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Jazz Lines Publications Fall Catalog 2009
Jazz lines PubLications faLL CataLog 2009 Vocal and Instrumental Big Band and Small Group Arrangements from Original Manuscripts & Accurate Transcriptions Jazz Lines Publications PO Box 1236 Saratoga Springs NY 12866 USA www.ejazzlines.com [email protected] 518-587-1102 518-587-2325 (Fax) KEY: I=Instrumental; FV=Female Vocal; MV=Male Vocal; FVQ=Female Vocal Quartet; FVT= Femal Vocal Trio PERFORMER / TITLE CAT # DESCRIPTION STYLE PRICE FORMAT ARRANGER Here is the extended version of I've Got a Gal in Kalamazoo, made famous by the Glenn Miller Orchestra in the film Orchestra Wives. This chart differs significantly from the studio recorded version, and has a full chorus band intro, an interlude leading to the vocals, an extra band bridge into a vocal reprise, plus an added 24 bar band section to close. At five and a half minutes long, it's a (I'VE GOT A GAL IN) VOCAL / SWING - LL-2100 showstopper. The arrangement is scored for male vocalist plus a backing group of 5 - ideally girl, 3 tenors and baritone, and in the GLENN MILLER $ 65.00 MV/FVQ DIFF KALAMAZOO Saxes Alto 2 and Tenor 1 both double Clarinets. The Tenor solo is written on the 2nd Tenor part and also cross-cued on the male vocal part. The vocal whistling in the interlude is cued on the piano part, and we have written out the opening Trumpet solo in full. Trumpets 1-4: Eb6, Bb5, Bb5, Bb5; Trombones 1-4: Bb4, Ab4, Ab4, F4; Male Vocal: Db3 - Db4 (8 steps): Vocal key: Db to Gb. -
Xca for EVERYONE in the BUSINESS of MUSIC Euro Net
XCa FOR EVERYONE IN THE BUSINESS OF MUSIC Newman rejoins Hole^ in new Universal role^^ Euro net sales lô mm Universal Music's look up Thompson resigns T^%m S m.^m 'r^ s -]3 file is at fis highest in years. "A couple be seduced # /une 28 r^Xai ail noise! ail of! ail art! ail newl [^) 1/4 million users* Now that's what I cali an audience! To advertise on the UK's most popuiar 0171 940 8626 or [email protected] dotmusic^r'the insider's guide to music U. Ht Miller Freeman n e w s f / / e DOTHUSIC COVERS GtiSTOHBURY GinaG leads légal fighl for provideMWs sister live coverage website dotmusicfrom this will withweekend's updates Glastonbury throughout Festivalthe day. glastonbury)The site (www.dotmusic.com/ from Friday will add unpaid Eurovision royallies soundclipsreviews, interviews, to its festival pictures guide. and by Paul Gorman [ Angry creditors led by Eurovision star I theRichard song's Burton originaland Bob producers,Wainwright EDEIRECRUITSEdel Records hasNEW recruited STAFF two £500,000Gina G arein unpaidhunting royalties at leastfrom \s tyof streamsThe Next from Room, Wamer who forcedto be frozen royal- joinednew staff. to handle Lynne nationalMorgan radiohas her 1996 Eurovision hit Ooh Ah... copiesiin March in 1996,the UK selling alone. 810,000It also tworeceive years payments ago when on theyan overridedid not haspromotions been appointed while Dorian product Wathen wasreached a massive number hit 12 in inEurope, the US South and £17,000agreed with last FX. week. Taube also received manager responsible for Ginâ G: claiming damages at an early sta unpaid royalties. -
BCA Voices - August 27, 1981 by Rev
The Newsletter of Ekoji Buddhist Temple alavinka Fairfax Station, Virginia - Established 1981 Vol. XXXIII, No. 7 July 2014 BCA Voices - August 27, 1981 By Rev. Kenryu Tsuji This month, we are changing the column up a little heat, it gave shelter to countless insects, even giving and including a poem by Rev. Kenryu Tsuji, former a part of itself to the hungry bugs. Ekoji Resident Minister and former Bishop of the Bud- And now, it is that time of the year. dhist Churches of America. According to Ekoji’s for- mer librarian, Valorie Lee, this piece “is one of Rev. But before it falls from its branch, it prepares for the Tsuji’s writings that may be the closest he ventured in future, for next spring, a fresh green leaf will shoot the direction of poetry. It originally appeared in the out from the same branch. In its twilight hours it Kalavinka and then was included in The Heart of the displayed to the world, without pride, without self- Buddha Dharma. Not titled in the Kalavinka, but re- consciousness, its ultimate beauty. quiring one for the book, I used the date of the Kala- vinka issue in which it appeared.” Does the human spirit grow more beautiful with each passing day? Or does it become more engrossed August 27, 1981 in its mortality by creating stronger hands of self- attachment? It is that time of the year. Is my life reflecting a deeper beauty as I grow older? A single red maple leaf performs a graceful ballet What karmic influences will I leave for the good of in the cool autumn breeze before it finally joins the the world? other leaves on the ground. -
Finding Aid for the Sheldon Harris Collection (MUM00682)
University of Mississippi eGrove Archives & Special Collections: Finding Aids Library November 2020 Finding Aid for the Sheldon Harris Collection (MUM00682) Follow this and additional works at: https://egrove.olemiss.edu/finding_aids Recommended Citation Sheldon Harris Collection, Archives and Special Collections, J.D. Williams Library, The University of Mississippi This Finding Aid is brought to you for free and open access by the Library at eGrove. It has been accepted for inclusion in Archives & Special Collections: Finding Aids by an authorized administrator of eGrove. For more information, please contact [email protected]. University of Mississippi Libraries Finding aid for the Sheldon Harris Collection MUM00682 TABLE OF CONTENTS SUMMARY INFORMATION Summary Information Repository University of Mississippi Libraries Biographical Note Creator Scope and Content Note Harris, Sheldon Arrangement Title Administrative Information Sheldon Harris Collection Related Materials Date [inclusive] Controlled Access Headings circa 1834-1998 Collection Inventory Extent Series I. 78s 49.21 Linear feet Series II. Sheet Music General Physical Description note Series III. Photographs 71 boxes (49.21 linear feet) Series IV. Research Files Location: Blues Mixed materials [Boxes] 1-71 Abstract: Collection of recordings, sheet music, photographs and research materials gathered through Sheldon Harris' person collecting and research. Prefered Citation Sheldon Harris Collection, Archives and Special Collections, J.D. Williams Library, The University of Mississippi Return to Table of Contents » BIOGRAPHICAL NOTE Born in Cleveland, Ohio, Sheldon Harris was raised and educated in New York City. His interest in jazz and blues began as a record collector in the 1930s. As an after-hours interest, he attended extended jazz and blues history and appreciation classes during the late 1940s at New York University and the New School for Social Research, New York, under the direction of the late Dr. -
The Novaya Opera Theatre of Moscow Was Founded in 1991 on The
The Novaya Opera Theatre of Moscow was founded in 1991 on the initiative of prominent Russian conductor Evgeny Kolobov (b.1946-d.2003) and Moscow Mayor Yuri Luzhkov and soon won recognition as a leading opera house in Russia. The artistic creed of the theatre can be defined as enthusiastic creative quest and bold innovation.The Novaya Opera has the original repertoire based on the musical versions by Evgeny Kolobov: Glinka’s Ruslan and Lyudmila, "O Mozart! Mozart..." (based on the opera Mozart and Salieri by Rimsky-Korsakov and Mozart's Requiem), Tchaikovsky's Eugene Onegin, Verdi’s La Traviata, and includes such popular operatic works as : Rimsky-Korsakov's The Snow Maiden and The Tsar’s Bride, Rubinstein’s The Demon, Mozart’s Die Zauberflöte, Bellini’s Norma, Donizetti’s L’Elisir d’Amore, Bizet’s Les Pêcheurs de Perles, Verdi’s Nabucco and Rigoletto, Mascagni's Cavalleria Rusticana, Leoncavallo's I Pagliacci, Wagner’s Lohengrin. The Novaya Opera was the first in Russia to stage Donizetti's Maria Stuarda, Catalani’s La Wally, Verdi’s I Due Foscari, Mussorgsky’s Boris Godunov (in the first composer’s adaptation), Thomas’ Hamlet. The new theatrical genre was created: it is the original artistic image of famous composers and musicians (“Maria Callas”, “Viva Verdi!”, “Vincenzo Bellini”,”Richard Wagner”, “Rossini”, “Bravissimo!”). Novaya Opera has over 70 operatic and concert productions in its repertoire. The Novaya Opera Theatre is noted for its innovative approach to scenography and stage direction. It works with renowned masters of the theatre art to make productions in different genres and styles. -
Blues Rock Star Joe Bonamassa Announces Highly Anticipated New Studio Album
BLUES-ROCK STAR JOE BONAMASSA ANNOUNCES NEW SINGLE "TIME CLOCKS" TAKEN FROM HIS NEW STUDIO ALBUM 'TIME CLOCKS' TO BE RELEASED OCT 29 PRE-ORDER “TIME CLOCKS” https://smarturl.it/JoeB-MLG LISTEN TO THE “TIME CLOCKS” SINGLE HERE: https://smarturl.it/JoeBonamassa WATCH THE MUSIC VIDEO FOR “TIME CLOCKS” HERE: https://youtu.be/Z7116ryQV-I Guitar legend Joe Bonamassa today reveals his stunningly sweeping new single, "Time Clocks." This is the third song taken from his forthcoming brand-new studio album of the same name, released on October 29 via Provogue (Europe) and J&R Adventures (North America). Joe continues his soul-searching evolution on this beautifully poignant Bonamassa-Shirley penned song. At just over seven minutes long, it has all the epic musical grandeur of him at his most expressive and ambitious. With a heart on sleeve narrative weaving its way throughout, the rousing chorus rises to the heavens as he sings, "and the rain soaking through my coat, about to capsize my boat I push it along away from the docks, I was never a good puncher of time clocks." Backed with cascading vocals from Juanita Tippins and Prinnie Stevens, as well as the supreme musicianship of Anton Fig (Drums), Steve Mackey (Bass), Lachy Doley (Piano/Organ) and Kevin Shirley (Percussion), it has an aura of pure timelessness. The album was recorded in New York City and took Joe back to his early roots and rediscovers him at a newfound peak with an unparalleled Blues Rock prowess. Known as the man in the suit, loved by many as the ultimate guitar hero, and cited by critics as "the world's biggest blues guitarist" (Guitar World), somehow the music mastermind has found yet another layer of immense new artistry to share with his fans. -
Market Access Guide – Brazil 2020 – Table of Contents 01
Market Access Guide – Brazil 2020 – Table of Contents 01. COUNTRY OVERVIEW ....................................................................................................................................... 3 02. BRAZILIAN RECORDED MUSIC MARKET .................................................................................................... 5 THE MAJORS .......................................................................................................................................................... 1 INTERVIEW WITH PAULO JUNQUEIRO, PRESIDENT, SONY MUSIC BRASIL ................................ 10 THE INDEPENDENTS ........................................................................................................................................ 11 CHART SERVICES ................................................................................................................................................. 1 03. POPULAR BRAZILIAN MUSIC - GENRES ...................................................................................................... 1 GOSPEL .................................................................................................................................................................. 16 FUNK ...................................................................................................................................................................... 20 SERTANEJA .......................................................................................................................................................... -
Music & Entertainment Auction
Hugo Marsh Neil Thomas Forrester (Director) Shuttleworth (Director) (Director) Music & Entertainment Auction Tuesday 19th February 2019 at 10.00 Viewing: For enquiries relating to the auction Monday 18th February 2019 10:00 - 16:00 please contact: 09:00 morning of auction Otherwise by Appointment Saleroom One 81 Greenham Business Park NEWBURY RG19 6HW Telephone: 01635 580595 Christopher David Martin David Howe Fax: 0871 714 6905 Proudfoot Music & Music & Email: [email protected] Mechanical Entertainment Entertainment Music www.specialauctionservices.com As per our Terms and Conditions and with particular reference to autograph material or works, it is imperative that potential buyers or their agents have inspected pieces that interest them to ensure satisfaction with the lot prior to auction; the purchase will be made at their own risk. Special Auction Services will give indications of the provenance where stated by vendors. Subject to our normal Terms and Conditions, we cannot accept returns. ORDER OF AUCTION Music Hall & other Disc Records 1-68 Cylinder Records 69-108 Phonographs & Gramophones 109-149 Technical Apparatus 150-155 Musical Boxes 156-171 Jazz/ other 78s 172-184 Vinyl Records 185-549 Reel to Reel Tapes 550-556 CDs/ CD Box Sets 557-604 DVDs 605-612 Music Memorabilia 613-658 Music Posters 659-666 Film & Entertainment Memorabilia Including items from the Estate of John Inman 667-718 Film Posters 719-743 Musical Instruments 744-759 Hi-Fi 760-786 2 www.specialauctionservices.com MUSIC HALL & OTHER DISC RECORDS 18. Music hall and similar records, 10 inch, 67, by Geo Robey (G & T 2-2721 & 18 1. -
The Sam Eskin Collection, 1939-1969, AFC 1999/004
The Sam Eskin Collection, 1939 – 1969 AFC 1999/004 Prepared by Sondra Smolek, Patricia K. Baughman, T. Chris Aplin, Judy Ng, and Mari Isaacs August 2004 Library of Congress American Folklife Center Washington, D. C. Table of Contents Collection Summary Collection Concordance by Format Administrative Information Provenance Processing History Location of Materials Access Restrictions Related Collections Preferred Citation The Collector Key Subjects Subjects Corporate Subjects Music Genres Media Formats Recording Locations Field Recording Performers Correspondents Collectors Scope and Content Note Collection Inventory and Description SERIES I: MANUSCRIPT MATERIAL SERIES II: SOUND RECORDINGS SERIES III: GRAPHIC IMAGES SERIES IV: ELECTRONIC MEDIA Appendices Appendix A: Complete listing of recording locations Appendix B: Complete listing of performers Appendix C: Concordance listing original field recordings, corresponding AFS reference copies, and identification numbers Appendix D: Complete listing of commercial recordings transferred to the Motion Picture, Broadcast, and Recorded Sound Division, Library of Congress 1 Collection Summary Call Number: AFC 1999/004 Creator: Eskin, Sam, 1898-1974 Title: The Sam Eskin Collection, 1938-1969 Contents: 469 containers; 56.5 linear feet; 16,568 items (15,795 manuscripts, 715 sound recordings, and 57 graphic materials) Repository: Archive of Folk Culture, American Folklife Center, Library of Congress, Washington, D.C. Summary: This collection consists of materials gathered and arranged by Sam Eskin, an ethnomusicologist who recorded and transcribed folk music he encountered on his travels across the United States and abroad. From 1938 to 1952, the majority of Eskin’s manuscripts and field recordings document his growing interest in the American folk music revival. From 1953 to 1969, the scope of his audio collection expands to include musical and cultural traditions from Latin America, the British Isles, the Middle East, the Caribbean, and East Asia. -
Nexus Nexus Star
NEXUS English NEXUS STAR References AUDIO EXCELLENCE NEXUS, NEXUS Star TV and Radio Broadcast • 20th Century Fox LA, USA • RBB FS Berlin, Germany • ABC News Los Angeles, USA • RPP Radio Programas del Peru Lima, Peru • All India Radio New Delhi, India • RTL Studio Berlin, Germany • Anhui TV Hefei-Anhui, China • RTL 2 Paris, France • Antena 3 TV Madrid, Islas Baleares, Spain • SAT 1 Zurich, Switzerland • ASTRO Kuala Lumpur, Malaysia • Shanghai Education Television Shanghai, China • BBC Transmission Router London, United Kingdom • SFB Sender Freies Berlin Berlin, Germany • BBC North Manchester, United Kingdom • SR Saarländischer Rundfunk Saarbrücken, Germany • Bernama News TV Kuala Lumpur, Malaysia • Staatlicher Rundfunk Usbekistan Uzbekistan • BFM Radio Paris, France • Star RFM Kuala Lumpur, Malaysia • BR Bayerischer Rundfunk Munich, Germany • Studio Hamburg Hamburg, Germany • Cadena SER Madrid, Barcelona, Valencia, Spain • SWR Südwestrundfunk Stuttgart, Baden-Baden, • Canal Mundo Radio Madrid, Spain Germany • Canal+ Paris, France • Tele 5 Madrid, Spain • CBC Cologne Broadcasting Center Cologne, Germany • Tele Red Imagen Buenos Aires, Argentina • CBS New York, USA • Television Autonomica Valenciana Valencia, Spain • Chong-Qin TV Chong-Qin, China • TF 1 Paris, France • City FM Kuala Lumpur, Malaysia • TV 1 Napoli Naples, Italy • City Plus Kuala Lumpur, Malaysia • TV Tokyo Tokyo, Japan • ESPN Bristol, LA, USA • TVE Radio Televisión Espanola Madrid, Spain • ETABETA Rome, Italy • Unitel Unterföhring, Germany • Eurosport 2 Paris, France • Vatican -
Stan Magazynu Caĺ†Oĺıäƒ Lp Cd Sacd Akcesoria.Xls
CENA WYKONAWCA/TYTUŁ BRUTTO NOŚNIK DOSTAWCA ALLMAN BROTHERS BAND - AT FILLMORE EAST 159,99 SACD BERTUS ALLMAN BROTHERS BAND - AT FILLMORE EAST (NUMBERED 149,99 SACD MOBILE FIDELITY ALLMAN BROTHERS BAND - BROTHERS AND SISTERS (NUMBE 149,99 SACD MOBILE FIDELITY ALLMAN BROTHERS BAND - EAT A PEACH (NUMBERED LIMIT 149,99 SACD MOBILE FIDELITY ALLMAN BROTHERS BAND - IDLEWILD SOUTH (GOLD CD) 129,99 CD GOLD MOBILE FIDELITY ALLMAN BROTHERS BAND - THE ALLMAN BROTHERS BAND (N 149,99 SACD MOBILE FIDELITY ASIA - ASIA 179,99 SACD BERTUS BAND - STAGE FRIGHT (HYBRID SACD) 89,99 SACD MOBILE FIDELITY BAND, THE - MUSIC FROM BIG PINK (NUMBERED LIMITED 89,99 SACD MOBILE FIDELITY BAND, THE - THE LAST WALTZ (NUMBERED LIMITED EDITI 179,99 2 SACD MOBILE FIDELITY BASIE, COUNT - LIVE AT THE SANDS: BEFORE FRANK (N 149,99 SACD MOBILE FIDELITY BIBB, ERIC - BLUES, BALLADS & WORK SONGS 89,99 SACD OPUS 3 BIBB, ERIC - JUST LIKE LOVE 89,99 SACD OPUS 3 BIBB, ERIC - RAINBOW PEOPLE 89,99 SACD OPUS 3 BIBB, ERIC & NEEDED TIME - GOOD STUFF 89,99 SACD OPUS 3 BIBB, ERIC & NEEDED TIME - SPIRIT & THE BLUES 89,99 SACD OPUS 3 BLIND FAITH - BLIND FAITH 159,99 SACD BERTUS BOTTLENECK, JOHN - ALL AROUND MAN 89,99 SACD OPUS 3 CAMEL - RAIN DANCES 139,99 SHMCD BERTUS CAMEL - SNOW GOOSE 99,99 SHMCD BERTUS CARAVAN - IN THE LAND OF GREY AND PINK 159,99 SACD BERTUS CARS - HEARTBEAT CITY (NUMBERED LIMITED EDITION HY 149,99 SACD MOBILE FIDELITY CHARLES, RAY - THE GENIUS AFTER HOURS (NUMBERED LI 99,99 SACD MOBILE FIDELITY CHARLES, RAY - THE GENIUS OF RAY CHARLES (NUMBERED 129,99 SACD MOBILE FIDELITY -
Roger Daltrey to Perform the Who’S Tommy with Members of the Who Band & the Hudson Valley Philharmonic at Bethel Woods on Friday, June 8
FOR IMMEDIATE RELEASE Media Contact: Lauren Jahoda v.845.583.2193 Photos & Interviews may be available upon request [email protected] ROGER DALTREY TO PERFORM THE WHO’S TOMMY WITH MEMBERS OF THE WHO BAND & THE HUDSON VALLEY PHILHARMONIC AT BETHEL WOODS ON FRIDAY, JUNE 8 Tickets On-Sale February 2 at 10am BETHEL, NY (January 29, 2018) – Legendary Who frontman and Woodstock ’69 alum Roger Daltrey will be performing the band’s most iconic masterpiece this summer, the groundbreaking TOMMY, on a special 10 city solo tour featuring full orchestral backing. The tour will open in Bethel, NY on Friday, June 8th at Bethel Woods Center for the Arts, where Daltrey and his band will be joined on stage by the acclaimed Hudson Valley Philharmonic, showcasing the beloved classics from the 1969 rock opera, including “Pinball Wizard,” “See Me, Feel Me” and more. Tickets go on-sale Friday, February 2 at 10 a.m. at www.BethelWoodsCenter.org, The Bethel Woods Box Office, www.Ticketmaster.com, Ticketmaster outlets, or by phone at 1.800.745.3000. Considered one of the seminal albums of the rock canon, last year The Who played all of TOMMY for the first time in 28 years at the Royal Albert Hall in London as part of a benefit concert for the Teenage Cancer Trust. Roger performed it in its entirety with his band during his 2011 solo tour. The opportunity to bring an orchestral dynamic to the raw emotion and cathartic impact of the songs that cemented Daltrey’s legacy as a vocal powerhouse adds a compelling dimension to the music’s timelessness.