Waltzing Matilda AB (Banjo)
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(Billy) Mclean
Illawarra Unity - Journal of the Illawarra Branch of the Australian Society for the Study of Labour History Volume 4 Issue 1 Illawarra Unity Article 4 June 2004 The Shooting of William (Billy) McLean Dennis O'Keeffe Follow this and additional works at: https://ro.uow.edu.au/unity Recommended Citation O'Keeffe, Dennis, The Shooting of William (Billy) McLean, Illawarra Unity - Journal of the Illawarra Branch of the Australian Society for the Study of Labour History, 4(1), 2004, 64-78. Available at:https://ro.uow.edu.au/unity/vol4/iss1/4 Research Online is the open access institutional repository for the University of Wollongong. For further information contact the UOW Library: [email protected] The Shooting of William (Billy) McLean Abstract Billy McLean was born in 1869 and lived at Koroit in Western Victoria. He was cut down in the prime of his life, while defending his union mates during the Shearers Strike of 1894. Keywords trade unions, shearers, strikes This journal article is available in Illawarra Unity - Journal of the Illawarra Branch of the Australian Society for the Study of Labour History: https://ro.uow.edu.au/unity/vol4/iss1/4 Illawarra Unity Illawarra Unity The Shooting of William (Billy) McLean Dennis O’Keeffe [Note: Except where otherwise indicated all the songs and verse indicated by italics are from songs on Billy Mclean and the Rodney by Dennis O’Keefe and produced in his CD Waltzing Matilda]. They might fool you, but they’ll never fool me, A hero he died, and a hero he will be, Few men will walk where he’s gone, The Union wrote music, young Billy sang the song. -
Public Place Names (Lawson) Determination 2013 (No 1)
Australian Capital Territory Public Place Names (Lawson) Determination 2013 (No 1) Disallowable instrument DI2013-228 made under the Public Place Names Act 1989 — section 3 (Minister to determine names) I DETERMINE the names of the public places that are Territory land as specified in the attached schedule and as indicated on the associated plan. Ben Ponton Delegate of the Minister 04 September 2013 Page 1 of 7 Public Place Names (Lawson) Determination 2013 (No 1) Authorised by the ACT Parliamentary Counsel—also accessible at www.legislation.act.gov.au SCHEDULE Public Place Names (Lawson) Determination 2013 (No 1) Division of Lawson: Henry Lawson’s Australia NAME ORIGIN SIGNIFICANCE Bellbird Loop Crested Bellbird ‘Bellbird’ is a name given in Australia to two endemic (Oreoica gutturalis) species of birds, the Crested Bellbird and the Bell-Miner. The distinctive call of the birds suggests Bell- Miner the chiming of a bell. Henry Kendall’s poem Bell Birds (Manorina was first published in Leaves from Australian Forests in melanophrys) 1869: And, softer than slumber, and sweeter than singing, The notes of the bell-birds are running and ringing. The silver-voiced bell-birds, the darlings of day-time! They sing in September their songs of the May-time; Billabong Street Word A ‘billabong’ is a pool or lagoon left behind in a river or in a branch of a river when the water flow ceases. The Billabong word is believed to have derived from the Indigenous Wiradjuri language from south-western New South Wales. The word occurs frequently in Australian folk songs, ballads, poetry and fiction. -
Whatever Season Reigns
Whatever Season Reigns... Reflection Statement 24 Whatever Season Reigns... 25 In primary school I discovered “Land of the Rainbow Gold”, a collection of Classic Australian Bush Poetry compiled by Mildred M Fowler. As a child growing up in the homogenised landscape of suburban Australia I was captured by the romantic notion of Australia’s bush heritage. It was a national identity seeded in our rural beginnings; and much like Banjo Patterson wistful musings I always rather fancied I’d like to “change with Clancy, like to take a turn at droving where the seasons come and go”1; Many seasons later I returned to these poems for inspiration for my major work “Whatever Season Reigns...”2 On revisiting the works of writers such as Paterson and Lawson I was struck with how little I actually shared with these voices that were deemed to have forged Australia’s “literary legend” and our national identity3. The Australian narrative was one shaped by male experiences. There was no room for women. Only the token “drovers wife”4 or “army lass”5 proved anomalous to the trend but were not afforded the same complexity as their male counterparts. According to Kijas “Despite their invisibility in much nationalist and historical narrative, women in their diversity have been active historical protagonists across outback landscapes.” 6My work, appropriating the short 1 Paterson, AB. “Clancy of The Overflow.” Land Of The Rainbow Gold. Ed. Fowler, Mildred M. Melbourne: Thomas Nelson, 1967. Print. 2 Moore, JS. (1864) Spring Life - Lyrics. Sydney: Reading and Wellbank. 3 Simon, C. (2014). Banjo Paterson: is he still the bard of the bush?. -
Henry Lawson and the Salvation Army – Stuart Devenish
Vol. 2 No. 1 (November 2009) Henry Lawson and the Salvation Army – Stuart Devenish. On February 19, 2009 Salvation Army Major Bob Broadbere (retired) presented a lecture entitled 'Henry Lawson and his place in Salvation Army History' to an audience of approximately 70 people, mainly Salvation Army officers and soldiers at the Salvation Army’s Booth College campus at Bexley North, Sydney. The connection between Lawson and the Salvation Army has held an enduring fascination for Broadbere who has amassed a comprehensive personal library on Henry Lawson and his association with the Salvation Army. Having corresponded with the late Prof. Colin Roderick (editor of the 3 volume Henry Lawson, Collected Verse, A & R, Sydney, 1966-8) Broadbere is something of a specialist in the field. His interest in Henry Lawson sprang to life when Broadbere himself lived and worked in the St Leonards-North Sydney areas where Lawson had lived. Permission was obtained from Major Bob Broadbere to reproduce here some of his research as presented in his lecture. The ‘Army’ in Lawson’s Poetry The connection between Henry Lawson and the Salvation Army remains largely unknown in any of the contexts relevant to it, e.g., the Salvation Army, the Christian community, or the wider Australian population. In part this is because writers such as Banjo Paterson and Henry Lawson are not so well known nor so carefully read as they once were. Our understanding of the connection between Lawson and the Salvation Army is not helped by the oblique nature of Lawson’s writing about the Army. According to private correspondence between Roderick and Broadbere, Lawson never threw himself on the mercies of the Army despite his alcoholism and illness later in life. -
Saltbush Bill, J.P. and Other Verses
Saltbush Bill, J.P. and Other Verses Paterson, Andrew Barton (1864-1941) University of Sydney Library Sydney 1997 http://setis.library.usyd.edu.au/ozlit © Copyright for this electronic version of the text belongs to the University of Sydney Library. The texts and Images are not to be used for commercial purposes without permission Source Text: Prepared against the print edition published by Angus and Robertson Sydney, 1917 Scanned text file available at Project Gutenberg, prepared by Alan R.Light. Table of Contents and Index of First Lines not included in the electronic file. Encoding of the text file at was prepared against pocket print version of 1917, including page references and other features of that work. First Published: 1917 821.89 Australian Etexts poetry 1910-1939 verse Saltbush Bill, J.P. and Other Verses Sydney Angus and Robertson 1917 Note Major A. B. Paterson has been on active service in Egypt for the past eighteen months. The publishers feel it incumbent on them to say that only a few of the pieces in this volume have been seen by him in proof; and that he is not responsible for the selection, the arrangement or the title of “Saltbush Bill, J.P., and Other Verses”. Many of the verses appeared originally in the Sydney “Bulletin”, “Town and Country Journal”, and “The Lone Hand”; others in the “Sydney Mail”, “Evening News” and “Pastoral Review”, to the editors of which thanks are due for permission to reprint. Saltbush Bill, J.P., and Other Verses Song of the Pen Not for the love of women toil we, we of the craft, Not for the people's praise; Only because our goddess made us her own and laughed, Claiming us all our days, Claiming our best endeavour — body and heart and brain Given with no reserve — Niggard is she towards us, granting us little gain; Still, we are proud to serve. -
Lesson 1. Introduction to Australia Purpose: to Introduce Students To
Lesson 1. Introduction to Australia Purpose: To introduce students to the continent of Australia. Standards: Goal 2, Standard 2 -To use English to achieve academically in all content areas: Students will use English to obtain, process, construct, and provide subject matter information in spoken and written form. Materials: - items to be put into a travel trunk [a billy (teapot), tea bags, cups, biscuits (crackers), pictures of Australian animals, etc…] - teapot and water - map or globe - construction paper - markers - musical cassette and/or video: Children’s Songs From Around The World (available at local libraries or department stores like Target) Procedures: 1. Before the lesson begins: a. Place the Australian items into the trunk. b. Make tickets to Australia out of construction paper (one for each student). Put a picture of a koala bear on each ticket and write students’ names on them. c. Place a large picture of a koala bear (or other pictures native to Australia) on the trunk. 2. Have students gather around the trunk. Let them guess where their destination might be. Pass out the tickets. 3. Explain that on this adventure, everyone will be a naturalist, (people who are interested in plants and animals around them). 4. Ask what children might know about Australia and record the information (KWL chart). 1 5. Find Australia on a map or globe. a. Identify Australia as a continent b. Look at all the different landscapes (mountains, valleys, rivers). c. Discuss and describe the terms: city, bush, outback, Great Barrier Reef. 6. Examine the trunk. a. Display animal pictures. b. -
Personal Care Attendant | Winton Shire Council 1
Winton Shire Council LEGENDARY SAFE SCENIC Applications will Remain Open until the Position is Filled. INFORMATION PACKAGE Personal Care Attendant | Winton Shire Council 1 Winton Shire Council Contents SHIRE PROFILE ..................................................................................................................................................................................... 3 About Winton Shire Council ......................................................................................................................................................... 3 Towns of the Winton Shire ............................................................................................................................................................ 4 Winton .......................................................................................................................................................................................... 4 Opalton ....................................................................................................................................................................................... 4 Corfield ........................................................................................................................................................................................ 4 Middleton .................................................................................................................................................................................... 4 THE COUNCIL ORGANISATION -
Extension Activities for Australia Day and Waltzing Matilda
Extension Activities for Australia Day and Waltzing Matilda For use with the Australia Day/Waltzing Matilda lesson found in the January/February 2009 issue of Music Express (Volume 9, No. 4) SCIENCE CONNECTIONS Didgeridoo and Acoustics. Make a didgeridoo or experiment with Boomwhackers. If desired, plan a day for the class to make an elementary didgeridoo. Visit the website www.didjshop.com to see how an authentic didgeridoo is made. You can also experiment with Boomwhackers and other large tubular items to attempt to imitate the didgeridoo sound. The children may enjoy hearing and seeing some of the experimental instruments made by “PDQ Bach.” Of course, nothing substitutes for the real thing, but it can be fun trying! Explore the effect of length and diameter on pitch and the effect of material on timbre by making elementary didgeridoos using tubes of various lengths, widths and materials. Older students may enjoy the section on didgeridoo physics. Marsupials and Biology. Ask students what makes an animal a marsupial? (One distinctive feature is the pouch in which they carry their young.) Find pictures and information on various kinds of marsupials, such as the koala and kangaroo. Coordinate this lesson with a field trip to the zoo, if possible. Billabongs, Geography and Bernoulli’s Principle. Explore how oxbow lakes are created in nature. Simulate the actions of water current on soil in a bend by setting up a miniature example in the classroom using a bowl, water and sand. Find oxbow lakes around the world. Locate on the globe or world map the countries where these oxbow lakes are found. -
Old Bush Songs Composed and Sung in the Bushranging, Digging and Overlanding Days
Old Bush Songs Composed and Sung in the Bushranging, Digging and Overlanding Days Edited by Paterson, Andrew Barton (1864-1941) A digital text sponsored by University of Sydney Library Sydney 1999 http://setis.library.usyd.edu.au/ © 1999 University of Sydney Library. The texts and images are not to be used for commercial purposes without permission. Source Text: Prepared against the print edition published by Angus and Robertson, Sydney 1905 All quotation marks retained as data All unambiguous end-of-line hyphens have been removed, and the trailing part of a word has been joined to the preceding line. First Published: 1905 821.08 Australian Etexts poetry verse 1890-1909 The Old Bush Songs Composed and Sung in the Bushranging, Digging and Overlanding Days Edited by A.B. Paterson Sydney Angus and Robertson 1905 Preface The object of the present publication is to gather together all the old bush songs that are worth remembering. Apart from other considerations, there are many Australians who will be reminded by these songs of the life of the shearing sheds, the roar of the diggings townships, and the campfires of the overlanders. The diggings are all deep sinking now, the shearing is done by contract, and the cattle are sent by rail to market, while newspapers travel all over Australia; so there will be no more bush ballads composed and sung, as these were composed and sung, as records of the early days of the nation. In their very roughness, in their absolute lack of any mention of home ties or of the domestic affections, they proclaim their genuineness. -
Waltzing Matilda: Reading the Myths
Australian Folklore 24, 2009 39 Waltzing Matilda: Reading the Myths Diannah Johnston ABSTRACT: This paper discusses: the ‘myths’ surrounding the words for and the production of Waltzing Matilda; ideas from the late Russel Ward about the tune; these being perpetuated by coinage/ bank-note images, the Australian Stockman’s Hall of Fame, etc. Essentially the process of ‘elevation’ of the piece contains a sequence of steps obliterating a truer history of the Waltzing Matilda tune, and of its seminal place in the evolution of Australian culture. * Only after a culture has grown to maturity is there any question as to the ‘truth’ embodied in its myths (Danesi and Perron, Analysing Cultures, 1999, p. 248). Most of our national myths constructed in the 1890s produced a masculinised character and identity of/ for Australianness. This paper seeks to decode the myths surrounding Waltzing Matilda in order to demonstrate how Christina Macpherson’s fate is to a degree symbolic of a larger silencing of women in Australia’s cultural history. Texts containing mythic material may be analysed to show how codes/ their messages are transformed, produced and shared to promulgate national culture and identity. An unravelling/ deconstruction of the mythology surrounding Waltzing Matilda reveals how a masculinised reality is privileged/ foregrounded and a feminised reality is (largely) suppressed within the specific contexts. This essay will examine how masculine bush myths pervade Australian culture and how women are obscured in/ erased from them by examining the evidence in specific historical events and texts. Roland Barthes claimed myth to be a ‘type of speech chosen by history’ and that, for myth to evolve, it ‘can only have an historical foundation’ (Mythologies (1993), p. -
AUSTRALIAN BUSH SONGS Newport Convention Bush Band Songbook
AUSTRALIAN BUSH SONGS Newport Convention Bush Band Songbook Friday, 11 July 2003 Song 1 All for Me GrOG...........................................................................................................................................................................2 SONG 2 Billy of tea.................................................................................................................................................................................. 3 Song 3 BLACK VELVET BAND............................................................................................................................................................ 4 Song 4 BOTANTY BAY.......................................................................................................................................................................... 5 Song 5 Click Go the Shears.......................................................................................................................................................................7 Song 6 Dennis O'Reilly............................................................................................................................................................................. 8 Song 7 Drovers Dream..............................................................................................................................................................................9 Song 8 Dying Stockman..........................................................................................................................................................................10 -
Waltzing Matilda
Factsheet 12 – Why is a song about a sheep thief so popular? Quirky fact : ‘Waltzing Matilda’ is widely considered the unofficial anthem of Australia, despite being overlooked by the public as its Australian Curriculum Links choice for a national Year Subject Curriculum Links anthem in the 1974 5 History ACHHK097 6 History ACHHK116 and 1977 Referenda. 8 Geography ACHGK049 Background Information The song ‘Waltzing Matilda’ embodies the Australian spirit and has played a significant part in defining the Australian character. Written by A.B. ‘Banjo’ Paterson in January 1895, the words were inspired when he was staying with the Macpherson family on Dagworth Station, north-west of Winton. Christina Macpherson is thought to have written the tune, adapting the Scottish march, ‘Thou Bonnie Wood of Craigielea’, to accompany the words. The phrase Waltzing Matilda is believed to have originated from German immigrants. Waltzing (auf der walz) meant ‘to go on the tramp’. In those days, apprentices would travel throughout Germany and to other European countries to gain experience in their trade, finding work with master craftsman and sleeping wherever they could. The word Matilda is from Teutonic origin meaning Mighty Battle Maiden – the name given to the women that followed the soldiers in the thirty year European war. The Matildas were like de-facto wives that kept their soldiers warm at night. The soldiers soon came to nickname their grey army coats Matildas and then, much later in Australia, Matilda was adopted as the name for a swag or blanket that was usually carried over the shoulder. Hence, Waltzing Matilda means to go walkabout looking for a job with your tools of trade and the things that keep you warm at night.