Newsletter 22-04-2020
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WEDNESDAY, FEBRUARY 15, 2017 lifestyle MUSIC & MOVIES Riding high, BeyoncE fails to break Grammy curse s Beyonce too edgy for the music industry? Or do the debut album was edged out by in 2013 by English folk "'Lemonade' is really about how black women are treated Grammy Awards suffer from an underlying racial bias? revivalists Mumford & Sons, chose not to even submit his fol- in society historically, and in the contemporary moment, IThe superstar's failure to win top prizes is vexing her low-up, "Blonde," for Grammy consideration. After Sunday's and it's about loving ourselves through all of that," said many admirers-among them the night's big winner Adele. awards, Ocean wrote an open letter asking the Grammy LaKisha Simmons, an assistant professor of history and Beyonce had led the Grammy nominations with nine for organizers to discuss the "cultural bias and general nerve women's studies at the University of Michigan. "So in some "Lemonade," her most daring album to date, which she damage" caused by the show. ways, it's kind of fitting that she was left standing there," she crafted as a celebration of the resilience of African Ocean, who defiantly released "Blonde" independently, said. "Beyonce will be fine," she said. "But I think for the rest American women. But Beyonce, whose tour was one of the said he initially wanted to take part in the Grammys for the of us, it stings because of that-it's almost like, 'Get back in industry's most lucrative in 2016, took only two awards tribute to late pop icon Prince. -
Williams, Hipness, Hybridity, and Neo-Bohemian Hip-Hop
HIPNESS, HYBRIDITY, AND “NEO-BOHEMIAN” HIP-HOP: RETHINKING EXISTENCE IN THE AFRICAN DIASPORA A Dissertation Presented to the Faculty of the Graduate School of Cornell University in Partial Fulfillment of the Requirements for the Degree of Doctor of Philosophy by Maxwell Lewis Williams August 2020 © 2020 Maxwell Lewis Williams HIPNESS, HYBRIDITY, AND “NEO-BOHEMIAN” HIP-HOP: RETHINKING EXISTENCE IN THE AFRICAN DIASPORA Maxwell Lewis Williams Cornell University 2020 This dissertation theorizes a contemporary hip-hop genre that I call “neo-bohemian,” typified by rapper Kendrick Lamar and his collective, Black Hippy. I argue that, by reclaiming the origins of hipness as a set of hybridizing Black cultural responses to the experience of modernity, neo- bohemian rappers imagine and live out liberating ways of being beyond the West’s objectification and dehumanization of Blackness. In turn, I situate neo-bohemian hip-hop within a history of Black musical expression in the United States, Senegal, Mali, and South Africa to locate an “aesthetics of existence” in the African diaspora. By centering this aesthetics as a unifying component of these musical practices, I challenge top-down models of essential diasporic interconnection. Instead, I present diaspora as emerging primarily through comparable responses to experiences of paradigmatic racial violence, through which to imagine radical alternatives to our anti-Black global society. Overall, by rethinking the heuristic value of hipness as a musical and lived Black aesthetic, the project develops an innovative method for connecting the aesthetic and the social in music studies and Black studies, while offering original historical and musicological insights into Black metaphysics and studies of the African diaspora. -
Television Academy Awards
2021 Primetime Emmy® Awards Ballot Outstanding Music Composition For A Series (Original Dramatic Score) The Alienist: Angel Of Darkness Belly Of The Beast After the horrific murder of a Lying-In Hospital employee, the team are now hot on the heels of the murderer. Sara enlists the help of Joanna to tail their prime suspect. Sara, Kreizler and Moore try and put the pieces together. Bobby Krlic, Composer All Creatures Great And Small (MASTERPIECE) Episode 1 James Herriot interviews for a job with harried Yorkshire veterinarian Siegfried Farnon. His first day is full of surprises. Alexandra Harwood, Composer American Dad! 300 It’s the 300th episode of American Dad! The Smiths reminisce about the funniest thing that has ever happened to them in order to complete the application for a TV gameshow. Walter Murphy, Composer American Dad! The Last Ride Of The Dodge City Rambler The Smiths take the Dodge City Rambler train to visit Francine’s Aunt Karen in Dodge City, Kansas. Joel McNeely, Composer American Gods Conscience Of The King Despite his past following him to Lakeside, Shadow makes himself at home and builds relationships with the town’s residents. Laura and Salim continue to hunt for Wednesday, who attempts one final gambit to win over Demeter. Andrew Lockington, Composer Archer Best Friends Archer is head over heels for his new valet, Aleister. Will Archer do Aleister’s recommended rehabilitation exercises or just eat himself to death? JG Thirwell, Composer Away Go As the mission launches, Emma finds her mettle as commander tested by an onboard accident, a divided crew and a family emergency back on Earth. -
MUSIC NOTES: Exploring Music Listening Data As a Visual Representation of Self
MUSIC NOTES: Exploring Music Listening Data as a Visual Representation of Self Chad Philip Hall A thesis submitted in partial fulfillment of the requirements for the degree of: Master of Design University of Washington 2016 Committee: Kristine Matthews Karen Cheng Linda Norlen Program Authorized to Offer Degree: Art ©Copyright 2016 Chad Philip Hall University of Washington Abstract MUSIC NOTES: Exploring Music Listening Data as a Visual Representation of Self Chad Philip Hall Co-Chairs of the Supervisory Committee: Kristine Matthews, Associate Professor + Chair Division of Design, Visual Communication Design School of Art + Art History + Design Karen Cheng, Professor Division of Design, Visual Communication Design School of Art + Art History + Design Shelves of vinyl records and cassette tapes spark thoughts and mem ories at a quick glance. In the shift to digital formats, we lost physical artifacts but gained data as a rich, but often hidden artifact of our music listening. This project tracked and visualized the music listening habits of eight people over 30 days to explore how this data can serve as a visual representation of self and present new opportunities for reflection. 1 exploring music listening data as MUSIC NOTES a visual representation of self CHAD PHILIP HALL 2 A THESIS SUBMITTED IN PARTIAL FULFILLMENT OF THE REQUIREMENTS FOR THE DEGREE OF: master of design university of washington 2016 COMMITTEE: kristine matthews karen cheng linda norlen PROGRAM AUTHORIZED TO OFFER DEGREE: school of art + art history + design, division -
1 Nr Artiest Album
NR ARTIEST ALBUM 1 PEARL JAM TEN 2 U2 THE JOSHUA TREE 3 METALLICA METALLICA (THE BLACK ALBUM) 4 PINK FLOYD THE DARK SIDE OF THE MOON 5 MICHAEL JACKSON THRILLER 6 NIRVANA NEVERMIND 7 PINK FLOYD THE WALL 8 METALLICA MASTER OF PUPPETS 9 FLEETWOOD MAC RUMOURS 10 QUEEN A NIGHT AT THE OPERA 11 GUNS N' ROSES APPETITE FOR DESTRUCTION 12 DIRE STRAITS BROTHERS IN ARMS 13 EAGLES HOTEL CALIFORNIA 14 PINK FLOYD WISH YOU WERE HERE 15 THE BEATLES SGT. PEPPER'S LONELY HEARTS CLUB BAND 16 QUEEN INNUENDO 17 MEAT LOAF BAT OUT OF HELL 18 BRUCE SPRINGSTEEN BORN IN THE USA 19 PRINCE & THE REVOLUTION PURPLE RAIN 20 MARILLION MISPLACED CHILDHOOD 21 RADIOHEAD OK COMPUTER 22 GUNS N' ROSES USE YOUR ILLUSION 1 23 THE BEATLES ABBEY ROAD 24 QUEEN LIVE AT WEMBLEY '86 25 U2 THE UNFORGETTABLE FIRE 26 METALLICA ...AND JUSTICE FOR ALL 27 PAUL SIMON GRACELAND 28 AC/DC BACK IN BLACK 29 BON JOVI SLIPPERY WHEN WET 30 DIRE STRAITS LOVE OVER GOLD 31 BRUCE SPRINGSTEEN THE RIVER 32 RED HOT CHILI PEPPERS CALIFORNICATION 33 NIRVANA MTV UNPLUGGED IN NEW YORK 34 ROLLING STONES STICKY FINGERS 35 PRINCE SIGN OF THE TIMES 36 COLDPLAY A RUSH OF BLOOD TO THE HEAD 37 LED ZEPPELIN LED ZEPPELIN IV 38 REM AUTOMATIC FOR THE PEOPLE 39 U2 ACHTUNG BABY 40 BRUCE SPRINGSTEEN BORN TO RUN 1 NR ARTIEST ALBUM 41 GUNS N' ROSES USE YOUR ILLUSION 2 42 DEEP PURPLE IN ROCK 43 METALLICA RIDE THE LIGHTNING 44 GREEN DAY AMERICAN IDIOT 45 AC/DC HIGHWAY TO HELL 46 LIVE THROWING COPPER 47 U2 RATTLE AND HUM 48 IRON MAIDEN THE NUMBER OF THE BEAST 49 SIMPLE MINDS NEW GOLD DREAM 50 GOLDEN EARRING THE NAKED TRUTH 51 -
The Futurism of Hip Hop: Space, Electro and Science Fiction in Rap
Open Cultural Studies 2018; 2: 122–135 Research Article Adam de Paor-Evans* The Futurism of Hip Hop: Space, Electro and Science Fiction in Rap https://doi.org/10.1515/culture-2018-0012 Received January 27, 2018; accepted June 2, 2018 Abstract: In the early 1980s, an important facet of hip hop culture developed a style of music known as electro-rap, much of which carries narratives linked to science fiction, fantasy and references to arcade games and comic books. The aim of this article is to build a critical inquiry into the cultural and socio- political presence of these ideas as drivers for the productions of electro-rap, and subsequently through artists from Newcleus to Strange U seeks to interrogate the value of science fiction from the 1980s to the 2000s, evaluating the validity of science fiction’s place in the future of hip hop. Theoretically underpinned by the emerging theories associated with Afrofuturism and Paul Virilio’s dromosphere and picnolepsy concepts, the article reconsiders time and spatial context as a palimpsest whereby the saturation of digitalisation becomes both accelerator and obstacle and proposes a thirdspace-dromology. In conclusion, the article repositions contemporary hip hop and unearths the realities of science fiction and closes by offering specific directions for both the future within and the future of hip hop culture and its potential impact on future society. Keywords: dromosphere, dromology, Afrofuturism, electro-rap, thirdspace, fantasy, Newcleus, Strange U Introduction During the mid-1970s, the language of New York City’s pioneering hip hop practitioners brought them fame amongst their peers, yet the methods of its musical production brought heavy criticism from established musicians. -
L the Charlatans UK the Charlatans UK Vs. the Chemical Brothers
These titles will be released on the dates stated below at physical record stores in the US. The RSD website does NOT sell them. Key: E = Exclusive Release L = Limited Run / Regional Focus Release F = RSD First Release THESE RELEASES WILL BE AVAILABLE AUGUST 29TH ARTIST TITLE LABEL FORMAT QTY Sounds Like A Melody (Grant & Kelly E Alphaville Rhino Atlantic 12" Vinyl 3500 Remix by Blank & Jones x Gold & Lloyd) F America Heritage II: Demos Omnivore RecordingsLP 1700 E And Also The Trees And Also The Trees Terror Vision Records2 x LP 2000 E Archers of Loaf "Raleigh Days"/"Street Fighting Man" Merge Records 7" Vinyl 1200 L August Burns Red Bones Fearless 7" Vinyl 1000 F Buju Banton Trust & Steppa Roc Nation 10" Vinyl 2500 E Bastille All This Bad Blood Capitol 2 x LP 1500 E Black Keys Let's Rock (45 RPM Edition) Nonesuch 2 x LP 5000 They's A Person Of The World (featuring L Black Lips Fire Records 7" Vinyl 750 Kesha) F Black Crowes Lions eOne Music 2 x LP 3000 F Tommy Bolin Tommy Bolin Lives! Friday Music EP 1000 F Bone Thugs-N-Harmony Creepin' On Ah Come Up Ruthless RecordsLP 3000 E David Bowie ChangesNowBowie Parlophone LP E David Bowie ChangesNowBowie Parlophone CD E David Bowie I’m Only Dancing (The Soul Tour 74) Parlophone 2 x LP E David Bowie I’m Only Dancing (The Soul Tour 74) Parlophone CD E Marion Brown Porto Novo ORG Music LP 1500 F Nicole Bus Live in NYC Roc Nation LP 2500 E Canned Heat/John Lee Hooker Hooker 'N Heat Culture Factory2 x LP 2000 F Ron Carter Foursight: Stockholm IN+OUT Records2 x LP 650 F Ted Cassidy The Lurch Jackpot Records7" Vinyl 1000 The Charlatans UK vs. -
Ukmva-18-Shortlist-Booklet-Email.Pdf
uk music video awards 18 ten years on from the very first uk music video awards, it’s been exciting to see entries coming in from all around the globe in greater numbers than ever, from regular ukmva participants, former nominees and first-time entrants. this year more than 1800 videos were submitted for judging. 400 jury members were invited to vote in round 1 and the top-voted entries were reviewed by 100 industry professionals in a series of live judging panels. the entries for the individual awards for director, new director, producer, commissioner, artist and production company, based on a body of work from the past year, were voted on by jury members. it is thanks to the participation of the jury members that the uk music video awards is a respected and valued competition. our special thanks go to our friends at the mill, bfi stephen street, and black dog films for hosting judging sessions, and to martin roker, carrie sutton, toby abbott, dan massie, barnaby laws, dan kreeger and thom trigger who chaired panels. the uk music video awards 2018 will take place at london’s legendary roundhouse on thursday 25 october. we will be presenting more than 30 awards for achievement in music video and music film, and we will be proud once again to bring together british and international music filmmaking talent for one night under one roof to celebrate the most creative, innovative and successful work of the past 12 months. we look forward to seeing you there. the ukmva team ukmva.com special thanks to the mill london for hosting the 2018 ukmva -
Club Cultures Music, Media and Subcultural Capital SARAH THORNTON Polity
Club Cultures Music, Media and Subcultural Capital SARAH THORNTON Polity 2 Copyright © Sarah Thornton 1995 The right of Sarah Thornton to be identified as author of this work has been asserted in accordance with the Copyright, Designs and Patents Act 1988. First published in 1995 by Polity Press in association with Blackwell Publishers Ltd. Reprinted 1996, 1997, 2001 Transferred to digital print 2003 Editorial office: Polity Press 65 Bridge Street Cambridge CB2 1UR, UK Marketing and production: Blackwell Publishers Ltd 108 Cowley Road Oxford OX4 1JF, UK All rights reserved. Except for the quotation of short passages for the purposes of criticism and review, no part of this publication may be reproduced, stored in a retrieval system, or transmitted, in any form or by any means, electronic, mechanical, photocopying, recording or otherwise, without the prior permission of the publisher. Except in the United States of America, this book is sold subject to the condition that it shall not, by way of trade or otherwise, be lent, re-sold, hired out, or otherwise circulated without the publisher’s prior consent in any 3 form of binding or cover other than that in which it is published and without a similar condition including this condition being imposed on the subsequent purchaser. ISBN: 978-0-7456-6880-2 (Multi-user ebook) A CIP catalogue record for this book is available from the British Library. Typeset in 10.5 on 12.5 pt Palatino by Best-set Typesetter Ltd, Hong Kong Printed and bound in Great Britain by Marston Lindsay Ross International -
G64dbs Exercise 3: Querying the Database
G64DBS EXERCISE 3: QUERYING THE DATABASE INTRODUCTION This exercise will cover a variety of queries you can accomplish using SQL’s SELECT statement. If you have completed Exercises 1 and 2 then your database should contain tables for Artist and CD records. In order to add some variety for the queries, we should add a few more CDs. If you’d like more practice with INSERT and UPDATE operations then try to match your tables to these: mysql> SELECT * FROM Artist; +-------+---------------------------------+ | artID | artName | +-------+---------------------------------+ | 6 | Animal Collective | | 3 | DeadMau5 | | 7 | Kings of Leon | | 4 | Mark Ronson | | 5 | Mark Ronson & The Business Intl | | 8 | Maroon 5 | | 2 | Mr. Scruff | | 1 | Muse | +-------+---------------------------------+ 8 rows in set (0.00 sec) mysql> SELECT * FROM CD; +------+-------+-----------------------------+---------+---------------+ | cdID | artID | cdTitle | cdPrice | cdGenre | +------+-------+-----------------------------+---------+---------------+ | 1 | 1 | Black Holes and Revelations | 9.99 | Rock | | 2 | 1 | The Resistance | 11.99 | Rock | | 3 | 2 | Ninja Tuna | 9.99 | Electronica | | 4 | 3 | For Lack of a Better Name | 9.99 | Electro House | | 5 | 4 | Version | 11.99 | Rock | | 6 | 5 | Record Collection | 12.99 | Pop | | 7 | 6 | Merriweather Post Pavilion | 12.99 | Electronica | | 8 | 7 | Only By The Night | 9.99 | Rock | | 9 | 7 | Come Around Sundown | 12.99 | Rock | | 10 | 8 | Hands All Over | 11.99 | Pop | +------+-------+-----------------------------+---------+---------------+ 10 rows in set (0.00 sec) You may have different ID values, do not worry about this. If you feel you don’t need to practice any more insertions or updates, then you can recreate these tables exactly using the file setupex3.sql. This is a text file that contains a list of SQL commands. -
De Classic Album Collection
DE CLASSIC ALBUM COLLECTION EDITIE 2013 Album 1 U2 ‐ The Joshua Tree 2 Michael Jackson ‐ Thriller 3 Dire Straits ‐ Brothers in arms 4 Bruce Springsteen ‐ Born in the USA 5 Fleetwood Mac ‐ Rumours 6 Bryan Adams ‐ Reckless 7 Pink Floyd ‐ Dark side of the moon 8 Eagles ‐ Hotel California 9 Adele ‐ 21 10 Beatles ‐ Sgt. Pepper's Lonely Hearts Club Band 11 Prince ‐ Purple Rain 12 Paul Simon ‐ Graceland 13 Meat Loaf ‐ Bat out of hell 14 Coldplay ‐ A rush of blood to the head 15 U2 ‐ The unforgetable Fire 16 Queen ‐ A night at the opera 17 Madonna ‐ Like a prayer 18 Simple Minds ‐ New gold dream (81‐82‐83‐84) 19 Pink Floyd ‐ The wall 20 R.E.M. ‐ Automatic for the people 21 Rolling Stones ‐ Beggar's Banquet 22 Michael Jackson ‐ Bad 23 Police ‐ Outlandos d'Amour 24 Tina Turner ‐ Private dancer 25 Beatles ‐ Beatles (White album) 26 David Bowie ‐ Let's dance 27 Simply Red ‐ Picture Book 28 Nirvana ‐ Nevermind 29 Simon & Garfunkel ‐ Bridge over troubled water 30 Beach Boys ‐ Pet Sounds 31 George Michael ‐ Faith 32 Phil Collins ‐ Face Value 33 Bruce Springsteen ‐ Born to run 34 Fleetwood Mac ‐ Tango in the night 35 Prince ‐ Sign O'the times 36 Lou Reed ‐ Transformer 37 Simple Minds ‐ Once upon a time 38 U2 ‐ Achtung baby 39 Doors ‐ Doors 40 Clouseau ‐ Oker 41 Bruce Springsteen ‐ The River 42 Queen ‐ News of the world 43 Sting ‐ Nothing like the sun 44 Guns N Roses ‐ Appetite for destruction 45 David Bowie ‐ Heroes 46 Eurythmics ‐ Sweet dreams 47 Oasis ‐ What's the story morning glory 48 Dire Straits ‐ Love over gold 49 Stevie Wonder ‐ Songs in the key of life 50 Roxy Music ‐ Avalon 51 Lionel Richie ‐ Can't Slow Down 52 Supertramp ‐ Breakfast in America 53 Talking Heads ‐ Stop making sense (live) 54 Amy Winehouse ‐ Back to black 55 John Lennon ‐ Imagine 56 Whitney Houston ‐ Whitney 57 Elton John ‐ Goodbye Yellow Brick Road 58 Bon Jovi ‐ Slippery when wet 59 Neil Young ‐ Harvest 60 R.E.M. -
Xavier Newswire Volume XCV Published Since 1915 by the Students of Xavier University Issue 4
Xavier University Exhibit All Xavier Student Newspapers Xavier Student Newspapers 2009-09-09 Xavier University Newswire Xavier University (Cincinnati, Ohio) Follow this and additional works at: https://www.exhibit.xavier.edu/student_newspaper Recommended Citation Xavier University (Cincinnati, Ohio), "Xavier University Newswire" (2009). All Xavier Student Newspapers. 568. https://www.exhibit.xavier.edu/student_newspaper/568 This Book is brought to you for free and open access by the Xavier Student Newspapers at Exhibit. It has been accepted for inclusion in All Xavier Student Newspapers by an authorized administrator of Exhibit. For more information, please contact [email protected]. September 9, 2009 XAVIER NEWSWIRE Volume XCV Published since 1915 by the students of Xavier University Issue 4 Crossword Puzzle Looking back at 40 years That’s right, the Newswire’s first As women are celebrate their 40th year ALWAYS ONLINE: crossword puzzle (that we know of) is at Xavier, we follow them on the journey here. Think you’re up to the challenge? to where we are today. xavier.edu/ A&E, pg 10 FEATURE, pg 12 newswire inside @ Ticket pickup new in 2009-10 BY DOUG TIFFT student entrance of Cintas Center. Sports Editor The tickets will be distributed in descending order of proximity to On February 10, 2009 repre- the court, so that the first students sentatives from videogame giant in line will receive the best seats in EA Sports came to Cintas Center the student section. to assess the level of fandom pres- “The goal is to try to encour- ent in Xavier Nation. The repre- age kids to get here early, meet sentatives were confronted by a some new people, and facilitate sea of blue in the student section the student experience,” said mere minutes before the much- Brett Sanders, director of ticket- publicized tipoff with Temple: the ing and premium seating for the lifeless blue paint on the seatbacks university.