Lovers, Chariot, Justice 60 Difficulty 36 Hermit, Fortune, Strength, Hanged Man, Death, Bonuses and Penalties 36 Temperance, Devil, Tower 61 Difficulties vs Penalties 36 Star, Moon, Sun, Judgement, The Fool, The World 62 Multiple Actions 36 Chapter IV: The Player’s Manual Doing One Thing Multiple Times 36 Doing Two Things at Once 37 Introduction 64 Called Shots 37 Understanding your Height and Width 64 Gobble Dice 38 Measuring Height 64 Severe Action Penalties 38 Measuring Width 65 Foiling Actions 38 Specific Rules for Skills Blocking Attacks 39 Academics 65 Contested Actions 39 Aim, Beat-Down 66 Awesome Dice 41 Block, Charm, Connive 67 Courage, Fighting 68 Chapter III: Personas Notice, Out-Think 69 What is a Persona? 44 P.E., Put-Down, Reflex 70 How Personas are the Same as Monsters 44 Shop, Wind 71 How Personas are Different from Monsters 44 Your Day-to-Day Life 72 What Personas are Made-Of: Parts 45 Time Slots 72 Should Personas have personalities? 46 How to Spend your Time 72 3d and 5d: The two models of Personas 46 Helping Out Other Players 73 (Page #) Table of Contents Experience Points and Character Growth 73 Redirecting Attacks 112 Arcana Level 74 Damage 112 Aspects 74 Tracking Damage 112 Declaring New Aspects 75 Defense 113 Achievement Unlocked: Improving your Arcana Level 75 Declaring Defense 114 Perpetual Achievements 75 Defense Strategies 114 Unique Achievements 75 Multiple Defense Sets 114 Tips for Players using Aspects 76 Attacking and Defending Simultaneously 115 How GMs Work with Arcana Levels 77 Perfect Defense 115 ARCANA LEVEL ROUTES Rallying 115 The Magician 78 Tilting 116 The High Priestess 79 Emotional Damage: Third-Degree Sick Burns 117 The Empress 80 Playing Out Emotional Damage 118 The Emperor 81 Emotional Damage and Personas: Reverse Feedback 118 The Hierophant 82 Damage Overflow 119 The Lovers 83 Weapons 119 The Chariot 84 A Brief Index of Weapons 120 Justice 85 Elemental Warfare 121 The Hermit 86 Physical Elements 121 Fortune 87 Elemental Skill Names 122 Strength 88 Detecting Weakness and Resistances 122 The Hanged Man 89 One More! 123 Death 90 One More! without an Extra Set 124 Temperance 91 Playing without One More! 124 The Devil 92 Negotiation 124 The Tower 93 Opening Negotiations 124 The Star 94 Shadow Diplomacy 125 The Moon 95 Shadows and Their Favorite Things 125 The Sun 96 Alternatives to Negotiation 125 Judgement 97 All-Out Attacks 126 Situational Advantages 126 Chapter V: Relationships Ambush 126 The Power of Friendship 100 Sudden Attack 126 Casual and Intense: Language of Relationships 100 Problems: How to Make Encounters more Interesting 127 Relationship Dice 100 What Problems Can Do 127 Relationship Shock 101 Overcoming Problems 129 Healing Shock with Quality Time 101 Seizing Problems 129 Awesomely Intense Relationships 102 Healing 130 Relationship Reversal 102 For Humans and Personas 130 Relationships and Personas: Arcana Boosting 103 Healing Humans 130 Relationship Feedback 104 Healing Personas 130 Improving Relationships 105 Healing Under Time Restraints 132 Chapter VI: Combat Defending Against Area Attacks 132 Shadows 101: What Players Need to Know 133 Preface I: What Persona Players Should Know about Minor Shadows 133 Fighting 108 Major Shadows 134 Preface II: Streamlining Monsters Combat for Persona 109 Ending a Battle 135 Who’s the target? 109 Example of Combat 136 Battle for Everyone’s Souls: The ORE Combat Tutorial 110 The Combat Round 110 How to Attack 110 Stunning Attacks 111 Back-Up Attacks 111 (Page #) Table of Contents Chapter VII: The Path to Awesome Power Stacking Buffs and Debuffs 173 What It Means to be Awesome 146 Flight 173 Awesome Humans 146 Induce (Mental Effect) 174 Awesome Personas 146 Negotiation 175 Awesome as a Resource 146 Provide Information 175 The First Path: Preparation (for Humans) 147 Unique Movement 176 The First Path: Preparation (for Personas) 147 The 13 Exotic Qualities 177 You can’t use Preparation to Stockpile Awesomeness 148 Create (Object) 177 The Second Path: Cooperation 149 Deadly Power 177 The Third Path: Sacrifice 150 Exotic Sense 178 The Shadow’s Path to Awesome Power: Smirking 151 Gigantic 179 Major Shadows: Awesome Might 151 Immobilize 179 Invisibility 180 Chapter VIII: Shadows Jinx 180 What is a Shadow? 154 Nullify 181 Where do Shadows Come From? 154 Polymorph 181 Some Shadows are Helpful 155 Refresh/Revoke 182 Shadow Styles 155 Super Strength 183 Shadow Types 155 Tranquilize 183 Arcana Points 155 Warp 184 Minor Shadow Anatomy 156 Useful Attacks 185 Encountering Minor Shadows 157 Useful Physical Attacks 185 Fighting Minor Shadows 157 Useful Elemental Attacks 185 The Shadow Compendium 157 Useful Defenses 186 The GM: Master of Shadows 158 Agility 186 Shadow Mobs 158 Endurance 186 How Shadow Mobs are built 159 Creating Your Own Useful Qualities 187 Shadow Mobs and All-Out Attacks 160 Remember the Cost 187 When Should Mobs be used? 160 Be Mindful of the Action Economy 187 How Major Shadows Work 161 Don’t Be Afraid to Bend the Rules 187 Fighting Major Shadows 162 Chapter X: The Velvet Room Gimmicks 163 Fighting to the Finish 164 Welcome to the Velvet Room 190 Advanced Dice Pool Guidelines 190 Chapter IX: Useful Things One Roll Education 191 Why Useful Qualities Have Their Own Chapter 166 What Roll for Which Class? 191 How Useful Qualities are Supposed to Work 166 Sample Class Schedule 191 Not Everything Needs to be a Useful Quality 167 What Skill for which Assignment? 192 What Makes a Good Useful Quality 167 Work Load 192 Attacks and Defends can also be useful 167 Grades 193 Basic Things Any Useful Quality Can Do 168 Improving your School Work 193 Create an Advantage 168 Time Management 194 Counteract a Useful Effect 168 Obligation vs Freedom (aka Law vs Chaos) 194 Solve a Problem 168 Opportunity Cost 195 The Useful Gallery 169 Under Pressure 195 The 10 Common Qualities 169 Enemy Advantage: Engineering Minor Shadow Analyze 169 Encounters 197 Buff 170 The Golden Rule 197 The Underlying Question: What are These, Anyway? 170 The Arcana Budget 198 Boost Power 171 Further Guidelines 198 Control (Element or Force) 171 Shadow Synergy 199 Debuff 172 Fast and Furious 199 Timing Buffs and Debuffs 172 Tough Enough 199 (Page #) Table of Contents Bodyguards 199 Hidden Passages 219 Healing 199 Population 219 Useful Shenanigans 200 Automated Defenses 220 After-Market Modifications 200 Sanctuary 221 Shadow Antics 200 Physical Challenge 221 Blooming Villains: Creating and Controlling Major Traps 222 Shadows 201 High Security 223 What is a Major Shadow’s purpose? 201 Example Security Patrols 224 Might 202 Hazardous Environment 225 How Mighty? 202 Treasure 226 Arcana Point Budgets for Major Shadows 203 Better Threats: How to Properly Menace your Players 227 Gimmicks 204 The Real World is Threatening Too 227 Do-It-Yourself Gimmicks 204 Standard Threats 227 Ready-to-Play Gimmicks 205 Persistent Threats 228 Heavy Armor 205 Compound Threats 229 Penetration 205 How Many Dice Should I Give my Threats? 229 Unlimited Healing 205 Optional Rule: Loot and Other Valuable Things 230 Regeneration 205 Loot isn’t Mandatory 230 Multitasking 205 Where Loot Comes From 230 Special Dice Pool 206 What is Loot, Exactly? 231 Booster 206 Loot Values 231 Summon Allies 206 What is Loot Good for? 231 Targets All 206 The Loot Exchange 232 Guaranteed Knockdown 206 The Spoils Roll 233 Bypass Personas 207 Attrition and Exhaustion 234 Preemptive Action
Load more

Recommended publications
  • Game Title: Phoenix Wright: Ace Attorney Platform: Nintendo DS
    Game Title: Phoenix Wright: Ace Attorney Platform: Nintendo DS (version reviewed here), Game Boy Advance, IPhone, Nintendo Wii Genre: Adventure Release Date: OctoBer 12, 2005 Developer: Capcom Publisher: Capcom Game Writer/Creative Director/Narrative Designer: Shu Takumi Author of this Review: Amy Li School: Rochester Institute of Technology Overview Phoenix Wright: Ace Attorney is the story of the rookie defense attorney Phoenix Wright searching for an old friend in the courtroom. His roller coaster court cases take him to his goal; however, when he meets his friend again, he discovers this friend is no longer the person he knew. Despite their status now as enemies, Wright involves himself in a case that digs into the past to find out why his friend's heart has changed. Characters Taking into account all five cases available in the game, the cast is large and varied. As a result, only the characters featured prominently in the chief narrative will Be descriBed here. • Phoenix Wright is a rookie defense attorney serving as the player's avatar. Wright provides small insights and assistance through self-contained thoughts. When removed from the role as a player, Wright may seem slightly slow and reliant on luck and Bluff to win his cases. However, he presents the character of an honest, determined man who Believes in his clients' innocence—the kind of man that every person should hope his or her defense lawyer to be. • Miles Edgeworth is a seasoned, undefeated prosecutor, rumored to run Backroom deals and tamper with evidence to oBtain victory and maintain his 'undefeated' prestige.
    [Show full text]
  • The Forgotten Realms Are a World of the Realms, Matched by a Sheet of Very Similar to the Earth of the 13Th and Ice, Equally Relentless, to Its East
    These things also I have observed: that knowledge of our world is to be nurtured like a precious flower, for it is the most precious thing we have. Wherefore guard the word written and heed words unwrittenand set them down ere they fade . Learn then, well, the arts of reading, writing, and listening true, and they will lead you to the greatest art of all: understanding. Alaundo of Candlekeep Cyclopedia of the Realms Table of Contents Introductions ..................................................................4 About this Product ..............................................................5 Time in the Realms ..............................................................6 Names in the Realms .............................................................7 Languages of the Realms .........................................................8 Currency in the Realms ..........................................................9 Religion in the Realms ...........................................................10 Cyclopedia Entries ..............................................................19 Anauroch Map ..................................................................23 Arabel Map ....................................................................24 Cormyr Map ...................................................................33 Cormyr Royal Lineage ...........................................................34 DalelandsMap ..................................................................36 Immersea Map ..................................................................53
    [Show full text]
  • Game Narrative Review
    Game Narrative Review ==================== Your name (one name, please): Ian Switaj Your school: Rochester Institute of Technology Your email: [email protected] Month/Year you submitted this review: December 2013 ==================== Game Title: Shin Megami Tensei: Persona 4 Platform: Playstation 2 Genre: Role-playing, Social simulation Release Date: July 10, 2008 (JP) / December 9, 2008 (NA) Developer: Atlus Publisher: Atlus Game Writer/Creative Director/Narrative Designer: Katsura Hashino (Director), Azusa Kido (Scenario and Social Link Planning Leader), Yuichiro Tanaka and Akira Kawasaki (Scenario Writer), US Localization: Martin Britton, James Kuroki, Mai Namba, and Jensen Kamiya (Translator), Nich Maragos (Lead Editor) Overview Persona 4 is a Japanese Roleplaying Game (JRPG) in which a group of high school students are trying to capture the culprit responsible for a chain of murders and kidnappings that began plaguing their town starting April 11, 2011. In the town of Inaba a rumor is going around that by looking at a TV screen at 12:00 AM on a rainy night the face of the viewer’s soulmate will be revealed. The player takes control of a second year high school student who is forced to move to the countryside and live with his uncle’s family for an entire year while his parents are overseas on business and, as a result, becomes inexplicitly involved in the supernatural chain of murders. Victims that are thrown into the TV are attacked and ultimately killed by their Shadows, or manifestations of their repressed psyches, and are found dead in the human world on days of fog. The protagonist and his team of Persona users, must brave the horrors and unknowns of the mysterious TV world populated by Shadows, beings that represent the generally negative emotions and psyches of mankind, in order to seek the truth behind the chain of mysterious murders and their connections to this mysterious rumor, rescue the victims, and uncover the identity of the culprit responsible.
    [Show full text]
  • Download This PDF File
    Vol. 3, No. 2 (2009) http:/www.eludamos.org Generations and Game Localization: An Interview with Alexander O. Smith, Steven Anderson and Matthew Alt Darshana Jayemanne Eludamos. Journal for Computer Game Culture. 2009; 3 (2), p. 135-147 Generations and Game Localization: An Interview with Alexander O. Smith, Steven Anderson and Matthew Alt DARSHANA JAYEMANNE The interplay between the Japanese and Western game industries has been one of the most fruitful mass cultural exchanges of the past few decades. The circulation of gaming products between the two contexts has seen both brilliant successes and dismal failures, but also more than a few unlikely felicities. Shigeru Miyamoto, in his search for an English appellation for Mario’s disgruntled simian antagonist, hit upon the now iconic Donkey Kong. Many gamers will remember wondering how they could set up a match against Shen Long, trembling at the stark realisation that “Someone set us up the bomb,” and taking comfort in Barry Burton’s affirmation of Jill Valentine’s prowess in Resident Evil (Capcom 1997): “Jill, here's a lockpick. It might be handy if you, the master of unlocking, take it with you.” Though his syntactical choices may lead one to certain uncharitable conclusions about Barry, his foresight and canny allocation of limited team resources was in fact indispensable to his colleague’s survival into the game’s sequels. By the time of the GameCube remake (Capcom 2002), Barry had improved his communication skills considerably. While diegetically this may be attributed to robust training policy reform at the Racoon City Police Department, in an extra-diegetic sense can be seen as indicative of broader trends in localisation standards.
    [Show full text]
  • A Influência Do Tarô Na Construção De Personagens Na Franquia Persona1
    Intercom – Sociedade Brasileira de Estudos Interdisciplinares da Comunicação 42º Congresso Brasileiro de Ciências da Comunicação – Belém - PA – 2 a 7/09/2019 A influência do tarô na construção de personagens na franquia Persona1 Ana Raquel Romeu AGUIAR2 Ricardo Jorge de Lucena LUCAS3 Universidade de Fortaleza, Fortaleza, CE RESUMO Esse artigo procura mostrar como o tarô, mais especificamente o Tarô de Marselha, teve impacto nos personagens de Persona, sendo isso mais evidente nos três últimos jogos. Para isso, cada Arcano será explicado de acordo com Kaplan (1972), Nichols (1995) e Peradejordi (1993). Depois, será mostrada a sua aplicação nos personagens dos jogos, que pode variar de seu background ao character design, passando pelas habilidades. PALAVRAS-CHAVE: Persona; Personagens; Tarô INTRODUÇÃO Tarô é um assunto complexo. Não se sabe a origem exata. Há diversos tipos, com cartas extremamente diferentes, e pode ser comparado a diversos jogos, do xadrez às cartas indianas, passando pelo jogo indiano e pelo Fez, que é marroquino. Nota-se que o tarô foi bastante forte na Itália, já que os Tarocchi de Mantegna, de Veneza, de Bolonha, bem como o Minchiate de Florença e o baralho Vinconti-Sforza, são nomes de cidade do país. Para esse trabalho, focaremos em um dos principais, que é o Tarô de Marselha, porque é o mais evidente nos jogos estudados. Além disso, pode ser considerado o tarô mais tradicional e é fácil de achar comercialmente (PERADEJORDI, 1993, p. 23). Foi bastante popular no sul da França, e foi baseado e modificado dos baralhos italianos mencionados no parágrafo anterior. As cartas são enumeradas de 0 a XXI e normalmente possuem figuras coloridas.
    [Show full text]
  • Friday Ntght Lights
    Executive Producer: Peter Berg Scri-pt #: 103 Executive Producer: Jason Katims Episode #: 103 Executive Producer: David Nevins Production #: 01003 Executive Producer: Brian Grazer Co-Executive Producer: John Cameron Co-Executive Producer: Sarah Aubrey Co-Executive Producer: Jeffrey Reiner FRIDAY NTGHT LIGHTS "Wind Spr j-nts " !a7ri ffon hrr Li-z Heldens F)i roni'arl hrz .Tof f rorz Ro i nor PRODUCTION DRAFT JuIy 21, 2006 FulI ann ( T,,1,, ?q D1114 D^fiae.qYgJ. a^cJ- Qot-r5, , .wv9 UqJL,99t 15,16,17,29,44,54 JuLy 26, 2006 Pink Pages: Cast ,-7,8,23 .Trr'lrr ?Q )hnA Val lnr,r D.dac. a^ef qof e" t L5 ,23 ,24 ,29 ,37 , 44 O 2005 NBC STUDIOS, INC. AII rights reserved. Not to be duplicated withorrt nermission. io fhF nr^n6rtrz of NRC Strrdinq Tnn ThiS matefial , f rrv. and is intended solely for the use of its personnel. The sale, copying, reproduction or exploitation of this material- in any form is prohibited. Distribution or disclosure of this material- to unauthorized persons is r'1 en nrnhi l-'i +6^ FRIDAY NIGHT IJIGHTS "Inli nrl (nni nl. c/' YELLOW 7 /28/06 CAST L]ST COACH ERIC TAYLOR TIM RIGGINS TYRA COLLETTE JASON STREET BRIAN "SMASH" WILLIAMS TAMI TAYLOR MATT SARACEN JULIE TAYLOR LANDRY CLARKE LYLA GARRITY SPEAKING PARTS: l in nrrlor af qytsvs!anno:ranca) RADIO ANNOUNCER BOOSTER BUDDY GARRITY RADIO ANNOUNCER #2 MOM 1 FATHER MOM 2 IAln[l( z MRS. DOLIA MRS. SARACEN BILLY RIGGINS DAN NURSE BURLY GUY MAC MCGILL BOBBY "BULL" REYES PAM GARRTTY JOANNE STREET MTTCHELL STREET WOMAN 1 LOIS MAYOR I,UCY RODELL DOLIA RALLY G]RL VIC RAY VOODOO TATOM SPORTS GUY DAD FRIDAY NIGHT I,IGIITS "\n7i nd Qnri n1.
    [Show full text]
  • From Pigskins to Sheepskins the Role of Masculinity in Achieving the American Dream
    Lunds universitet Andreas Lindbäck Språk- och litteraturcentrum FIVM01 Filmvetenskap Handledare: Lars Gustaf Andersson 2011-06-07 From Pigskins to Sheepskins The role of masculinity in achieving the American dream pig·skin /ˈpɪgˌskɪn/ Nouni Informal A football. sheep·skin /ˈʃipˌskɪn/ Nounii Informal A diploma. From Pigskins to Sheepskins Table of Contents Introduction..................................................................................................................2 Aim & Method ..................................................................................................................... 4 Summary of Films................................................................................................................ 5 American Dream..........................................................................................................7 Types of Masculinities ...............................................................................................11 A Reluctant Leader............................................................................................................ 13 Expected Behavior ............................................................................................................. 17 Missed Opportunities ........................................................................................................ 19 Doing what is Required ..................................................................................................... 21 Brotherhood on the Field ..........................................................................................25
    [Show full text]
  • Found in Translation: Evolving Approaches for the Localization of Japanese Video Games
    arts Article Found in Translation: Evolving Approaches for the Localization of Japanese Video Games Carme Mangiron Department of Translation, Interpreting and East Asian Studies, Universitat Autònoma de Barcelona, 08193 Bellaterra, Barcelona, Spain; [email protected] Abstract: Japanese video games have entertained players around the world and played an important role in the video game industry since its origins. In order to export Japanese games overseas, they need to be localized, i.e., they need to be technically, linguistically, and culturally adapted for the territories where they will be sold. This article hopes to shed light onto the current localization practices for Japanese games, their reception in North America, and how users’ feedback can con- tribute to fine-tuning localization strategies. After briefly defining what game localization entails, an overview of the localization practices followed by Japanese developers and publishers is provided. Next, the paper presents three brief case studies of the strategies applied to the localization into English of three renowned Japanese video game sagas set in Japan: Persona (1996–present), Phoenix Wright: Ace Attorney (2005–present), and Yakuza (2005–present). The objective of the paper is to analyze how localization practices for these series have evolved over time by looking at industry perspectives on localization, as well as the target market expectations, in order to examine how the dialogue between industry and consumers occurs. Special attention is given to how players’ feedback impacted on localization practices. A descriptive, participant-oriented, and documentary approach was used to collect information from specialized websites, blogs, and forums regarding localization strategies and the reception of the localized English versions.
    [Show full text]
  • Video Games Are Where the Detective Story Has Always Belonged: the Progression of Detective Stories Into Video Games
    Georgia College Knowledge Box English MA Theses Department of English Spring 5-12-2021 Video Games are Where the Detective Story Has Always Belonged: The Progression of Detective Stories into Video Games Robert Palmour [email protected] Follow this and additional works at: https://kb.gcsu.edu/english Part of the Comparative Literature Commons, and the English Language and Literature Commons Recommended Citation Palmour, Robert, "Video Games are Where the Detective Story Has Always Belonged: The Progression of Detective Stories into Video Games" (2021). English MA Theses. 8. https://kb.gcsu.edu/english/8 This Thesis is brought to you for free and open access by the Department of English at Knowledge Box. It has been accepted for inclusion in English MA Theses by an authorized administrator of Knowledge Box. Video Games are Where the Detective Story Has Always Belonged: The Progression of Detective Stories into Video Games Jackson Palmour Table of Contents: Tutorial Level. An Introduction, History Lesson, and Hopefully a Thesis Statement: pg. 1 Level 1. In The Beginning…: pg. 10 Level 2. The Game is a Foot: pg. 20 Level 3 And time for More Tutorials: pg. 23 Level 4. Let’s All Pretend to be Sherlock Holmes: pg. 31 Level 5. Detective Game on the Nile: pg. 40 Level 6. Try Not To Pull A Punch or The Thrill Will Be Gone: pg. 55 Level 7. Build A Detective: pg. 66 Level 8. The Killer Revealed: pg. 70 1 Tutorial Level. An Introduction, History Lesson, and Hopefully a Thesis Statement: Genre as it is commonly viewed is a difficult concept to deal with in fiction.
    [Show full text]
  • {Dоwnlоаd/Rеаd PDF Bооk} the Art of Phoenix Wright: Ace Attorney
    THE ART OF PHOENIX WRIGHT: ACE ATTORNEY PDF, EPUB, EBOOK Capcom | 240 pages | 20 Jan 2010 | Udon Entertainment Corp | 9781897376195 | English | Richmond Hill, United States Book Review: The Art of Phoenix Wright: Ace Attorney | Parka Blogs Stay informed on our latest news! Check your email and spam folder to confirm your subscription. Skip to main content. The concept sketches are unfortunatly all in the guide book, which has just a very small size. I know, right? I want to buy that book so badly, but I don't have that kind of money I love this game. I've spend many a long hour playing this. Your name. E-mail The content of this field is kept private and will not be shown publicly. More information about text formats. Web page addresses and e-mail addresses turn into links automatically. Lines and paragraphs break automatically. There are lots to read on the characters, and the scenario director Takeshi Yamazaki and art director Takuro Fuse would add their own commentary regarding the design and story. That's in addition to the interviews with the two at the end. The book's packed to the last page. It's a great video game artbook for the fans. Here are direct links to the book: Amazon. Stay informed on our latest news! Check your email and spam folder to confirm your subscription. Skip to main content. Your name. E-mail The content of this field is kept private and will not be shown publicly. The game was released in North America and Europe on September 8th, For the English release, the first set of costumes for Wright, Justice, and Cykes were offered as free downloadable content in the first week of release from September 8th until September 15th, Additionally, the two Ace Attorney Theater episodes and the full episode Turnabout Time Traveler were offered as paid content, and were released each Thursday following the release of the game.
    [Show full text]
  • Friday Night Lights (NBC Et the 101 Network, 2006-2011) Ou Le Réinvestissement Du Mythe De La Small Town
    TV/Series 4 | 2013 Écho et reprise dans les séries télévisées (II) : Re- présentations -- enjeux socio-culturels, politiques et idéologiques de la reprise Friday Night Lights (NBC et The 101 Network, 2006-2011) ou le réinvestissement du mythe de la small town Gérald Billard et Arnaud Brennetot Éditeur GRIC - Groupe de recherche Identités et Cultures Édition électronique URL : http://tvseries.revues.org/739 DOI : 10.4000/tvseries.739 ISSN : 2266-0909 Référence électronique Gérald Billard et Arnaud Brennetot, « Friday Night Lights (NBC et The 101 Network, 2006-2011) ou le réinvestissement du mythe de la small town », TV/Series [En ligne], 4 | 2013, mis en ligne le 15 décembre 2013, consulté le 30 septembre 2016. URL : http://tvseries.revues.org/739 ; DOI : 10.4000/ tvseries.739 Ce document est un fac-similé de l'édition imprimée. TV/Series est mis à disposition selon les termes de la licence Creative Commons Attribution - Pas d'Utilisation Commerciale - Pas de Modification 4.0 International. Friday Night Lights1 ou le réinvestissement du mythe de la small town Gérald BILLARD Arnaud BRENNETOT À partir de l’exemple de Friday Night Lights, cet article entend montrer comment la double adaptation d’un livre documentaire puis d’un film au format d’une série télévisée peut conduire à une amplification et à un approfondissement de la mise en scène tels que l’histoire particulière d’une petite communauté locale du Texas conduit à une relecture originale de quelques-uns des grands thèmes de la fiction télévisée contemporaine (la réalisation de soi, la cohésion sociale, la pression communautaire, etc.).
    [Show full text]
  • Genesys John Peel 78339 221 2 2 Timewyrm: Exodus Terrance Dicks
    Sheet1 No. Title Author Words Pages 1 1 Timewyrm: Genesys John Peel 78,339 221 2 2 Timewyrm: Exodus Terrance Dicks 65,011 183 3 3 Timewyrm: Apocalypse Nigel Robinson 54,112 152 4 4 Timewyrm: Revelation Paul Cornell 72,183 203 5 5 Cat's Cradle: Time's Crucible Marc Platt 90,219 254 6 6 Cat's Cradle: Warhead Andrew Cartmel 93,593 264 7 7 Cat's Cradle: Witch Mark Andrew Hunt 90,112 254 8 8 Nightshade Mark Gatiss 74,171 209 9 9 Love and War Paul Cornell 79,394 224 10 10 Transit Ben Aaronovitch 87,742 247 11 11 The Highest Science Gareth Roberts 82,963 234 12 12 The Pit Neil Penswick 79,502 224 13 13 Deceit Peter Darvill-Evans 97,873 276 14 14 Lucifer Rising Jim Mortimore and Andy Lane 95,067 268 15 15 White Darkness David A McIntee 76,731 216 16 16 Shadowmind Christopher Bulis 83,986 237 17 17 Birthright Nigel Robinson 59,857 169 18 18 Iceberg David Banks 81,917 231 19 19 Blood Heat Jim Mortimore 95,248 268 20 20 The Dimension Riders Daniel Blythe 72,411 204 21 21 The Left-Handed Hummingbird Kate Orman 78,964 222 22 22 Conundrum Steve Lyons 81,074 228 23 23 No Future Paul Cornell 82,862 233 24 24 Tragedy Day Gareth Roberts 89,322 252 25 25 Legacy Gary Russell 92,770 261 26 26 Theatre of War Justin Richards 95,644 269 27 27 All-Consuming Fire Andy Lane 91,827 259 28 28 Blood Harvest Terrance Dicks 84,660 238 29 29 Strange England Simon Messingham 87,007 245 30 30 First Frontier David A McIntee 89,802 253 31 31 St Anthony's Fire Mark Gatiss 77,709 219 32 32 Falls the Shadow Daniel O'Mahony 109,402 308 33 33 Parasite Jim Mortimore 95,844 270
    [Show full text]