October 2005 2005 Next Wave Festival

Mary Heilmann, Last Chance for Gas Study (delail), 2005

BAM 2005 Next Wave Festival is sponsored by:

The PerformingNeonEArts Magazine Altria 2005 ~ext ')Na')Le EeslliLaL Brooklyn Academy of Music

Alan H. Fishman William I. Campbell Chairman of the Board Vice Chairman of the Board

Karen Brooks Hopkins Joseph V. Melillo President Executive Producer

presents Orion Approxi mate BAM Howard Gilman House running time: Oct 4,6-8, 2005 at 7:30pm 1 hour and 30 minutes, no Composed by intermission in collaboration with Mark Atkins, Ashley Macisaac, , Ravi Shankar, Foday Musa Suso, and UAKTI Performed by Philip Glass and the Conducted by With featured guests Eleftheria Arvanitaki, Mark Atkins, Kartik Seshadri, Ashley Macisaac, Wu Man, Foday Musa Suso, and UAKTI

Philip Glass Ensemble-Philip Glass, Ted Baker, Lisa Bielawa, Frank Cassara, Dan Dryden, Stephen Erb, Jon Gibson, Richard Peck, Michael Riesman, Mick Rossi, Andrew Sterman Music director Michael Riesman Produced by Pomegranate Arts in association with Arts, Dance and Music Productions Executive producer Linda Brumbach

Orion was commissioned by the Cultural Olympiad 2001-2004 World Premiere-June 3, 2004, Herod Atticus Theatre, Athens, Greece

BAM 2005 Next Wave Festival is sponsored by Altria Group, Inc. Support for BAM Music provided by The Aaron Copland Fund for Music, Inc.

The 2005 Next Wave Festival Kick-Off Party is sponsored by Altria Group, Inc. and AngloGold Ashanti, with additional support from Friends of NIDA in Foundation. The IN:NYCsM Card from American Express is the presenting sponsor for BAMfans young donors club. Wine for the Kick-Off Party is provided courtesy of the Charmer Sunbelt Group. ErogramL..-- _ Australia Mark Atkins, Didgeridoo

Interlude One

China Wu Man, Pipa

Canada Ashley Macisaac,

Interlude Two

Gambia Foday Musa Suso, and Nyanyer

Brazil UAKTI Artur Andres Ribeiro, Paulo Sergio Dos Santos, Percussion Decio De Souza Ramos Filho, Percussion

Interlude Three

India Kartik Seshadri, Sitar Composed by Ravi Shankar/Philip Glass

Greece Eleftheria Arvanitaki Traditional arranged by Philip Glass

The Treasure (Tzivaeri)

Ah, a foreign land enjoys Ah, cursed foreign land, (0 my treasure) (0 my treasure), My fragrant flower You and your benefits (Gently and humbly). (Gently and humbly).

Ah, I sent it there Ah, you took my child (0 my treasure) (0 my treasure), By my own will And made it yours (Gently I tread the earth). (Gently I tread the earth).

Lyrics from "Greece" Translated by Jeffrey Carson and Nicos Sarris Who's Wb~o _ Philip Glass (composer, keyboards) was born co-founded, and for his own performing group, in Baltimore, MD on January 31,1937, and the Philip Glass Ensemble. This period culminated discovered music in a line of records his father's in Music in 12 Parts, a three-hour summation radio repair shop carried in addition to servic- of Glass' new music. In 1976 Glass reached an ing radios. To figure out why recordings of great apogee in his collaboration with , chamber works sold poorly, Ben Glass would take creating the opera , a five­ them home to play for his three children. Philip hour epic (performed at BAM in 1984 and 1992) rapidly became familiar with Beethoven quartets, that is now seen as a landmark in 20th century Schubert sonatas, Shostakovitch symphonies, and music-theater. Glass then decided to make Ein­ other music then considered "offbeat." It was not stein part of a trilogy that resulted in the creation until he was in his late teens that Glass encoun­ of the (BAM, 1981) and tered more "standard" classics. At six, Glass began . Over the years, Glass and Wilson have music lessons and at eight, took up the flute. But worked together on several other projects: CIVIL by the time he was fifteen, he became frustrated warS (Rome)-Act V of the multi-composer epic with the flute's limited repertoire as well as with which was written for the 1984 Olympics, White musical life in post-war Baltimore. During his sec­ Raven-an opera commissioned by Portugal to ond year in high school, he applied for admission celebrate its history of discovery wh ich prem iered to the University of Chicago, passed, and with his at EXPO '98 in Lisbon and was performed as part parent's encouragement, moved to Chicago where of the 2001 Lincoln Center Festival, and Monsters he supported himself with part-time jobs waiting of Grace-a digital 3-D opera (BAM, 1997). tables and loading airplanes at airports. He ma­ Glass has also collaborated with a variety of artists jored in mathematics and philosophy, and during in a range of projects and expanded his repertoire off-hours practiced and concentrated on to include music for opera, dance, theater, cham­ such composers as Ives and Webern. At nineteen, ber ensemble, orchestra, and film. His coopera­ Glass graduated from the University of Chicago tive recording projects include Songs from Liquid with majors in mathematics and philosophy. Days with lyrics by David Byrne, , Determ ined to become a com poser, he moved Laurie Anderson, and Suzanne Vega, as well as to New York and attended The Juilliard School. a collaboration with Ravi Shankar, Passages. His By then he had abandoned the twelve-tone tech­ operas include The Making of the Representa- niques he had bee'n using in Chicago and began tive for Planet 8 and Marriages Between Zones gravitating toward American composers like Aaron Three, Four and Five with librettos written by Copland and William Schuman. By 23, Glass had Doris Lessing and based on her novels; Hydrogen studied with Vincent Persichetti, Darius Milhaud, Jukebox (BAM, 1991), libretto by and William Bergsma. Rejecting serialism, Glass and based on his poetry; , based on preferred such maverick composers as Harry the exploration of Christopher Columbus, written Partch, Charles Ives, Moondog, Henry Cowell, by ; The Fall of the House of and Virgil Thomson-but still had not found his Usher, based on the Edgar Allen Poe short story; own voice. He then moved to Paris and spent two and the "pocket opera," In the Penal Colony, a years of intensive study under Nadia Boulanger. musical theater work based on the short story In Paris, he was hired by a filmmaker to transcribe by Franz Kafka. His most recent opera, Galileo the Indian music of Ravi Shankar into notation Galilei, a collaboration with Mary Zimmerman, readable to western musicians. In the process, he premiered (and performed at BAM) in 2002. discovered the techniques of Indian music. After Glass' orchestral works include the large-scale researching music in North Africa, India, and the work for chorus and orchestra such as and Himalayas, he returned to New York, renounc- Symphony NO.5 (BAM, 2000), a work based on ing his previous music, and applying eastern text from wisdom traditions throughout the world; techniques to his own work. By 1974, Glass had Symphony No.2, Symphony No.3, Symphony composed a large collection of new music for both NO.6 (), with text by Allen Gins­ the Mabou Mines Theater Company, that Glass berg; and Low and Heroes Symphonies (BAM Who's Wb~o _ 1992), both based on the music of David Bowie David Henry Hwang and the upcoming 2005 pre­ and Brian Eno. Glass also has produced concertos miere of Waiting for the Barbarians, based on the for violin and orchestra, saxophone quartet and book by J.M. Coetzee. In 2001, Glass premiered orchestra, two timpanists and orchestra, and the live film and music concert event Philip on harpsichord and orchestra. His Tirol Concerto for Film, a 25-year retrospective of his scores for Piano and Orchestra premiered in 2000 at the film featuring commissioned film shorts by Atom Klanspuren Festival in Tirol, Austria and his Con­ Egoyan, Peter Greenaway, Shirin Neshat, Michal certo for and Orchestra, which premiered in Rovner, and Godfrey Reggio. This past January, 2001 at the Beijing Festival, was commissioned Glass premiered The QATSI Trilogy, featuring the for Julian Lloyd Webber's 50th Birthday. In 2004, three films-, , and Glass premiered the new work Piano Concerto No. -reinvented with live musical 2 (After Lewis and Clark) with the Omaha Sym­ accompaniment by the Philip Glass Ensemble, at phony Orchestra, and Symphony No. 7-A Toltec the Sydney Opera House in Sydney, Australia. Symphony with the National Symphony Orchestra. While Glass has written for dance such as In the Michael Riesman (conductor, keyboards) is a Upper Room, choreographed by Twyla Tharp, composer, conductor, keyboardist, and record and A Descent into the Maelstrom, his work also producer, and has been a member of the Philip involves a set of unclassifiable theater pieces such Glass Ensemble since 1974. He has conducted as (BAM, 1983), The Myster­ recordings of a great number of Glass works ies, and What's so Funny?, and 1000 Airplanes including Einstein on the Beach (both record­ on the Roof with a libretto by David Henry Hwang ings), , The Photographer, Songs From and designs by Jerome Sirlin. Glass has also Liquid Days, Dance Pieces, Music in 12 Parts created a trilogy of musical theater pieces based (both recordings), and Passages, and almost every on the films of Jean Cocteau-Orphee, La Belle Glass film soundtrack including Koyaanisqatsi et La Bete, and Les Enfants Terribles (at BAM (both recordings), Mishima, Powaqqatsi, The in, respectively, 1993, 1994, 1996). Glass film Thin Blue Line, Anima Mundi, A Brief History of scores include Godfrey Reggio's trilogy Koyaan­ Time, Candyman, , , isqatsi, Powaqqatsi, and Naqoyqatsi; Errol Morris' Naqoyqatsi, , , Tak­ The Thin Blue Line, A Brief History of Time, The ing Lives, and Undertow. He was the pianist for Fog of War; Paul Shrader's Mishima; Bernard the Academy Award-nominated soundtrack for The Rose's Candyman and Bill Condon's Candyman Hours, and has also recorded a solo piano version 1/; and an original score for the re-release of the of that score. He has received two Grammy nomi­ 1930 Dracula with Bela Lugosi (BAM, 1999). nations as conductor, for The Photographer and Critically acclaimed film scores include Martin for Kundun. He has conducted and performed on Scorsese's Kundun-which won Glass the LA albums by Paul Simon (Hearts and Bones), Scott Critics Award, as well as the Academy and Golden Johnson (Patty Hearst), Mike Oldfield (Platinum), Globe nominations for Best Original Score-and Ray Manzarek (Carmina Burana), David Bowie original music for Peter Weir's The Truman (Black Tie/White Noise), and Gavin Bryars (Jesus' Show-which won a Golden Globe Award for Best Blood Never Failed Me Yet). Riesman released Score in 1999. Glass' work for Stephen Daldry's an album, Formal Abandon, on the Rizzoli label, The Hours received Golden Globe, Grammy, and which originated from a commission by choreogra­ Academy Award nominations, along with winning pher Lucinda Childs. His film scores include Enor­ the Anthony Asquith Award for Achievement in mous Changes at the Last Minute, Pleasantville Film Music from the British Academy of Film and (1976), and Christian Blackwood's Signed: Lino Television Arts. Recent film scores include Errol Brocka. Riesman studied at Mannes College of Morris' Academy Award winning documentary The Music and Harvard University, where he received Fog of War and David Koepp's Secret Window. a Ph.D., and has taught at Harvard and SUNY­ New operas include with Purchase. He was Composer in Residence at the Who's WbL...... 3IIIE..o _

Marlboro Music Festival and at the Tanglewood founded the cross-cultural groups Kooriwadjula Festival, where he has conducted performances of (black man/white man) and Anakala. He has his own works. worked alongside Philip Glass and Peter Scult­ horpe, appeared with Ireland's Donal Lunney, Led Eleftheria Arvanitaki (featured guest, vocals) Zeppelin's Jimmy Page and Robert Plant, and started her career in the early 1980s as a member Australian icons James Morrison, Jenny Morris, of a group named Opisthodromiki Kompania. John Williamson, and Gondwana. His iconic didge Since 1985 she follows a solo career centered on has also been utilized on a number of symbolic modern Greek music but with a lot of influences occasions, including the opening ceremony of the by eastern and western sounds and rhythms. All Sydney Paralympic Games 2000, Commonwealth of her albums have gone platinum in Greece, Games 2002, and the Queens Jubilee Concert while her live appearances in her home country in London. He welcomed in the new millennium (about 100 per year) are sold out. The historic by playing from the sails of the Sydney Opera jazz label Verve released worldwide a compilation House. Atkins co-wrote Voices for didgeridoo and named Eleftheria Arvanitaki-The Very Best of organ with Philip Glass for the inauguration of the 1989-1998 (1998), as well as her Broadcast newly refurbished Melbourne Town Hall Organ, (2001) and Everything Brought to Light (2004), which was also performed at Carnegie Hall. A and the live collection Eleftheria Arvanitaki Live film documentary about his work, Yamaji Man: (2003). Moreover, her album entitled Meno Ektos Geralton 6350 via New York, was screened on (1991) has been listed among the 100 Best SBS television in 2003. Atkins lives in Tamworth, World Music albums ever by the Rough Guide to New South Wales. World Music. Arvanitaki also enjoys great popular­ ity in Spa in, where her aIbu ms are released in Ted Baker (keyboards) was born in Philadelphia special editions in Spanish and where she tours and moved to New York City in 1991. A graduate yearly. She has taken part in some of the most of Oberlin Conservatory (Piano Performance and important music festivals allover the globe (e.g. Jazz Composition), some other studies include WOMAD, International Jazz Festival of Montreux, Swarthmore College and Tanglewood. Baker SFINKS, Istanbul Jazz Festival, World Music Insti­ began performing with the Philip Glass Ensemble tute Festival at Berklee Performance Center/Bos­ in 1987, tours of Koyaanisqatsi and Powaqqatsi, ton, and Town Hall/New York). Her collaboration and has enjoyed frequently returning as a guest with Philip Glass on Orion has been among the of the ensemble ever since. He can be heard highlights of her career. with Steely Dan on the Grammy award-winning recordings, Two Against Nature and Everything Mark Atkins (featured guest, didgeridoo) is ac­ Must Go, and toured with Steely Dan in 2000 and knowledged as one of Australia's finest didgeridoo 2003. The many artists Baker has worked with players, and is also recognized internationally include Grover Washington, Jr.; Doug Markley; for his collaborative projects with some of the and Basement Culture. Baker has been a member world's leading composers and musicians. A of Art Garfunkel's band since 1997, and has descendant of Western Australia's Yamijti people, toured Japan, Australia, Europe, South Africa, as well as of Irish/Australian heritage, Atkins is etc. He was music director for Pete Townshend's known not only for his didge-blowing skills, but Psychoderelict (NY workshop) and Largo, book by also as a storyteller, songwriter, drummer, visual David Henry Hwang (New York Theater Work­ artist, and instrument maker. As both a soloist shop, Vassar College), and 's and an ensemble player, Atkins has incorporated Faust (Goodman Theater, Chicago). He has been the didgeridoo sound into some unlikely musical keyboardist and synthesizer programmer for environments, adding its primal pulse to orchestral Broadway productions of Tommy (assistant music works, theatrical productions, and dance presenta­ director, La Jolla, Germany, London, and Canada), tions. He has appeared with the London Philhar­ Smokey Joe's Cafe, Grease, and The Lion King monic and the Sydney Symphony Orchestra, and (currently on Broadway). WlJo's Wbo"---'-"------

Lisa Bielawa (keyboards, ) specializes Quartet, Talujon Percussion Quartet, North/South in both early music and contemporary music. A Consonance, and Parnassus. Principal percussion composer as well, she has appeared as vocalist of the Connecticut Grand Opera and member of in performances of her own works at the Pacific the Riverside Symphony and Hudson Valley Phil­ Music Festival in Sapporo (Japan), the INFANT harmonic, he has also performed with many New Festival in Novi Sad (Yugoslavia), American York City area orchestras such as the Brooklyn Music Week in Sofia (Bulgaria), the Bang On A Philharmonic, American Composers Orchestra, Can Festival in New York, and in the Hildegurls Long Island Philharmonic, and the Westchester Electric Ordo Virtutum at the 1998 Lincoln Center Philharmonic. Cassara has played for Broadway Festival. Winner of the 2002 American Compos­ shows The Lion King and 42nd Street, and heads ers Orchestra Whitaker Commission and a recent the percussion departments at Long Island Uni­ recipient of the Aaron Copland Award for emerg­ versity and Vassar College. He can be heard on ing composers, her 40-minute work, The Right many recordings including Philip Glass' Hydrogen Weather, for piano and orchestra, was premiered Jukebox, Gavin Bryars' Jesus' Blood (Grammy by ACO at Carnegie Hall's new Zankel Hall in nominated), and Chou Wen-Chung's Echoes From February 2004. As an early music advocate, she The Gorge. has toured and recorded as soprano with the Re­ naissance and early music group Pomerium. As a Aaron Copp (lighting design) has designed contemporary music vocalist she has appeared as lighting for Merce Cunningham, , soloist with the American Composers Orchestra, Laurie Anderson, and Yo-Yo Ma, among many the Albany Symphony, and the Nouvel Ensemble others. His work has appeared at many American Moderne. As the vocalist in the Philip Glass theaters, such as the Old Globe in San Diego, Ensemble since 1992, she has toured extensively Da lias Theater Center, and the Ken nedy Center; throughout the world; recordings with Glass on he lit the long running Off-Broadway musical the Nonesuch label include Einstein on the Beach Naked Boys Singing! and he has been a lighting and . She has also sung consultant and director for Lincoln Center and the major roles in operas by Anthony Braxton and Joyce Theater. Aaron has received a Bessie award Michael Gordon, and has premiered and recorded and San Diego's Craig Noel Award for his lighting works written for her by Aaron Jay Kernis, Michael designs. He has an MFA from the Yale School Daugherty, Randy Woolf, and Toby Twining. of Drama, and has been on the faculty of Sarah Lawrence College si nce 2001. Frank Cassara (percussion), a proponent of both new and classic western and world percussion Dan Dryden (live sound mix) has been a member music, has premiered works with many diverse of the Philip Glass Ensemble since 1983. He has groups. As percussionist for the Philip Glass mixed performances of PGE concerts, The Pho­ Ensemble, he has performed around the globe, as tographer, Einstein on the Beach (1984, 1993), well recorded Glass' music and film scores, most Koyaanisqatsi (Live), Powaqqatsi (Live), La Belle recently the new Glass/Reggio film Naqoyqatsi. et La Bete, Les Enfants Terribles, and Hydrogen He also performs around the world with Steve Jukebox. He has also worked with Lloyd Cole, Reich and Musicians, with an upcoming recording Laurie Anderson, Ravi Shankar, the Raybeats, and of his work Dance Patterns. As a member of the others. In the studio, he has recorded The Photog­ New Music Consort/PULSE Percussion Ensemble rapher, Satyagraha, Mishima, and the works of he has appeared at major festivals as well as other artists. Dryden has been the driving force in in the movie about John Cage, I Have Nothing the preservation of the visionary environment The To Say And I Am Saying It. Cassara has toured Healing Machines created from 1954-1986 by extensively with the Newband/Harry Partch En­ the late artist/inventor Emery Blagdon in Nebraska. semble, and performed and recorded with Partch's instruments. He has also performed or toured Stephen Erb (onstage audio engineer) spans, with Music From China, Manhattan Marimba and sometimes combines, the worlds between Who's Wbo _

music and theater. His work with the Philip Glass cisco State University where he studied composi­ Ensemble includes the productions La Belle et tion with Wayne Peterson and Henry Onderdonk la Bete, Koyaanisqatsi, Powaqqatsi, Monsters of and improvisation with saxophonist John Handy. Grace, and the Philip on Film pieces including An­ Further information can be accessed at: www. ima Mundi. He has also served as audio engineer artabounds.com and www.jongibson.net for such varied artists as Ella Fitzgerald, Henny Youngman, Burl Ives, and Leonard Rose. In the Ashley Macisaac (featured guest, violin) one of the theater world he is credited with Broadway produc­ world's finest Celtic fiddle players, is known and tions such as Annie Get Your Gun, The Goodbye loved from his native Cape Breton to the dozens of Girl, and Jane Eyre. Off-Broadway includes countries in which he has delivered his legend- Marvin's Room and Sight Unseen. Theatrical ary performances. Since the release of his debut tours include Hello Dolly (with Carol Channing), album in 1992, Close to the Floor, Macisaac has Les Miserables, and proof. He spent six years as played with symphonies, appeared off-Broadway Sound Master at the La Jolla Playhouse working in Woyzeck, scored movies, and made numer- on such prod uctions as Peter Sellers' Ajax and the ous television and film appearances. In 1996 he Nat and Cannonball Adderly musical Shout Up A released his triple-platinum album, Hi, How Are Morning. Erb is honored to be working on the new You Today? His traditional album, Fine, Thank You live presentation of The Qatsi Trilogy and to have Very Much, followed in 1997, rocketing to plati­ recently been asked to become a mem ber of The num in less than three months. Macisaac's Gaelic Philip Glass Ensemble. single, "Sleepy Maggie," shot to the Top 10 on the Canadian charts. He has received Juno, Gemini, Jon Gibson (woodwinds) is a composer, multi­ Canadian Country Music, and East Coast Music wind instrumentalist (saxophones, , ) awards and nominations. Macisaac has worked and visual artist who has taken part in numerous with many outstanding poets, songwriters, and landmark musical events over the past three and musicians, including Philip Glass, Allen Ginsberg, a half decades, performing in the early works Paul Simon, David Byrne, and Melissa Etheridge, of , , LaMonte Young, and has also done more than 100 shows with The and Philip Glass-with whom he continues to Chieftains. His latest album is the self-titled Decca perform in various configurations-along with Records release, Ashley Macisaac. a host of other musicians, choreographers, and artists including Merce Cunningham, Nancy Topf, Wu Man (featured guest, pipa) is an internationally Lucinda Childs, Tania Mouraud, JoAnne Akalaitis, renowned pipa virtuoso, cited by the Los Angeles Simone Forti, Elisabetta Vittoni, Thomas Buckner, Times as lithe artist most responsible for bringing Peter d'Agostino, Harold Budd, David Behrman, the pipa to the Western World." She is an inheri­ Frederick Rzewski and Moacir Santos. His own tress of the Pudong School of pipa playing, one solo and ensemble music has been performed by of the most prestigious classical styles of Imperial himself and others in many venues throughout the China, and is a graduate of the Central Conserva­ world. Recent projects and performances include tory of Music in Beijing. She is the first recipient a new CD on the Tzadik label (Criss X Cross), of a master's degree in pipa and is not only an collaborations with the Nina Winthrop Dance outstanding exponent of the traditional repertoire Company (e.g. Cumulus, Prism, Self Service) and but also a leading interpreter of contemporary pipa music for the documentary Transformation: Build­ music. Born in Hangzhou, China, Wu Man studied ing the RMA (Rubin Museum of Art). His opera, with Lin Shicheng, Kuang Yuzhong, Chen Zemin, Violet Fire, composed in collaboration with librettist and Liu Dehai at the Central Conservatory of Music Miriam Seidel, is about the inventor Nicola Tesla. in Beijing. She lives in Boston, where she was It was recently presented in Philadelphia (www. selected as a Bunting Fellow at Radcliffe Institute violetfireopera.com), directed by Terry O'Reilly. of Advanced Study at Harvard University. Wu Man Future productions are planned for New York City was selected by Yo-Yo Ma as the winner of the City and Belgrade. Gibson is a graduate of San Fran- of Toronto Glenn Gould Protege Prize in music and Who's Wb~o _ communication, and is also the first artist from Mick Rossi (keyboards, percussion) is a pianist, China to have performed at the White House with percussionist, composer, and conductor. Rossi is the noted cellist. Since moving to the u.s., Wu known for his work in the New York downtown Man has continued to champion new works and scene and beyond. He has performed and re­ has inspi red new pi pa Iiteratu re from com posers corded with Alex Acuna, Steven Bernstein, Roger Terry Riley, Philip Glass, Lou Harrison, Tan Dun, Daltry, , Billy Drewes, , Bright Sheng, Chen Yi, Zhou Long, Bun-Ching Peter Erskine, Eric Friedlander, Philip Glass, Lam, and many others. Recent engagements and Vinny Golia, Eddie Gomez, Hall and Oates, Gerry future projects include a world tour of Yo-Yo Ma's Hemingway, , Arif Mardin, Randy Silk Road Project; the world premiere of The Song Newman, David Sanborn, Mike Sarin, Carly Si­ and Dance of Tears with Yo-Yo Ma, Emanuel mon, Wadada Leo Smith, Andrew Sterman, John Ax, and the New York Philharmonic by Bright Valentino, and , among others. Perfor­ Sheng; The Sound of A Voice, a musical theater mances include the Knitting Factory, Fringe (both piece by Philip Glass and David Henry Hwang NYC), Singapore, and Montreux jazz festivals, for the American Repertory Theater in Boston; a WNYC's New Sounds, NPR's All Things Con­ new chamber work for Wu Man and the Kronos sidered, American Dance Festival, Metropolitan Quartet by Terry Riley; and a featured appearance Opera, MATA, Ravenna Festival, Nouvel Ensemble at the IIkhom International Contemporary Music Moderne, American Ballet Theatre, Lincoln Center, Festival in Tashkent. Les Nuits de Fourviere, Late Night with Jay Leno, and The Late Show with David Letterman. Broad­ Richard Peck (woodwinds, voice) is a saxophon­ way credits include The Who's Tommy, Jekyll and ist, composer, and visual artist arrived in New Hyde, and The Full Monty, among others. Recent York City in August of 1971. He soon met Philip films include The Vagina Monologues (HBO) Glass and joined the Philip Glass Ensemble. Peck and the recent hit Standing In The Shadows Of has performed in the premieres of Einstein on Motown (Artisan). New recordings include They the Beach, Dance, The Photographer, Descent Have A Word For Everything (Knitting Factory Into the Maelstrom, 1000 Airplanes on the Roof, Works), Nosferatu (Dreambox), Inside The Sphere , Koyaanisqatsi, Powaqqatsi, (Cadence), New Math (ToneScience), Songs From La Belle et La Bete, and . The Broken Land (OmniTone), and One Block Glass uses Richard Peck not only as a section From Planet Earth (OmniTone), his sixth recording player but also in the role of improvisor in selected as a soloist. pieces-namely to represent the "Moloch" in Hydrogen Jukebox and improvise a solo within Kartik Seshadri (featured guest, sitar) is interna­ the context of Glass' "The Building" from Einstein tionally acclaimed as one of India's outstanding on the Beach. As a composer, Peck's activities musicians and the foremost disciple of Pandit Ravi have included scoring the Eye and Ear Theatre's Shankar. His initial training in music began with staging of Picasso's Desire Caught By the Tail, two Shri Shankar Rao of All India Radio, who nurtured soundtracks for the Marc Kazamarak videos Life his remarkable musical abilities. At a young age, of the Imagination and Tai Chi New York, music Seshadri had an illustrious performing career, and for performances by the dancer Nancy Lewis and in 1965 he met the world renowned maestro Pan­ a score for Susa n Osberg's SideShow. In add ition dit Ravi Shankar. Seshadri became a disciple of to the previously mentioned activities Peck has the maestro in 1974 and has since been receiving performed and/or recorded with David "Fathead" talim (knowledge) steeped in the distinctive and Newman, Carla Bley, Michael Mantler, Michael pure styles of the senia, beenkar, and dhrupad Oldfield, Public Enemy, Lexi, Richard Landry, Jon traditions. His concerts in India frequently include Gibson, Paul Schaeffer, The Raybeats, Mickey prestigious festivals such as the Sangeeth Nataka Roker, Ron McClure, Michael Gibb, Leo Smith, Academy, Dover Lane Music Conference, Madras Ricky Sebastian, and Paul Butterfield. He studied Music Academy, Gunidas Sangeeth Sammelan, music at Hunter College. Indian Fine Arts Society, Saptak, and Sangeeth Who's Wb.....-....o _

Research Academy (SRA) Music Festival. In the English), Rag Anurag (in Bengali), and Raga Mala U.S. and Canada, Seshadri's recent solo engage­ (in English)-the latest of which is an autobiogra­ ments have included Lincoln Center, Kennedy phy released in 1999. Center, World Music Institute, Asia Society, Vancouver Jazz Festival, and Ravi Shankar's 75th Andrew Sterman (woodwinds) is a flutist, saxo­ Birthday Celebrations. Seshadri has had the added phonist, clarinetist, and composer, whom The honor of accompanying Pandit Ravi Shankar in New York Times praised for IIbeautiful and sensi­ major concert halls throughout the world, includ­ tive playing." He first appeared in some of the best ing Carnegie Hall. Seshadri is also a distinguished big bands around-those of Buddy Rich, Louis composer and educator of Indian music. His Bellson, Gil Evans, Toshiko Akiyoshi, and many composition Quartet for a Raga received its world others. Always a fan of great jazz singers, while premiere in Washington, DC under the auspices of very young he played with many of the all time the Contemporary Music Forum. He serves on the masters, including Sarah Vaughan, Frank Sinatra, faculty at the University of California, San Diego, Tony Bennett, Joe Williams, Mel Torme, and where he heads one of the largest programs of Aretha. Franklin. Audiences have heard him with Indian Classical music in the country. jazz masters including Freddie Hubbard, Dizzy Gil­ lespie, Fred Hersch, Rashied Ali, Wallace Roney, Ravi Shankar (composition for sitar) is a legend­ Roland Hanna, and Ron Carter. Sterman has been ary virtuoso sitarist, composer, teacher, and a soloist with many new music groups, including writer-India's most esteemed musical Ambas­ MATA, ISCM, Bang on a Can, Avian Orchestra, sador and a singular phenomenon in the classical and the Eos Orchestra. Sterman tours and records music worlds of East and West. Born in 1920 in extensively with the Philip Glass Ensemble, which Varansi (Benares), Ravi Shankar spent several he joined in 1991. He is featured on Glass' 2003 years in the West absorbing different kinds of CD, Philip Glass: Saxophone. Sterman's new CD, music but returned to India in 1938 to begin his Blue Canvas With Spiral, a set of intimate and career. As word of his virtuosity spread throughout original jazz pieces, is meeting critical acclaim: India, then Europe, Asia, and the U.S., Shan- IIA sound as pure as moonlight, a richness that kar embarked on one of the most extraordinary turns into melodic romanticism ... " Sterman has careers in the history of contemporary music. developed a deeply intuitive and effective teaching Ravi Shankar is a prolific composer. In addition to method integrating ancient breathing practices composing numerous traditional ragas and talas, with modern woodwind techniques. He frequently he has written many works involving western col­ gives master classes and workshops on this laborations including two concertos for sitar and increasingly popular methodology, practiced by orchestra, and duets for the distinguished violinist students, emerging musicians, and established Yehudi Menuhin and himself. Shankar is also the professionals alike. For more information: www. recipient of many awards and honors including and rewsterma n. com. the Bharat Ratna, or Jewel of India, France's Commandeur de la Legion d'Honneur, and Great Foday Musa Suso (featured guest, kora and nyan­ Britain's Honorary Knight Commander of the yar) is an internationally recognized musician and Most Excellent Order of the British Empire. Ravi a Mandingo (musician/oral historian of the Shankar has recorded more than 60 albums, his Mandingo people) born in the West African nation legacy being maintained by Angel/EM I Records. of Gambia. Suso spent his childhood on a peanut In 2001 Angel released Full Circle, Carnegie Hall farm, studying music and history as an heir to 2000, for which he received a Grammy award. the hereditary griot lineage. In addition to his He continues to tour each season all over the virtuosic kora (21-stringed harp lute) playing and world dividing his time between India and the singing, Suso is also a drummer and composer. In U.S. with regular visits to Europe and Asia. He is the 1970s, he left his homeland and established the author of three books-My Music, My Life (in himself in Chicago. Since then he has performed Who's Wb~o _ throughout Africa, Asia, Europe, and North Amer­ UAKTI draws its name from the Brazilian Indian ica. Interested in both traditional and cutting-edge legend of an enormous creature that lived on the idioms, Suso has toured and recorded with such banks of the Negro River in the Amazon. prominent musicians as , Philip Glass, Pharoah Sanders, and Ginger Baker. Suso Pomegranate Arts (touring producer), founded by has composed five works with the Kronos Quartet Linda Brumbach in 1998, is an independent pro­ and has collaborated with them at Lincoln Center, duction company based in New York City dedicat­ California Institute of the Arts, Staatsoper Opera ed to the development of international contempo­ House in Vienna, and the Royal Festival Hall in rary performing arts projects. In its first two years, London. Performing with a variety of other artists, Pomegranate Arts produced the worldwide tour as a soloist, or as leader/founder of the fusion­ of Dracula: The Music and Film with Philip Glass jazz band, The Mandingo Griot Society, Suso has and the Kronos Quartet, and was the American appeared at Carnegie Hall, Central Park Summer­ producer of Shockheaded Peter, a music theater Stage, the Yerba Buena Center for the Arts, Frank­ work based on the Struwwelpeter Tales by Hein­ furt International Jazz Festival, and the Cultural rich Hoffman, directed by Phelim McDermott and Center in Mongolia. Suso has recorded for Island, Julian Crouch and featuring the music of Martyn Lyrichord, Folkways, Axiom, CBS, Sony, Flying Jacques and The Tiger Lillies. Other international Fish, Celluloid, CMR Point Music/Philips Classics, projects included the North American 1999/2000 Ellipsis Arts, Rhizome Sketch, Polygram, and launch of Brazilian vocalist Virginia Rodrigues and Nonesuch, among other record labels. Suso has The Screens, a concert featuring Philip Glass and performed on several film soundtracks including West African griot Foday Musa Suso. In 2001, Roots, Powaqqatsi, and Mountain of the Moon. Pomegranate Arts conceived and produced Philip Other career highlights include being a performer on Film, a 25-year retrospective of Philip Glass' and consultant for a Japanese documentary film work for film featuring newly commissioned film on African music and the book/cd, Jali Kunda: shorts by Atom Egoyan, Peter Greenaway, Shirin of West Africa and Beyond. Neshat, Michal Rovner, and Godfrey Reggio. Other 2001-02 projects include the first international UAKTI (featured guests, multi-instrumental- tour of Drama Desk Award winning Charlie Victor ists), an award-winning experimental Brazilian Romeo (CVR) and Laurie Anderson's solo work, group-Paulo Sergio dos Santos, Artur Andres Happiness. In 2003, Pomegranate produced the Ribeiro, Decio de Souza Ramos Filho, and Musi­ U.S. tour of Improbable Theatre's The Hang- cal Director/Instrument Creator Marco Antonio ing Man. Current touring projects include Laurie Guimaraes-has delighted audiences and crossed Anderson's most recent solo work, The End of musical genre lines for decades. Using materials the Moon; The QATSI Trilogy, featuring the three such as glass, metal, rocks, rubber, gourds, and films-Koyaanisqatsi, Powaqqatsi, and Naqoy­ even water, UAKTI constructs its own instruments, qatsi-by Godfrey Reggio and Philip Glass, rein­ believing that everything can produce sound. vented with live musical accompaniment by the UAKTI has collaborated with celebrated artists Philip Glass Ensemble; Dan lanes and Friends, such as Paul Simon, Manhattan Transfer, Milton a folk rock concert for families; and Philip Glass Nascimento, and Philip Glass. The dynamic Solo Piano, an evening of work for acoustic piano collaboration with Philip Glass produced three composed and performed by Philip Glass. Pome­ albums, as well as a ballet score for the - granate Arts was a general partner of the recent ian dance company, Grupo Corpo, entitled 7 or Off-Broadway NYC run of Shockheaded Peter and 8 Pieces for Ballet. UAKTI has received various is producing the fall 2006 North American tour awards for their work over the years, most notably of Kagemi by the modern butoh dance company, the Ministerio da Cultura award for best Brazilian Sankai Juku. For additional information please Popular Music group, as well as the Satista 97 visit www.pomegranatearts.com. award for innovation in Brazilian Popular Music. Qrion_----- Philip Glass would like to thank the Cultural Olympiad 2001-2004, Michail Adam, Vanessa Adam, Earl Blackburn, Linda Brumbach, Claudio Costa, Jim Keller, Rory Johnston, Paschalis Mouchtaridis, Marguerite Pepper, and Dionissis Potsolakis.

FOR THE PRODUCTION Production Manager Townsend Olcott Lighti ng Design Aaron Copp Live Sou nd Mix Dan Dryden Onstage Audio Engineer Stephen Erb Aud io Assista nt Dan Bora Music Production Euphorbia Productions, Kurt Munkacsi Tour Manager Jim Woodard Philip Glass Ensemble Stylist Kasia Walicka Maimone Press Representation Annie 0 Media, Annie Ohayon

Philip Glass and the Philip Glass Ensemble's live events are produced and booked by: Pomegranate Arts 1140 Broadway, Suite 305 New York, NY 10001 Tel. 212-228-2221 www.pomegranatearts.com [email protected]

Director Linda Brumbach Associate Director Alisa E. Regas Business Manager Kaleb Kilkenny Senior Tour Manager Jim Woodard Associate Kelly Kivland Tour Manager Sarah Engelman

Philip Glass is managed and published by: Dunvagen Music Publishers Inc. www.dunvagen.com Email: [email protected]

Director Jim Keller Associate Director Cat Celebrezze Manager of Marketing & Promotions Zoe Knight

For more information on Philip Glass please visit www.philipglass.com Brooklyn Academy of Music Susan Foote William A. Perlmuth Chairmen Emeriti Robert M. Greenberg Roberto Pesaro Neil D. Chrisman Chairman of the Board Charles J. Hamm David L. Ramsay, M.D., M.Ed. Seth Faison Alan H. Fishman Kenneth V. Handal Bruce C. Ratner Leonard Garment, Esq. Rita Hillman Frances A. Resheske Honorary Trustees Vice Chairman of the Board G. Penn Holsenbeck Jonathan F. P. Rose Robert L. Forbes William I. Campbell Dr. Edison O. Jackson Amy W. Schulman Stanley H. Kaplan Mary Kantor Samuel H. Scripps Laurie Mallet President Amy Klein Danny Simmons Karen Brooks Hopkins Dan Klores Nora Ann Wallace BAM Archive Chairman I. Stanley Kriegel Elaine Weinstein Barbara B. Haws, C.A. Secretary Edgar A. Lampert Hon. Franklin R. Weissberg Joseph V. Melillo Jean-Pierre Lehmann Vaughn C. Williams, Esq. BAM Endowment Trust Fran<;ois Letaconnoux Claire Wood Chair President Emeritus Kitty C. Linder Irwin Lainoff Harvey Lichtenstein John Lipsky Ex Officio Cathy-Ann Martine Hon. Michael R. Bloomberg Vice Chair Members Adam E. Max Hon. Gifford Miller Norman L. Peck Susan L. Baker James I. McLaren Hon. Marty Markowitz Tony Bechara Frederick A. Meagher Hon. Kate D. Levin Members Henry Christensen III Martin F. Mertz Jamie Snow Markowitz Susan L. Baker Beth Rudin DeWoody Ahrin Mishan Mark Page Henry Christensen III Charles M. Diker Jean-Marc Moriani Steven C. Parrish Dinyar S. Devitre Brendan J. Dugan John Morning Diana Taylor Elizabeth Holtzman Mallory Factor Steven J. Nulty Timothy Thayer James I. McLaren Ronald E. Feiner, Esq. Evelyn Ortner Nora Ann Wallace Steven G. Felsher Karen B. Peetz Alan H. Fishman, Ex Officio BAMstaff Karen Brooks Hopkins Jake Perlin Emily Krell Oscar Gruchalski President Assistant Curator Assistant Project Manager Utility Man Joseph V. Melillo Avrom Caplan Mary Lou Houston Executive Producer Executive Producer's Office Fiscal Coordinator Wardrobe Supervisor Alice Bernstein Jessica Bathurst Martha Pitts Executive Vice President Program Coordinator Administrative Analyst Artist Services Peter Gee Shoshana Polanco Mary Reilly Chief Financial Officer & Executive Assistant Production Director of Artist Services Vice President for Operations Sharon Lehner Colman Rupp Danielle Dybiec Jeffrey Levine Archive Manager Director of Production Associate Director of Vice President for Marketing Archive Intern Don Coleman Artist Services &Communications Herbert Fair Assistant Production Manager Andrea Salvatore Lynn M. Stirrup Philip Naude Artist Services Vice President for Planning Education & Humanities Aude Albiges Representative &Development Suzanne Youngerman Rebecca Zuber Director, Department of Production Coordinators Theater Management President's Office Education & Humanities Victoria Lynford Christine M. Gruder Sophia A. Athie Indira Etwaroo Production Office Manager Theater Manager Executive Assistant Assistant Director John L. Jones Jonathan Bigelow John P. Tighe Stage Crew Associate Theater Manager Administrative Assistant Program Manager Thomas Paulucci Sonia Clayton Charisse Williams Crew Chief Jacqueline David BAM Rose Cinemas Administrative Manager Cyrus Similly Leroy Houston Efi Shahar Alicia Dhyana House Head Carpenter, OH Theater Staff Supervisors Cinema Manager Humanities Manager Ti mothy Fuller Patrick Conlon Duane Wizzard Jennifer J. Davis Flyman,OH BAMbus Manager Assistant Cinema Manager Program Associate James D'Adamo Michael Katz Dan Nishimoto Head Electrician, OH Human Resources Hunter Webb Program Assistant Jack Gelbart Simone Charles Projection ists Steven Serafi n Electrician, OH Benefits Manager Humanities Program Howard Larson Diana Frazier BAMcinematek Consultant Master of Properties, OH Receptionist! Florence Almozini Carl Wurzbach Administrative Assistant Associate Curator Programming & Curatorial Sound Engineer, OH Matthew Buchholz Limor Tomer James Kehoe Information Technologies BAMcinematek Manager BAMcafe Programming Head Carpenter, HT John Kit James Colvill Danny Kapilian Lewis Resnick Director PUblicity Associate Music Consultant Head Electrician, HT Tamisha Ralph Troy Dandro Bill Horton Jr. Administrative Assistant Marketing Manager General Management Master of Properties, HT Ira Silbulkin Molly Gross Patrick J. Scully Alison Dabdoub IT/Network Manager Publicity Manager General Manager Sound Engineer, HT William Allen Lee Adrienne Mancia Terence Dale Henry Beckman Application &Development Curator at Large Project Manager Utility Man Manager 32 BAMstaff Liz Dixon-Eversole (on leave) Custodial Services Royda C. Duncan Robin Bowie Tessitura Project Manager Ramon Cabassa Ticket Services Fiscal Administrator Thomas Brown Supervisor Assistant Manager Saifull. Chowdhury Acting Tessitura Project Calvin Brackett Crystal Backus Fiscal Assistant Manager Joanna Brown Shanequa Battle Chia-Hue Vivan Lin Jon Wright Franklin Fernandes Margo Brooks Fiscal Intern System Administrator/ Harold Heath Sheyla Echevarria Support Ramona Perez Laura Fletcher Membership Silvio Niculescu Ron Rathan Kamira Isaacs Jonathan S. Harris Erwin Quito Custodians Laura Jellinek Director of Individual Giving Helpdesk Support Matthew Ludwinski Michael Hambouz Boris Kleynbok Harvey Theater Katora Matthews Assistant Individual Giving Svetlana Mikhalevskaya Davis Wallace Latasha McNeil Manager Programmers Building Supervisor Elsie Pacella Rendell Blount Louie Preston Patron Services Finance Ismael Colon Nina Richards Angela Romualdez Anna Lee James Riddick, Jr. Patron Services Manager Controller Marketing & Communications Terri Shaw Rachel Katwan Rachael Faulkner Box Office Richard Tayloe Mac Steele Budget Manager Fred Dorso Michelle Taylor Hitoshi Nakamura Manuel Malixi Treasurer Dionne Williams Patron Services Assistants Manager of Reporting & Marsha Rosenberg Ticket Services Analysis First Assistant Treasurer Representatives Special Events Rachel McBeth Kevin McLoughlin Gary Batson Jennifer Stark Accounting Manager Charlie Dolce Monique Davis Special Events Manager Cynthia Smith Frances Oestricher David Dunn Ryan Tracy Payroll Manager Assistant Treasurers Letha Francis Special Events Coordinator Su Hyun Lim Sam Gordon Traslin Ong Budget Analyst Communications Susannah Weiss Special Events Intern Tameka White Sa ndy Sawotka Telemarketers Accountants Fiscal Coordinator Director of Communications Deloitte and Touche LLP Seon Gomez Eva Chien Planning & Development Accounts Payable Specialist Publicity Manager Barbara Olsen Cummings Archival Taping Dewonnie Frederick Director of Planning Character Generators Capital Projects/Operations Public Relations Associate/ & Development Bookseller Toby Rappaport Bazaar Coordinator James Wu Shakespeare & Co. Capital Projects Fatima Kafele Executive Assistant Manager Associate Director Akiko Kawamoto Design Consultant Matthew Baclini of Communications Development Assistant Pentagram Fiscal Coordinator Jennifer Lam Richard Serrano European Production Publicity Assistant Research Manager Representative Building Operations Tamara McCaw Neil Freeman On Tour Ltd., Roger Chapman Michael Davis Community Affairs & BAMart Coordinator Director of Operations Audience Development Rebeca Ames Film Buyer Daniel J. Dier Manager BAMart Intern Jeffrey Jacobs Building Services Assistant Susan Yung Jacobs Entertainment, Inc. Nicole Pile Publications Manager Endowment Immigration Counsel Facilities Manager Denis Azaro Jonathan Ginsburg, Duana Hutchinson Design Endowment and Fettman, Tolchin and Administrative Assistant Eric Olson Development Director Majors, PC Director of Design Marilyn Casowitz HVAC & Repair Services Clara Cornelius Planned Giving Officer Insurance Lazzaro Curato Senior Designer Franklin Teagle Arthur J Gallagher & Co. of NY HVAC Supervisor Shane Keaney Endowment Assistant Legal Counsel Anthony Shields Designer Kaufmann, Feiner, Yamin, Angel Ova lies Anna Hurley Grants Gildin & Robbins Courtney Harris Design Studio Manager William Lynch Carl Blango Director of Grants and Market Research Danny Curato Marketing Designated Campaigns George Wachtel Lisa Mallory Peter Conroy Audience Research Security Director of Marketing Assistant Grants Manager & Analysis Alvin Youngblood Stephen Litner Jay Twitchell Medical Consultant Security Operations Manager Soo Pak Grants Coordinator Ahmar Butt, M.D. Melvin Patterson Senior Marketing Managers Rebecca Patterson Shirley Phillips Raphaele Andriuzzi Grants Assistant Restaurateur Supervisors Marketing Manager Great Performances Kenneth Aguillera Alexis Ditkowsky Sponsorship Collie Dean Marketing Assistant Aimee Calandria Theophilus Johnson Sponsorship Manager Manadou Tounkara Ticket & Customer Services Christina Jensen Senior Attendant Guards G. Scott Kubovsak Sponsorship Coordinator In Memoriam Terrence Caldeira Director of Ticket and Offer Ben-Arie Aubrey Gravesande Customer Services Sponsorship Assistant Bob Riordan Clyde Yearwood Robert M. Speck 1951-2005 Michael Whyte Ticket Services Manager Fiscal Attendant Guards Jose Noel Vega Adele di Puma BAM's theater manager Telemarketing Manager Fiscal Director 1992 to 2005

33 The Campaign for BAM was initiated in 1992 to create Brooklyn Academy of Music's first endowment. Phase One (1992-1995) established a $12 million nucleus that provided BAM with a basic financial foundation and supported all BAM operations through annual distribution of interest income. Phase Two (1996-2000) was a comprehensive effort combining operating, endowment, institutional development, and building renovation needs into one unified effort and increased the endowment to $20 million. Phase Three (2001-2004) aimed to double the endowment-a goal that was successfully achieved and surpassed through leader­ ship grants and gifts from The Peter Jay Sharp Foundation, Richard B. Fisher and Jeanne Donovan Fisher, and matching gifts from BAM trustees, foundations, corporations, and individuals. In October 2004, BAM named its recently restored, historic building at 30 Lafayette Avenue for Peter Jay Sharp. The continued growth of the endowment is critical to the success and future of BAM. Phase Four (2005-2011), encompassing the 100th anniversary (2008) of the Peter Jay Sharp Building and the 150th anniversary (2011) of the institution, will seek to grow the en­ dowment to a new level to ensure BAM's financial stability and secure BAM's programming for the 21st century and beyond. BAM sincerely thanks all contributors who have made gifts to the endowment effort. Endowment $5,000,000 and above $250,000 and above Mr. & Mrs. Ame Vennema Judge Franklin R. Weissberg Richard B. Fisher & The Bohen Foundation Verizon Communications &Judge Marylin G. Jeanne Donovan Fisher The Campbell Family The Isak and Rose Diamond The Peter Jay Sharp Foundation Weinman Foundation Vaughn C. Williams Foundation The Charles &Valerie in honor of Madame Lila Wallace-Reader's Diker Dance Lilliana Teruzzi $10,000 and above Digest Endowment Fund Endowment Fund Alfa Mechanical Corp. for Community, The Horace W. Goldsmith $50,000 and above Bloomberg Educational, & Public Foundation Robert &Joan Catell Mr. & Mrs. Norman J. Affairs Programs Alex Hillman Family Kathleen & Neil Chrisman Buchan Foundation Mr. & Mrs. Henry Calyon $1,000,000 and above Carole & Irwin Lainoff Christensen III Ms. Anne Delaney Altria Group, Inc./Next Maxwell Family Fund in Brendan & Barbara Dugan Beth Rudin DeWoody Wave Forward Fund Community Funds, Inc. European American Bank Dwight &Ann Ellis Doris Duke Charitable HSBC Bank USA Gail Erickson &Christa Rice Foundation $100,000 and above Rita J. &Stanley H. Kaplan Mallory & Elizabeth Factor Emily H. Fisher Michael Bailkin, Marvin Family Foundation, Inc. Joan Fields Judith R. &Alan H. Fishman Levine, Jesse Masyr, KeySpan Foundation Mrs. M. Derene Frazier The Ford Foundation Fund to David Stadtmauer Mr. & Mrs. Edgar A. Lampert Mr. John M.Goldsmith Support Collaborative Charles J. & Irene F. Hamm John Lipsky & Ms. Regina M. Griffin Creativity Among The Harkness Foundation Zsuzsanna S. Karasz Jane Holzka & Mark Winther U.S. Artists for Dance Evelyn & Everett Ortner Mr. & Mrs. Richard Hulbert The Howard Gilman Francena 1. Harrison Arthur Ross Foundation William Kistler Foundation Performance Fund Lindsay & Brian Shea Kelvin & Kathryn Kostohryz The Andrew W. Mellon William Randolph Hearst Albert &Joan Kronick Foundation Fund For Endowment for $25,000 and above Eric &Amala Levine Opera & Music-Theater Education and Amanda M. Burden Mr. & Mrs. Eugene H. Bruce C. Ratner Humanities Programs Gerard Conn &Carol Yorke Luntey The Peter Jay Sharp Fund Independence Community Mr. & Mrs. G. Martin Fell Mr. Jeffrey L. Neuman for Opera and Theater Bank Forbes Inc. Jonathan Newcomb The Starr Foundation Annie Leibovitz &Studio William & Mary Greve John Michael Powers Jr. Leo Burnett, USA Foundation Mr. & Mrs. David Puth $500,000 and above Diane &Adam E. Max Mr. & Mrs. Sidney Kantor Susan & Kanti Rai Michael Bancroft Goth Sarah G. Miller & Miriam E. Katowitz & The Silverweed Foundation Endowed Annual Frank L. Coulson Arthur J. Radin Liliane &Jose Soriano Performance Fund The Morgan Stanley Rosemarie & Francis J. Barbara H. Stanton Mary &Jim Ottaway Jr. Community and Kazeroid Nora Ann Wallace &Jack in honor of Ruth Educational Fund Charlotte &Stanley Kriegel Nusbaum Blackburne Ottaway J.P. Morgan &Co. Ticket Assistance Fund Terilynn &Jeff Walsh Rockefeller Brothers Fund Incorporated W.P. McMullan & Charlene Magen Weinstein Jonathan F.P. & The Jerome Robbins Rachel McPherson Diana V.C. Rose Foundation, Inc. Robert C. Rosenberg As of August 1, 2005 May &Samuel Rudin The Marion Petschek Smith Family Foundation Fund for Choreographers Planned Giving-BAM Angels BAM Angels recognizes Estate of Bettina Bancroft Estate of Richard B. Fisher Phyllis Holbrook Lichtenstein individuals who have included Robert &Joan Catell Judith R. & Alan H. Fishman Scott C. McDonald BAM in their wills or arranged Neil D. Chrisman Rita Hillman Evelyn & Everett Ortner other planned gifts benefitting Mr. & Mrs. Henry William Josephson Frank J. &Adeline Pannizzo BAM. For information call Marilyn Christensen III Charlotte &Stanley Kriegel Alex Wagman Casowitz at 718.623.7810, Mallory Factor Edgar A. Lampert Judge Franklin R. Weissberg ext 3. Madison S. Finlay Harvey Lichtenstein 34 BAM sincerely thanks its many contributors listed below contributions with the notation (E). BAM major individual whose gifts over the past year are greatly appreciated. supporters are noted (NS) for Next Society. Members of This listing primarily recognizes support for BAM's annual BAM Patron Councils are identified as Chairman's Circle operating needs and also acknowledges endowment (CC) and Producers Council (PC).

$500,000 or more The Starr Foundation (E) The Jerome Robbins Kaufmann, Feiner, Yamin, Brooklyn Borough President Joseph S. and Diane H. Foundation, Inc. Gildin & Robbins Marty Markowitz Steinberg Charitable Trust The Rockefeller Foundation Dan Klores (NS) Brooklyn Delegation of the Time Warner Inc. Rockefeller Brothers Fund Emily Davie & Joseph S. New York ,City Council Fund for Improvement of Blanchette Hooker Rockefeller Kornfeld Foundation Jeanne Donovan Fisher Education, U.S. Department Fund John Lipsky & Zsuzsanna S. (E) (NS) of Ed ucation Jonathan F. P. & Diana V.C. Karasz (E) (NS) Estate of Richard B. Fisher (E) Office of Juvenile Justice and Rose (NS) James I. McLaren & Lawton The Howard Gilman Delinquency Prevention, May and Samuel Rudin Fitt (NS) Foundation (E) Office of Justice Programs, Family Foundation, Inc. Jean-Pierre & Rachel Lehmann The Kovner Foundation (NS) U.S. Department of Justice David Nachman & Amy W. (NS) The Andrew W. Mellon The Robert W. Wi Ison Schulman (NS) Sarah G. Miller & Frank L. Foundation (E) Foundation, Inc. (NS) Kent Simons (NS) Coulson (NS) New York City Department of Steiner Studios Henry & Lucy Moses Fund, Cultural Affairs $50,000 or more Judy & Michael Steinhardt Inc. New York City Department of Edith and Frances Mulhall (NS) New York State Assembly Design and Construction Achilles Memorial Fund Target Brooklyn Delegation The Peter Jay Sharp Altman Foundation Trollback & Company New York State Department of Foundation (E) Association Frangaise d'Action Verizon Communications Parks, Recreation and Artistique (AFAA) The Isak and Rose Weinman Historic Preservation $100,000 or more Susan Baker & Michael Lynch Foundation, Inc. (E) Oxford Health Plans Altria Group, Inc. (NS) The Norman & Rosita Winston The Reed Foundation, Inc. American Express Company Bank of America Foundation (NS) Bloomberg Calyon The Scherman Foundation, The Campbell Family Citigroup $25,000 or more Inc. Foundation (NS) (E) Con Edison Rose M. Badgeley Residuary The Harold and Mimi Carnegie Corporation of The Gladys Krieble Delmas Charitable Trust, HSBC Steinberg Charitable Trust New York Foundation Bank USA, Trustee Surdna Foundation, Inc. Delta Air Lines Deutsche Bank Bank of New York Two Trees Management Dormitory Authority of the Charles & Valerie Diker (NS) Anne H. Bass (NS) Company State of New York Giorgio Armani Corporation British Council Nora Ann Wallace & Jack Judith R. & Alan H. Fishman The Horace W. Goldsmith The Louis Calder Foundation Nusbaum (NS) (NS) Foundation Cinecitta Holding Vaughn C. Williams (NS) Forest City Ratner Companies Agnes Gund & Daniel Shapiro The Irene Diamond Fund, Inc. Yamaha Artist Services The Florence Gould (NS) Etant Donnes Estate of Martha Zalles Foundation Rita Hillman (NS) Martin & Linda Fell The Harkness Foundation HSBC Bank USA, N.A. (E) (NS) $10,000 or more for Dance Institute of Museum and Goethe-Institut New York! The Aeroflex Foundation Independence Community Library Services German Cultural Center AngloGold Ashanti Foundation KeySpan Foundation Goldman, Sachs & Co. Arts International Consulate General of Israel Carole & Irwin Lainoff (NS) Semone Grossman, Andrew Asian Cultural Council JPMorgan Chase The Lepercq Foundation Grossman, GGMC Parking, AT&T Foundation Diane & Adam E. Max (E)(NS) The MAT Charitable LLC (PC) Lily Auchincloss Foundation New York Marriott at the Foundation (NS) The Francena T. Harrison Australian Consulate-General Brooklyn Bridge Mertz Gilmore Foundation Foundation Trust (E) The Barker Welfare Foundation New York State Council MetLife Foundation Rita E. & Gustave M. Hauser Ms. Diana Barrett & Bob Vila on the Arts The Ambrose Monell Charles Hayden Foundation (NS) The New York Times Commu­ Foundation HBO The Bay and Paul Foundations nity Affairs Department Morgan Stanley Health Plus Bear Stearns & Co., Inc. Jim & Mary Ottaway (NS) National Endowment for the Heckscher Foundation for Roger & Brook Berlind (NS) The Fan Fox & Leslie R. Arts Children Ms. Susan E. B. Bloomberg Samuels Foundation, Inc. Samuel I. Newhouse Mr. William Josephson & Cake Man Raven Confectionery Mr. & Mrs. Samuel H. Scripps Foundation, Inc. Ms. Barbara Haws (NS) Mary Flagler Cary Charitable (NS) Timothy U. Nye (NS) Rita J. and Stanley H. Kaplan Trust The Shubert Foundation, Inc. RIGA Family Foundation Mr. Disaphol Chansiri Skirball Foundation 35 Neil & Kathleen Chrisman Helena Rubinstein Foundation Mary Livingston Griggs & Elizabeth Sidamon-Eristoff (E) (NS) Ruder Finn, Inc. Mary Griggs Burke (NS) Mr. & Mrs. Henry Rush Philanthropic Arts Foundation The Silverweed Foundation Christensen III (E) (NS) Foundation, Inc. H3 Hardy Collaboration Serge Sorokko Gallery The Aaron Copland Fund for Martin Sanders Investments Architecture, LLC Seth Sprague Educational and Music, Inc. The Evelyn Sharp Foundation Buck Henry (NS) Charitable Foundation Credit Suisse First Boston Mr. & Mrs. Howard Solomon Henson International Festival Stop & Stor Charitable Fund Cultural Contact, U.S.-Mexico (NS) of Puppet Theater Sylk Cream/Bacardi Fund for Culture Jean Stein (NS) The Jim Henson Legacy, Inc. Tom Thomas Ms. Anne Delaney (E) (NS) Mr. John Tamberlane Ms. Heather Henson TIAA-CREF Brendan & Barbara Dugan Bonnie & Daniel Tisch Hong Kong Economic & Trade Jane M. Timken (NS) (E) (NS) Wendy vanden Heuvel (NS) Office Jakob & Lisa Trollback (E) (NS) Mallory & Elizabeth Factor WJM Associates International Creative Michael Tuch Foundation, Inc. (NS) Management (NS) UBS Wealth Managment Finlay Printing $5,000 or more Mr. Frederick J. Iseman (NS) U.S. Trust Corporation Fribourg Family Foundation Academy Foundation Izze Sparkling Jus Foundation Galerie Lelong Advance Australian John Wiley & Sons Charles Antoine van Ann and Gordon Getty Professionals in America Mary Kantor (CC) Campenhout (NS) Foundation Aperture Magazine Miriam Katowitz & Art[lur Margo & Anthony Viscusi (NS) Ms. Jane Goldman (NS) Axe-Houghton Foundation Radin (NS) The Walt Disney Company John M. Goldsmith (NS) Mr. & Mrs. Sid R. Bass (NS) Lehman Brothers The Weininger Foundation, Inc. The Green Fund Inc. Berkley Foundation The Liman Foundation Inc. Charlene Magen Weinstein Grey Global Group Inc. Mr. & Mrs. Lewis W. Bernard Liz Claiborne Inc. (NS) Ms. Regina M. Griffin (E) (NS) (NS) Marsh & McLennan Judge Franklin R. Weissberg The Grodzins Fund The Mary Duke Biddle Companies & Judge Marylin G. The Helen Hotze Haas Foundation Massachusetts International Diamond (E) (NS) Foundation Brazilian Consulate Festival of the Arts Mr. Francis Williams HarperCollins Publishers The Brooklyn Brewery Mr. & Mrs. Hamish Maxwell Nina Winthrop (NS) The Jane Henson Foundation Brooklyn Daily Eagle (NS) Wolfensohn Family IATSE - Theatrical Stage The BWF Foundation The McGraw-Hili Companies Foundation (NS) Employees Local 4 (NS) Colgate-Palmolive Company Medgar Evers College Gifts & Carol Yorke & Gerard Conn Independence Community Colorlith Corporation Grants (NS) Bank Computer Associates Megu Italian Cultural Institute of International, Inc. Merrill Lynch & Co. $2,500 or more New York and Consulate The Corcoran Group Foundation, Inc. Adagio Teas General of Italy in New York The Criterion Collection Martin & Selma Mertz (NS) Donald Allison & Sumiko Ito JKW Foundation Cultural Services of the French John Morning (CC) (CC) Robin & Edgar Lampert (NS) Embassy in the United Charles Stewart Mott Ariel Capital Management, LLC Phyllis & Harvey Lichtenstein States Foundation Jody & John Arnhold (CC) (NS) The Eleanor Naylor Dana Mr. Alex G. Nason (NS) Austrian Cultural Forum Meet The Composer Charitable Trust The Onion Benjamin Barber & Leah Edward S. Moore Foundation Diana de Vegh (NS) Evelyn & Everett Ortner (NS) Kreutzer-Barber (CC) The M&T Bank Jean and Louis Dreyfus Ontario International Nancy Barber (CC) Magnetic Poetry Foundation, Inc. Marketing Centre Mr. Tony Bechara (CC) Ms. Darcy Miro Max & Victoria Dreyfus The Overbrook Foundation George E. Berger & Associates mo-a rtga Ilery Foundation Ozone Design, Inc. LLC (CC) New York Stock Exchange Cristina Enriquez-Bocobo & Camila Pastor & Stephen Raphael & Jane Bernstein/ Foundation Cody J Smith (E) (NS) Maharam (NS) Parnassus Foundation (CC) The New York Times Company The Fassbinder Foundation, Rajika & Anupam Puri (NS) Frank Borsa & Jeffrey Wallace Foundation, Inc. Inc. David L. Ramsay, M.D., (CC) Peter Norton (PC) Mr. Ronald Finkelstein (NS) M.Ed. (NS) Canadian Consulate General The Laura Pels Foundation Consulate General of Finland Mr. & Mrs. Theodore C. Ranny Cooper & David Smith Michael Petronko Gallery Forbes Inc. (NS) Rogers (NS) (CC) Pfizer Inc. Susan & Michael Furman (NS) Dr. Thomas Weld Roush (NS) The Cowles Charitable Trust The Picower Foundation Barbara Lubin Goldsmith Mr. & Mrs. Richard J. Constans Culver Foundation Polish Cultural Institute Foundation Schwartz (NS) Ms. Elizabeth de Cuevas (CC) Billy Rose Foundation, Inc. Greyhawk North America, LLC Mr. James Scott Mrs. Catherine G. Curran (CC) Martha A. & Robert S. Rubin Theodore Shen (PC) Rohit & Katharine Desai (CC) (NS)

36 Hester Diamond & Ralph Ms. Rita Parikh Matthew Annenberg (PC) Barbara Hoffman (PC) Kaminsky (CC) William A. & Loretta Perlmuth Rina &Takis Anoussis (PC) Joel S. & Lily M. Hoffman (PC) EMI Records (CC) Milton &Sally Avery Arts Stephanie Holmquist & Seth S. &Sarah R. Faison Richard Peterson & Ellen Foundation Mark Allison (PC) (CC) Flamm (E) (CC) Ms. Sarah Jean Avery (PC) Frank M. Holozubiec (PC) Ronald E. Feiner, Esq (CC) Antonia Pew (CC) Theodore S. Bartwink (PC) Phyllis S. Hyde M.D. & Neil R. Feldman (CC) Diana Elzey Pinover (CC) Pierre Baudin Jan Thomas Hyde (PC) Mr. Jay Friedenberg Quebec Government House, Lisa &Jim Bedell (PC) ICAR Egon Gerard (CC) New York Alan L. & Leslie Beller (PC) Mr. Steven Miles Jacobson David &Susie Gilbert (CC) Douglas P. Reetz (CC) Therese & Paul Bernbach (PC) (PC) Mr. Paul Gottlieb & Ms. Sara Joe Regan Jr. (CC) Susan V. Berresford (PC) Bianca Jagger (PC) Adler (CC) Juergen Riehm & The Bloomingdale's Fund of Mr. T. Radey Johnson & Gordon & Mary Gould (CC) Jody Oberfelder (CC) the Federated Department Ms. Jane Platt (PC) Ms. Cristina Grajales (CC) James E. Robison Foundation Stores Foundation Randolph &G. Miller Jonakait Galerie Karsten Greve AG - Mr. & Mrs. David Rockefeller Robi & Ruth Blumenstein (PC) (PC) St. Moritz (CC) Sallie & Martin Blumenthal Gerri Kay (PC) Great Performances Alvi n J. Rockwell 1990 (PC) Ms. Jessie M. Kelly William & Mary Greve Charitable Trust Etta Brandman, Esq. (PC) Korean Cultural Service Foundation Seth L. Rosenberg & Brawta Caribbean Cafe Joan &Albert Kronick (PC) Mr. Scott Grover Catherine Lebow (CC) DJ R. Bruckner (PC) The Krumholz Foundation Mr. Kenneth V. Handal & Louis F. Rosenthal (CC) Ms. Helen Butler Anna Kuzmik (PC) Mary Francina Golden (CC) Securities Industry Capezio/Ballet Makers Edward & Phyllis Kwalwasser Diana &John Herzog (CC) Automation Corporation Dance Foundation (PC) Barbara Hoffman (CC) Martin E. Segal (CC) Joan Hardy Clark (PC) Ms. Kathleen Lacey Pamela J. Hoiles (CC) Mr. Siddhartha Gautama Mr. Frederick Cohen (PC) Mr. Rick Lake (PC) Mr. Steven L. Holley (CC) Shukla (CC) Ms. Angela K. Comiteau Ms. Ellen Lampert-Greaux Jane Holzka & Mark Winther Ms. Patricia J.S. Simpson (CC) Michele &Terry Cone (PC) Ms. Hannah Larson (PC) (CC) Linda G. Singer (CC) Dwight & Ann Ellis (PC) Pablo &Almudena Legorreta Madeline de Vries Hooper & Harry J. &Clare Smith (CC) Jim & Dawn Ellwood (PC) (PC) Ian Hooper (CC) Brian & Lavinia Snyder (CC) Gail Erickson & Christa Rice Mr. John Levy & Ms. Victoria Richard & Dorothy Hulbert Melissa & Robert Soros (CC) (PC) Westhead (PC) (CC) Ellen &Samuel Sporn (CC) Sherli Evans & Eric J. Kitty C. Linder (PC) Paula Jarowski & Earl Black Susan Stewart (CC) Vanderbush M.D. (PC) Richard Lynn &Joseph Evall (CC) Juliet Taylor &James Walsh Ms. Kathyryn T. Farley (PC) (PC) Stephanie & Timothy Ingrassia (CC) Mr. Billy Fields Michael Maharam (PC) (CC) Mr. Peter C. Trent (CC) Ms. Joan Fields (E) Mrs. Daryl Rothman Malter James E. & Marcia Kelly (CC) James Truman (CC) Arthur & Susan L. Fleischer (PC) Amy Klein & Bruce Bender The Alice Tully Foundation (PC) Ms. Marianna Mather (PC) (PC) Umbra Ms. Barbara Franklin (PC) Ms. Jennifer McConnell (PC) Bruce R. Kraus (CC) Charles Antoine van Mrs. M. Derene Frazier (PC) Mr. Jeff Mermelstein Charlotte & I. Stanley Kriegel Campenhout (CC) Paul A. Gangsei (PC) Ahrin & Ligaya Mishan (PC) (CC) Shelby White (CC) Francis Greenburger & Lucy Mitchell-Innes (PC) Anna &Jonathan Lehman (CC) Ms. Wendy Williams Isabelle Autones (PC) Isaac Mizrahi (PC) Eric &Amala Levine (E) (CC) Adam R. Wolfensohn & Mr. Peter W. Greenleaf (PC) Donald &Gwen Arner Moffat Frances Lewis (CC) Jennifer Small (CC) Stephen R. Greenwald & (PC) Mr. John Lichtenstein (CC) Mary Anne & Richard Yancey Rebecca A. Sullivan (PC) Richard W. & Barbara F. Moore Macro Consultants, Inc. (CC) Mr. & Mrs. Henry B. Gutman (PC) R.H. Macy's & Co., Inc. Matthew & Myra Zuckerbraun (PC) Catherine &Jean-Marc Moriani Scott C. McDonald (E) (CC) (CC) Mrs. Gunilla N. Haac (PC) (PC) Me & Ro (PC) Charles J. & Irene F. Hamm Deirdre K. Mullane (PC) Sebastian Meijer $1,500 or more (CC) Mr. Vicente J. Muniz & Mr. & Mrs. Richard L. Chris Ahearn & Marla Mayer Scott & Ellen Hand (PC) Ms. Janaina Tschape (PC) Menschel (CC) (PC) Ms. Adrienne Harris & Ms. Linda Nochlin-Pommer Bella Meyer & Martin Kace Sidney and Beatrice Albert Mr. Robert Sklar (PC) (PC) (CC) Foundation Molly K. Heines & North Fork Bank Dick & Carol Netzer (CC) Allied Domecq Spirits USA Thomas J. Moloney (PC) Ms. Kozue Oshiro Talya Nevo-Hacohen (CC) Mr. John H. Alschuler (PC) Mr. Thomas P. Higgins (PC) Ms. Laili Paksima Newmark & Company Real Ms. Linda Lee Alter Donald & Adria S. Hillman Mark H. &Carole Robinson Estate (CC) Amphion Foundation (PC) Palermo (PC) . Kathleen O'Grady (CC) Ms. Raphaele Andriuzzi Mellody Hobson Stephen Parahus (PC) 37 Mr. Art Perry Mr. Adedayo Adedeji Ms. Judith M. Hoffman Mr. Larry G. Remmers Ms. Alexandra Peters (PC) Ronald &June Ahrens Mr. Howard M. Holtzmann Ms. Joumana Rizk Mr. & Mrs. Leon B. Polsky (PC) American Friends of the Paris House of Bernstein The Rockefeller Group Edward & Annie Pressman Opera & Ballet Mr. Alan Hyde &the Connie &Ted Roosevelt William & Katharine Rayner James B. D. Anning Hon. Ellen Gesner (E) Steve & Rory Rothman (PC) The Loreen Arbus Foundation Marcie & Fred Imberman Margaret Sarkela Esther Redmount/Harry White Alexandra Ballard Linda & Lawton Johnson Laura E. Schwartz (PC) Ms. Andrea Barbieri Mr. Michael Johnson Dr. & Mrs. Thomas Sculco (E) Ruth Siegel Sartisky (PC) Mr. Samuel E. Bass Mr. & Mrs. Alex Katz Jeanette M. & Ruben Selles Mr. Jared Rosenberg Ms. Carol Bellamy Ms. Frances Kazan Harold & Myra Shapiro Family Ms. Lynn Schneider (PC) Mr. Alan S. 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Gamble Mr. Harry Newton Ms. Edel Verzijl Dr. Laurie Garrett Mr. David Offensend Claudia Wagner & Elizabeth Mr. & Mrs. John N. Gilbert, Jr. Dr. David S. Orentreich Berger (PC) Ms. Francoise Girard & Ms. Bianca Maria Orlando & Ms. Joan Waricha (PC) Mr. David Knott Mr. William McGinty (E) Ms. Julia A. Walker (PC) Ms. Virginia P. Gliedman Bruce & Nicole Paisner Ms. Elaine Weinstein (PC) Michael & Deborah Goldberg Ms. Friederike Penberg Ms. Micki Wesson (PC) Daniel &Sandra Grieser Mr. Roberto Pesaro Mr. Walter J. Wilkie (PC) Ms. Louise Guthman Henry Pillsbury & Ms. Barbara Wilks (PC) Mr. & Mrs. Burton K. Haimes Barbara Watson Susan R. Witter (PC) Elizabeth Logan Harris & Ms. Pauline B. Pinto W. Wynn & I. Pachter (PC) Mark Fox Mr. Carl E. Podwoski Mr. Murray Henry & Mr. & Mrs. David Puth $1,000 or more Ms. Elizabeth Ochoa Martin &Anna Rabinowitz Kenneth & Diana Adams William T. Hillman The Randolph Foundation

38 £unclers------

BAM 2005 Next Wave Festival Next Wave Festival supporters: Lead corporate partner: and Gala sponsor: ~ The Peter Jay Sharp Foundation ... The Florence Gould Foundation ...,JPMorganChase The Starr Foundation Altria The Shubert Foundation, Inc. BAMfans presenting sponsor: Skirball Foundation The Ambrose Monell Foundation Programming in the BAM Howard Gilman Blanchette Hooker Rockefeller Fund Opera House is supported and endowed The Gladys Krieble Delmas Foundation by The Howard Gilman Foundation. The Horace W. Goldsmith Foundation The IN:NycsM Card from American Express Programming in the BAM Harvey Theater The Mertz Gilmore Foundation is endowed by the Doris Duke Charitable Presenting sponsor for BAMcinematek: Isak and Rose Weinman Foundation • Foundation. Rockefeller Brothers Fund, Inc. STEINER Samuel!. Newhouse Foundation Inc. STUDIOS Raise the Red Lantern, Carnaval EJetronico, Harold and Mimi Steinberg Charitable Trust and Mamootot are part of Diverse Voices at Francena T. Harrison Foundation Trust Leadership support for BAMcinematek: BAM presented by: Carol and Irwin Lainoff K" Joseph S. and Diane H. Steinberg TlmeWarner New York State Assembly Brooklyn Delegation "-""CHARITABLE TRUST Rita E. and Gustave M. Hauser James Ottaway, Jr. Presenting sponsor for Tall Horse, Barbara Haws and William Josephson Lecuona & Onqot6, and CinemaSlam: Susan Baker and Michael Lynch The Jerome Robbins Foundation, Inc. BAMcate Live sponsors: Bloomberg Estate of Martha lalles (§conEdison Rose M. Badgeley Residuary Charitable Trust Leadership support for BAM The Irene Diamond Fund Mary Flagler Cary Charitable Trust French programs: The Scherman Foundation, Inc. American Express Company BAMcafe piano provided by ~ The Florence Gould Foundalioll AngloGold Ashanti Deutsche Bank Lily Auchincloss Foundation Meet The Composer, Inc. Presenting sponsor for Official hotel for the Next Wave Festival: Carnaval EJetronico: The Aaron Copland Fund for Music Henson International Festival -\\arrlott. Deutsche Bank of Puppet Theater NEW YORK AT THE IZI BROOKLYN BRIDGE Friends of BAM and BAM Cinema Club BAM 2005 Next Wave Gala sponsor: BAM Visionary Members: Yamaha is the official piano for BAM GIORGIO ARMANI William I. Campbell and Christine BAM.org sponsor: Major support for Glass' Wachter Campbell Symphonies 6 & 8: The Estate of Richard B. Fisher • RIGA The Robert W. Wilson Foundation Judith R. and Alan H. Fishman Agnes Gund and Daniel Shapiro BAM would like to thank the Brooklyn Delegation of the U.S. House of Major support for Impromptus: The Kovner Foundation Representatives, which-under the leader­ Goethe-lnstitutiGerman Cultural Center The MAT Charitable Foundation ship of BAM's district congressman, the Hon. New York Diane and Adam E. Max Major R. Owens, and in close partnership The SHS Foundaton Major support for The Winter's Tale: with the Hon. Edolphus Towns and the Hon. Kent Simons Nydia M. Velazquez-has secured major ••BRITISH COUNCIL Judy and Michael Steinhardt • • Federal appropriations for BAM's youth and community initiatives. BAM's education programs are supported by Official Airline for BAM Dance and the Fund for the Improvement of Education presenting sponsor for Impromptus: The BAM facility is owned by the City of New U.S. Department of Education, and by Award York and benefits from public funds provided No. 2005-51173-NY-JL by the Office of ~.Delta f~ through the New York City Department of Juvenile Justice and Delinquency Prevention, good goes around Cultural Affairs with support from Mayor Office of Justice Programs. Michael R. Bloomberg; the New York City Major support for BAM Dance: Council; Council Speaker Gifford Miller; Your tax dollars make BAM programs The Harkness Foundation for Dance the Brooklyn Delegation of the Council; possible through funding from: Councilwoman Letitia James; Brooklyn Major support for Act French: Borough President Marty Markowitz; and The Cultural Services of the French Cultural Affairs Commissioner Kate D. Levin. Fran~aise Embassy, AFAA (Association NATIONAL d'Action Artistique), FACE (French NYSC,!; ENDOWMENT FOR THE ARTS American Cultural Exchange), and French Ministry of Culture and Communication.

31 Cover Adlst~ _

Mary Heilmann was born in San Francisco in 1940. She received a BA from the University of California, Santa Barbara, in 1962 and a MA from the University of California, Berkeley, in 1967. Heilmann lives and works in New York. Solo museum exhibi- tions include All Tomorrow's Parties at Secession, Vienna, Austria (2003) and Mary Heilmann: A Survey at the ICA, Boston (1990); as well as numerous gallery shows including her most recent one person exhibition earlier this year, Heaven &Hell at 303 Gallery, New York. Her paintings may be seen this fall at the Museum of Cover: Mary Heilmann Contemporary Art, Cleveland, in the traveling exhibition Populence. Last Chance for Gas Study The Orange County Museum of Art and the New Museum of Con­ (detail), 2005 Oil on linen, 24" x 14" temporary Art are co-curating a traveling retrospective of her work Courtesy of the artist for 2007, which will be accompanied by a catalogue from Phaidon. and 303 Gallery Her works are included in the permanent collections of many mu­ Photo: Oren Sior For BAMart information: seums worldwide including the Whitney Museum of American Art 718.636.4101 and the Guggenheim Museum. She is represented by 303 Gallery, [email protected] New York. 17