Exploring Identity Constructs and Nation-Building Narratives at the Hampi World Heritage Site
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Hampi, Badami & Around
SCRIPT YOUR ADVENTURE in KARNATAKA WILDLIFE • WATERSPORTS • TREKS • ACTIVITIES This guide is researched and written by Supriya Sehgal 2 PLAN YOUR TRIP CONTENTS 3 Contents PLAN YOUR TRIP .................................................................. 4 Adventures in Karnataka ...........................................................6 Need to Know ........................................................................... 10 10 Top Experiences ...................................................................14 7 Days of Action .......................................................................20 BEST TRIPS ......................................................................... 22 Bengaluru, Ramanagara & Nandi Hills ...................................24 Detour: Bheemeshwari & Galibore Nature Camps ...............44 Chikkamagaluru .......................................................................46 Detour: River Tern Lodge .........................................................53 Kodagu (Coorg) .......................................................................54 Hampi, Badami & Around........................................................68 Coastal Karnataka .................................................................. 78 Detour: Agumbe .......................................................................86 Dandeli & Jog Falls ...................................................................90 Detour: Castle Rock .................................................................94 Bandipur & Nagarhole ...........................................................100 -
Ghfbooksouthasia.Pdf
1000 BC 500 BC AD 500 AD 1000 AD 1500 AD 2000 TAXILA Pakistan SANCHI India AJANTA CAVES India PATAN DARBAR SQUARE Nepal SIGIRIYA Sri Lanka POLONNARUWA Sri Lanka NAKO TEMPLES India JAISALMER FORT India KONARAK SUN TEMPLE India HAMPI India THATTA Pakistan UCH MONUMENT COMPLEX Pakistan AGRA FORT India SOUTH ASIA INDIA AND THE OTHER COUNTRIES OF SOUTH ASIA — PAKISTAN, SRI LANKA, BANGLADESH, NEPAL, BHUTAN —HAVE WITNESSED SOME OF THE LONGEST CONTINUOUS CIVILIZATIONS ON THE PLANET. BY THE END OF THE FOURTH CENTURY BC, THE FIRST MAJOR CONSOLIDATED CIVILIZA- TION EMERGED IN INDIA LED BY THE MAURYAN EMPIRE WHICH NEARLY ENCOMPASSED THE ENTIRE SUBCONTINENT. LATER KINGDOMS OF CHERAS, CHOLAS AND PANDYAS SAW THE RISE OF THE FIRST URBAN CENTERS. THE GUPTA KINGDOM BEGAN THE RICH DEVELOPMENT OF BUILT HERITAGE AND THE FIRST MAJOR TEMPLES INCLUDING THE SACRED STUPA AT SANCHI AND EARLY TEMPLES AT LADH KHAN. UNTIL COLONIAL TIMES, ROYAL PATRONAGE OF THE HINDU CULTURE CONSTRUCTED HUNDREDS OF MAJOR MONUMENTS INCLUDING THE IMPRESSIVE ELLORA CAVES, THE KONARAK SUN TEMPLE, AND THE MAGNIFICENT CITY AND TEMPLES OF THE GHF-SUPPORTED HAMPI WORLD HERITAGE SITE. PAKISTAN SHARES IN THE RICH HISTORY OF THE REGION WITH A WEALTH OF CULTURAL DEVELOPMENT AROUND ISLAM, INCLUDING ADVANCED MOSQUE ARCHITECTURE. GHF’S CONSER- VATION OF ASIF KHAN TOMB OF THE JAHANGIR COMPLEX IN LAHORE, PAKISTAN WILL HELP PRESERVE A STUNNING EXAMPLE OF THE GLORIOUS MOGHUL CIVILIZATION WHICH WAS ONCE CENTERED THERE. IN THE MORE REMOTE AREAS OF THE REGION, BHUTAN, SRI LANKA AND NEPAL EACH DEVELOPED A UNIQUE MONUMENTAL FORM OF WORSHIP FOR HINDUISM. THE MOST CHALLENGING ASPECT OF CONSERVATION IS THE PLETHORA OF HERITAGE SITES AND THE LACK OF RESOURCES TO COVER THE COSTS OF CONSERVATION. -
The Krishna Temple Complex, Hampi: an Exploration of Its Identity As a Medieval Temple in the Contemporary Context
THE KRISHNA TEMPLE COMPLEX, HAMPI: AN EXPLORATION OF ITS IDENTITY AS A MEDIEVAL TEMPLE IN THE CONTEMPORARY CONTEXT A Thesis Presented to the Faculty of the Graduate School of Cornell University In Partial Fulfillment of the Requirements for the Degree of Master of Arts by Ashima Krishna January, 2009 © 2009 Ashima Krishna ABSTRACT Hindu temples in India have been in abundance for centuries. However, many have lost their use over time. They lie vacant and unused on vast tracts of land across the Indian subcontinent, in a time when financial resources for the provision of amenities to serve the local community are hard to come by. In the case of Hampi, this strain is felt not only by the community inhabiting the area, but the tourism sector as well. Hampi’s immense significance as a unique Medieval-city in the Indian subcontinent has increased tourist influx into the region, and added pressure on authorities to provide for amenities and facilities that can sustain the tourism industry. The site comprises near-intact Medieval structures, ruins in stone and archaeologically sensitive open land, making provision of tourist facilities extremely difficult. This raises the possibility of reusing one of the abundant temple structures to cater to some of these needs, akin to the Virupaksha Temple Complex and the Hampi Bazaar. But can it be done? There is a significant absence of research on possibilities of reusing a Hindu Temple. A major reason for this gap in scholarship has been due to the nature of the religion of Hinduism and its adherents. Communal and political forces over time have consistently viewed all Hindu temples as cultural patrimony of the people, despite legal ownership resting with the Government of India. -
192. Great Stupa at Sanchi Madhya Pradesh, India. Buddhist, Maurya
192. Great Stupa at Sanchi Madhya Pradesh, India. Buddhist, Maurya, late Sunga Dynasty. c. 300 B.C.E. – 100 C.E. Stone masonry, sandstone on dome The Great Stupa at Sanchi is the oldest stone structure in India[1] and was originally commissioned by the emperor Ashoka the Great in the 3rd century BCE built over the relics of the Buddha It was crowned by the chatra, a parasol-like structure symbolising high rank, which was intended to honour and shelter the relics 54 feet tall and 120 feet in diameter The construction work of this stupa was overseen by Ashoka's wife, Devi herself, who was the daughter of a merchant of Vidisha. Sanchi was also her birthplace as well as the venue of her and Ashoka's wedding. In the 1st century BCE, four elaborately carved toranas (ornamental gateways) and a balustrade encircling the entire structure were added With its many tiers it was a symbol of the dharma, the Wheel of the Law. The dome was set on a high circular drum meant for circumambulation, which could be accessed via a double staircase Built during many different dynasties . An inscription records the gift of one of the top architraves of the Southern Gateway by the artisans of the Satavahana king Satakarni: o "Gift of Ananda, the son of Vasithi, the foreman of the artisans of rajan Siri Satakarni".[ o Although made of stone, they were carved and constructed in the manner of wood and the gateways were covered with narrative sculptures. They showed scenes from the life of the Buddha integrated with everyday events that would be familiar to the onlookers and so make it easier for them to understand the Buddhist creed as relevant to their lives At Sanchi and most other stupas the local population donated money for the embellishment of the stupa to attain spiritual merit. -
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Sacred Geography of Chalukya Temples
Journal of Social Sciences – Sri Lanka 105 Sacred Geography of Chalukya Temples Niharika S Abstract Badami, Aihole, Pattadakal and Mahakuta are situated in Bagalkot district of the state of Karnataka on and near the banks of river Malaprabha. The Malaprabha valley became the settling ground for human habitation from earliest times. This is evident from a number of prehistoric remains that have been discovered. The reason why the Chalukyas of Badami chose this area as their dynastic hold and why they built the various religious monuments in the region appears to have been a mystery until recent times. It is a possibility that the earlier sites of Guledgudda, Bachangudda, Kyaddigeri, Chilapur, Siddhanakolla and Nagral displaying dolmens and megaliths made the adjoining geography sacred which is why when the Chalukyas of Badami came in power, they found these areas ideal from religious point of view for temple construction. This may also mean an evolution of religious beliefs where the Chalukyas might not have believed in religiosity of dolmens and megaliths but surely understood „sacred-ness‟ of the landscape. These transformations led to a reinvention of the landscape for the construction of temples often in close proximity to rock shelters and megalithic structures. Sacred landscapes during Chalukya reign were complex religious and memorial spaces. There was a clear association between the religious affiliation of Chalukya rulers and those of pastoralists in the region especially in the second half of their rule. Female deity worship such as that of Saptamatrikas and Lajja-gauri, signifies the introduction of fertility rituals. This incorporation of ritual practices and beliefs indicates a complex political and social relationship that the Chalukyas forged in order to continue their rule. -
Total Solutions for Global Communications 2
A House Journal of ITI Limited www.itiltd-india.com Vol.11 No.6 Nov-Dec 2016 ( A Government of India Undertaking) Total Solutions for Global Communications 2 ITI inks MoU with Department of Telecommunications TI Limited has signed an MoU with IDepartment of Telecommunications, Ministry of Communication & IT, Government of India for the year 2016- 17. Shri J S Deepak, Secretary, Department of Telecommunications and Shri P K Gupta, Chairman and Managing Director, ITI Limited signed the Memorandum of Understanding and exchanged the MoU on November 07, 2016. The MoU envisages ITI's significant role in the field of Telecommunications to pursue opportunities of indigenous telecom equipments, viz. GPON manufacturing with indigenous technology (C-DoT) which is arising out of Government's National Telecom Policy, Digital India and Make in India campaign. ITI will be playing pivotal role in the Government of India funded projects of National importance like National Optical Fiber Network (NOFN), Network for Spectrum (NFS) and Encryption projects of Ministry of Defence also. ITI launches TAG-ITI Mobile Wallet Application Service TI Ltd, the pioneer Telecommunication Equipment Manufacturing ICompany of Independent India is committed to the 'Digital India' initiative of Government of India, has launched 'MERA MOBILE - MERA BANK' a 'TAG-ITI Mobile Wallet' Application Service to provide 'Secure Cashless Transactions' to the Nation. It is a boon to the digital transactions while the country is on transition from cash to less cash- intensive economy and cashless solutions at fingertips. TAG-ITI Wallet is indigenously developed by ITI in collaboration with M/s Transaction Analysts (TA) who has the license from Technology partner M/s Transaction Analysts, a RBI licensed Payment Systems Operator, UIDAI licensed AUA operator and Certification Agency for National Payment Corporation of India to provide Mobile Wallet Application Service. -
Unit 26 Art and Architecture
UNIT 26 ART AND ARCHITECTURE Structure Objectives Introduction Background Architecnrre 26.3.1 Residential Architecture 26.3.2 Temples and Towers 26.3.3 Stupas 26.3.4 Rock-cut Architecture Sculptural Art 26.4.1 Gandhara School 26.4.2 Mathura Art 26.4.3 Amaravati Art Let Us Sum Up Key Words Answers to Check Your Progress Exercises 26.0 OBJECTIVES After reading this unit you will be able to : familiarise yourself with important trends of art and architectural activities between 200 B.C. to 300 A.D. learn about the techniques and styles adopted in the fields of architecture and sculpture, distinguish between the major characteristics and forms of the Gandhara, Mathura and Amravati schools of art, and learn about the impact of religious and social conditions on art and architecture of the period. 26.1 INTRODUCTION In some of the earlier Units (Nos. 3, 10, 11) we have seen how artistic forms had started emerging and to what extent they reflected the culture of a period. Works of art which were related to work processes of daily life and were not exclusively produced for a previleged group of society were many. They are found in the forms of rock paintings, terracotta figurines, toys, etc. Gradually works of art, manufactured by specialist craftsmen, came to be produced for exclusive purposes. The Mauryan period witnessed production of splendid specimens of art by the state. With the emergence of social groups who could extend substal patronage for production of specimens of art, new trends in art activities came about. -
Lotus Bud Finial Asana Pose the Great Stupa at Sanchi Sakyamuni
Resources: https://www.britannica.com/techn ology/pagoda, http://www.vam.ac.uk/content/arti TITLE: Pagoda (replica) cles/i/iconography-of-the- ARTIST: Unknown buddha/, DATE: Unknown http://fsu.kanopystreaming.com/vi SIZE: Height: 3 ¾; Width: 2 ¼; Depth: 1 7/8 inches deo/great-stupa-sanchi, MEDIUM: Wood https://prezi.com/nzoahwiq3owv/t AQUISTION #: 88.1.7 odaiji-the-great-eastern-temple/, http://thekyotoproject.org/english/ ADDITIONAL WORKS BY THE ARTIST IN COLLECTION? pagodas/ YES _ NO_ UNKNOWN X Context In the third century BCE, Emperor Ashoka commissioned the first “Great Stupa” in Sanchi, India. A stupa is a large dome tomb that was created to house relics of the Buddha. The “Great Stupa” held the Buddha’s ashes and was constructed in three parts: a base, body, and decorative finial. The decorative finial is the crowning element located at the highest point of the stupa. Throughout many centuries the design of the stupa structure evolved from the rounded monument to the multi-storied structure now known as the pagoda. Constructed and adapted throughout East Asia, the common building materials consist of brick, wood, or stone. Pagodas also range in a variety of sizes. Some are towers with high reaching crowning pieces and others are short. Today any Pagoda is a pilgrimage site. The Great Stupa at Sanchi Sakyamuni Pagoda of Fogong Temple The wooden pagoda in Yingxian, China is the oldest tiered structure in the world. Built in 1056, the nine-story building is 67.31 meters high. With multiple pagoda structures located throughout the world, this was the first wooden structure completed under the Ming (1368–1644) and Qing Dynasties (1644-1912). -
Infosys Technologies Completes Delivery of 1,700 Houses for North Karnataka Flood Relief Program
PRESS RELEASE Infosys Technologies completes delivery of 1,700 houses for North Karnataka Flood Relief Program. Hands over the 4th batch of 1,141 houses built across 11 villages in Gulbarga district Gulbarga, India, April 22, 2011: Infosys Technologies today announced the delivery of an additional 1,141 houses (in addition to 108 delivered at Gulbarga, 425 at Dharwad and 70 at Belgaum), built by the company as a part of its North Karnataka Flood Relief Program initiated in 2009 under Aasare scheme of the Government of Karnataka. The Aasare initiative was established to engage businesses in a public-private partnership to build new houses for those affected by the floods of October 2009. Infosys committed to support the State Government by contributing Rs. 30 Crore for relief and rehabilitation efforts by building over 2,250 houses. The houses were built in 11 villages in Gulbarga district which were affected by the floods in Bheema River and its tributaries. Mr. Kris Gopalakrishnan, CEO, Infosys Technologies and Mr. T.V Mohandas Pai, Member of the Board, Infosys Technologies handed over the houses to Sri. B. S Yeddyurappa, Honorable Chief Minister of Karnataka at Ferozabad, one of these 11 villages. The 2,262 houses are built in 18 villages in 5 districts of North Karnataka, namely Gulbarga (1,249 houses in 12 villages), Yadgir (289 houses in 2 villages), Raichur (229 houses in 2 villages), Dharwad (425 houses in 20 villages of one taluka) and Belgaum (70 houses in 1 village). The houses at Gulbarga, Yadgir and Raichur have been built at new layouts and the ones at Dharwad and Belgaum are in the location of the old houses. -
The Buddha Project Part 1
TRAVEL WITH FRIENDS IN 2016 Reclining Buddha in the Ajanta caves India: Land of Many Gods ELEPHANTA – AJANTA – ELLORA – SANCHI – BODH GAYA – NALANDA with Jackie Menzies 26 Jan– 12 Feb 2016 (18 days) India: Land of Many Gods The faith of over 300 million people, Buddhism encompasses the teachings of Siddhartha Guatama (the Buddha). Travelling through India, China, Korea and Japan immerse yourself in The Buddha Project as you follow the steps of this ancient religion. In this four part series of tours, visit heritage listed Buddhist caves, sacred temples and spiritually signifi cant sites that convey the complex heritage of this belief system. Begin the project with part one, India: Land of Many Gods, and see a nation that is home to the great religions of Hinduism, Jainism and Buddhism. Visit Bodh Gaya, where TOUR LEADER the Buddha attained enlightenment; Ajanta, with its exquisite cave paintings; and idyllic Sanchi, fi lled with ancient monuments. This journey through India has been shaped by Jackie Menzies OAM is Emeritus Curator of Asian sites signifi cant to Buddhism, but major sites of other religions are also included. See Art at the Art Gallery of Elephanta with its superbly sculpted images; explore the vibrant sacred city of Varanasi; NSW, and has travelled widely tour the richly embellished Hindu temples of Khajuraho; and delve into the lives and through Asia. From 1979 to beliefs of India and her people. 2012 (as Head of Asian Art at AGNSW), she curated many exhibitions, and contributed At a glance… to scholarly catalogues on Asian -
Newly Discovered Rock Art Sites in the Malaprabha Basin, North Karnataka: a Report
Newly Discovered Rock Art Sites in the Malaprabha Basin, North Karnataka: A Report Mohana R.1, Sushama G. Deo1 and A. Sundara2 1. Department of Ancient Indian History, Culture and Archaeology, Deccan College Post Graduate and Research Institute, Deemed to be University, Pune – 411 006, Maharashtra, India (Email: [email protected]; [email protected]) 2. The Mythic Society, Bangalore – 560 001, Karnataka, India (Email: [email protected]) Received: 19 July 2017; Revised: 03 September 2017; Accepted: 23 October 2017 Heritage: Journal of Multidisciplinary Studies in Archaeology 5 (2017): 883‐929 Abstract: Early research on rock art in the Malaprabha basin began in the last quarter of the 20th century. Wakankar explored Bādāmi, Tatakoti, Sidla Phaḍi and Ramgudiwar in 1976. This was followed by Sundara, Yashodhar Mathpal and Neumayer located painted shelters in Are Guḍḍa, Hire Guḍḍa abd Aihole region. They are found in the area between the famous Chalukyan art centres of Bādāmi and Paṭṭadakallu. The near past the first author carried out field survey in the Lower Malaprabha valley as part of his doctoral programe during 2011‐2015. The intensive and systematically comprehensive field work has resulted in the discovery of 87 localities in 32 rock art sites. The art include geometric designs or pattern, Prehistoric ‘Badami Style of Human Figures’, human figures, miniature paintings, birds, wild animals like boar, deer, antelope, hyena, rhinoceros, dog etc. Keywords: Rock Art, Badami, Malaprabha, Karnataka, Engravings, Elevation, Orientation Introduction: Background of the Research 1856 CE is a remarkable year revealing the visual art of distinction of our ancestors in a cave at Almora (Uttarkhand) in India around by Henwood (1856).