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RUSSIAN, SOVIET & POST-SOVIET SYMPHONIES Composers
RUSSIAN, SOVIET & POST-SOVIET SYMPHONIES A Discography of CDs and LPs Prepared by Michael Herman Composers A-G KHAIRULLO ABDULAYEV (b. 1930, TAJIKISTAN) Born in Kulyab, Tajikistan. He studied composition at the Moscow Conservatory under Anatol Alexandrov. He has composed orchestral, choral, vocal and instrumental works. Sinfonietta in E minor (1964) Veronica Dudarova/Moscow State Symphony Orchestra ( + Poem to Lenin and Khamdamov: Day on a Collective Farm) MELODIYA S10-16331-2 (LP) (1981) LEV ABELIOVICH (1912-1985, BELARUS) Born in Vilnius, Lithuania. He studied at the Warsaw Conservatory and then at the Minsk Conservatory where he studied under Vasily Zolataryov. After graduation from the latter institution, he took further composition courses with Nikolai Miaskovsky at the Moscow Conservatory. He composed orchestral, vocal and chamber works. His other Symphonies are Nos. 1 (1962), 3 in B flat minor (1967) and 4 (1969). Symphony No. 2 in E minor (1964) Valentin Katayev/Byelorussian State Symphony Orchestra ( + Vagner: Suite for Symphony Orchestra) MELODIYA D 024909-10 (LP) (1969) VASIF ADIGEZALOV (1935-2006, AZERBAIJAN) Born in Baku, Azerbaijan. He studied under Kara Karayev at the Azerbaijan Conservatory and then joined the staff of that school. His compositional catalgue covers the entire range of genres from opera to film music and works for folk instruments. Among his orchestral works are 4 Symphonies of which the unrecorded ones are Nos. 1 (1958) and 4 "Segah" (1998). Symphony No. 2 (1968) Boris Khaikin/Moscow Radio Symphony Orchestra (rec. 1968) ( + Piano Concertos Nos. 2 and 3, Poem Exaltation for 2 Pianos and Orchestra, Africa Amidst MusicWeb International Last updated: August 2020 Russian, Soviet & Post-Soviet Symphonies A-G Struggles, Garabagh Shikastasi Oratorio and Land of Fire Oratorio) AZERBAIJAN INTERNATIONAL (3 CDs) (2007) Symphony No. -
Upbeat Summer 2017
UPBEATUPBEAT SUMMER 2017 NEWS FROM INSIDE THE ROYAL COLLEGE OF MUSIC IN THIS ISSUE AWARDING EXCELLENCE BREAKING NEW GROUND RISING STARS OF THE RCM HIGHLIGHTS FESTIVAL OF PERCUSSION 2017 The RCM’s annual Festival of Percussion returned on 7 May 2017 with an exceptional line-up of events and special guests. Visitors enjoyed performances from artists such as Benny Greb and the Band of the RAF Regiment, alongside family workshops, a day- long Trade Fair and toe-tapping evening concert with the RCM Big Band. Photos: Chris Christodoulou Front cover: Louise Alder at BBC Cardiff Singer of the World © Brian Tarr 2 UPBEAT SUMMER 2017 CONTENTS WELCOME 4 NEWS The latest news and activities from TO UPBEAT the Royal College of Music 9 As we went to press with the summer issue of Upbeat, news awarding EXCELLENCE of alumna Louise Alder’s success at the BBC Cardiff Singer of Upbeat explores the history behind the RCM’s most prestigious awards the World 2017 competition made its way to the Royal College of Music. Louise won the prestigious Dame Joan Sutherland Audience 10 Prize after getting through to the Song Prize and Main Prize finals of the WHERE ARE THEY NOW? Find out what some of our award competition, and I am thrilled that she has rightly earned a place on the front winners are up to in this special cover of Upbeat. Find out more on page seven. extended article, featuring interviews with Ieuan Jones, Charlotte Harding, On graduating from the RCM in 2013 Louise received the Tagore Gold Katy Woolley and Ruairi Glasheen Medal, an award that was first given out more than a century ago to outstanding students. -
14 January 2011 Page 1 of 9
Radio 3 Listings for 8 – 14 January 2011 Page 1 of 9 SATURDAY 08 JANUARY 2011 05:37AM virtuosity, but it's quite possible he wrote this concerto to play Mozart, Wolfgang Amadeus (1756-1791) himself. One early soloist commented that the middle SAT 01:00 Through the Night (b00wx4v1) Alma Dei creatoris (K.277) movement was 'too clever by half', but it's the finale that's The Genius of Mozart, presented by John Shea Ursula Reinhardt-Kiss (soprano); Annelies Burmeister (mezzo); catches most attention today, as it suddenly lurches into the Eberhard Büchner (tenor); Leipzig Radio Chorus & Symphony 'Turkish' (or more accurately Hungarian-inspired) style - and 01:01AM Orchestra), Herbert Kegel (conductor) the nickname has stuck. Mozart, Wolfgang Amadeus (1756-1791) Thamos, König in Ägypten (K.345) 05:43AM Conductor Garry Walker is no stranger to Mozart, last season Monteverdi Choir; English Baroque Soloists; cond. by John Mozart, Wolfgang Amadeus (1756-1791) he visited the St David's Festival in West Wales with the Eliot Gardiner 16 Minuets (K.176) (excerpts) Nos.1-4 orchestra, taking the 'Haffner' symphony. Today he conducts Slovak Sinfonietta, cond. Tara Krysa the players in Symphony No. 25, written when Mozart was a 01:50AM teenager. It's his first symphony in a minor key, and maybe the Mozart, Wolfgang Amadeus (1756-1791) 05:51AM passion and turbulence we hear in the outer movements a young Piano Sonata in C minor (K. 457) (1784) Mozart, Wolfgang Amadeus (1756-1791) man struggling out of his adolescence. Denis Burstein (piano) Quartet for strings in B flat major (K.458) "Hunt" Quatuor Mosaïques MOZART 02:15AM Violin Concerto No. -
Explore Unknown Music with the Toccata Discovery Club
Explore Unknown Music with the Toccata Discovery Club Since you’re reading this booklet, you’re obviously someone who likes to explore music more widely than the mainstream offerings of most other labels allow. Toccata Classics was set up explicitly to release recordings of music – from the Renaissance to the present day – that the microphones have been ignoring. How often have you heard a piece of music you didn’t know and wondered why it hadn’t been recorded before? Well, Toccata Classics aims to bring this kind of neglected treasure to the public waiting for the chance to hear it – from the major musical centres and from less-well-known cultures in northern and eastern Europe, from all the Americas, and from further afield: basically, if it’s good music and it hasn’t yet been recorded, Toccata Classics is exploring it. To link label and listener directly we run the Toccata Discovery Club, which brings its members substantial discounts on all Toccata Classics recordings, whether CDs or downloads, and also on the range of pioneering books on music published by its sister company, Toccata Press. A modest annual membership fee brings you, free on joining, two CDs, a Toccata Press book or a number of album downloads (so you are saving from the start) and opens up the entire Toccata Classics catalogue to you, both new recordings and existing releases as CDs or downloads, as you prefer. Frequent special offers bring further discounts. If you are interested in joining, please visit the Toccata Classics website at www.toccataclassics.com and click on the ‘Discovery Club’ tab for more details. -
A Take#-*' Jsyeoe-De& /V Atlzt S&Szafc
GUIDE TO THE ERNEST BRADBURY ARCHIVE 1961 "Sir John has the right age and temperament. He can mirror the sentient loveliness o f this rare music, yet keep it free from cloying sentiment; he traces its inner lines as delicately as nature traces veins on a leaf and so shows the thin but unifying forces of Delius’ art - for Delius is not really a composer of the blurred image." Thus wrote Ernest Bradbury of Delius’ On Hearing the First Cuckoo., vindicating, if such be needed, the decision to make an archive of these writings, «,, Time has edged far enough forward now for us to catch our breath reading that he heard Hindemith and Stravinsky conducting "in the flesh" which in time will doubtless seem more awesome still..^arguments about not spending allocated local authority funds on music and over-reliance on the familiar might have been written last night. <• Once again I have not, regrettably, been able to credit (though my husband usually did) the invaluable work of producers and designers. Karajan is listed under K not V. Records and Music & Musicians articles appear in their month at the end of that month, records designated R. Music & Musicians entries (M M ) are in Miscellaneous only so it is advisable to check this section. The following (contents not alas listed) I hope the Brotherton will have photocopied from the Yorkshire Post by the time you read this; because of editioning dates and page numbers may vary slightly. 7.12.61 Combined Orchestras from Manchester (Halle & BBC Northern, Bruckner 9) 61—(page 7) Z effirelli charmn at Glyndcbournc ( L ’Elisir d?Am cTc): 25.10.61 (page 5) Leeds Town Hall, Royal Liverpool Phil. -
2019 Round Top Music Festival
James Dick, Founder & Artistic Director 2019 Round Top Music Festival ROUND TOP FESTIVAL INSTITUTE Bravo! We salute those who have provided generous gifts of $10,000 or more during the past year. These gifts reflect donations received as of May 19, 2019. ROUND TOP FESTIVAL INSTITUTE 49th SEASON PArtNER THE BURDINE JOHNSON FOUNDATION HERITAGE CIrcLE H-E-B, L .P. FOUNDERS The Brown Foundation Inc. The Clayton Fund The Estate of Norma Mary Webb BENEFACTORS The Mr. and Mrs. Joe W. Bratcher, Jr. Foundation James C. Dick Mark and Lee Ann Elvig Robert J. Kleberg, Jr. and Helen C. Kleberg Foundation Richard R. Royall V Rose P. VanArsdel SUSTAINERS Blue Bell Creameries, L.P. William, Helen and Georgina Hudspeth Nancy Dewell Braus Luther King Capital Management The Faith P. and Charles L. Bybee Foundation Paula and Kenneth Moerbe Malinda Croan Anna and Gene Oeding Mandy Dealey and Michael Kentor The Gilbert and Thyra Plass Arts Foundation Dickson-Allen Foundation Myra Stafford Pryor Charitable Trust June R. Dossat Dr. and Mrs. Rolland C. Reynolds and Yvonne Reynolds Dede Duson Jim Roy and Rex Watson Marilyn T. Gaddis Ph.D. and George C. Carruthers Tod and Paul Schenck Ann and Gordon Getty Foundation Texas Commission on the Arts Alice Taylor Gray Foundation Larry A. Uhlig George F. Henry Betty and Lloyd Van Horn Felicia and Craig Hester Lola Wright Foundation Joan and David Hilgers Industry State Bank • Fayetteville Bank • First National Bank of Bellville • Bank of Brenham • First National Bank of Shiner ® Bravo! Welcome to the 49th Round Top Music Festival ROUND TOP FESTIVAL INSTITUTE The sole endeavor of The James Dick Foundation for the Performing Arts To everything There is a season And a time to every purpose, under heaven A time to be born, a time to die A time to plant, a time to reap A time to laugh, a time to weep This season at Festival Hill has been an especially sad one with the loss of three of our beloved friends and family. -
Sing It - Play It Leeds Music Education Partnership Artforms, Leeds City Academy, Bedford Field, Woodhouse Cliff, Leeds LS6 2LG And
Please return this form as soon as possible (and by 24th February if you require transport) to: Bring It - Sing It - Play It Leeds Music Education Partnership ArtForms, Leeds City Academy, Bedford Field, Woodhouse Cliff, Leeds LS6 2LG and Transport North Yorkshire Music Hub Subject to demand coach transfer to and from Horsforth school will be arranged on the day, with pick up points at ArtForms Music Centres. If you in partnership with would like to book a seat please tick your preferred option (from the centre to Horsforth, or from the ArtForms Music Centres centre and back again after the concert). Leeds Youth Choir and Leaving Guiseley 11.00am one way____both ways___ Leeds Festival Chorus Boston Spa 10.40am one way____both ways___ East Leeds 11.00am one way____both ways___ Rothwell 10.40am one way____both ways___ invite young people and adults to a South Leeds 10.40am one way____both ways___ BBC Ten Pieces North Leeds 11.00am one way____both ways___ Confirmation of your place on the day (and details Bring It - Sing It - Play It Day of transport arrangements if requested) will be sent after 26th February. Saturday 19th March 2016 We may take photographs on the day. Please inform us if you have any concerns. 11.30am to 5.15pm Please enclose a cheque for £5/£2 (plus coach transfer/s £1 per journey) made payable to Leeds Youth Choir. Signed ____________________parent/guardian if under 18 venue I would like to attend the Bring It - Sing It - Play It Horsforth School, Lee Lane East Day on 19th March Name _______________________________ Age -
Insula Orchestra Laurence Equilbey Thursday 8 March 2018 7.30Pm, Hall
Insula orchestra Laurence Equilbey Thursday 8 March 2018 7.30pm, Hall Beethoven Concerto in C major for violin, cello and piano (Triple Concerto) interval 20 minutes Louise Farrenc Symphony No 3 in G minor Insula Orchestra Laurence Equilbey conductor Alexandra Conunova violin Natalie Clein cello Julien Benhamou Elisabeth Brauss piano 6pm: Pre-concert platform To mark International Women’s Day, soloists from Insula orchestra introduce and perform chamber music by Louise Farrenc. Louise Farrenc Piano Trio in E flat major, Op 44 Louise Farrenc Sextet in C minor, Op 40 Anna Besson flute Jean-Marc Philippe oboe Alvaro Iborra clarinet François Charruyer bassoon Jeroen Billiet horn Emmanuel Jacques cello Nathanael Gouin piano Part of Barbican Presents 2017–18 We appreciate that it’s not always possible to prevent coughing during a performance. But, for the sake of other audience members and the artists, if you feel the need to cough or sneeze, please stifle it with a handkerchief. Please turn off watch alarms, phones, pagers etc during the performance. Taking photographs, capturing images or using recording devices during a performance is strictly prohibited. The City of London If anything limits your enjoyment please let us know Corporation is the founder and during your visit. Additional feedback can be given principal funder of online, as well as via feedback forms or the pods the Barbican Centre located around the foyers. Welcome Tonight’s concert, which celebrates Symphony No 3 in G minor. She was born International Women’s Day, features a in Paris in 1804, the year Beethoven was very special programme. -
Jennifer Pike Violin Sir Andrew Davis
SUPER AUDIO CD SibeliusViolin Concerto Karelia Suite • Finlandia • Valse triste Andante festivo • Valse lyrique The Swan of Tuonela Jennifer Pike violin Bergen Philharmonic Orchestra Sir Andrew Davis AKG Images, London Images, AKG Jean Sibelius, at his house, Ainola, in Järvenpää, near Helsinki, 1907 Jean Sibelius (1865 – 1957) Concerto for Violin and Orchestra, Op. 47* 31:55 in D minor • in d-Moll • en ré mineur 1 I Allegro moderato – [Cadenza] – Tempo I – Molto moderato e tranquillo – Largamente – Allegro molto – Moderato assai – [Cadenza] – Allegro moderato – Allegro molto vivace 15:46 2 II Adagio di molto 8:16 3 III Allegro, ma non tanto 7:44 Karelia Suite, Op. 11 15:51 for Orchestra from music to historical tableaux on the history of Karelia 4 I Intermezzo. Moderato – Meno – Più moderato 4:03 5 II Ballade. Tempo di menuetto – Un poco più lento 7:13 Hege Sellevåg cor anglais 6 III Alla marcia. Moderato – Poco largamente 4:27 3 7 The Swan of Tuonela, Op. 22 No. 2 8:16 (Tuonelan joutsen) from the Lemminkäinen Legends after the Finnish national epic Kalevala compiled by Elias Lönnrot (1802 – 1884) Hege Sellevåg cor anglais Jonathan Aasgaard cello Andante molto sostenuto – Meno moderato – Tempo I 8 Valse lyrique, Op. 96a 4:09 Work originally for solo piano, ‘Syringa’ (Lilac), orchestrated by the composer Poco moderato – Stretto e poco a poco più – Tempo I 9 Valse triste, Op. 44 No. 1 5:03 from the incidental music to the drama Kuolema (Death) by Arvid Järnefelt (1861 – 1932) Lento – Poco risoluto – Più risoluto e mosso – Stretto – Lento assai 4 10 Andante festivo, JS 34b 4:06 Work originally for string quartet, arranged by the composer for strings and timpani ad libitum 11 Finlandia, Op. -
Shakespeare Requiem' Receives Its First Performance, by PATRIC STANDFORD, YORKSHIRE POST
Judith Bingham's 'Shakespeare Requiem' receives its first performance, by PATRIC STANDFORD, YORKSHIRE POST The long awaited première of Judith Bingham's Shakespeare Requiem took place in Leeds Town Hall, UK, on 29 November 2008. The opening of the newly built town hall in 1858 was celebrated with the formation of a grand choral society -- the Leeds Festival Chorus -- and its first musical director, William Sterndale Bennett, initiated a tradition of first performances in the autumn of that year by directing the first performance of his own cantata The May Queen. The tradition of bringing new works to Leeds has remained with the Festival Chorus throughout its century and a half lifetime. A succession of distinguished directors maintained the tradition by commissioning new choral works, and the chorus have brought to life a fine inventory of great choral premiers including Sullivan's Golden Legend and Dvorák's St Ludmilla in 1886 and Elgar's Caractacus in 1898 through to Walton's Belshazzar's Feast, the memorable commission of 1931, and Michael Berkeley's The Red Macula of 1989. For this year's 150th Anniversary celebration, Judith Bingham could hardly be a more ideal choice. A student of both composition and singing in her time at London's Royal Academy of Music, she joined the BBC Singers in 1983 and spent twelve years as a full time member, becoming closely involved from the inside in the many challenges of both new and old music that such a renowned professional group of singers would undertake on a weekly basis. As may be expected, there is a large amount of choral music in her considerable output -- her catalogue has recently been taken up by Peters Edition, London -- and yet the new work for Leeds is her largest choral and orchestral undertaking to date. -
PROMS 2018 Page 1 of 7
PROMS 2018 Page 1 of 7 Prom 1: First Night of the Proms Sam Walton percussion Piano Concerto No 1 in G minor (20 mins) 20:15 Friday 13 July 2018 ON TV Martin James Bartlett piano Royal Albert Hall Freddy Kempf piano Morfydd Llwyn Owen Lara Melda piano Nocturne (15 mins) Ralph Vaughan Williams Lauren Zhang piano Toward the Unknown Region (13 mins) BBC Concert Orchestra Robert Schumann Andrew Gourlay conductor Symphony No 4 in D minor (original 1841 version) (28 mins) Gustav Holst The Planets (52 mins) Bertrand Chamayou piano Proms at … Cadogan Hall 1 BBC National Orchestra of Wales Anna Meredith 13:00 Monday 16 July 2018 Thomas Søndergård conductor 59 Productions Cadogan Hall, London Five Telegrams (22 mins) BBC co-commission with 14–18 NOW and Edinburgh Caroline Shaw Proms at … The Roundhouse International Festival: world première Second Essay: Echo (15 mins) 15:00 Saturday 21 July 2018 Third Essay: Ruby Roundhouse, Camden National Youth Choir of Great Britain BBC Symphony Chorus Robert Schumann Charles Ives BBC Proms Youth Ensemble Piano Quintet in E flat major, Op 44 (30 mins) The Unanswered Question (6 mins) BBC Symphony Orchestra Sakari Oramo conductor Calidore String Quartet ensemble Georg Friedrich Haas Javier Perianes piano the last minutes of inhumanity (5 mins) world première Prom 2: Mozart, Ravel and Fauré 19:30 Saturday 14 July 2018 Prom 4: Shostakovich’s ‘Leningrad’ Hannah Kendall Royal Albert Hall Verdala (5 mins) Symphony world première 19:30 Monday 16 July 2018 Gabriel Fauré Royal Albert Hall Pavane (choral version) (5 -
Ne W Burysprin G Fe Stival
www.newburyspringfestival.org.uk 34th international newburyspringfestival 12 – 26 may 2012 Royal Philharmonic Sat Welcome Orchestra 12th This year, when London hosts the Owain Arwel Hughes conductor Olympic Games and welcomes the Freddy Kempf piano world’s finest young athletes to the Walton Crown Imperial capital, I am delighted that we will Beethoven Piano Concerto No 5 “Emperor” welcome to Newbury so many Brahms Symphony No 4 outstanding musicians from around the world. Among them are important young musicians who are already building A welcome return to the Festival by the RPO, and conductor careers in Britain: this year’s John Lewis Young Stars , Owain Arwel Hughes in his 70th birthday year, in a and our Festival artist Johan Andersson, one of the world’s celebratory concert that opens with Walton’s Crown Imperial in honour of HM The Queen’s Diamond Jubilee. finest young painters, who is also based in this country. The current season sees dynamic British pianist Freddy This national celebration of international youthful excellence Kempf perform the complete cycle of piano concertos in sport and culture is balanced by another important by his favourite composer, Beethoven, in many of the UK’s national celebration: the Queen’s Diamond Jubilee, an most important venues and tonight he joins the orchestra opportunity to honour a monarch who has been on the for the majestic Piano Concerto No 5, popularly known as throne for sixty years and who represents all that is constant the “Emperor Concerto”. The concert ends with Brahms’ and traditional in our country. You will find in this year’s final and best loved Symphony No 4.