“Nate” Champion
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Pioneer Post Summer 2014 Edition Newsletter of the Wyoming Pioneer Association
Pioneer Post Summer 2014 Edition Newsletter of the Wyoming Pioneer Association Wyoming Old Timers, 1914 Est. in Wyoming Territory in 1884 who lived in Wyoming prior to 1857 at a rate of $10. Those who Incorporated in 1926 became residents after July 10, 1890, the day Wyoming earned statehood, were charged $15 for their annual membership. They continued to meet every year at the State Fair. The term ‘Old Timers’ has been defined by some as “including only those Old Timers group turns 100 years old who personally had a part in bringing the Territory into State- Wyoming’s Old Timer’s Association, the predecessor group to hood.” the Wyoming Pioneer Association, was created 100 years ago in Beyond the forming of the Old Timers, the Wyoming State 1914. Members of the organization, instrumental in helping Wyo- Fairgrounds was bustling with action in 1914. Hereford cat- ming earn statehood, had been meeting in a less formal capacity tle largely filled the cattle barn and Clydesdales and Perche- since 1884. rons were among the exhibits. According to WyomingTale- Colorful characters, numbering 273 and from all across Wyo- sandTrails.com, H. “Captain Jim” Cook attended the fair with a ming, were in Douglas for the event. Registrants noted their name, group of Native Americans from Pine Ridge. Cook was known the year they arrived in Wyoming, where they lived and their occu- for his service as a guide on the northern plains and as manager pation. The earliest came in 1855 and some of the occupations of the WS Ranch, made famous for hiring Butch Cassidy and were field musician, U.S. -
Women Cattle Drovers Discussion (Oct 1996)
H-Women Women Cattle Drovers Discussion (Oct 1996) Page published by Kolt Ewing on Thursday, June 12, 2014 Women Cattle Drovers Discussion (Oct 1996) Query from Heather Munro Prescott Prescott @ccsua.ctstateu.edu 23 Oct 1996 A student asked me whether it was true that women were used as cattle drivers in the nineteenth century West. I told her I had never heard of this. Is it true? Query X-Posted to H-West Responses: >From Stan Gibson [email protected] 24 Oct 1996 ...I think the answer depends on what is meant by "cattle driving." IMHO, 19c women on the ranges were usually too smart to get entangled in long drives to shipping or sale points--if they did so, they probably were also too smart to boast about it, especially when they were aware of the hardscrabble wages offered. As for the 19c cowmen, there wasn't much reason to note the roles played by their unpaid womenfolks. Moving cattle from summer to winter pasture, and other short drives, however, were undoubtedly common--and probably acceptable--chores for ranchers' wives, daughters, and perhaps even the odd girlfriend. It must have been nice change from heating water on woodstoves, separating and churning, giving birth without nitrous oxide or spinal blocks, and just generally being "useful" back at the ranch. A day or two in the saddle, even today, is fun--and, from my observations recently, still fairly common on western ranches. I have also noted that the well-praised western male courtliness can have its limits, depending on the circumstances. -
Oklahoma Territory Inventory
Shirley Papers 180 Research Materials, General Reference, Oklahoma Territory Inventory Box Folder Folder Title Research Materials General Reference Oklahoma Territory 251 1 West of Hell’s Fringe 2 Oklahoma 3 Foreword 4 Bugles and Carbines 5 The Crack of a Gun – A Great State is Born 6-8 Crack of a Gun 252 1-2 Crack of a Gun 3 Provisional Government, Guthrie 4 Hell’s Fringe 5 “Sooners” and “Soonerism” – A Bloody Land 6 US Marshals in Oklahoma (1889-1892) 7 Deputies under Colonel William C. Jones and Richard L. walker, US marshals for judicial district of Kansas at Wichita (1889-1890) 8 Payne, Ransom (deputy marshal) 9 Federal marshal activity (Lurty Administration: May 1890 – August 1890) 10 Grimes, William C. (US Marshal, OT – August 1890-May 1893) 11 Federal marshal activity (Grimes Administration: August 1890 – May 1893) 253 1 Cleaver, Harvey Milton (deputy US marshal) 2 Thornton, George E. (deputy US marshal) 3 Speed, Horace (US attorney, Oklahoma Territory) 4 Green, Judge Edward B. 5 Administration of Governor George W. Steele (1890-1891) 6 Martin, Robert (first secretary of OT) 7 Administration of Governor Abraham J. Seay (1892-1893) 8 Burford, Judge John H. 9 Oklahoma Territorial Militia (organized in 1890) 10 Judicial history of Oklahoma Territory (1890-1907) 11 Politics in Oklahoma Territory (1890-1907) 12 Guthrie 13 Logan County, Oklahoma Territory 254 1 Logan County criminal cases 2 Dyer, Colonel D.B. (first mayor of Guthrie) 3 Settlement of Guthrie and provisional government 1889 4 Land and lot contests 5 City government (after -
Press Release
balzer projects PRESS RELEASE Brian Duggan | The Last Day Diary Redux Season Opening – 4 September 2015 The exhibition lasts until 15th October, 2015 (Finissage 17-19h) balzer projects , Wallstrasse 10 , 4051 Basel, Switzerland http://balzerprojects.com balzer projects is pleased to present The Last Day Diary Redux, a new exhibition by Irish artist Brian Duggan. After already having shown solo projects with the gallery internationally (Berlin, Rotterdam and Brussels), Duggan is now staging his first solo-show in Switzerland. The Last Day Diary Redux expands upon the artist’s larger body of work regarding community, citi- zenship and resistance. His new installation is the latest in a series of works exploring a set of events from the Johnson County War, Wyoming in 1892. Duggan’s new work is an examination of crisis and chaos, hope and despair and a poetic acknowledgement of the inevitable. The installation, The Last Day Diary Redux is inspired by a specific historical relic, namely a letter (the diary) written by Nathan D. Champion. After having been falsely accused by a wealthy member of the Wyoming Stock Gro- wers Association of being a cattle thief, Champion was murdered by a band of hit men. On the day of the siege of his cabin, Champion wrote a letter – The Last Day Diary – which became a poignant testament of a person in crisis and the last hours he spent surrounded This new gallery installation re-examines both elements from the history of these events, and also its cinematic staging and retelling. It is a powerful, yet contemplative work, which draws parallels to contemporary issues of immigration and power, and the situations and pressures between those with food, cattle and land, and those without. -
Major Wolcott's List of Guns Used by the Johnson County War Invaders
Major Wolcott's List of Guns Used by the Johnson County War Invaders The Johnson County War took place in Wyoming in April of 1892. In essence, a group of powerful Wyoming cattlemen created a "Death List" of small ranchers, cowboys and others they considered a hindrance to large scale ranching interests. These cattlemen belonged to the "Cheyenne Club" and included the political, social and economic elite of Wyoming. They included the governor, United States senators, judges, powerful business men, newspaper owners, etc. Not a group any small rancher or cowboy would want to buck heads against. In early April, 1892 these cattlemen staged an invasion of Johnson County and started to look for men on the Death List. They hired Texas gunmen, travelled on a special train, and outfitted in Cheyenne and Casper. Then they moved north into Johnson County. They managed to surround and kill Nick Ray and Nate Champion at the KC Ranch. They then headed toward Buffalo, where many other men on the Death List were known to be located. The men in the county were alerted by this time, however, and the invaders were themselves besieged at the TA Ranch, near Buffalo. They were pinned down for two days until the invader's friends got President Benjamin Harrison to declare a state of insurrection in Johnson County and have the Army put a stop to the fighting. As part of the surrender, the invaders turned in all their arms and equipment to the Army. Major Wolcott, as unofficial leader of the group made a list of these arms and provided it to the government. -
Guide to Wyoming and the West Collections
American Heritage Center University of Wyoming Guide to Wyoming and the West Collections Compiled By Rick Ewig, Lori Olson, Derick Hollingsworth, Renee LaFleur, Carol Bowers, and Vicki Schuster (2000) 2013 Version Edited By: Tyler Eastman, Andrew Worth, Audrey Wilcox, Vikki Doherty, and Will Chadwick (2012-2014) Introduction The American Heritage Center (AHC) is the University of Wyoming’s (UW) repository for historical manuscripts, rare books, and university archives. Internationally known for its historical collections, the AHC first and foremost serves the students and citizens of Wyoming. The AHC sponsors a wide range of scholarly and popular programs including lectures, symposia, and exhibits. A place where both experts and novices engage with the original sources of history, access to the AHC is free and open to all. Collections at the AHC go beyond both the borders of Wyoming and the region, and support a wide range of research and teachings activities in the humanities, sciences, arts, business, and education. Major areas of collecting include Wyoming and the American West, the mining and petroleum industries, environment and natural resources, journalism, military history, transportation, the history of books, and 20th century entertainment such as popular music, radio, television, and film. The total archival holdings of the AHC are roughly 75,000 cubic feet (the equivalent of 18 miles) of material. The Toppan Rare Books Library holds more than 60,000 items from medieval illuminated manuscripts to the 21st century. Subject strengths include the American West, British and American literature, early exploration of North America, religion, hunting and fishing, natural history, women authors, and the book arts. -
Transatlantica, 1 | 2020 Admirable Alterity on the Frontier: French Women’S Agency in the Hollywood We
Transatlantica Revue d’études américaines. American Studies Journal 1 | 2020 Conjunctions of the Literary and the Philosophical in Twentieth- and Twenty-First-Century American Writing Admirable Alterity on the Frontier: French Women’s Agency in the Hollywood Western (1931-1980) Lara Cox Electronic version URL: https://journals.openedition.org/transatlantica/15812 DOI: 10.4000/transatlantica.15812 ISSN: 1765-2766 Publisher Association française d'Etudes Américaines (AFEA) Electronic reference Lara Cox, “Admirable Alterity on the Frontier: French Women’s Agency in the Hollywood Western (1931-1980)”, Transatlantica [Online], 1 | 2020, Online since 01 December 2020, connection on 21 September 2021. URL: http://journals.openedition.org/transatlantica/15812 ; DOI: https://doi.org/ 10.4000/transatlantica.15812 This text was automatically generated on 21 September 2021. Transatlantica – Revue d'études américaines est mise à disposition selon les termes de la licence Creative Commons Attribution - Pas d'Utilisation Commerciale - Pas de Modification 4.0 International. Admirable Alterity on the Frontier: French Women’s Agency in the Hollywood We... 1 Admirable Alterity on the Frontier: French Women’s Agency in the Hollywood Western (1931-1980) Lara Cox Acknowledgements: I am grateful to James Stilley for his expertise on the sumptuous rug of Cimarron, and to Siham Bel, whose insight into the commercial workings of the film industry have been invaluable. 1 In February 2020, Le Monde film reviewer Mathieu Macheret remarked that David Perrault’s Western Savage State (L’État sauvage, 2019) was refreshing and novel. As Macheret observes, Savage State tells of the under-recognized history (“l’histoire trop méconnue”) of the French presence on the US Western frontier. -
Heavens Gate.P65
Heaven’s Gate Regie: Michael Cimino Land: USA 1980. Produktion: United Artists. Buch, Regie: Michael Cimino. Kamera: Vilmos Zsigmond. Ton: Richard W. Adams, James J. Klinger, Darin Knight, Tom McCarthy. Musik: David Mansfield, Johann Strauß (‘An der Schönen Blauen Donau’). Produktionsdesign: Tambi Larsen. Ausstattung: Spencer Deverill, Maurice Fowler, Jim Berkey, Josie MacAvin. Kostümentwürfe: Allen Highfill. Maske: Thomas R. Burman, Vern Caruso, Ken Chase, Thomas A. Hoerber, Mary Keats, Ben Nye, Jerry O’Dell. Special Effects: Jim Camomile, Stan Parks, Ken Pepiot, Sam Price, Kevin Quibell, Paul Stewart. Stunt-Koordination: Buddy Van Horn. Schnitt: Lisa Fruchtman, Gerald B. Greenberg, William Reynolds, Tom Rolf. Produzentin: Joann Carelli. Produktionsleitung: Denis O’Dell, Charles Okun, William Reynolds. Aufnahmeleitung: Bob Grand, Dennis O’Dell, Charles Okun, Peter Price. Darsteller: Kris Kristofferson (James Averill), Christopher Walken (Nathan D. Champion), John Hurt (Billy Irvine), Sam Waterston (Frank Canton), Brad Dourif (Mr. Eggleston), Isabelle Huppert (Ella Watson), Joseph Cotten (Rev. Doctor), Jeff Bridges (John H. Bridges), Ronnie Hawkins (Wolcott), Paul Koslo (Major), Geoffrey Lewis (Trapper), Richard Masur (Cully), Rosie Vela (schönes Mäd- chen), Mary Catherine Wright (Nell), Nicholas Woodeson (kleiner Mann), Stefan Shcherby (großer Mann), Waldemar Kalinowski (Photo- graph), Terry O’Quinn (Capt. Minardi), Jack Conley (Morrison), Margaret Benczak (Frau Eggleston), Jim Knobeloch (Kopestansky), Erika Petersen (Frau Kopestonsky), Tom Noonan (Jake), Marat Yusin (russischer Händler), Aivars Smits (Herr Kovach), Terry Sullivan (Gouver- neur von Wyoming), Jerry McGee (Heaven’s Gate Band), Cleve Dupin (Heaven’s Gate Band), Stephen Bruton (Heaven’s Gate Band), Sean Hopper (Heaven’s Gate Band), David Mansfield (Heaven’s Gate Band), T-Bone Burnett (Heaven’s Gate Band), u.v.a. -
Cody High Style Is High Fashion Contemporary Artist Jim Bama What
PW-FALL-07A 8/29/07 11:35 AM Page 1 BUFFALO BILL HISTORICAL CENTER I CODY, WYOMING I FALL 2007 Cody High Style is high fashion Contemporary artist Jim Bama What you didn’t know about the Johnson County War Yellowstone news PW-FALL-07A 8/29/07 11:35 AM Page 2 Director’s Desk © 2007 Buffalo Bill Historical Center. Written permission is required to copy, reprint, or distribute Points West materials in any medium or format. All photographs in Points West are BBHC photos unless otherwise noted. Questions about image rights and reproduction should be directed to Associate Registrar Ann Marie Donoghue at [email protected] or 307.578.4024. Bibliographies, works cited, and footnotes, etc. are purposely omitted to conserve space. However, such information is a vailable by contacting the editor. Address correspondence to Editor, Points West, Buffalo Bill Historical Center, 720 Sheridan Avenue, Cody, Wyoming 82414 or [email protected]. Senior Editor Mr. Lee Haines Managing Editor Ms. Marguerite House Copy Editors by Wally Reber. Ms. Lynn Pitet, Ms. Joanne Patterson, Ms. Nancy McClure Interim Director Designer Ms. Jan Woods–Krier/Prodesign Photography Staff Ms. Chris Gimmeson, Mr. Sean Campbell ith this issue of Points West, we bid farewell Book Reviews to Executive Director Dr. Robert E. Shimp. Dr. Kurt Graham Bob has safely arrived in Lexington, W Historical Photographs Kentucky, where he’s begun his well-deserved retirement. Ms. Mary Robinson; Ms. Megan Peacock As we here at the Buffalo Bill Historical Center (BBHC) Rights and Reproductions Ann Marie Donoghue search for a new director, we thank Bob for his five years Calendar of Events at the helm of the BBHC. -
Guide to Wyoming and the West Collections
American Heritage Center University of Wyoming Guide to Wyoming and the West Collections Compiled By Rick Ewig, Lori Olson, Derick Hollingsworth, Renee LaFleur, Carol Bowers, and Vicki Schuster (2000) 2013 Version Edited By: Tyler Eastman, Andrew Worth, Audrey Wilcox, Vikki Doherty, and Will Chadwick (2012-2014) Introduction The American Heritage Center (AHC) is the University of Wyoming’s (UW) repository for historical manuscripts, rare books, and university archives. Internationally known for its historical collections, the AHC first and foremost serves the students and citizens of Wyoming. The AHC sponsors a wide range of scholarly and popular programs including lectures, symposia, and exhibits. A place where both experts and novices engage with the original sources of history, access to the AHC is free and open to all. Collections at the AHC go beyond both the borders of Wyoming and the region, and support a wide range of research and teachings activities in the humanities, sciences, arts, business, and education. Major areas of collecting include Wyoming and the American West, the mining and petroleum industries, environment and natural resources, journalism, military history, transportation, the history of books, and 20th century entertainment such as popular music, radio, television, and film. The total archival holdings of the AHC are roughly 75,000 cubic feet (the equivalent of 18 miles) of material. The Toppan Rare Books Library holds more than 60,000 items from medieval illuminated manuscripts to the 21st century. Subject strengths include the American West, British and American literature, early exploration of North America, religion, hunting and fishing, natural history, women authors, and the book arts. -
Democracy and Capitalism in the American Western
University of Tennessee, Knoxville TRACE: Tennessee Research and Creative Exchange Doctoral Dissertations Graduate School 12-2006 Democracy and Capitalism in the American Western Michelle C. Greenwald University of Tennessee - Knoxville Follow this and additional works at: https://trace.tennessee.edu/utk_graddiss Part of the English Language and Literature Commons Recommended Citation Greenwald, Michelle C., "Democracy and Capitalism in the American Western. " PhD diss., University of Tennessee, 2006. https://trace.tennessee.edu/utk_graddiss/1947 This Dissertation is brought to you for free and open access by the Graduate School at TRACE: Tennessee Research and Creative Exchange. It has been accepted for inclusion in Doctoral Dissertations by an authorized administrator of TRACE: Tennessee Research and Creative Exchange. For more information, please contact [email protected]. To the Graduate Council: I am submitting herewith a dissertation written by Michelle C. Greenwald entitled "Democracy and Capitalism in the American Western." I have examined the final electronic copy of this dissertation for form and content and recommend that it be accepted in partial fulfillment of the requirements for the degree of Doctor of Philosophy, with a major in English. Charles J. Maland, Major Professor We have read this dissertation and recommend its acceptance: Mary Papke, Christine Holmlund, Lisi Schoenbach Accepted for the Council: Carolyn R. Hodges Vice Provost and Dean of the Graduate School (Original signatures are on file with official studentecor r ds.) To the Graduate Council: I am submitting herewith a dissertation written by Michelle C. Greenwald entitled “Democracy and Capitalism in the American Western.” I have examined the final electronic copy of this dissertation for form and content and recommend that it be accepted in partial fulfillment of the requirements for the degree of Doctor of Philosophy, with a major in English. -
Love in Western Film and Television This Page Intentionally Left Blank Love in Western Film and Television Lonely Hearts and Happy Trails
Love in Western Film and Television This page intentionally left blank Love in Western Film and Television Lonely Hearts and Happy Trails Edited by Sue Matheson LOVE IN WESTERN FILM AND TELEVISION Copyright © Sue Matheson, 2013. All rights reserved. First published in 2013 by PALGRAVE MACMILLAN® in the United States—a division of St. Martin’s Press LLC, 175 Fifth Avenue, New York, NY 10010. Where this book is distributed in the UK, Europe and the rest of the World, this is by Palgrave Macmillan, a division of Macmillan Publishers Limited, registered in England, company number 785998, of Houndmills, Basingstoke, Hampshire RG21 6XS. Palgrave Macmillan is the global academic imprint of the above companies and has companies and representatives throughout the world. Palgrave® and Macmillan® are registered trademarks in the United States, the United Kingdom, Europe and other countries. ISBN: 978–1–137–27293–5 Library of Congress Cataloging-in-Publication Data is available from the Library of Congress. A catalogue record of the book is available from the British Library. Design by Integra Software Services First edition: January 2013 10987654321 Dedicated to the memory of Sam Matheson, who loved a good horse opera This page intentionally left blank Contents List of Figures ix Acknowledgments xi Introduction 1 Sue Matheson 1 Virgins, Widows, and Whores: The Bride Pool of the John Wayne Westerns 7 Helen M. Lewis 2 Only a Woman After All? Gender Dynamics in the Westerns of Barbara Stanwyck 19 A. P. Nelson 3 Violence, Vixens, and Virgins: Noir-like Women in the Stewart/Mann Westerns 35 Debra B.