Doves Type Font Free Download

Total Page:16

File Type:pdf, Size:1020Kb

Doves Type Font Free Download doves type font free download The Doves Type® In 2013, after three years of research and drawing, Robert Green released a facsimile font of the lost Doves Type through Typespec. However, following the acquisition of a greater range of archive material in 2014, Green began to update his digital version of the typeface. In order to create a definitive reproduction he decided that the original metal sorts, lying on the riverbed, would have to be examined. In 2016, Green undertook more work to improve the digital font for contemporary usage. This latest release of the updated Doves Type contains extended glyph coverage including small caps, together with both lining and tabular figures. Metrics have also been adjusted for 21st century usage. The original Doves Press type, cut for letterpress with its physical constraints and inherent quirks, contains spacing which would appear uncomfortable to modern eyes in web and litho applications. Click below to select the licence option you require and purchase the font for immediate download. Please note that if you’d like to arrange a more extensive licence please email us for a quote. VAT tax is only charged within the EU; orders placed outside the EU (e.g. USA) will automatically have VAT removed from their final transaction price. Buyers have the choice of paying with their own credit/debit card or via PayPal. Go to the main Doves Type page to see more images and road-test the font. Doves type font free download. TYPE DESIGN INFORMATION PAGE last updated on Thu Aug 12 15:22:43 EDT 2021. FONT RECOGNITION VIA FONT MOOSE. Doves Type [Thomas James Cobden-Sanderson] Doves Type was from Doves Press, founded in 1900 by Thomas J. Cobden-Sanderson (a disciple of William Morris) and Emery Walker. They had type based on Jenson. Thomas J. Cobden-Sanderson threw the typefaces in the Thames when the press closed in 1916 to prevent anyone from using it again. Ben Archer writes: although William Morris's Golden Type predated this design, it is thought that the Doves Type was more faithful to the design of the original Venetian type of the fifteenth century. Punches were cut by Edward Prince on the instructions of Walker and Cobden Sanderson in a single size and weight only, and used for printing the Doves Press edition of the Bible. This celebrated type was used privately for sixteen years and never released to the general trade. It was lost to history forever when Cobden Sanderson threw the entire font into the Thames river, provoking a bitter argument with his business partner, the master printer Emery Walker. Cobden-Sanderson was born in 1840 in Alnwick, Northumberland, and died in London in 1922. Doves Press Type (1994, Torbjörn Olsson). A six-font family. The Doves Type (2013-2015, Robert Green). Green writes: This is Robert Green's digital facsimile interpretation of the Doves Press Fount of Type, conceived and commissioned 1899 by TJ Cobden-Sanderson for the Doves Press, Hammersmith, developed by Emery Walker and Percy Tiffin at Walker and Boutall, Hammersmith, created and cut by Edward Prince, Islington, and cast by Miller & Richard Foundry, Edinburgh, 1899-1901. This facsimile was recreated using printed impressions from Doves Press publications & original metal sorts recovered by Robert Green from the River Thames, London, November 2014. In 2016, Alan Hayward (Lausanne, Switzerland) designed Mebinac, a text typeface based on Thomas James Cobden's Doves (1900). Raphaël Verona and Gaël Faure co-designed the commercial typeface Thames Capsule (2015-2016). EXTERNAL LINKS Doves Type [Designer info] Behance page MyFonts search Monotype search Fontspring search INTERNAL LINKS Extinct 20th century foundries ⦿ Type designers ⦿ Type designers ⦿ Type design in the United Kingdom ⦿ Venetian or antiqua typefaces ⦿ file name: Robert Green Doves Type 2013 2015 after T J Cobden Sandersen 1899 1901. file name: Robert Green Doves Type 2013 2015 after T J Cobden Sandersen 1899 1901b. file name: Robert Green The Doves Type 2013. file name: Alan Hayward Mebinac 2016f. file name: Alan Hayward Mebinac 2016g. file name: Alan Hayward Mebinac 2016h. file name: Alan Hayward Mebinac 2016i. file name: Alan Hayward Mebinac 2016j. file name: T J Cobden Sandersen Doves Type 1899 1901. file name: Gael Faure Raphael Verona Thames Capsule 2015. file name: Gael Faure Raphael Verona Thames Capsule 2015b. file name: Gael Faure Raphael Verona Thames Capsule 2015c. file name: Torbjorn Olsson Doves Press Type 1994 after T J Cobden Sandersen 1899 1901. file name: Torbjorn Olsson Doves Press Type 1994 after T J Cobden Sandersen 1899 1901b. file name: T J Cobden Sandersen Doves Type 1899 1901 Poster by Lewis Mc Guffie 2015. THE DOVES TYPE® ¶ Robert Green’s facsimile of the famous Doves Press typeface, a digital reconstruion devised using the original metal type salvaged in 2014 from London’s River Thames. THE DOVES PRESS WAS FOUNDED IN 1900 by T. J. Cobden-Sanderson, in partnership with photo-engraver Emery Walker, in Hammersmith, London. During nearly seventeen years of operation, the Doves Press produced some of the finest & most notable examples of twentieth century typography. The distinguishing & most celebrated feature of its books was a specially devised fount of metal type, known variously as Doves Roman, the Doves Press Fount of Type, or simply the Doves Type. When the partnership was formally dissolved in 1909, a settlement was proposed whereby the two men would share the type; Cobden-Sanderson could retain its exclusive use to continue printing Doves Press publications until his death, whereupon ownership would then pass to Walker. Nonetheless, after the Doves Press was closed in 1917, an epitaph appeared in the press’s final publication announcing that Cobden-Sanderson had ‘bequeathed’ the type to the bed of the River Thames. Read more about the Doves Type history. ¶ Recovering the sorts from the Thames & finessing the digital font: In 2013, after three years of research and drawing, Robert Green released a facsimile font of the lost Doves Type through Typespec. However, following the acquisition of a greater range of archive material in 2014, Green began to update his digital version of the typeface. In order to create a definitive reproduction he decided that the original metal sorts, lying on the riverbed, would have to be examined. In November 2014, the Port of London Authority’s diving team, directed by Robert, recovered 151 metal sorts from the Thames. A portion of this type has been donated to the Emery Walker Trust, where it is on display to the general public. In 2016, Green undertook more work to improve the digital font for contemporary usage. This latest release of the updated Doves Type contains extended glyph coverage including small caps, together with both lining and tabular figures. Metrics have also been adjusted for 21st century usage. The original Doves Press type, cut for letterpress with its physical constraints and inherent quirks, contains spacing which would appear uncomfortable to modern eyes in web and litho applications. Soiled Doves Font. Use the text generator tool below to preview Soiled Doves font, and create appealing text graphics with different colors and hundreds of text effects. Font Tags. Search. :: You Might Like. About. Font Meme is a fonts & typography resource. The "Fonts in Use" section features posts about fonts used in logos, films, TV shows, video games, books and more; The "Text Generator" section features simple tools that let you create graphics with fonts of different styles as well as various text effects; The "Font Collection" section is the place where you can browse, filter, custom preview and download free fonts. Two Turtle Doves Font. Use the text generator tool below to preview Two Turtle Doves font, and create appealing text graphics with different colors and hundreds of text effects. Font Tags. Search. :: You Might Like. About. Font Meme is a fonts & typography resource. The "Fonts in Use" section features posts about fonts used in logos, films, TV shows, video games, books and more; The "Text Generator" section features simple tools that let you create graphics with fonts of different styles as well as various text effects; The "Font Collection" section is the place where you can browse, filter, custom preview and download free fonts..
Recommended publications
  • Introduction by the Editor
    INTRODUCTION BYTHE EDITOR HEN Dante Gabriel Rossetti, Edward Burne- Jones, William Morris, and some fellow-artists painted on the damp walls of the Oxford Un- ion debating hall in 1857, their ignorance of fresco technique led them to produce haunt- ing images of the Middle Ages which, in ghostly fashion, began to fade almost immedi- ately; but the more permanent legacy of this episode was a body of richly revealing anecdotes about the Pre- Raphaelites themselves. Burne-Jones, for example, recalled that Mor- ris was so fanatically precise about the details of medieval costume Figure 1 that he arranged for "a stout little smith" in Oxford to produce a suit of armor which the painters could use as a model. When the basinet arrived, Morris at once tried it on, and Burne-Jones, working high above, looked down and was startled to see his friend "embedded in iron, dancing with rage and roaring inside" because the visor would not lift.1 This picture of Morris imprisoned and blinded by a piece of medie- val armor is an intriguing one: certainly it hints at an interpretation of his career that is not very flattering. But we ought to set alongside it another anecdote, from the last decade of Morris's life, the symbol- ism of which seems equally potent. Early in November 1892, young Sydney Cockerell, recently hired by Morris to catalogue his incunab- ula and medieval manuscripts, spent the entire day immersed in that remote age while studying materials in Morris's library. As evening approached, he emerged again into the nineteenth century (or so he thought) and climbed the staircase of Kelmscott House: "When I went up into the drawing room to say goodnight Morris and his wife were playing at draughts, with large ivory pieces, red and white.
    [Show full text]
  • 52Nd California International Antiquarian Book Fair List
    52nd California International Antiquarian Book Fair List February 8 thru 10, 2019 John Howell for Books John Howell, member ABAA, ILAB, IOBA 5205 ½ Village Green, Los Angeles, CA 90016-5207 310 367-9720 www.johnhowellforbooks.com [email protected] THE FINE PRINT: All items offered subject to prior sale. Call or e-mail to reserve, or visit us at www.johnhowellforbooks.com, where all the items offered here are available for purchase by Credit Card or PayPal. Checks payable to John Howell for Books. Paypal payments to: [email protected]. All items are guaranteed as described. Items may be returned within 10 days of receipt for any reason with prior notice to me. Prices quoted are in US Dollars. California residents will be charged applicable sales taxes. We request prepayment by new customers. Institutional requirements can be accommodated. Inquire for trade courtesies. Shipping and handling additional. All items shipped via insured USPS Mail. Expedited shipping available upon request at cost. Standard domestic shipping is $ 5.00 for a typical octavo volume; additional items $ 2.00 each. Large or heavy items may require additional postage. We actively solicit offers of books to purchase, including estates, collections and consignments. Please inquire. This list prepared for the 52nd California International Antiquarian Book Fair, coming up the weekend of February 4 thru 11, 2019 in Oakland, California, contains 36 items including fine press material, leaf books, typography, and California history. Look for me in Booth 914, for more interesting material. John Howell for Books !3 1 [Ashendene Press] ASSISI, Francesco di (1181-1226). I Fioretti del Glorioso Poverello di Cristo S.
    [Show full text]
  • Fine Printing & Illustration
    Fine Printing & Illustration ¶ Item 68. Jones (David). Coleridge (Samuel Taylor). The Rime of the Ancient Mariner. Modern Fine Printing & Illustration Catalogue 1484. Maggs Bros Ltd 48 Bedford Square London 2018 Wood-engraving by Simon Brett of the keystone above the front door at 48 Bedford Square, reproduced here in memory of Cobden-Sanderson’s sacrifice of his type to theThames. Front endpapers: Item 64. Henry (Avril K.). Toys. Back endpapers: Item 3.The endpapers for Donald Glaister's binding of the Ashendene Boccaccio. Maggs Bros Ltd., 48 Bedford Square, London WC1B 3DR Contents of Catalogue The William Lang Doves Press collection. 1. Margaret Adams calligraphic album. 2. Art Workers’ Guild. Sketches made on Lithography Night. 1905. 3–7. Ashendene Press. 8. Edward Bawden. How to Make Money. c. 1929. 9. Aubrey Beardsley. The Pierrot of the Minute. 1897 10 & 11. Ian Beck. Fugitive Lyrics. 2013. 12. Edward Burne-Jones. Mezzotint, signed, of Pan and Psyche. 1887. 13. Michael Caine. Lament for Ignacio Sanchez mejias. 1995. 14–16. Corvinus Press. Three rare T.E. Lawrence books. 17–19. Cresset Press. 20. Nancy Cunard, John Banting, John Piper, Ithell Colquhoun and others. Salvo for Russia. 1942. 21–22. Doves Press. 23. Eragny Press. Les Ballades de Villon. 1900. 24–26. Essex House Press. 27. Fleece Press. To the War with Paper & Brush. 2007. 28–30. Robert Gibbings. 31–36. Eric Gill. 37–54. Golden Cockerel Press. 55–61. Gregynog Press. 63. Temporary Culture. Forever Peace: To Stop War. 64. Avril Henry. Original illustrated manuscript of Toys. 65. High House Press. A Marriage Triumph.
    [Show full text]
  • The Auchincloss Collection of Fine Printing & Press Books
    The Auchincloss Collection of Fine Printing & Press Books Catalogue o ne: a–D SoPhie SChneidemAn RARe BookS item 5 THE KENNETH AUCHINCLOSS COLLECTION OF FINE PRINTING & PRESS BOOKS catalogue one: a–d Including works from the allen, arion, ashendene, Barbarian, Bird & Bull, Bremer, Chamberlain, Colt, Cresset, Curwen & Doves Presses, as well as books illustrated and designed by thomas Bewick and W. a. Dwiggins SOPHIE SCHNEIDEMAN RARE BOOKS london If you are interested in buying or selling rare books, need a valuation or just hon- est advice please contact me at: SCHNEIDEMAN GALLERY open by appointment 7 days a week or by chance – usually Mon–Fri 11–2.30 331 Portobello Road, london W10 5Sa 020 8354 7365 07909 963836 [email protected] www.ssrbooks.com we are proud to be a member of the aba, pbfa & ilab and are pleased to follow their codes of conduct Prices are in sterling and payment to Sophie Schneideman Rare Books by bank transfer, cheque or credit card is due upon receipt. all books are sent on approval and can be returned within 10 days by secure means if they have been wrongly or inadequately described. Postage is charged at cost. eu members, please quote your vat/tva number when ordering. the goods shall legally remain the property of Sophie Schneideman Rare Books until the price has been discharged in full. Images of all the books are available on request and will be on the website 2 weeks after the catalogue has arrived. Set in emerson [designed by Joseph Blumenthal] and Sistina [designed by Hermann Zapf ] types.
    [Show full text]
  • Books of the Fine and Private Presses a Catalogue from Buddenbrooks January, 2020
    Books of the Fine and Private Presses A Catalogue from Buddenbrooks January, 2020 (617) 536-4433 - 1 - [email protected] Fine & Private Press Books Cover illustration is adapted from an image in items 16 & 17. To order from this catalogue please contact us by phone, fax or email, or online at buddenbrooks.com BUDDENBROOKS 21 Pleasant Street, On the Courtyard Newburyport, MA. 01950, USA (617) 536-4433 F: (978) 358-7805 [email protected] or [email protected] www.Buddenbrooks.com TERMS l Prices are net; postage and insurance are extra. l All books are offered subject to prior sale. l Bookplates and previous owners' signatures are not noted unless particularly obtrusive. l We respectfully request that payment be included with orders. l Massachusetts residents are requested to include 6.25% sales tax. l All books are returnable within ten days. We ask that you notify us by phone or fax in advance if you are returning a book. l We offer deferred billing to institutions in order to accomodate budgetary requirements. l Prices are subject to change without notice and we cannot be responsible for misprints or typographical errors. We invite you to search for books via our on-line listings at www.buddenbrooks. com. Please remember only a fraction of our inventory is listed at any time. If you are looking for something and you don't find it on-line, please call us to check our full listings or to take advantage of our Search Department. America's Award Winning Bookseller Buddenbrooks has one of the finest selections of fine and rare books in a number of fields, but we are happy to find any books, old or new, for our customers.
    [Show full text]
  • Illustrated Books, Fine Press Books, Fine Bindings, and Books About
    The Book BeauTiful: Illustrated Books, Fine Press Books, Fine Bindings, and Books About Books “If the Book Beautiful may be beautiful by virtue of its writing or printing or illustration, it may also be beautiful, be even more beautiful, by the union of all to the production of one composite whole, the consummate Book Beautiful. Here the idea to be communicated by the book comes first, as the thing of supreme importance. Then comes in attendance upon it, striving for the love of the idea to be itself beautiful, the written or printed page, the decorated or decorative letters, the pictures, set amid the text, and finally the binding, holding the whole in its strong grip and for very love again itself becoming beautiful because in company with the idea. “This is the supreme Book Beautiful or Ideal Book, a dream, a symbol of the infinitely beautiful in which all things of beauty rest and into which all things of beauty do ultimately merge.” —Thomas J. Cobden-Sanderson, co-founder of the Doves Press, in his treatise The Ideal Book or Book Beautiful, published in 1900, item 27. Illustrated Books auBrey Beardsley “His Strongest Illustrations”: Beardsley’s King Arthur, His First Illustrated Book— An Outstanding Copy In Original Parts 1. (BEARDSLEY, Aubrey) MALORY, Thomas. The Birth, Life and Acts of King Arthur, Of His Noble Knights of the Round Table. London, 1893-94. Twelve parts. Quarto, original gray pictorial wrappers, uncut and partially unopened; custom chemise and half morocco slipcase. $12,500. The Book Beautiful: First edition, “superior issue,” of Aubrey Beardsley’s magnificently illustrated version of Malory’s masterpiece, one of only 300 copies on handmade Dutch paper, with 15 full-page and five double-page illustrations, as well as over 20 rubricated initials, over 40 borders and nearly 300 in-text decorations throughout.
    [Show full text]
  • The New York International Antiquarian Book Fair - 2017
    BUDDENBROOKS AT The New York International Antiquarian Book Fair - 2017 Visit Us in Booth C23 March 9 - 12, 2017 21 Pleasant Street On the Courtyard Newburyport, MA. 01950, USA Boston MA. 02116 - By Appointment (617) 536-4433 F: (978) 358-7805 [email protected] or [email protected] www.Buddenbrooks.com Newburyport - Boston - Mount Desert Island De Civitate Dei - An Extremely Early Printing - Rome 1474 The Press of Ulrich Han - The First Active Printer in Rome The City of God - St. Augustine - The Efficacy of Grace With Fine Provenance - Beautifully Decorated 1 [St. Augustine]. Augustini, Aureliii Hipponen. DE CIVITATE DEI (Rome: Ulrich Han (Gallus) and Simon Nicolai Chardella, 1474, Feb. 4) A Rare Incunable Printing, the first printing by Ulrich Han in Rome, of this landmark text, and only the fifth printing overall. A rare and an unusually early printing of this great work. With Excellent Provenance. The open- ing leaf with magnificent illuminated gilt initial “I”, 15 lines tall on a field of blue, red and green and with further scroll and intertwined vine work extending across the top and down two-thirds of the page in red, blue, green, brown and burnished in gold, a second 9 line gilt initial “G”, on a field of green, blue, red and gilt, enclosed in a green box, further gold and black embellishments and a Visconti Biscione, coat of arms of the Duchy of Milan, from the era of the House of Sforza, (likely the fifth or sixth Duke) at the foot in green blue and red. Further rubricated throughout with large initials in blue and red.
    [Show full text]
  • [ALLEN PRESS]. the Book of Genesis. King James 5
    1. [ALLEN PRESS]. The Book of Genesis. King James 5. [ARION PRESS]. Stevens, Wallace. Poems. Selected and Bible. (Kentfield, CA), 1970. Quarto. (110)pp. One of 140 cop- with an Introduction by Helen Vendler. San Francisco, 1985. Oc- ies. Illustrated with twenty-four wood engravings by Blair Hughes- tavo. 252pp. One of 326 copies, each with a frontispiece etching Stanton. Hebrew characters act as headings on each page and are signed by the artist, Jasper Johns. To commemorate the thirtieth an- sentences from Chapter One of Genesis, with Hebrew lettering niversary of the poet’s death, Helen Vendler selected 122 of his po- forming the word “Genesis” in green next to every heading. Beauti- ems. She described Jasper Johns’s etching as “a modern version of fully printed by Lewis and Dorothy Allen in brown, orange, and the Melancholia of Dürer—the same sense of fallen emblems and green inks on handmade paper. Considered one of the most beau- disturbed man, perfect for Stevens.” Lower corners a bit rubbed, tiful books of the Press. Spine a trifle sunned, else a fine copy in else fine in quarter blue morocco. Prospectus laid in. (Bibliography green and gold hand-blocked cloth of Iranian design, in a cloth- of the Arion Press 17). $3,500 covered slipcase. (Allen Press Bibliography 35). $1,350 THE LAST GREAT ASHENDENE FOLIO 2. [ANVIL PRESS]. Poems by Li Po. (Lexington, KY, 1983). Two quarto volumes. 72; 17pp. One of 150 copies. De- 6. [ASHENDENE PRESS]. History of the Peloponnesian signed and printed by Carolyn Hammer, with the assistance of W.
    [Show full text]
  • Doves Press Collection of Professor Tom Simone
    THE DOVES PRESS COLLECTION OF PROFESSOR TOM SIMONE Collinge & Clark 13 Leigh Street London WC1H 9EW United Kingdom 0044 (0) 20 7287 7105 http://www.collingeandclark.co.uk [email protected] The items in this catalogue are offered at nett U.S. dollar prices for cash upon receipt. Postage and insurance for books in transit are extra and new customers may be requested to pay against pro forma invoices. In respect of condition, every effort has been made to collate and describe the books accurately, but satisfaction is of course guaranteed. This means, unequivocally, that any book may be returned if it does not fulfil expectations provided that return is made within a reasonable time. Customers are reminded that shop opening hours are 11.00 to 6.30 weekdays and 11.00 to 3.30 Saturdays. In extremis, my mobile number is 07906 933352. NOTE A century ago T.J. Cobden-Sanderson famously threw the types and matrices of the Doves Press into the River Thames at Hammersmith Bridge. This act, which had been in his mind for some six years was illegal as the types were the property of his former partner Emery Walker. After his death, in 1922 the matter led to a protracted lawsuit with his widow Annie which, after the intervention of friends, was finally settled out of court. The whole saga of the ‘Doves Face Roman’ was a curious episode in the English Arts and Crafts movement. William Morris’s ‘Golden’ type lay treasured in the British Museum, Charles Ricketts’ ‘Vale’ and ‘Avon’ types already rested upon the bottom of the Thames at Hammersmith and no one has ever made an attempt to recover those, but the Doves types, just like the Doves Bindery bindings, were venerated perfect.
    [Show full text]
  • Vellum Printing). (Essex House Press
    PHILLIP J. PIRAGES 2016 Holiday Catalogue 2016 Holiday Catalogue: Featuring Fine Books on Various Subjects, From the 15th - 20th Centuries With a Small Selection of Single Printed and Manuscript Leaves Please send orders and inquiries to the above physical or electronic addresses, and do not hesitate to telephone at any time. We would be happy to have you visit us, but please make an appointment so that we are sure to be here. In addition, our website is always open. Prices are in American dollars. Shipping costs are extra. Please note that our street address has changed. Our office is now located at 1709 NE 27th Street, Suite G, McMinnville, OR 97128. Our post office box and telephone numbers remain the same. We try to build trust by offering fine quality items and by striving for precision of description because we want you to feel that you can buy from us with confidence. As part of this effort, we want you to understand that your satisfaction is unconditionally guaranteed. If you buy an item from us and are not satisfied with it, you may return it within 30 days of receipt for a refund, so long as the item has not been damaged. Significant portions of the text of this catalogue were written by Cokie Anderson and Kaitlin Manning. Kait is also responsible for the photographs and layout. Essential supporting assistance has been provided by Tammy Opheim. We are pleased and grateful when you pass on our catalogue to somebody else and when you let us know of other parties to whom we might send our publications.
    [Show full text]
  • Thomas James Cobden-Sanderson: a Study Based on His Journals
    Syracuse University SURFACE The Courier Libraries Summer 1974 Thomas James Cobden-Sanderson: A Study Based on His Journals Elizabeth Mozley Follow this and additional works at: https://surface.syr.edu/libassoc Part of the History of Art, Architecture, and Archaeology Commons Recommended Citation Mozley, Elizabeth. "Thomas James Cobden-Sanderson: A Study Based on His Journals." The Courier 11.3 (1974): 21-37. This Article is brought to you for free and open access by the Libraries at SURFACE. It has been accepted for inclusion in The Courier by an authorized administrator of SURFACE. For more information, please contact [email protected]. ChapterXlII. naUblithe beholdeth the woman who lo\'eth him fit' fit' acon the morrow the men arose, &1 the Sta­ eagle and his damed came to naUblithe; for B the other two dameelewmdeparted,and the William Morris, The Glittering Plain, p. 84. THE COURIER SYRACUSE UNIVERSITY LIBRARY ASSOCIATES VOLUME XI, NUMBER 3 Table of Contents SUMMER 1974 Page The William Morris Collection at Syracuse University 3 Thomas James Cobden-Sanderson: A Study Based on His Journals Elizabeth Mozley 21 From the Collector's Library: Swinburne in Miniature John S. Mayfield 39 Codex A tlanticus Carol Hanley 41 News of the Library and Library Associates 44 Thomas James Cobden-Sanderson: A Study Based on His Journals ~ by Elizabeth Mozley . ~{®'he revival of fine bookmaking in England during the last decades of the nineteenth century is well represented in the collection at the George Arents Research Library at Syracuse Uuiversity. The excellent work of the private presses became a major expression of the Arts and Crafts movement, led by William Morris and his Kelmscott Press.
    [Show full text]
  • Phillip J. Pirages Catalogue 64
    Phillip J. Pirages PHILLIP J. PIRAGES Catalogue Sixty-four Incunabula and Private Press Books Catalogue 64 Items Pictured on the Front Cover 16 164 7 12 104 24 19 12 169 25 113, 137 11 126 Items Pictured on the Back Cover 112 28 138 8 21 217 109 216 218 171 127 215 219 121 167 17 4 To identify items on the front and back covers, lift this flap up and to the right, then close the cover. Incunabula and the Private Press Books they Inspired Catalogue 64: Incunabula and the Private Press Books they Inspired Please send orders and inquiries to the above physical or electronic addresses, and do not hesitate to telephone at any time. We would be happy to have you visit us, but please make an appointment so that we are sure to be here. In addition, our website is always open. You can click here to go to www.pirages.com. You can also click on any of the blue underlined item code hyperlinks appearing at the very end of our descriptions, and if the item is available, the link will take you to that item on our website. Prices are in American dollars. Shipping costs are extra. We try to build trust by offering fine quality items and by striving for precision of description because we want you to feel that you can buy from us with confidence. As part of this effort, we want you to understand that your satisfaction is unconditionally guaranteed. If you buy an item from us and are not satisfied with it, you may return it within 30 days of receipt for a refund, so long as the item has not been damaged.
    [Show full text]