Michael Siberry

Total Page:16

File Type:pdf, Size:1020Kb

Michael Siberry Michael Siberry Theatre Title Role Director Producer Six Degrees of Separation Geoffrey Trip Cullman Broadway Junk Leo Tressler Doug Hughes Lincoln Centre Marvel's Jessica Jones Albert Thompson Various Netflix Proof Robert Emily Mann McCarter Theatre Enemy of the People Morton Kil Doug Hughes Manhatten Theatre Club Death Takes a Holiday Duke Vittoria Lamberti Doug Hughes Roundabout off Broadway Man and Boy Sven Maria Aitken Roundabout Revival When the Rain Stops Falling Gabriel York David Cromer Lincoln Centre On the Levee Leroy Percy Lear DeBessonet Lincoln Centre Mrs Warren's Profession Samuel Gardener Doug Hughes Roundabout Revival The Cherry Orchard Lopakin Philip Franks Chichester Spamalot King Arthur Mike Nichols US Tour Private Lives Eliot Thea Sharrock Theatre Royal Bath Candida Morell Lisa Peterson McCarter Theatre The Frogs Shakespeare Susan Strohman Broadway Uncle Vanya Astrov Emily Mann McCarter Theatre As You Like It Touchstone Peter Hall Theatre Royal Bath After the Dance David Dominic Drongoole Salisbury Playhouse The Artists Partnership 21-22 Warwick Street, Soho, London W1B 5NE (020) 7439 1456 The White Devil Franciso Sydney Theatre Co The Three Sisters Vershinin Ingram Loveday Chichester Midsummer Night's Dream Oberon Matthew Francis Alberry Theatre House & Garden Giles Alan Ayckbourne National Theatre Chicago Billy Flynn Walter Bobbie West End Taming of the Shrew Petruchio Gale Edwards Barbican Richard III Clarence Steven Pimlott RSC Macbeth Macduff Adrian Noble RSC Neville's Island Roy Jeremy Sams Apollo As You Like It Jaques de Bovs David Thacker RSC All's well that End's Well Parolles Peter Hall RSC The Changeling Alsemero Michael Attenborough RSC The woman in Black The Actor Fortune Theatre The Merchant of Venice Graziano Peter Hall RSC Ring Round the Moon Hugo/Frederick Elijah Moshinsky The Sound of Music Capt. Von Trapp Susan Schulman Broadway Nicolas Nickleby Nicholas Nickleby Trevor Nunn Broadway Oh, Kay Jimmy Winter Ian Judge Chichester Merchant of Venice Lorenzo John Barton RSC The Swan Down Gloves Punk Rate Terry Hands Barbican La Ronde Young Gentlemen John Barton RSC Hamlet Laertes John Barton RSC Hamlet Laertes John Barton Rsc Richard II Salisbury/Bushy Terry Hands RSC Film Title Role Director Producer Experimenter George Bellak Michael Almereyda Magnolia Pictures Coming through the Rye Mr Dewitt James Steven Sadwith Red Hat Films Birdman Larry Alejandro G Inarritu Fox Searchlight If Looks could Kill Richardson William Dear Warner Bros. The Artists Partnership 21-22 Warwick Street, Soho, London W1B 5NE (020) 7439 1456 Boundaries of the Heart Arthur Pearson Lex Marinos International Film Biggles Algie John Hough Yellowbill Television Title Role Director Producer House of Cards Rasmussen Various Netflix The Last Tycoon Dr George Gyssling Various Amazon The Good Wife Richard Dawkins Robert King CBS Blacklist Agebt Kilpatrick Steven Adelson CBS Madame Secretary Graham Shenton Rob J GreenLea CBS Scream Queen Butler Bradley Buecker Fox Boardwalk Empire Senator Lloyd Various HBO Law and Order: SVU David Watson Helen Shower NBC Rosemary & Thyme Hugo Dainty Tom Clegg Carnival Films Beast Doctor Suave Various BBC Victoria & Albert Lord Uxbridge John Erman A&E Silent Witness Dr James Reynolds Anne Pivcevic BBC Under the Hammer Guest Star Various New Penny Prods Under the Hammer Guest Star Various New Penny Prods The Negotiator Avaddy Mary McMurray BBC Highlander Guest Star Dennis Barry Filmline Int The Witches Of Eastwick Darryl Van Horne Rick Rosenthal Warner Bros Pilot Sherlock Holmes and the LeadingFranz Lady Winterhauser Paul Sasdy LA FIlms Jeeves and Wooster Bingo Little Various Picture Partner Prods After the War David Lucas Michael Cox Granda Noble House Linbar Stuan Gary Nelson Noble House Prods Strike it Rich! Stafford Joe Waters BBC Strangers and Brothers Hugh Smith Ronald Wilson BBC The Adventures of Sherlock HolmesJack Woodley Paul Annett Granada Old Men at the Zoo Steve Kyte Stuart Burge BBC Wokenwell Ep3 Razor Reid Keith Boak LWT The Artists Partnership 21-22 Warwick Street, Soho, London W1B 5NE (020) 7439 1456 The Grand, Series 1&2 John Bannerman Various Granada The Artists Partnership 21-22 Warwick Street, Soho, London W1B 5NE (020) 7439 1456.
Recommended publications
  • The Eddie Awards Issue
    THE MAGAZINE FOR FILM & TELEVISION EDITORS, ASSISTANTS & POST- PRODUCTION PROFESSIONALS THE EDDIE AWARDS ISSUE IN THIS ISSUE Golden Eddie Honoree GUILLERMO DEL TORO Career Achievement Honorees JERROLD L. LUDWIG, ACE and CRAIG MCKAY, ACE PLUS ALL THE WINNERS... FEATURING DUMBO HOW TO TRAIN YOUR DRAGON: THE HIDDEN WORLD AND MUCH MORE! US $8.95 / Canada $8.95 QTR 1 / 2019 / VOL 69 Veteran editor Lisa Zeno Churgin switched to Adobe Premiere Pro CC to cut Why this pro chose to switch e Old Man & the Gun. See how Adobe tools were crucial to her work ow and to Premiere Pro. how integration with other Adobe apps like A er E ects CC helped post-production go o without a hitch. adobe.com/go/stories © 2019 Adobe. All rights reserved. Adobe, the Adobe logo, Adobe Premiere, and A er E ects are either registered trademarks or trademarks of Adobe in the United States and/or other countries. All other trademarks are the property of their respective owners. Veteran editor Lisa Zeno Churgin switched to Adobe Premiere Pro CC to cut Why this pro chose to switch e Old Man & the Gun. See how Adobe tools were crucial to her work ow and to Premiere Pro. how integration with other Adobe apps like A er E ects CC helped post-production go o without a hitch. adobe.com/go/stories © 2019 Adobe. All rights reserved. Adobe, the Adobe logo, Adobe Premiere, and A er E ects are either registered trademarks or trademarks of Adobe in the United States and/or other countries.
    [Show full text]
  • A Portrayal of Gender and a Description of Gender Roles in Selected American Modern and Postmodern Plays
    East Tennessee State University Digital Commons @ East Tennessee State University Electronic Theses and Dissertations Student Works 5-2002 A Portrayal of Gender and a Description of Gender Roles in Selected American Modern and Postmodern Plays. Bonny Ball Copenhaver East Tennessee State University Follow this and additional works at: https://dc.etsu.edu/etd Part of the English Language and Literature Commons, and the Feminist, Gender, and Sexuality Studies Commons Recommended Citation Copenhaver, Bonny Ball, "A Portrayal of Gender and a Description of Gender Roles in Selected American Modern and Postmodern Plays." (2002). Electronic Theses and Dissertations. Paper 632. https://dc.etsu.edu/etd/632 This Dissertation - Open Access is brought to you for free and open access by the Student Works at Digital Commons @ East Tennessee State University. It has been accepted for inclusion in Electronic Theses and Dissertations by an authorized administrator of Digital Commons @ East Tennessee State University. For more information, please contact [email protected]. The Portrayal of Gender and a Description of Gender Roles in Selected American Modern and Postmodern Plays A dissertation presented to the Faculty of the Department of Educational Leadership and Policy Analysis East Tennessee State University In partial fulfillment of the requirements for the degree Doctor of Education in Educational Leadership and Policy Analysis by Bonny Ball Copenhaver May 2002 Dr. W. Hal Knight, Chair Dr. Jack Branscomb Dr. Nancy Dishner Dr. Russell West Keywords: Gender Roles, Feminism, Modernism, Postmodernism, American Theatre, Robbins, Glaspell, O'Neill, Miller, Williams, Hansbury, Kennedy, Wasserstein, Shange, Wilson, Mamet, Vogel ABSTRACT The Portrayal of Gender and a Description of Gender Roles in Selected American Modern and Postmodern Plays by Bonny Ball Copenhaver The purpose of this study was to describe how gender was portrayed and to determine how gender roles were depicted and defined in a selection of Modern and Postmodern American plays.
    [Show full text]
  • Hallmark Collection
    Hallmark Collection 20000 Leagues Under The Sea In 1867, Professor Aronnax (Richard Crenna), renowned marine biologist, is summoned by the Navy to identify the mysterious sea creature that disabled the steamship Scotia in die North Atlantic. He agrees to undertake an expedition. His daughter, Sophie (Julie Cox), also a brilliant marine biologist, disguised as a man, comes as her father's assistant. On ship, she becomes smitten with harpoonist Ned Land (Paul Gross). At night, the shimmering green sea beast is spotted. When Ned tries to spear it, the monster rams their ship. Aronnax, Sophie and Ned are thrown overboard. Floundering, they cling to a huge hull which rises from the deeps. The "sea beast" is a sleek futuristic submarine, commanded by Captain Nemo. He invites them aboard, but warns if they enter the Nautilus, they will not be free to leave. The submarine is a marvel of technology, with electricity harnessed for use on board. Nemo provides his guests diving suits equipped with oxygen for exploration of die dazzling undersea world. Aronnax learns Nemo was destined to be the king to lead his people into the modern scientific world, but was forced from his land by enemies. Now, he is hoping to halt shipping between the United States and Europe as a way of regaining his throne. Ned makes several escape attempts, but Sophie and her father find the opportunities for scientific study too great to leave. Sophie rejects Nemo's marriage proposal calling him selfish. He shows his generosity, revealing gold bars he will drop near his former country for pearl divers to find and use to help the unfortunate.
    [Show full text]
  • Mary in Film
    PONT~CALFACULTYOFTHEOLOGY "MARIANUM" INTERNATIONAL MARIAN RESEARCH INSTITUTE (UNIVERSITY OF DAYTON) MARY IN FILM AN ANALYSIS OF CINEMATIC PRESENTATIONS OF THE VIRGIN MARY FROM 1897- 1999: A THEOLOGICAL APPRAISAL OF A SOCIO-CULTURAL REALITY A thesis submitted to The International Marian Research Institute In Partial Fulfillment of the Requirements for the degree Licentiate of Sacred Theology (with Specialization in Mariology) By: Michael P. Durley Director: Rev. Johann G. Roten, S.M. IMRI Dayton, Ohio (USA) 45469-1390 2000 Table of Contents I) Purpose and Method 4-7 ll) Review of Literature on 'Mary in Film'- Stlltus Quaestionis 8-25 lli) Catholic Teaching on the Instruments of Social Communication Overview 26-28 Vigilanti Cura (1936) 29-32 Miranda Prorsus (1957) 33-35 Inter Miri.fica (1963) 36-40 Communio et Progressio (1971) 41-48 Aetatis Novae (1992) 49-52 Summary 53-54 IV) General Review of Trends in Film History and Mary's Place Therein Introduction 55-56 Actuality Films (1895-1915) 57 Early 'Life of Christ' films (1898-1929) 58-61 Melodramas (1910-1930) 62-64 Fantasy Epics and the Golden Age ofHollywood (1930-1950) 65-67 Realistic Movements (1946-1959) 68-70 Various 'New Waves' (1959-1990) 71-75 Religious and Marian Revival (1985-Present) 76-78 V) Thematic Survey of Mary in Films Classification Criteria 79-84 Lectures 85-92 Filmographies of Marian Lectures Catechetical 93-94 Apparitions 95 Miscellaneous 96 Documentaries 97-106 Filmographies of Marian Documentaries Marian Art 107-108 Apparitions 109-112 Miscellaneous 113-115 Dramas
    [Show full text]
  • GOLDENHURST Lunech Wnith Cjuoliaun Cnlatry Eatr Geodldenhurst and a Review of His Recently-Published Novel ‘Briefs Encountered’
    A MAGAZINE ABOUT THE LIFE AND WORK OF SIR NOËL COWARD • MAY 2012 News and views of the Star Quality exhibition - and the ‘Noël Coward in New York’ festival. GOLDENHURST LunEch wnith cJuoliaun Cnlatry eatr Geodldenhurst and a review of his recently-published novel ‘Briefs Encountered’. Noël Coward at ‘Look Out’ - Firefly, Jamaica PRODUCED AND PUBLISHED BY THE INTERNATIONAL NOËL COWARD SOCIETY - 1- www.noëlcoward.net hat an amazing month March was! Apart from reasonable weather, two of the most significant events for me marked an early opening of Spring EDITORIAL long before an Easter chick was a wink in a cockerel’s eye. Out of the blue came a charming invitation from Julian Clary for the officers of the Society to visit The Old Manor - but forever Goldenhurst in the eye of the Coward faithful - for lunch and a celebration of the completed renovation of Noël’s country retreat in Kent and the publication of Julian’s novel Briefs Encountered. As Daniel Massey said once about an invitation to Noël’s for lunch, “Well, you don’t turn that down!” And we didn’t! More on the visit in this edition. The climax of the month was the opening of Star Quality - The World of Noël Coward at the Lincoln Center in New York. This exhibition has been rightly trumpeted in Home Chat for the past few editions and the result did not let the herald down. This really is an impressive achievement. As a result of an initial partnership between the New York Public Library for the Performing Arts (NYPL) and The Noël Coward Foundation (NCF) the idea was born - and together with other partners - the exhibition was created.
    [Show full text]
  • Nick Gillott Producer / Line Producer
    NICK GILLOTT PRODUCER / LINE PRODUCER HEAD OF PRODUCTION FAIRBANKS PRODUCTIONS, LTD. (2010-2011) Developing Ivanhoe 3D, Kill The Dead, and Dusty (The Dusty Springfield Story) *Projects on hold pending finance and distribution deal C R E D I T S TARANUS (pre-production) Producer Exec. Producers: Neil Maron, Craig Zadan Storyline / Touchstone CONSPIRACY Producer Director: Frank Pierson HBO BAFTA Award for best TV Movie THE WHOLE SHEBANG Producer Director: George Zaloom Original Voices BACK TO THE SECRET GARDEN Producer Director: Michael Tuckner Artisan Films/ Barbelsberg International A KNIGHT IN CAMELOT Producer Director: Roger Young Buena Vista Productions for Walt Disney TV JAKOB THE LIAR Co-Producer Director: Peter Kassovitz Tri Star EVENT HORIZON Executive Producer Director: Paul Anderson Paramount Feature 6399 Wilshire Blvd., Ste. 415 Los Angeles, CA 90048 ph 323.782.1854 fx 323.345.5690 [email protected] NICK GILLOTT Page 2 PRODUCER / LINE PRODUCER RASPUTIN Producer Director: Uli Edel HBO Golden Globe Award Winner THE HAUNTING OF Producer HELEN WALKER Director: Tom McLoughlin Rosemont Productions for CBS THE RETURN OF THE NATIVE Producer Director: Jack Gold Hallmark Productions for CBS Golden Globe Nomination, Best TV Movie CHARLES AND DIANA: Producer A PALACE DIVIDED Director: John Power Konigsberg/ Sanitsky Co. for CBS HEIDI Line Producer 4 Hour miniseries / Shot in Austria Director: Michael Rhodes Disney Channel / Harmony 4 Cable ACE Awards; Golden Globe Nomination, Best TV Miniseries TILL DEATH DO US PART Producer Director: Yves Simoneau Saban / Scherick Productions/NBC MOW FEVER Producer Director: Larry Elikann Saban / Scherick Prods. for HBO CHIMERA Producer 4 hour Miniseries Director: Lawrence Gordon Clark Zenith Productions for Anglia TV ANYTHING TO SURVIVE Producer Director: Zale Dalen Saban / Scherick Productions ABC MOW 6399 Wilshire Blvd., Ste.
    [Show full text]
  • Completeandleft
    MEN WOMEN 1. JA Jason Aldean=American singer=188,534=33 Julia Alexandratou=Model, singer and actress=129,945=69 Jin Akanishi=Singer-songwriter, actor, voice actor, Julie Anne+San+Jose=Filipino actress and radio host=31,926=197 singer=67,087=129 John Abraham=Film actor=118,346=54 Julie Andrews=Actress, singer, author=55,954=162 Jensen Ackles=American actor=453,578=10 Julie Adams=American actress=54,598=166 Jonas Armstrong=Irish, Actor=20,732=288 Jenny Agutter=British film and television actress=72,810=122 COMPLETEandLEFT Jessica Alba=actress=893,599=3 JA,Jack Anderson Jaimie Alexander=Actress=59,371=151 JA,James Agee June Allyson=Actress=28,006=290 JA,James Arness Jennifer Aniston=American actress=1,005,243=2 JA,Jane Austen Julia Ann=American pornographic actress=47,874=184 JA,Jean Arthur Judy Ann+Santos=Filipino, Actress=39,619=212 JA,Jennifer Aniston Jean Arthur=Actress=45,356=192 JA,Jessica Alba JA,Joan Van Ark Jane Asher=Actress, author=53,663=168 …….. JA,Joan of Arc José González JA,John Adams Janelle Monáe JA,John Amos Joseph Arthur JA,John Astin James Arthur JA,John James Audubon Jann Arden JA,John Quincy Adams Jessica Andrews JA,Jon Anderson John Anderson JA,Julie Andrews Jefferson Airplane JA,June Allyson Jane's Addiction Jacob ,Abbott ,Author ,Franconia Stories Jim ,Abbott ,Baseball ,One-handed MLB pitcher John ,Abbott ,Actor ,The Woman in White John ,Abbott ,Head of State ,Prime Minister of Canada, 1891-93 James ,Abdnor ,Politician ,US Senator from South Dakota, 1981-87 John ,Abizaid ,Military ,C-in-C, US Central Command, 2003-
    [Show full text]
  • Never Give Up! Ama’S Journey to Freedom on the Underground Railroad
    Never Give Up! Ama’s Journey to Freedom on the Underground Railroad Multicultural Curriculum Grades 5 - 10 by Kesa Kivel © 2012 The curriculum for the Never Give Up! film may be used and reproduced for free for not- for-profit, educational purposes. Commercial usage is not permitted. Kesa welcomes questions and comments on the film and curriculum. Contact her at www.nevergiveupfilm.org. Table of Contents Contemporary Issues/Objectives page 3 Key Terms page 4 Pre-Viewing Suggestions page 5 Post-Viewing Questions (Film-Related) page 6 Post-Viewing Questions (Topic-Related) page 7 Art and Writing Options Handout page 8 Creating An Underground page 9 Railroad Project Consensus Guidelines Introduction page 10 Consensus Guidelines Handout page 11 Safety and Respect Guidelines page 12 Selected Resources pages 13, 14 Film and Curriculum Evaluation page 15 2 NEVER GIVE UP! Ama’s Journey to Freedom on the Underground Railroad CONTEMPORARY ISSUES — In the Never Give Up! Film 1) Slavery is a topic that often makes students uncomfortable because of the difficult nature of the subject matter. African American and white students may feel particularly uneasy because there’s often a narrow representation of each race as either victim or oppressor. 2) It can be difficult for students to understand slavery’s brutal effect on people through textbook study alone. 3) Students may not have reflected on the gender-specific ways in which enslaved people were treated. 4) The interracial, collaborative nature of the Underground Railroad is not always highlighted. OBJECTIVES • Students will learn powerful, inspiring everyday ways in which enslaved people, including enslaved young people, courageously resisted slavery.
    [Show full text]
  • SHARON HOWARD-FIELD 1 Casting Director
    SHARON HOWARD-FIELD 1 Casting Director EMPLOYMENT HISTORY: • Howard-Field Casting, (Los Angeles, London & Europe) 1993-2014 • Director of Feature Casting, Warner Bros. Studios, Los Angeles 1989-1993 • Howard-Field Casting ( London & Europe) 1983-1989 • Casting & Project Consultant RKO, London operations 1983-1985 • Associate Casting Director Royal Shakespeare Company, London 1977-1983 • Production Assistant to director/producer Martin Campbell, London 1975-1977 • Assistant to writer, Tudor Gates, Drumbeat Productions, London 1975-1977 FILMS CURRENTLY IN DEVELOPMENT FOR 2014/15: AMOK – Director: Kasia Adamik. Screenplay: Richard Karpala. Executive producer: Agnieszka Holland. Producers: Beata Pisula, Debbie Stasson - in development for spring 2015 WALKING TO PARIS – Director: Peter Greenaway, Producer: Kees Kasander and Julia Ton. Scheduled to commence pp February 2015 in Romania, Switzerland and France. THE WORLD AT NIGHT – Director: TBC. Screenplay: William Nicholson. Producer: Vanessa van Zuylen, (VVZ Presse, Paris, France), Matthias Ehrenberg, Jose Levy, (Cuatro Films Plus) Ibon Cormenzana, (Arcadia Motion Pictures), – in development to shoot Argentina and France Spring 2015. Daniel Bruhl attached. RACE – In association with Suzanne Smith Casting. Director: Stephen Hopkins. Filming Berlin and Canada, September 2014. Casting a selection of cameo roles from the UK AMERICAN MASSACRE – Director: TBC Producer: Emjay Rechsteiner (Staccato Films); Executive Producer: Harris Tulchin - in development for Spring 2015, shooting New Zealand and Canary Islands LITTLE SECRET (Pequeno Segredo) – Director: David Schurmann; Writer: Marcos Bernstein; Producers: Matthias Ehrenberg (Cuatro Films Plus), Joao, Roni (Ocean Films, Brazil), Emma Slade (Fire Fly Films, NZ), Barrie Osborn – in development to shoot Brazil, October 2014. Finnoula Flanagan attached THE BAY OF SILENCE: - Director: Mark Pellington; Screenwriter & Producer: Caroline Goodall, Executive Producer: Peter Garde.
    [Show full text]
  • Theatre Australia Historical & Cultural Collections
    University of Wollongong Research Online Theatre Australia Historical & Cultural Collections 11-1977 Theatre Australia: Australia's magazine of the performing arts 2(6) November 1977 Robert Page Editor Lucy Wagner Editor Bruce Knappett Associate Editor Follow this and additional works at: https://ro.uow.edu.au/theatreaustralia Recommended Citation Page, Robert; Wagner, Lucy; and Knappett, Bruce, (1977), Theatre Australia: Australia's magazine of the performing arts 2(6) November 1977, Theatre Publications Ltd., New Lambton Heights, 66p. https://ro.uow.edu.au/theatreaustralia/14 Research Online is the open access institutional repository for the University of Wollongong. For further information contact the UOW Library: [email protected] Theatre Australia: Australia's magazine of the performing arts 2(6) November 1977 Description Contents: Departments 2 Comments 4 Quotes and Queries 5 Letters 6 Whispers, Rumours and Facts 62 Guide, Theatre, Opera, Dance 3 Spotlight Peter Hemmings Features 7 Tracks and Ways - Robin Ramsay talks to Theatre Australia 16 The Edgleys: A Theatre Family Raymond Stanley 22 Sydney’s Theatre - the Theatre Royal Ross Thorne 14 The Role of the Critic - Frances Kelly and Robert Page Playscript 41 Jack by Jim O’Neill Studyguide 10 Louis Esson Jess Wilkins Regional Theatre 12 The Armidale Experience Ray Omodei and Diana Sharpe Opera 53 Sydney Comes Second best David Gyger 18 The Two Macbeths David Gyger Ballet 58 Two Conservative Managements William Shoubridge Theatre Reviews 25 Western Australia King Edward the Second Long Day’s Journey into Night Of Mice and Men 28 South Australia Annie Get Your Gun HMS Pinafore City Sugar 31 A.C.T.
    [Show full text]
  • The Teacher's Guide
    QUESTION BRIDGE CURRICULUM FOR GRADES 9-12 MODULE 4 – THE BLACK EXPERIENCE “AM I THE ONLY ONE WHO HAS A PROBLEM EATING CHICKEN, WATERMELON, AND BANANAS IN FRONT OF WHITE PEOPLE?” THE TEACHER’S GUIDE Question Bridge: Black Males was conceived by Chris Johnson. The project was created by Chris Johnson and Hank Willis Thomas, in collaboration with Bayete Ross-Smith and Kamal Sinclair. The Executive Producers are Delroy Lindo and Deborah Willis. Question Bridge Curriculum written by Kamal Sinclair in consultation with Question Bridge Collaborators, Education Consultant Jinan Sumler, and scholarship advisors Dr. Joy Angela DeGruy and Dr. Deborah Willis. Question Bridge: Black Males is a fiscally sponsored project of the Bay Area Video Coalition and supported in part by a grant from the Open Society Institute: Campaign for Black Male Achievement, the Tribeca Film Institute, the LEF Foundation, the Center for Cultural Innovation, and the California College of the Arts. Question Bridge, LLC Copyright 2011 MODULE 4: THE BLACK EXPERIENCE ART PROJECT QUESTION: “AM I THE ONLY ONE WHO HAS A PROBLEM EATING CHICKEN, WATERMELON, AND BANANAS IN FRONT OF WHITE PEOPLE?” ESSENTIAL QUESTION “How do we create equitable environments of inclusion in a diverse society, both within and between identity groups?” LEARNING GOALS Students will explore the dynamics of familiarity among members of a demographic group. LEARNING OBJECTIVES Engage in weekly dialogue with their peers. Apply critical thinking skills to daily routines. Write about complex issues related to race, gender, and class. REQUIREMENTS Before delivering Module 4, you must deliver the Introduction Module and administer the Pre- Curriculum Student Assessment (available at questionbridge.com) If this is the last Question Bridge Curriculum module you will deliver to this group of students, please administer the Post-Curriculum Student Assessment after completing the module.
    [Show full text]
  • The Problem Body Projecting Disability on Film
    The Problem Body The Problem Body Projecting Disability on Film - E d i te d B y - Sally Chivers and Nicole Markotic’ T h e O h i O S T a T e U n i v e r S i T y P r e ss / C O l U m b us Copyright © 2010 by The Ohio State University. All rights reserved. Library of Congress Cataloging-in-Publication Data The problem body : projecting disability on film / edited by Sally Chivers and Nicole Markotic´. p. cm. Includes bibliographical references and index. ISBN 978-0-8142-1124-3 (cloth : alk. paper)—ISBN 978-0-8142-9222-8 (cd-rom) 1. People with disabilities in motion pictures. 2. Human body in motion pictures. 3. Sociology of disability. I. Chivers, Sally, 1972– II. Markotic´, Nicole. PN1995.9.H34P76 2010 791.43’6561—dc22 2009052781 This book is available in the following editions: Cloth (ISBN 978-0-8142-1124-3) CD-ROM (ISBN 978-0-8142-9222-8) Cover art: Anna Stave and Steven C. Stewart in It is fine! EVERYTHING IS FINE!, a film written by Steven C. Stewart and directed by Crispin Hellion Glover and David Brothers, Copyright Volcanic Eruptions/CrispinGlover.com, 2007. Photo by David Brothers. An earlier version of Johnson Cheu’s essay, “Seeing Blindness On-Screen: The Blind, Female Gaze,” was previously published as “Seeing Blindness on Screen” in The Journal of Popular Culture 42.3 (Wiley-Blackwell). Used by permission of the publisher. Michael Davidson’s essay, “Phantom Limbs: Film Noir and the Disabled Body,” was previously published under the same title in GLQ: A Journal of Lesbian and Gay Studies, Volume 9, no.
    [Show full text]