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Slipknot Apresenta a Turnê "Prepare for Hell" Em São Paulo, Em Setembro
Slipknot apresenta a turnê "Prepare for Hell" em São Paulo, em setembro Famosos por seu som pesado e por seu figurino característico que inclui macacões e máscaras, banda anuncia show no dia 27 de setembro, na Arena Anhembi. Ingressos à venda no site da Livepass. Um dos maiores fenômenos internacionais do heavy metal, o Slipknot traz para o país a turnê “Prepare for Hell", que tem base em seu quinto e mais recente álbum de estúdio, .5: The Gray Chapter, lançado em 2014. A apresentação única em São Paulo acontece no dia 27 de setembro, na Arena Anhembi, dentro da plataforma Samsung Galaxy S6 Live Music Rocks. A banda promete um ambicioso show de rock pesado acompanhado por músicas que mostram o futuro doSlipknot, sem esquecer das raízes da banda, tudo isso em um novo palco, especialmente criado para a turnê de 2015. O grupo se apresenta ainda no Rock in Rio, no dia 25 de setembro. A apresentação de São Paulo contará com a participação especial da banda Mastodon. Apresentados por Samsung Galaxy S6 e com patrocínio da Sky e Budweiser, os shows são uma realização da Move Concerts e fazem parte da nova plataforma de música Samsung Galaxy S6 Live Music Rocks. Mais informações sobre venda de ingressos, abaixo, em “Serviço”. Famosos pelo figurino de seus shows, que inclui macacões e máscaras criados especialmente para a banda, o Slipknot promete apresentar no show de São Paulo um set list que reúne não só seus maioreshits, como “Wait and Bleed”, “Duality” e “Psychosocial”, mas também músicas do novo álbum: “The Devil in I”, “Custer” e “The Negative One”. -
Justin Bieber Featuring Slipknot
JUSTIN BIEBER FEATURING SLIPKNOT: Consumption as Mode of Production Ragnhild Brøvig-Hanssen A musical mash-up typically consists of two recognizable recordings that are synchronized such that the vocal(s) of one track are combined with an instrumental version of the other without significant edits.1 The ontological presence of a mash-up band is thus only to be found in the virtual domain––that is, the artists in question have never actually performed together. The virtual music collaborations enabled by mash-up producers invite us to encounter the musical result in ways that are very different from those we apply to non- virtual music collaborations, and, as scholars, we are therefore compelled to analyze the music in a different way as well. Moreover, mash-up music encourages us to rethink what musical authorship, creativity, and musicality means to us today. Because mash-ups often consist of nothing but macro-samples, and often simply of two full-length samples that have hardly been edited at all, mash-up producers have been criticized for lacking talent and creativity; for example, McLeod writes: “Despite my appreciation of them, I do not mean to idealise mash-ups because, as a form of creativity, they are quite limited and limiting.”2 This perspective might also help to explain why scholars usually approach the musical mash-up from a sociological or juridical orientation with a focus on its extramusical features, and, in 1 I am very grateful to Anne Danielsen, Hedda Høgåsen-Hallesby, Nils Nadeau, and Sheila Whiteley for their insightful comments on this chapter. -
Subjectivity in American Popular Metal: Contemporary Gothic, the Body, the Grotesque, and the Child
CORE Metadata, citation and similar papers at core.ac.uk Provided by Glasgow Theses Service Subjectivity In American Popular Metal: Contemporary Gothic, The Body, The Grotesque, and The Child. Sara Ann Thomas MA (Hons) Submitted in fulfilment for the Degree of Doctor of Philosophy Faculty of Arts University of Glasgow January 2009 © Sara Thomas 2009 Abstract This thesis examines the subject in Popular American Metal music and culture during the period 1994-2004, concentrating on key artists of the period: Korn, Slipknot, Marilyn Manson, Nine Inch Nails, Tura Satana and My Ruin. Starting from the premise that the subject is consistently portrayed as being at a time of crisis, the thesis draws on textual analysis as an under appreciated approach to popular music, supplemented by theories of stardom in order to examine subjectivity. The study is situated in the context of the growing area of the contemporary gothic, and produces a model of subjectivity specific to this period: the contemporary gothic subject. This model is then used throughout to explore recurrent themes and richly symbolic elements of the music and culture: the body, pain and violence, the grotesque and the monstrous, and the figure of the child, representing a usage of the contemporary gothic that has not previously been attempted. Attention is also paid throughout to the specific late capitalist American cultural context in which the work of these artists is situated, and gives attention to the contradictions inherent in a musical form which is couched in commodity culture but which is highly invested in notions of the ‘Alternative’. In the first chapter I propose the model of the contemporary gothic subject for application to the work of Popular Metal artists of the period, drawing on established theories of the contemporary gothic and Michel Foucault’s theory of confession. -
Drummer Bracket Template
First Round Second Round Sweet 16 Elite 8 Final Four Championship Final Four Elite 8 Sweet 16 Second Round First Round Peter Criss-Kiss Robert Bourbon-Linkin Park Neal Sanderson-Three Days Grace Neal Sanderson-Three Days Grace Morgan Rose-Sevendust Morgan Rose-Sevendust Matt Sorem-GNR Paul Bostaph-Slayer Clown-Slipknot Charlie Benante-Anthrax Paul Bostaph-Slayer Paul Bostaph-Slayer Morgan Rose-Sevendust Clown-Slipknot Ray Luzier-KoRn Matt McDonough-Mudvayne Neal Peart-Rush Matt Cameron-Pearl Jam Ginger Fish-Manson Ray Luzier-KoRn Winner Matt Cameron-Pearl Jam Joey Kramer-Aerosmith Matt McDonough-Mudvayne Matt McDonough-Mudvayne Neal Peart-Rush Neal Peart-Rush Chad Gracey-Live Matt McDonough-Mudvayne Vinnie Paul-Pantera Neal Peart-Rush Sam Loeffler-Chevelle Lars Ulrich-Metallica Tommy Lee-Motley Crue Shannon Larkin-Godsmack Taylor Hawkins-Foo Roy Mayogra-Stone Sour Lars Ulrich-Metallica Taylor Hawkins-Foo Fighters Ben Anderson-Nothing More Jay Weinberg-Slipknot Jay Weinberg-Slipknot Ron Welty-Offspring Ron Welty-Offspring Alex Shelnett-ADTR Jay Weinberg-Slipknot Taylor Hawkins-Foo Fighters Butch Vig-Garbage Vinnie Paul-Pantera Tre Cool-Green Day Tommy Lee-Motley Crue Shannon Larkin-Godsmack Eric Carr-Kiss John Alfredsson-Avatar Tre Cool-Green Day Neal Peart-Rush Robb Rivera-Nonpoint Robb Rivera-Nonpoint Bill Ward-Black Sabbath Tommy Lee-Motley Crue Shannon Larkin-Godsmack Shannon Larkin-Godsmack Tommy Lee-Motley Crue Chris Adler-Lamb of God Tommy Lee-Motley Crue Neal Peart-Rush Vinnie Paul-Pantera Joey Jordison-Slipknot Sean Kinney-Alice -
Radio Essentials 2012
Artist Song Series Issue Track 44 When Your Heart Stops BeatingHitz Radio Issue 81 14 112 Dance With Me Hitz Radio Issue 19 12 112 Peaches & Cream Hitz Radio Issue 13 11 311 Don't Tread On Me Hitz Radio Issue 64 8 311 Love Song Hitz Radio Issue 48 5 - Happy Birthday To You Radio Essential IssueSeries 40 Disc 40 21 - Wedding Processional Radio Essential IssueSeries 40 Disc 40 22 - Wedding Recessional Radio Essential IssueSeries 40 Disc 40 23 10 Years Beautiful Hitz Radio Issue 99 6 10 Years Burnout Modern Rock RadioJul-18 10 10 Years Wasteland Hitz Radio Issue 68 4 10,000 Maniacs Because The Night Radio Essential IssueSeries 44 Disc 44 4 1975, The Chocolate Modern Rock RadioDec-13 12 1975, The Girls Mainstream RadioNov-14 8 1975, The Give Yourself A Try Modern Rock RadioSep-18 20 1975, The Love It If We Made It Modern Rock RadioJan-19 16 1975, The Love Me Modern Rock RadioJan-16 10 1975, The Sex Modern Rock RadioMar-14 18 1975, The Somebody Else Modern Rock RadioOct-16 21 1975, The The City Modern Rock RadioFeb-14 12 1975, The The Sound Modern Rock RadioJun-16 10 2 Pac Feat. Dr. Dre California Love Radio Essential IssueSeries 22 Disc 22 4 2 Pistols She Got It Hitz Radio Issue 96 16 2 Unlimited Get Ready For This Radio Essential IssueSeries 23 Disc 23 3 2 Unlimited Twilight Zone Radio Essential IssueSeries 22 Disc 22 16 21 Savage Feat. J. Cole a lot Mainstream RadioMay-19 11 3 Deep Can't Get Over You Hitz Radio Issue 16 6 3 Doors Down Away From The Sun Hitz Radio Issue 46 6 3 Doors Down Be Like That Hitz Radio Issue 16 2 3 Doors Down Behind Those Eyes Hitz Radio Issue 62 16 3 Doors Down Duck And Run Hitz Radio Issue 12 15 3 Doors Down Here Without You Hitz Radio Issue 41 14 3 Doors Down In The Dark Modern Rock RadioMar-16 10 3 Doors Down It's Not My Time Hitz Radio Issue 95 3 3 Doors Down Kryptonite Hitz Radio Issue 3 9 3 Doors Down Let Me Go Hitz Radio Issue 57 15 3 Doors Down One Light Modern Rock RadioJan-13 6 3 Doors Down When I'm Gone Hitz Radio Issue 31 2 3 Doors Down Feat. -
Eyez on Me 2PAC – Changes 2PAC - Dear Mama 2PAC - I Ain't Mad at Cha 2PAC Feat
2 UNLIMITED- No Limit 2PAC - All Eyez On Me 2PAC – Changes 2PAC - Dear Mama 2PAC - I Ain't Mad At Cha 2PAC Feat. Dr DRE & ROGER TROUTMAN - California Love 311 - Amber 311 - Beautiful Disaster 311 - Down 3 DOORS DOWN - Away From The Sun 3 DOORS DOWN – Be Like That 3 DOORS DOWN - Behind Those Eyes 3 DOORS DOWN - Dangerous Game 3 DOORS DOWN – Duck An Run 3 DOORS DOWN – Here By Me 3 DOORS DOWN - Here Without You 3 DOORS DOWN - Kryptonite 3 DOORS DOWN - Landing In London 3 DOORS DOWN – Let Me Go 3 DOORS DOWN - Live For Today 3 DOORS DOWN – Loser 3 DOORS DOWN – So I Need You 3 DOORS DOWN – The Better Life 3 DOORS DOWN – The Road I'm On 3 DOORS DOWN - When I'm Gone 4 NON BLONDES - Spaceman 4 NON BLONDES - What's Up 4 NON BLONDES - What's Up ( Acoustative Version ) 4 THE CAUSE - Ain't No Sunshine 4 THE CAUSE - Stand By Me 5 SECONDS OF SUMMER - Amnesia 5 SECONDS OF SUMMER - Don't Stop 5 SECONDS OF SUMMER – Good Girls 5 SECONDS OF SUMMER - Jet Black Heart 5 SECONDS OF SUMMER – Lie To Me 5 SECONDS OF SUMMER - She Looks So Perfect 5 SECONDS OF SUMMER - Teeth 5 SECONDS OF SUMMER - What I Like About You 5 SECONDS OF SUMMER - Youngblood 10CC - Donna 10CC - Dreadlock Holiday 10CC - I'm Mandy ( Fly Me ) 10CC - I'm Mandy Fly Me 10CC - I'm Not In Love 10CC - Life Is A Minestrone 10CC - Rubber Bullets 10CC - The Things We Do For Love 10CC - The Wall Street Shuffle 30 SECONDS TO MARS - Closer To The Edge 30 SECONDS TO MARS - From Yesterday 30 SECONDS TO MARS - Kings and Queens 30 SECONDS TO MARS - Teeth 30 SECONDS TO MARS - The Kill (Bury Me) 30 SECONDS TO MARS - Up In The Air 30 SECONDS TO MARS - Walk On Water 50 CENT - Candy Shop 50 CENT - Disco Inferno 50 CENT - In Da Club 50 CENT - Just A Lil' Bit 50 CENT - Wanksta 50 CENT Feat. -
Download Day of the Gusano Mp4 SLIPKNOT "Day of the Gusano" 01
download day of the gusano mp4 SLIPKNOT "Day Of The Gusano" 01. Sarcastrophe 02. Eeyore 03. Custer 04. (sic) 05. Me Inside 06. Psychosocial 07. Duality 08. Before I Forget 09. The Devil In I 10. Vermillion 11. Prosthetics 12. Metabolic / 742617000027 13. Spit It Out 14. The Heretic Anthem 15. Wait And Bleed 16. Surfacing / Til We Die. RATING: 7/10. It takes mucho cojones—18 of them, apparently—to stage a giant, carnival-like festival for your first live appearance in a foreign country, and that's exactly what SLIPKNOT did in December of 2015 when they held the seventh Knotfest in Toluca, Mexico (about an hour's drive west of Mexico City). The band's performance was captured on the just-released "Day Of The Gusano" , but instead of being advertised as a live DVD or concert film, "Gusano" (Spanish for "maggot", a word long ago appropriated by the band to describe its fans) has been described as a "documentary". Don't be misled, however, for around four-fifths of its 90-minute running time, "Gusano" , which was screened in select theaters around the world, shows SLIPKNOT performing a 16-song set before an enormous, passionate crowd. (For reasons unknown, the DVD and Blu-ray editions rearrange the track listing from the audio-only release. That version showcases the group's complete 17-song set in the same order in which it was performed, and omits "People = Shit" .) The remaining quarter-hour or so primarily features snippets of interviews with unmasked band members and a handful of unidentified Mexican fans, with both camps attempting to portray the group's arrival in town as a Really. -
Dave Sherratt - Poems
Poetry Series dave sherratt - poems - Publication Date: 2008 Publisher: Poemhunter.com - The World's Poetry Archive dave sherratt(29 june 1965) caring cancerian. i love the english language, finding new words etc. the gothic style also fascinates me. some poetry is from passed experiences. bad relationship, friends passing away, suicide attempt in known as shaggy, very long story. i'm influenced by Freddie Mercury-Queen, Corey Taylor-Slipknot, Danii Filth- Cradle of Filth and Jonathan Davies-Korn. i enjoy reading others. down to earth kind of guy. easy ligently crazy! ! 42yrs old trapped in a teenage mind. dream is to be in a moshpit, when i'm 65, at slipknot gig. think i'm in touch with the many sides of me. dark, romantic, humorous and subliminal! ! www.PoemHunter.com - The World's Poetry Archive 1 A Piece Missing? Why can't I cry? Feeling alone and down satiated pain and a black cloud shroud Breathing is a chore Smiling is fake Cheerful is just an 8 letter word And tears, I want to make Someone send me a smile First class, delivered tonight Erase me and draw me out again in colour, not black and white But i know that isn't possible And I know why i want to let this hurting out But i cannot cry? dave sherratt www.PoemHunter.com - The World's Poetry Archive 2 All Fall Down? acquainted in life or adversary in disguise? communication failure what happened to wise? goodwill gone astray fallen out of grace so we run, so far away so automatic so out of my league have i become another pirate in another treasure chest siege? it's an enigma -
Slipknot – Iowa (2001)
Slipknot – Iowa (2001) Album named after the band's home state of Iowa Bio of the band: Slipknot is a heavy-metal band consisting of nine members, all of whom are male, who became popular because of its extreme music and dramatic stage performances. This group was first formed in the late 1995 in the unlikely locale of Des Moines, IA. It had 3 percussionists, 2 guitarists, 1 bassist, a DJ, a sampler and a lead singer. Aside from their real names, members of the band are also referred to by numbers 0 through 8 and each of them also wears a mask, which they said is part of their personality, like an extension of their body. To explain that, all the group members believe that wearing the masks shows more of what they are like inside and what the music does to them inside. Members include: #1 Joey Jordon- drums (1995-2013) # 2 Paul Gray- bass (1995-2010) #3 Chris Fehn- percussion (1998– present) #4 Jim Root – guitar (1999 – present) #5 Craig Jones - samples (1996 – present) #6 Shawn Crahan -percussion (1995 – present) #7 Mick Thompson -guitar (1996 – present) #8 Corey Taylor - vocals (1997 – present) #9 Sid Wilson - DJ (1998 – present) Iowa Biography: The state of Iowa is probably best known as "the middle of nowhere." Most non-residents consider it the corn-and-pig-state, a geographical black hole. After a couple years of relentless touring in support of their self-titled breakthrough album, Slipknot regrouped to record Iowa, an ode to their home state that consolidates and punctuates everything that had garnered the band its cultish following. -
Emko Brezen2016.Pdf
Eko Grafika: Březe Sára Wranová a Petra Adamčíková SLOVO REDAKCE Milí čtenáįi, Máme pro Vás nové číslo Emka- tentokrát mezinárodní. Nejenže píšeme o zajímavých pįednáškách, na kterých naše redakce byla, ale také zveįejňujeme články v anglickém jazyce od ostatních studentů. Tímto Vám chci pįipomenout, že pįijímáme jakékoli zajímavé články (v jakémkoli jazyce) na emailu [email protected], takže se nám nebojte napsat. OBSAH Cesta Bolíií TOP SECRET Dějiy reklay Eita Warrat Neer judge a ook y its oer What I at to e Whe the pupki gre Oe upo a ie So step iside, see the deil i I! Aythig ould happe Gaes Udíleí Osarů Studijí poyt Katalásku Oteřeé oko Zea a jeho kalašiko Koerty , 2 Eko CESTA BOLÍVIÍ V týdnů jazyků měla naše tįída pįednášku o Bolívii. Pįednášela nám cestovatelka, která tuhle oblast Jížní Ameriky procestovala s manželem. Povídání bylo zajímavé. Vyprávěla nám o indiánech v Bolívii, o jejich strachu fotit se, o útrapách s autem v poušti i o problémech s nadmoįskou výškou. Celou pįednášku doplnila o ukázky oblečení z Bolívie, sošek vyrobených indiány a pár suvenýrů. Pįednáška byla velice poutavá a doufám, že v pįístím týdnu jazyků se objeví podobné pįednášky. Petra Adamčíková, tercie A, TOP SECRET Během týdne jazyků jsme měli možnost seznámit se s projektem TOP SECRET který se dostal do Česka díky Goethe institutu. Za celým nápadem stojí Němec Simon Menner, který strávil dlouhé hodiny v archivu, kde postupně prošel téměį 40 tisíc fotografií východoněmecké tajné policie Stasi, které nebyly včas pįed pįevratem zničeny. Fotografie, které jsme viděli, byly různorodé - momentky poįízené během prohlídek bytů, manuál maskování tajného agenta nebo i tajné signály kterými se agenti mezi sebou domlouvali. -
Slipknot All Hope Is Gone Mp3, Flac, Wma
Slipknot All Hope Is Gone mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Rock Album: All Hope Is Gone Country: USA & Canada Released: 2008 Style: Nu Metal, Heavy Metal MP3 version RAR size: 1308 mb FLAC version RAR size: 1825 mb WMA version RAR size: 1151 mb Rating: 4.1 Votes: 501 Other Formats: VQF ADX DXD AUD AAC AA FLAC Tracklist Hide Credits CD-1 .Execute. 1:49 CD-2 Gematria (The Killing Name) 6:02 CD-3 Sulfur 4:38 CD-4 Psychosocial 4:44 CD-5 Dead Memories 4:29 CD-6 Vendetta 5:16 CD-7 Butcher's Hook 4:15 CD-8 Gehenna 6:53 CD-9 This Cold Black 4:40 CD-10 Wherein Lies Continue 5:37 CD-11 Snuff 4:36 CD-12 All Hope Is Gone 4:48 Bonus Tracks CD-13 Child Of Burning Time 5:10 Vermilion Pt. 2 (Bloodstone Mix) CD-14 3:40 Producer – Rick RubinRemix, Producer [Additional] – Chris Vrenna, Clint Walsh 'Til We Die CD-15 5:46 Producer – SlipknotProducer, Mixed By – Matt Sepanic Bonus DVD DVD-1 Nine: The Making Of All Hope Is Gone 34:13 Companies, etc. Phonographic Copyright (p) – The All Blacks U.S.A., Inc. Copyright (c) – The All Blacks U.S.A., Inc. Licensed To – Roadrunner Records Licensed Through – The All Blacks U.S.A., Inc. Manufactured By – Universal Music Canada Inc. Distributed By – Universal Music Canada Inc. Recorded At – Sound Farm Studio & Recording Environment Mixed At – Miloco Studios Mastered At – Sterling Sound Made By – Cinram Credits Directed By [DVD], Art Direction – M. -
Suicide, Self-Harm and Survival Strategies in Contemporary Heavy Metal Music: a Cultural and Literary Analysis
J Med Humanit DOI 10.1007/s10912-014-9274-8 Suicide, Self-Harm and Survival Strategies in Contemporary Heavy Metal Music: A Cultural and Literary Analysis Charley Baker & Brian Brown # Springer Science+Business Media New York 2014 Abstract This paper seeks to think creatively about the body of research which claims there is a link between heavy metal music and adolescent alienation, self-destructive behaviours, self- harm and suicide. Such research has been criticised, often by people who belong to heavy metal subcultures, as systematically neglecting to explore, in a meaningful manner, the psychosocial benefits for individuals who both listen to contemporary heavy metal music and socialize in associated groups. We argue that notions of survival, strength, community, and rebellion are key themes in contemporary heavy metal music. Through literary-lyrical analysis of a selection of heavy metal tracks, this paper aims to redress the balance of risk and benefit. We argue that listening to this type of music, the accompanying social relationships, sense of solidarity and even the type of dancing can ameliorate tumultuous and difficult emotions. Songs which could be read as negative can induce feelings of relief through the sense that someone else has felt a particular way and recovered enough to transform these emotions into a creative outlet. This genre of music may therefore not increase the risk of untoward outcomes in any simple sense but rather represent a valuable resource for young people in difficulty. Keywords Self-harm . Suicide . Heavy metal music . Subcultures . Adolescence . Alienation This paper sets out to address the oft-cited relationship between heavy metal music and adolescent self-harm.