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Annual Report 2015 ANNUAL REPORT 2015 Table of Contents
THE ROYAL OAK FOUNDATION Annual Report 2015 ANNUAL REPORT 2015 Table of Contents Letter from the Chairman and the Executive Director 2 EXPERIENCE & LEARN Membership 3 Heritage Circle UK Study Day 4 Programs and Lectures 5 Scholarships 6 SUPPORT Grants to National Trust Properties 7-8 Financial Summary 9-10 2015 National Trust Appeal 11 2015 National Trust Appeal Donors 12-13 Royal Oak Foundation Annual Donors 14-16 Legacy Circle 17 Timeless Design Gala Benefit 18 Members 19-20 BOARD OF DIRECTORS & STAFF 22 Our Mission The Royal Oak Foundation inspires Americans to learn about, experience and support places of great historic and natural significance in the United Kingdom in partnership with the National Trust of England, Wales and Northern Ireland. royal-oak.org ANNUAL REPORT 2015 2 THE ROYAL OAK FOUNDATION Americans in Alliance with the National Trust of England, Wales and Northern Ireland September 2016 Dear Royal Oak Community: On behalf of the Royal Oak Board of Directors and staff, we express our continued gratitude to you, our loyal community of members, donors and friends, who help sustain the Foundation’s mission to support the National Trust of England, Wales and Northern Ireland. Together, we preserve British history and landscapes and encourage experiences that teach and inspire. It is with pleasure that we present to you the 2015 Annual Report and share highlights from a very full and busy year. We marked our 42nd year as an American affiliate of the National Trust in 2015. Having embarked on a number of changes – from new office space and staff to new programmatic initiatives, we have stayed true to our mission to inspire Americans to learn about, experience, and support places of great historic and natural significance in the UK. -
Kerry Stratton – Biography
Conductor Jack Price Managing Director 1 (310) 254-7149 Skype: pricerubin [email protected] Rebecca Petersen Executive Administrator 1 (916) 539-0266 Skype: rebeccajoylove [email protected] Olivia Stanford Marketing Operations Manager [email protected] Contents: Karrah O’Daniel-Cambry Biography Opera and Marketing Manager [email protected] Press Francaix Reviews Mailing Address: Recordings 1000 South Denver Avenue Repertoire Suite 2104 Video Links Tulsa, OK 74119 Photo Gallery Website: http://www.pricerubin.com Complete artist information including video, audio and interviews are available at www.pricerubin.com Kerry Stratton – Biography Kerry Stratton is the Conductor and Music Director of the Toronto Concert Orchestra. He also serves as Conductor for a varied schedule of performances and recordings with a long list of European and international orchestras. In Toronto, he hosts a classical music radio show as a means to expand exposure, and is a very capable speaker as well. Stratton enjoys meeting and working with board members and donors. He has pursued a modern, successful vision in his career. Stratton’s objectives include having his orchestras perform in many venues, many styles, and many configurations while presenting a repertoire that addresses the maximum number of constituencies. It is his belief that musical excellence can be found from the concert stage to the dance floor, and significant experience shows that this philosophy works. Orchestras Conducted • Jerusalem Symphony Orchestra • The Czech Philharmonic • Vienna -
Evolución Estilística De La Obra De Leonardo Balada
DEPARTAMENTO DE COMUNICACIÓN AUDIOVISUAL, DOCUMENTACIÓN E HISTORIA DEL ARTE PROGRAMA DE DOCTORADO EN MÚSICA EVOLUCIÓN ESTILÍSTICA DE LA OBRA DE LEONARDO BALADA. TESIS DOCTORAL Presentada por Idoia Uribarri Berrojalbiz Dirigida por el Dr. Jorge Sastre Martínez Valencia, Mayo de 2017. A mis aitas i ii ÍNDICE Agradecimientos ................................................................................................. v Resumen / Abstract / Resum .............................................................. vii, viii y ix 1. INTRODUCCIÓN. 1.1 Justificación y objetivos .................................................................... 1 1.2 Generalidades y particularidades ....................................................... 6 1.3 Metodología ...................................................................................... 9 2. LEONARDO BALADA Y SU TIEMPO. 2.1 Biografía .......................................................................................... 13 2.2 Contexto artístico ............................................................................ 36 3. PERIODOS ESTILÍSTICOS. 3.1 Primer periodo. 3.1.1 Características del periodo ............................................... 49 3.1.2 Introducción a Concert for Cello and 9 players .............. 52 3.1.3 Análisis ............................................................................. 55 3.1.4 Conclusiones ..................................................................... 97 3.2 Segundo periodo. 3.2.1 Características del periodo ............................................ -
Bitstream 11805.Pdf
MУЗИКОЛОГИЈА Часопис Музиколошког института САНУ MUSICOLOGY Journal of the Institute of Musicology SASA I (20) 2016 Музиколошки институт Institute of Musicology Српске академије наука и уметности Serbian Academy of Sciences and Arts UDK 78(05) ISSN 1450-9814 MUSICOLOGY Journal of the Institute of Musicology SASA I (20) Еditorial council Dejan Despić, Jim Samson (London), Albert van der Schoot (Amsterdam), Jarmila Gabrielová (Prague) Editorial board Aleksandar Vasić, Danka Lajić Mihajlović, Biljana Milanović, Melita Milin, Vesna Peno, Katarina Tomašević Editor-in-chief Jelena Jovanović Editor of the Main Theme Ivana Medić Еditorial assistant Jelena Janković-Beguš Belgrade 2016 UDK 78(05) ISSN 1450-9814 МУЗИКОЛОГИЈА Часопис Музиколошког института САНУ I (20) Уређивачки савет Дејан Деспић, Џим Семсон (Лондон), Алберт ван дер Схоут (Амстердам), Јармила Габријелова (Праг) Редакција Александар Васић, Данка Лајић Михајловић, Биљана Милановић, Мелита Милин, Весна Пено, Катарина Томашевић Главни и одговорни уредник Јелена Јовановић Уредник Теме броја Ивана Медић Секретар редакције Јелена Јанковић-Бегуш Београд 2016. Часопис Музикологија је рецензирани научни часопис који издаје Музиколошки институт САНУ (Београд) од 2001. године. Посвећен је истраживању музике као естетичког, културног, историјског и друштвеног феномена. Поред примарне оријентисаности на музиколошка и етноузиколошка разматрања, часопис је отворен према различитим сродним или мање сродним дисциплинама (историја, историја уметности и књижевности, етнологија, антропологија, социологија, комуникологија, семиотика, психологија музике итд.) као и према интердисциплинарним подухватима. Излази два пута годишње. Oбавештења о позивима за радове као и упутства за израду прилога налазе се на адреси: http://www.music.sanu.ac.rs/Srpski/MuzikologijaR.htm. The journal Musicology is a peer-reviewed scientific journal published by the Institute of Musicology SASA (Belgrade) since 2001. -
826 Schermerhorn
826 schermerhorn COLUMBIA UNIVERSITY DEPARTMENT OF ART HISTORY AND ARCHAEOLOGY MIRIAM AND IRA D. WALLACH FINE ARTS CENTER FALL 2020 Dear students, colleagues, and friends, Had I written this text in February, it would have been guided by the same celebratory spirit as those in the past. There has indeed been much to be grateful for in the department. During the 2019–20 academic year, we received extraordinary gifts that allowed the endowment of no fewer than four new professorships. One, from an anonymous donor, honors the legacy of Howard McP. Davis, a famously great teacher of Renaissance art. Messages sent to me from his former students testify to the profound impact he had on them, and I am thrilled that we can commemorate a predecessor in my own field in this way. A second gift, from the Renate, Hans and Maria Hofmann Trust, supports teaching and scholarship in the field of modern American or European art. Our distinguished colleague Kellie Jones has been appointed the inaugural chairholder. A third, donated by the Sherman Fairchild Foundation and named in honor of the foundation’s former president, Walter Burke, will likewise go to a scholar of early modern European art. A search is underway for the first chairholder. Finally, a gift this spring allowed us to complete fundraising for the new Mary Griggs Burke Professorship in East Asian Buddhist Art History. A search for that position will take place next year. Beyond these four new chairs, the department also has two new chairholders: Holger Klein has completed his first year as Lisa and Bernard Selz Professor of Medieval Art History, and Noam Elcott is the inaugural Sobel– Dunn Chair, a title that will henceforth be held by the chair of Art Humanities. -
America's National Gallery Of
The First Fifty Years bb_RoomsAtTop_10-1_FINAL.indd_RoomsAtTop_10-1_FINAL.indd 1 006/10/166/10/16 116:546:54 2 ANDREW W. MELLON: FOUNDER AND BENEFACTOR c_1_Mellon_7-19_BLUEPRINTS_2107.indd 2 06/10/16 16:55 Andrew W. Mellon: Founder and Benefactor PRINCE OF Andrew W. Mellon’s life spanned the abolition of slavery and PITTSBURGH invention of television, the building of the fi rst bridge across the Mississippi and construction of Frank Lloyd Wright’s Fallingwater, Walt Whitman’s Leaves of Grass and Walt Disney’s Snow White, the Dred Scott decision and the New Deal. Mellon was born the year the Paris Exposition exalted Delacroix and died the year Picasso painted Guernica. The man was as faceted as his era: an industrialist, a fi nancial genius, and a philanthropist of gar- gantuan generosity. Born into prosperous circumstances, he launched several of America’s most profi table corporations. A venture capitalist before the term entered the lexicon, he became one of the country’s richest men. Yet his name was barely known outside his hometown of Pittsburgh until he became secretary of the treasury at an age when many men retire. A man of myriad accomplishments, he is remem- bered best for one: Mellon founded an art museum by making what was thought at the time to be the single largest gift by any individual to any nation. Few philan- thropic acts of such generosity have been performed with his combination of vision, patriotism, and modesty. Fewer still bear anything but their donor’s name. But Mellon stipulated that his museum be called the National Gallery of Art. -
Art Song in the South Slav Territories (1900-1930S): Femininity, Nation and Performance
Creating Art Song in the South Slav Territories (1900-1930s): Femininity, Nation and Performance Verica Grmuša Department of Music Goldsmiths, University of London PhD Thesis The thesis includes a video recording of a full evening lecture-recital entitled ‘Performing the “National” Art Song Today – Songs by Miloje Milojević and Petar Konjović’ (November 22nd, 2017, Deptford Town Hall, Verica Grmuša, soprano, Mina Miletić, piano) 1 Declaration This unpublished thesis is copyright of the author. The thesis is written as a result of my own research work and includes nothing that is written in collaboration with other third party. Where contributions of others are involved, every effort is made to indicate this clearly with reference to the literature, interviews or other sources. The thesis is submitted for the degree of Doctor of Philosophy and I further state that no substantial part of my dissertation has been already submitted to another qualification or previously published. Signed: ____________________________ Date: __________________ Verica Grmuša 2 Acknowledgments I express my gratitude to Goldsmiths’ Music Department, the Postgraduate Research Committee and the Graduate School for their awards and support for my research. I express my gratitude to my supervisors, Dr Berta Joncus and Dr Dejan Djokić, for their specialist help which greatly shaped this thesis. I am indebted to Nan Christie for her indispensable vocal tuition and support during my studies. I am indebted to the late Professor Vlastimir Trajković for access to the Miloje Milojević Family Collection, and for his support and guidance. I would also like to thank a number of friends and colleagues for their support and advice at different stages during my studies: Richard Shaw, Aleksandar Vasić, Tijana Miletić, Melita Milin, Anthony Pryer, Stephen Smart, Nada Bezić, Davor Merkaš, Slobodan Varsaković, Sarah Collins. -
Reference Library Faqs
Y A L E C E N T E R F O R B R I T I S H AR T YCBA Reference Library FAQs YCBA Reference Library FAQs 1. What materials are in the YCBA Reference Library? The YCBA Reference Library contains nearly 40,000 titles and over 120 current periodicals devoted to British art, artists, and culture from the sixteenth century to the present day. The collections include essential reference works on British artists, but also contain resources on British architecture, print and book culture, performing arts, costume, town and county histories, and travel books. We also maintain a Photograph Archive, a collection of art conservation and technical analysis materials, as well as videos and DVDs of the Center’s past lectures and programs. There are three public computers available for use, as well as a copier, scanner, printer, microfilm reader, and DVD players. – 2. Can I use the YCBA Reference Library? Yes, the Reference Library is open to researchers of all types: students, scholars, and the general public without an appointment. For more information on specific policies and procedures for using the Reference Library, please see our Policies and Procedures document on our Reference Library and Archives page. – 3. How do I use the YCBA Reference Library? The Reference Library is free and open for use. No appointment is required. Visitors can simply enter the Library on the second floor and sign in to our Guest Book. – 4. Can I check out books from the YCBA Ref Lib? No. The Reference Library is a non-circulating library; however, we do have a scanner and copier located within the library for use. -
Press Release
Press Contacts Cara Egan PRESS Seattle Art Museum P.R. [email protected] 206.748.9285 RELEASE Wendy Malloy Seattle Art Museum P.R. [email protected] JULY 2015 206.654.3151 INTIMATE IMPRESSIONISM FROM THE NATIONAL GALLERY OF ART OPENS AT THE SEATTLE ART MUSEUM OCT 1, 2015 October 1, 2015–January 10, 2016 SEATTLE, WA – Seattle Art Museum (SAM) presents Intimate Impressionism from the National Gallery of Art, featuring the captivating work of 19th-century painters such as Claude Monet, Pierre-Auguste Renoir, Paul Cézanne, Edgar Degas and Vincent van Gogh. The exhibition includes 71 paintings from the National Gallery of Art in Washington, D.C., and features a selection of intimately scaled Impressionist and Post-Impressionist still lifes, portraits and landscapes, whose charm and fluency invite close scrutiny. “This important exhibition is comprised of extraordinary paintings, among the jewels of one of the finest collections of French Impressionism in the world,” says Kimerly Rorschach, Seattle Art Museum’s Illsley Ball Nordstrom Director and CEO. “We are pleased to host these national treasures and provide our audience with the opportunity to enjoy works by Impressionist masters that are rarely seen in Seattle.” Seattle is the last opportunity to view this exhibition following an international tour that included Ara Pacis Museum of the Capitoline Museums, Rome; Fine Arts Museums in San Francisco; McNay Art Museum, San Antonio, and Mitsubishi Ichigokan Museum, Tokyo. The significance of this exhibition is grounded in the high quality of each example and in the works’ variety of subject matter. The paintings’ dimensions reflect their intended function: display in domestic interiors. -
Henry A. Millon
A LIFE OF LEARNING Henry A. Millon Charles Homer Haskins Lecture for 2002 American Council of Learned Societies ACLS OCCASIONAL PAPER, No. 54 ISSN 1041-536X © 2002 by Henry A. Millon A LIFE OF LEARNING Henry A. Millon Charles Homer Haskins Lecture for 2002 American Council of Learned Societies ACLS OCCASIONAL PAPER, No. 54 The Charles Homer Haskins Lecture Charles Homer Haskins (1870-1937), for whom the ACLS lecture series is named, was the first Chairman of the American Council of Learned Societies, from 1920 to 1926. He began his teaching career at the Johns Hopkins University, where he received the B.A. degree in 1887, and the Ph.D. in 1890. He later taught at the University of Wisconsin and at Harvard, where he was Henry Charles Lea Professor of Medieval History at the time of his retirement in 1931, and Dean of the Graduate School of Arts and Sciences from 1908 to 1924. He served as president of the American Historical Association in 1922, and was a founder and the second president of the Medieval Academy of America in 1926. A great American teacher, Charles Homer Haskins also did much to establish the reputation of American scholarship abroad. His distinction was recognized in honorary degrees from Strasbourg, Padua, Manchester, Paris, Louvain, Caen, Harvard, Wisconsin, and Allegheny College, where in 1883 he had begun his higher education at the age of thirteen. Previous Haskins Lecturers 1983 Maynard Mack 1984 Mary Rosamond Haas 1985 Lawrence Stone 1986 Milton V. Anastos 1987 Carl E. Schorske 1988 John Hope Franklin 1989 Judith N. -
579056 Itunes Balada
Leonardo BALADA Works for Clarinet Caprichos Nos. 6 and 7 • Double Concerto Ivan Ivanov, Clarinet Leta Chin, Greta Mutlu, Violin Sarah Lee, Cello Annie Gordon, Kristine Rominski, Flute Rebecca Bush, Percussion Jacob Polaczyk, Erberk Eryılmaz , Piano Geoffrey Larson Leonardo Leonardo Balada (b. 1933) Caprichos Nos. 6 and 7 • Double Concerto BA(bL. 1A933D) A A native of Spain, composer Leonardo Balada (b. 1933) Balada’s creative style has been labeled ‘Dali’s graduated from Barcelona’s Conservatorio del Liceu and Surrealism in music’, yet historically the link between The Juilliard School. He has been on the faculty of the surrealist aesthetics and musical composition has been Carnegie Mellon School of Music since 1970, where he is poorly understood. When I realised the deep importance of Works for Clarinet university professor of composition. He has been Dalí to Balada, suddenly everything in his compositions commissioned by the Aspen Music Festival, the San become logical and meaningful to me, and I recorded his Caprichos No. 7 ‘Fantasies of La Tarara’ Diego Opera, the orchestras of Pittsburgh, Cincinnati and music with passion. To understand Balada as a surrealist Chamber concerto for clarinet and instrumental ensemble Lausanne, the Spanish National Orchestra, Berlin Radio composer, it is best to begin with his Caprichos , two of which Symphony Orchestra and other organisations, and has are included on this recording. The term ‘ caprichos ’ has a 1 (2009) 23:03 received several awards from the National Endowment for special place in Spanish history and culture. Far from being the Arts. Balada’s works have been performed by the the lighthearted cultural fantasy implied by other composers 2 I. -
660198-99 Bk Mayr EU
572176 bk Balada US 20/10/10 13:31 Page 12 Leonardo Balada Leonardo Nació en Barcelona el 22 de Septiembre de 1933. Tras cursar sus estudios de piano y teoría en el Conservatorio del Liceu de Barcelona, se trasladó a Nueva York en donde concluyó sus estudios de composición en la Juilliard School en 1960. Entre sus maestros figuran Aaron Copland, Vincent Percichetti y Igor Markevitch. En la actualidad es BALADA catedrático de Composición en la Universidad Carnegie Mellon de Pittsburgh, EE.UU. Algunas de sus obras más conocidas fueron compuestas en un estilo de gran drama dentro de la vanguardia de los años sesenta (Guernica, María Sabina, Steel Symphony, No-res etc.). Posteriormente se le reconoce como pionero en la simbiosis de música étnica con las técnicas vanguardistas, con lo que ha creado un estilo personal e influyente, Caprichos Nos. 2, 3 and 4 estilo iniciado con Sinfonía en Negro- Homenaje a Martin L.King(1968) y Homenajes a Casals y Sarasate(1975). Ha recibido varios premios internacionales y una distinción de la American Academy of Arts and Letters por su relevante carrera y en reconocimiento a su personalidad artística. Andrés Cárdenes, Violin / Conductor Su extensa lista de obras se interpretan regularmente en Europa y América por las principales orquestas y solistas. Entre las primeras figuran las Filarmónicas de Nueva York, Los Ángeles, Israel; la Orquesta de Filadelfia; las Sinfónicas de Pittsburgh, Dallas, Cincinnati, Detroit, New Orleans, Praga, México, Sao Paulo, Barcelona, Jeffrey Turner, Double bass Düsseldorf; Orquestas Nacionales de Washington, Irlanda, España, Colombia, Lima, Lyon, Toulouse, Jerusalén; Philarmonia de Londres; orquestas de las radios de Luxemburgo, BBC(Manchester), Berlín, Leipzig, Helsinki, Pittsburgh Sinfonietta Lawrence Loh Hannover, RTV Española, Moscú, Orq.